{"product_id":"writing-the-other-life-isbn-9781644214152","title":"Writing, the Other Life","description":"\u003cb\u003eWINNER OF THE NOBEL PRIZE IN LITERATURE: Celebrate Annie Ernaux with this stunning collection of interviews, critical analyses, and 24 unpublished writings offering insight into her life, writing style, thoughts, and influence. \u003cbr\u003e \u003cbr\u003eDrawings, photos, handwritten manuscripts, and other visual materials make this a beautiful keepsake for new and longtime fans.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eMagisterial in scope and size, Annie Ernaux: \u003ci\u003eWriting, The Other Life \u003c\/i\u003ewas compiled and edited by Pierre-Louis Fort and was first published in France by Éditions de L'Herne in 2022, a few months before she received the Nobel Prize in Literature. The anthology includes twenty-four previously unpublished Ernaux pieces, as well as literary criticism, essays, interviews, diary entries, a song by Jeanne Cherhal, newspaper clippings, a comic strip by Aurélia Aurita, letters from Simone de Beauvoir.\u003cbr\u003e\u003cbr\u003eNever before published in English, this beautifully visual collection includes an 8-page color photo insert with images, handwritten manuscript pages, and drawings sprinkled throughout. It is the fruit of collaboration between six celebrated translators and a groundbreaking work of scholarship and rumination.\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePierre-Louis Fort\u003cbr\u003e            \u003ci\u003eForeword\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eJeanne Cherhal\u003cbr\u003e            \u003ci\u003eI am reading \/ read you\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cb\u003eI\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e“To avenge my people” (Translated by Alison Strayer)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Tree\u003c\/i\u003e, 1963 – unpublished \u003cbr\u003ePoems of youth –1962\u003cbr\u003e\u003cbr\u003eARCHIVE: The opening of a novel written in seventh grade\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eVocation?\u003c\/i\u003e, 1999\u003cbr\u003e\u003ci\u003eWriting \u003c\/i\u003e(I), unpublished excerpts from the journal, 1963-1985\u003cbr\u003e\u003cb\u003eSimone de Beauvoir\u003c\/b\u003e\u003cbr\u003eLetter, 1974\u003cbr\u003e\u003cb\u003eJean Roudaut\u003c\/b\u003e\u003cbr\u003ePostcard, 1974\u003cbr\u003e\u003cb\u003eSimone de Beauvoir\u003c\/b\u003e\u003cbr\u003eLetter, 1977\u003cbr\u003e\u003cb\u003eBenoîte Groult\u003c\/b\u003e\u003cbr\u003eLetter, 1981\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Place of the Reader\u003c\/i\u003e, 1997\u003cbr\u003e\u003cb\u003ePierre-Louis Fort\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eA “Place” Apart\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eDominique Barbéris\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAn Art in this Openly Asserted Absence of Art \u003c\/i\u003e\u003cbr\u003e\u003cb\u003eNicola Lagioia\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eA Man’s Place: Reparation and Betrayal\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eARCHIVE: Manuscript of \u003ci\u003eLa Place \u003c\/i\u003e(\u003ci\u003eA Man’s Place\u003c\/i\u003e) and facsimile of the list of possible titles\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e“Because the book I write about her must be beautiful or not at all.”\u003c\/i\u003e\u003cbr\u003e 1986 – unpublished\u003cbr\u003e\u003cb\u003ePierre Desproges\u003c\/b\u003e\u003cbr\u003eLetter\u003cbr\u003e\u003cb\u003ePatrice Robin\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e“Truth and Advice”\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cb\u003eII\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e“To Give Form Through Writing” (Translated by Emma Ramadan)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eWords Like Stains\u003c\/i\u003e, 1998-1999 – unpublished\u003cbr\u003e\u003cb\u003eIsabelle Desesquelles\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Fabric of Time\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMaya Lavault\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eTowards and Against Proust\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eOn Proust, \u003c\/i\u003e1983-1988 – unpublished\u003cbr\u003e\u003ci\u003eA Prize\u003c\/i\u003e, 2017\u003cbr\u003e\u003ci\u003eKyo\u003c\/i\u003e, 1999; 2006 – unpublished\u003cbr\u003e\u003cb\u003eAnnie Ernaux and Frédéric-Yves Jeannet\u003c\/b\u003e\u003cbr\u003e“\u003ci\u003eWho is this me who travels?\u003c\/i\u003e” – unpublished interview\u003cbr\u003e\u003cb\u003eBarbara Havercroft\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e“I’m no fucking plumber!”: Annie Ernaux and Feminisim\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eHélène Gestern\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eWe Don’t Write Alone\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\u003cb\u003eIII\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eHappening \u003c\/i\u003e(Translated by Sophie Lewis)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGeneviève Brisac\u003c\/b\u003e\u003cbr\u003eHappening, \u003ci\u003eOr Twenty Years Later\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eNathalie Kuperman\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Dinner\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eFrançoise Gillard\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e“I Shall Remember”\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eOn \u003c\/i\u003eHappening, 2000\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cb\u003eIV\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eCinema, Photography, Theatre (Translated by Emma Ramadan)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFilm\u003cbr\u003e\u003cb\u003eDanielle Arbid\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAnnie, A Punk\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e“Write” \u003c\/i\u003e(\u003ci\u003eII\u003c\/i\u003e), diary extracts, 1991 – unpublished\u003cbr\u003e\u003cb\u003eAnne Coudreuse\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Me in the Mirror\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAudrey Diwan\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAnnie Ernaux – Justness\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003ePhotography\u003cbr\u003e\u003cb\u003eDominique Cabrera\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eWith the Leica\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e “\u003ci\u003eI Have Cancer in My Right Breast\u003c\/i\u003e,”  2002-3 – unpublished\u003cbr\u003e\u003cb\u003eAurélia Aurita\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Uses of Drawing\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eIsabelle Roussel-Gillet\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eFacing Photographs, with Annie Ernaux\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e“\u003ci\u003eThe Stunners”\u003c\/i\u003e – a Drawing: ‘Les Femmes Qui Rient’ (‘The Laughing Women’) by Mylène Besson\u003cbr\u003e\u003cbr\u003eTheatre\u003cbr\u003e\u003cb\u003eJeanne Champagne\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eFinding the Form\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eDominique Blanc\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eJoy and Courage\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cb\u003eV\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eThe Years (Translated by Alison Strayer) \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe third millennium\u003c\/i\u003e, 1999 – unpublished\u003cbr\u003e\u003ci\u003eBirthday\u003c\/i\u003e, 2002 – unpublished\u003cbr\u003e\u003cb\u003eDelphine de Vigan\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Book of a Lifetime\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux and Bernard Desportes\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eEpistolary dialogues about \u003c\/i\u003eThe Years (December 2007 – February 2008)\u003cbr\u003e\u003cb\u003eBruno Blanckeman\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eDu romanesque malgré tout\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eWriting \u003c\/i\u003e(III), diary extracts, 2001-7 – unpublished\u003cbr\u003e\u003cb\u003eAlison L. Strayer\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eTranslating \u003c\/i\u003eThe Years\u003ci\u003e: a question of breath\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cb\u003eVI\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eGeographies (Translated by Ros Schwartz)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eYvetot\u003c\/i\u003e, 1968-2005 – unpublished\u003cbr\u003e\u003ci\u003eAnnecy\u003c\/i\u003e, 1998 – unpublished\u003cbr\u003e\u003ci\u003eRouen\u003c\/i\u003e, 2000 – unpublished\u003cbr\u003e\u003cb\u003eMichelle Porte and Pierre-Louis Fort\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e“Writing that inhabits the other, truly, completely”\u003c\/i\u003e – unpublished interview\u003cbr\u003e\u003cb\u003eJoëlle Pagès-Lindon\u003c\/b\u003e\u003cbr\u003e“\u003ci\u003eWords As Stones\u003c\/i\u003e”\u003cbr\u003e\u003cb\u003eLauren Elkin\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe City and the Suburb: the “extimate” diaries of Annie Ernaux\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eRégis Sauder\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eI Have Loved Living Here. \u003c\/i\u003eWriting a screenplay with Annie Ernaux\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eSpeech Given at the University of Cergy-Pontoise\u003c\/i\u003e, 2014 – unpublished\u003cbr\u003e\u003cb\u003eTiphaine Samoyault\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe New Town\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eENGLAND\u003cbr\u003e\u003cb\u003eÉlise Hugueney-Léger\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Life of Annie Ernaux’s Writings\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux and Lyn Thomas\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e“English literature was my real gateway into England”\u003c\/i\u003e – unpublished interview\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eI turned twenty in Finchley, a London suburb\u003c\/i\u003e – unpublished\u003cbr\u003e\u003cbr\u003eTRAVELS\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e“America day by day,”\u003c\/i\u003e 1990 – unpublished\u003cbr\u003e\u003ci\u003eAustria, Slovakia, Romania\u003c\/i\u003e, 1993, 1998 – unpublished\u003cbr\u003e\u003ci\u003eEgypt\u003c\/i\u003e, 1994 – unpublished\u003cbr\u003e\u003ci\u003eKorea\u003c\/i\u003e, 1994 – unpublished\u003cbr\u003e\u003ci\u003eVenice\u003c\/i\u003e, 1982-2009 – unpublished\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cb\u003eVII\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e \u003ci\u003eA Girl’s Story \u003c\/i\u003e(Translated by Alison Strayer)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIsabelle Charpentier\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eReadings of  A Girl’s Story\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eFabrice Thumerel\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAn Other \u003c\/i\u003e(Memory): \u003ci\u003ea Girl’s\/ Girls’ Stories\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e“\u003c\/b\u003eWriting” (IV), excerpts from the journal, 2008-2012\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cb\u003eVIII\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eThe Real Without Me and Within (Translated by Frank Wynne)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAuto-Socio-Biography\u003cbr\u003e\u003cb\u003eFrançoise Simonet-Tenant\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAnnie Ernaux and emancipation, or how to find \u003c\/i\u003eone’s\u003ci\u003e place?\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eGisèle Sapiro\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAn Ethnography of Symbolic Violence\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eIvan Jablonka\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eI, She, We\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eNicolas Mathieu\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Most Appropriate, Most Succint Words\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eBourdieu: The grief\u003c\/i\u003e, 2002\u003cbr\u003e“It was something I had to do, a debt,” 2002 – unpublished\u003cbr\u003e\u003cbr\u003eSchool, Teaching and Religion\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Exam\u003c\/i\u003e, 1971 – unpublished\u003cbr\u003e\u003cb\u003eVéronique Jacob\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAnnie Ernaux, a ‘classic’ of the classroom.\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eFrench Class\u003c\/i\u003e, 2011\u003cbr\u003e\u003cb\u003eNathalie Froloff\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Empty Tomb: Religion in the Work of Annie Ernaux\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Within and Without”\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe External Life \u003c\/i\u003e(further), 2000-2001\u003cbr\u003e\u003cb\u003eAlexandre Gefen\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAnnie Ernaux,Politics\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAurélie Adler\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eA Girl’s Story: Writing in \/ with the Gaps of History\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eWith the Smile of Saint-Just\u003c\/i\u003e, 1988\u003cbr\u003e\u003ci\u003eEurope and the Freedom of Women\u003c\/i\u003e, 2016\u003cbr\u003e\u003ci\u003eMay 1st, Imposter Altert!\u003c\/i\u003e 2012\u003cbr\u003e\u003ci\u003eLila, Soror\u003c\/i\u003e, 2019\u003cbr\u003e\u003ci\u003ePolitics and Society\u003c\/i\u003e, 1981-2013 – unpublished\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIX\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eNew Enquiries \/ Openings \/ Overtures (Translated by Dan Simon)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Formentor Prize\u003c\/i\u003e, 2019\u003cbr\u003e\u003cb\u003eAnnie Ernaux\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Memories of Rooms and Other Places\u003c\/i\u003e, 1989-1998 – unpublished\u003cbr\u003e\u003cb\u003eAnnie Ernaux and Pierre-Louis Fort\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e‘It’s the books that live, not me\u003c\/i\u003e’ – unpublished interview\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003ci\u003eA Timeline\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eContributors\u003c\/i\u003e\"Ernaux heads, get ready. The pioneering Nobel winner from France and author of dozens of fearlessly autobiographical works such as \u003ci\u003eHappening\u003c\/i\u003e, \u003ci\u003eThe Years\u003c\/i\u003e, and \u003ci\u003eSimple Passion\u003c\/i\u003e is releasing an anthology of interviews, diary excerpts, visual material, and previously unpublished essays that’s billed as 'magisterial in size.'\" \u003cb\u003e—\u003ci\u003eVulture, \"Books We Can’t Wait to Read in 2026\"\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cb\u003ePIERRE-LOUIS FORT \u003c\/b\u003e\u003c\/b\u003eis a professor at CY Cergy Paris University. He is a specialist in 20th and 21st century French literature, and is also the author of essays including Critique et Littérature (Paris, 2008) and Simone de Beauvoir (Paris, 2016). He edited this book, which was published in 2022 in France as \u003ci\u003eCahier de L'Herne Annie Ernaux\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eThe author of some twenty works of fiction and memoir, \u003cb\u003eANNIE ERNAUX\u003c\/b\u003e is considered by many to be France’s most important writer. In 2022, she was awarded the Nobel Prize in Literature. She has also won the Prix Renaudot for A Man's Place and the Marguerite Yourcenar Prize for her body of work. More recently she received the International Strega Prize, the Prix Formentor, the French-American Translation Prize, and the Warwick Prize for Women in Translation for \u003ci\u003eThe Years\u003c\/i\u003e, which was also shortlisted for the Man Booker International Prize. Her other works include \u003ci\u003eExteriors\u003c\/i\u003e, \u003ci\u003eA Girl's Story\u003c\/i\u003e, \u003ci\u003eA Woman's Story\u003c\/i\u003e, \u003ci\u003eThe Possession\u003c\/i\u003e, \u003ci\u003eSimple Passion\u003c\/i\u003e, \u003ci\u003eHappening\u003c\/i\u003e, \u003ci\u003eI Remain in Darkness\u003c\/i\u003e, \u003ci\u003eShame\u003c\/i\u003e, \u003ci\u003eA Frozen Woman\u003c\/i\u003e, \u003ci\u003eA Man's Place\u003c\/i\u003e, and \u003ci\u003eThe Young Man\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eROS SCHWARTZ\u003c\/b\u003e has translated a wide range of Francophone literary fiction, memoirs, nonfiction and literature for children and young adults. In 2009 she was awarded the distinction of \u003ci\u003eChevalier dans l’Ordre des Arts et des Lettres\u003c\/i\u003e for her services to literature. \u003cb\u003eSOPHIE LEWIS\u003c\/b\u003e is a translator and an editor working from French and Portuguese, and her translations have been shortlisted for the Scott Moncrieff and Republic of Consciousness prizes, and longlisted for the International Booker Prize. \u003cb\u003eFRANK WYNNE \u003c\/b\u003eis an Irish writer and translator and he chaired the jury of the 2022 Booker International. He has won numerous awards, and most recently his translation of The Art of Losing won the 2022 Dublin Literary Award. \u003cb\u003eALISON L. STRAYER \u003c\/b\u003eis a Canadian writer and translator. Her work has been shortlisted for the Governor General’s Award for Literature and for Translation, the Grand Prix du livre de Montréal, and the Prix littéraire France-Québec. Translator \u003cb\u003eEMMA RAMADAN\u003c\/b\u003e is based in Providence, Rhode Island, where she co-owns Riffraff Bookstore and Bar. She's the recipient of an NEA fellowship, a Fulbright grant, and the 2018 Albertine Prize. \u003cb\u003eDAN SIMON\u003c\/b\u003e is founder and publisher of Seven Stories Press. His prior translations from the French include \u003ci\u003eVan Gogh: Self Portraits, with accompanying letters from Vincent to his brother Theo \u003c\/i\u003eby Pascal Bonafoux, and, with Carol Volk, \u003ci\u003ePost-Impressionists \u003c\/i\u003eby Guy Cogeval.","brand":"Seven Stories Press","offers":[{"title":"Default Title","offer_id":46302234869989,"sku":"NP9781644214152","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781644214152.jpg?v=1767744617","url":"https:\/\/k12savings.com\/products\/writing-the-other-life-isbn-9781644214152","provider":"K12savings","version":"1.0","type":"link"}