{"product_id":"youll-enjoy-it-when-you-get-there-isbn-9781590177273","title":"You'll Enjoy It When You Get There","description":"AN NYRB CLASSICS ORIGINAL\u003cbr\u003e\u003cbr\u003eElizabeth Taylor is finally beginning to gain the recognition due to her as one of the best English writers of the postwar period, prized and praised by Sarah Waters and Hilary Mantel, among others. Inheriting Ivy Compton-Burnett’s uncanny sensitivity to the terrifying undercurrents that swirl beneath the apparent calm of respectable family life while showing a deep sympathy of her own for human loneliness, Taylor depicted dislocation with the unflinching presence of mind of Graham Greene. But for Taylor, unlike Greene, dislocation began not in distant climes but right at home. It is in the living room, playroom, and bedroom that Taylor stages her unforgettable dramas of alienation and impossible desire.\u003cbr\u003e\u003cbr\u003e Taylor’s stories, many of which originally appeared in \u003ci\u003eThe New Yorker,\u003c\/i\u003e are her central achievement. Here are self-improving spinsters and gossiping girls, war orphans and wallflowers, honeymooners and barmaids, mistresses and murderers. Margaret Drabble’s new selection reveals a writer whose wide sympathies and restless curiosity are matched by a steely penetration into the human heart and mind.“For years, Taylor’s short stories—painfully smart,  hilarious, dark—have been entirely out of print in the United States.” —Britt Peterson, \u003ci\u003eThe New Republic\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“I find the writing of Elizabeth Taylor fresh, and inevitably hitting the right nail on the head in every sentence. In fact I find her so unbelievably good, kind, stimulating, catty and subtle that I forget I’m a critic.” —John Betjeman\u003cbr\u003e\u003cbr\u003e “Passion at cross-purposes with respectability—passion at cross-purposes, even, with happiness—is  a great theme in Taylor’s fiction.” —Caleb Crain\u003cbr\u003e\u003cbr\u003e\"Taylor’s vulnerable characters are simultaneously touching and heartbreaking.\" —\u003ci\u003ePublishers Weekly \u003c\/i\u003estarred review\u003cbr\u003e\u003cbr\u003e“The short story [is] a form in which Taylor, a gimlet-eyed miniaturist, fully exploited her talents.” —Benjamin Schwarz, \u003ci\u003eThe Atlantic\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e “Taylor’s stories, like her novels, are also filled with interesting and original ideas about life that are presented with almost no emphasis, ideas that other novelists would practically underscore and print in bold.” —\u003ci\u003eFinancial Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"Taylor was ahead of her time in so many ways. She wrote about women’s lives with a keen eye for what goes on beneath the surface and behind the curtains.” —\u003ci\u003eThe Booklist Reader\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “In all the stories there is a peculiarly satisfying mixture of wit and generosity. Their human depth is such that they can be read again and again.” —Margaret Drabble\u003cbr\u003e  \u003cbr\u003e “Her stories remain with one, indelibly, as though they had been some turning point in one’s own experience.” —Elizabeth Bowen\u003cbr\u003e  \u003cbr\u003e “There is a deceptive smoothness in her tone, or tone of voice, as in that of Evelyn Waugh; not a far-fetched comparison, for in the work of both writers the funny and the appalling lie side by side in close amity.” —Kingsley Amis\u003cb\u003eElizabeth Taylor \u003c\/b\u003e(1912–1975) was born into a middle-class family in Berkshire, England. She held a variety of positions, including librarian and governess, before marrying a businessman in 1936. Nine years later, her first novel, \u003ci\u003eAt Mrs. Lippincote’s\u003c\/i\u003e, appeared. She would go on to publish eleven more novels, including \u003ci\u003eAngel\u003c\/i\u003e and \u003ci\u003eA Game of Hide and Seek\u003c\/i\u003e (both available as NYRB Classics), four collections of short stories (many of which originally appeared in \u003ci\u003eThe New Yorker\u003c\/i\u003e, \u003ci\u003eHarper\u003c\/i\u003e’s, and other magazines), and a children’s book, \u003ci\u003eMossy Trotter\u003c\/i\u003e, while living with her husband and two children in Buckingham­shire. Long championed  by Ivy Compton-Burnett, Barbara Pym, Robert Liddell, Kingsley Amis, and Elizabeth Jane Howard, Taylor’s novels and stories have been the basis for a number of films, including \u003ci\u003eMrs. Palfrey at the Claremont\u003c\/i\u003e (2005), starring Joan Plowright, and François Ozon’s \u003ci\u003eAngel\u003c\/i\u003e (2007).\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMargaret Drabble\u003c\/b\u003e is the author of eighteen novels, including \u003ci\u003eThe Needle’s Eye\u003c\/i\u003e, \u003ci\u003eThe Peppered Moth\u003c\/i\u003e, \u003ci\u003eThe Seven Sisters\u003c\/i\u003e, \u003ci\u003eThe Sea Lady\u003c\/i\u003e, and most recently, \u003ci\u003eThe Pure Gold Baby\u003c\/i\u003e. Among her works of nonfiction are biographies of Arnold Bennett and Angus Wilson. She has edited the fifth and sixth editions of the \u003ci\u003eOxford Companion to World Literature\u003c\/i\u003e and was made a Dame of the British Empire in 2008.","brand":"NYRB Classics","offers":[{"title":"Default Title","offer_id":46304264945893,"sku":"NP9781590177273","price":19.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781590177273.jpg?v=1767744775","url":"https:\/\/k12savings.com\/products\/youll-enjoy-it-when-you-get-there-isbn-9781590177273","provider":"K12savings","version":"1.0","type":"link"}