{"product_id":"thin-skin-isbn-9780593317457","title":"Thin Skin","description":"\u003cb\u003eONE OF \u003ci\u003eTIME'\u003c\/i\u003eS 100 MUST-READ BOOKS OF THE YEAR \u003cb\u003e• \u003c\/b\u003eA GOODREADS MOST ANTICIPATED BOOK • Examining capitalism’s toxic creep into the land, our bodies, and our thinking, this incisive new work is “a visceral exploration” (Katherine May, author of \u003ci\u003eWintering\u003c\/i\u003e) from a National Book Award finalist and a powerful literary mind.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\"A wrenching, loving and trenchant examination of feminism, nuclear weapons production, healthcare, queerness and American life\" —Alexander Chee, author of \u003ci\u003eHow to Write an Autobiographical Novel\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFor Jenn Shapland, the barrier between herself and the world is porous; she was even diagnosed with extreme dermatologic sensitivity—thin skin.\u003cbr\u003e\u003cbr\u003eRecognizing how deeply vulnerable we all are to our surroundings, she becomes aware of the impacts our tiniest choices have on people, places, and species far away. She can't stop seeing the ways we are enmeshed and entangled with everyone else on the planet. Despite our attempts to cordon ourselves off from risk, our boundaries are permeable.\u003cbr\u003e\u003cbr\u003eWeaving together historical research, interviews, and her everyday life in New Mexico, Shapland probes the lines between self and work, human and animal, need and desire. She traces the legacies of nuclear weapons development on Native land, unable to let go of her search for contamination until it bleeds out into her own family’s medical history. She questions the toxic myth of white womanhood and the fear of traveling alone that she’s been made to feel since girlhood. And she explores her desire to build a creative life as a queer woman, asking whether such a thing as a meaningful life is possible under capitalism.\u003cbr\u003e\u003cbr\u003eCeaselessly curious, uncompromisingly intelligent, and urgently seeking, with \u003ci\u003eThin Skin\u003c\/i\u003e Shapland builds thrillingly on her genre-defying debut \u003ci\u003eMy Autobiography of Carson McCullers \u003c\/i\u003e(“Gorgeous, symphonic, tender, and brilliant” —Carmen Machado), firmly establishing herself as one of the sharpest essayists of her generation.\u003ci\u003ePreface\u003c\/i\u003e \u003cbr\u003e\u003cbr\u003eThin Skin \u003cbr\u003eStrangers on a Train \u003cbr\u003eThe Toomuchness \u003cbr\u003eCrystal Vortex\u003cbr\u003eThe Meaning of Life \u003cbr\u003e\u003cbr\u003e\u003ci\u003eAcknowledgments\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eSources \u003c\/i\u003e\u003cb\u003eNamed a Best Book of the Year by \u003ci\u003eTIME\u003c\/i\u003e, \u003ci\u003ePublishers Weekly, \u003c\/i\u003eNew York Public Library, \u003ci\u003eAutostraddle,\u003c\/i\u003e and \u003ci\u003eNew Mexico Magazine\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Brilliant and engaging.”\u003cbr\u003e —\u003cb\u003e\u003ci\u003ePeople\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Rigorous…While the future hardly looks bright, Shapland…grasps hold of some tentative yet essential hope. ‘Each day is a question we ask ourselves—what is life?’ she writes, picturing the marvel of growing old beside her partner. ‘And answer: \u003ci\u003ethis\u003c\/i\u003e.’”\u003cbr\u003e —\u003cb\u003e\u003ci\u003eNew York Times Book Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“It is rarely a compliment to be called ‘thin-skinned,’ but essayist Jenn Shapland wears it like a badge of honor…[She] is an expert on the topic—she was diagnosed with extreme dermatologic sensitivity—and writes of her sensitivities across five sweeping essays…\u003ci\u003eThin Skin\u003c\/i\u003e could have been Shapland’s argument for why we should protect our sensitive epidermises from the harshness of the world. Instead, she encourages us to break down our emotional, mental, and physical barriers and really explore what life’s got to offer, even if it may hurt a little.”\u003cbr\u003e —\u003cb\u003e\u003ci\u003eTIME\u003c\/i\u003e, “100 Best Books of the Year”\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“With a writing style that recalls the work of Eula Biss and a goal in solidarity with \u003ci\u003eWho is Wellness For?\u003c\/i\u003e by Fariha Róisín…the work as a whole finds Shapland determined to reckon with the biggest challenges that face us as a society: environmental toxicity, racism, fascist control…Books like \u003ci\u003eThin Skin\u003c\/i\u003e are important. They run on hope, which is perhaps the only capital left to those who would like to see the human race survive. Shapland’s use of the queer experience is deeply empowering…\u003ci\u003eThin Skin\u003c\/i\u003e asks readers to consider themselves and the world they occupy—not the future, but the present. The choices we make for this world are for ourselves.”\u003ci\u003e\u003cbr\u003e—\u003cb\u003e\u003ci\u003eLos Angeles Times\u003c\/i\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e“The way that Shapland weaves a mosaic of experiences, research, and stories into a cohesive and enlightening whole is remarkable.”\u003cbr\u003e —\u003cb\u003e\u003ci\u003eShondaland \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e “Shapland probes the capacity of essay as a form to examine and question the lines we draw between ourselves and others, ourselves and the non-human world, and the past we’ve wrought with the present in which we live.”\u003cbr\u003e —\u003cb\u003e\u003ci\u003eThe Nation\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e“The collection…probes how our existence is neither autonomous nor inviolable…By tracing these uncomfortable connections, Thin Skin repudiates the notion that we are wholly separate from one another.”\u003cb\u003e\u003ci\u003e\u003cbr\u003e —\u003cb\u003e\u003ci\u003eThe Atlantic\u003c\/i\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e “Mesmerizing and carefully, dutifully written…\u003ci\u003eThin Skin\u003c\/i\u003e asks us to lean into our own beliefs and choices, reconsider what we knew and engage in new revelations, and open our eyes to the smallest and largest choices that impact the world around us.\u003cbr\u003e —\u003ci\u003e\u003cb\u003eElectric Literature\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e“Sometimes you read a writer and you find yourself mesmerized by their prose, wondering how on Earth they do it. For me, Jenn Shapland is one of those writers…I was struck over and over again with how Shapland’s work contains multiple layers of depth and meaning. Her prose feels so intentional, as if she’s already thought of and discarded every other possible way of expressing what she wants to say.”\u003cbr\u003e —\u003cb\u003e\u003ci\u003eBook Riot\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Personal yet outwardly reflective… Shapland finds insight through her nimble and voracious sensibility as a cultural critic…Such lucid and rigorous work with an open heart…\u003ci\u003eThin Skin\u003c\/i\u003e is a necessary series of conversations about challenging topics, including Indigenous culture, privilege, friendship, the desire for space and a creative life, the choice to not raise children, and reconciling with death while choosing to live the life of dreams you haven’t even fully imagined.”\u003cbr\u003e—\u003cb\u003e\u003ci\u003ePoets \u0026amp; Writers\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Shapland's essays examine vulnerability and how our choices impact people, places, and species far away. Weaving together historical research, interviews, and her everyday life in New Mexico, she probes the lines between self and work, human and animal, need and desire.”\u003cbr\u003e \u003cb\u003e—New York Public Library\u003c\/b\u003e\u003cbr\u003e \u003cb\u003e \u003c\/b\u003e\u003cbr\u003e “Deeply felt.”\u003cbr\u003e —\u003cb\u003e\u003ci\u003eNew Mexico Magazine\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“A visceral exploration of the thin membrane between the self, the body, and the systems that control them.”\u003cbr\u003e —\u003cb\u003eKatherine May, author of \u003c\/b\u003e\u003ci\u003e\u003cb\u003eWintering\u003c\/b\u003e\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e“\u003ci\u003eThin Skin\u003c\/i\u003e is a searing and translucent text, personal and collective, showing how porous we are, how vulnerable we are and how strong like Earth itself. Our bodies and the body of the land are inextricably linked. And still, we forget the violence that continues to sicken us both. Such an important and visionary book.”\u003cbr\u003e\u003ci\u003e—\u003c\/i\u003e\u003cb\u003eTerry Tempest Williams, author of \u003ci\u003eThe Hour of Land\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“In her introduction, Shapland refers to the ability of the essay to do anything or go anywhere as a part of her love for the form—and in the essays that follow, she shows us she meant it. A wrenching, loving and trenchant examination of feminism, nuclear weapons production, healthcare, queerness and American life unlike any I can think of, in essays that give lessons in pushing this form to the limit. The resulting collection is iconoclastic, electric, illuminating, and the honesty and art in these essays bring with them a series of welcome awakenings. A book to keep for a long time.”\u003cbr\u003e —\u003cb\u003eAlexander Chee, author of \u003ci\u003eHow to Write an Autobiographical Novel\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Jenn Shapland's mind is a marvel. In \u003ci\u003eThin Skin\u003c\/i\u003e, she puts it to work on our permeability to one another, and the result is a stunning, urgent, and layered consideration of our climate-catastrophe, pandemic-laden day. As each essay considers vulnerability in a different form, Shapland proves herself a brilliant and compassionate guide through loss and the enduring need to find hope. She offers no easy answers, but something far more valuable: deeper, more acute understanding—the best kind of balm.”\u003cb\u003e\u003ci\u003e\u003cbr\u003e —\u003c\/i\u003eAlex Marzano-Lesnevich, author of \u003ci\u003e\u003ci\u003eThe Fact of a Body\u003c\/i\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \"This book is a miracle! Whether writing about her migraines, ‘karens,’ the environment, Buddhism or deciding not to have children, Shapland takes on each subject with tenderness and depth. Every essay roams in a wild and thrilling way, holding to the author's own spiritual advice, to yield again and again and to both accept and ‘indulge the universe.’”\u003cbr\u003e —\u003cb\u003eDarcey Steinke, author of \u003ci\u003eFlash Count Diary\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e“\u003ci\u003eThin Skin\u003c\/i\u003e confirms that Jenn Shapland is one of the most exciting American writers working today. She simultaneously crisscrosses and dissects topics as enormous as personhood, colonization, and climate change with such virtuosic verve and control I’m still marveling over how she does it. \u003ci\u003eThin Skin\u003c\/i\u003e expands our sense of what essays can be and do.”\u003ci\u003e\u003cb\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e—Jeannie Vanasco\u003c\/b\u003e\u003ci\u003e, \u003c\/i\u003e\u003cb\u003eauthor of Things We Didn’t Talk About When I Was a Girl\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Wide-ranging… In her passionately lucid prose, Shapland poses questions to herself, friends and ultimately the reader to push us to delve deeper into a variety of subjects.”\u003cbr\u003e —\u003cb\u003e\u003ci\u003eThe Rumpus\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Shaggy and smart…A sympathetic if mournful case for keeping in touch with former selves we’ve discarded in lieu of current iterations.”\u003cbr\u003e\u003cb\u003e —\u003ci\u003eBustle\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Masterful, incisive, and intellectually moving…When I finished it, I wanted to immediately reread it…Shapland’s writing is highly engaging and moves around from idea to idea without missing a single critical connection. Her prose is crystalline and evocative, and her messages are powerful enough to hopefully lead some readers to look closely at themselves and their relationships to the people and other living things around them…So fascinating, so versatile, so desirable…It is works like what she’s done in \u003ci\u003eThin Skin \u003c\/i\u003ethat can help so many move from states of inertia to boundless energy in service of creating a better world.”\u003cb\u003e\u003ci\u003e\u003cbr\u003e—\u003cb\u003e\u003ci\u003eAutostraddle\u003c\/i\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “[A] blazing book about the permeability between personal history and the sociopolitical systems that bind us…[Shapland] investigates many significant questions of our current age—climate change, capitalism run amok, female autonomy—and our ‘utter physical enmeshment with every other being on the planet.’”\u003cbr\u003e —\u003ci\u003eElectric Literature\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Profound, often piercing.”\u003cbr\u003e\u003ci\u003e —\u003c\/i\u003e\u003cb\u003e\u003ci\u003eBookPage \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Exceptional…Challenges the notion of individual autonomy and highlights the need for collective responsibility.”\u003cbr\u003e —\u003cb\u003e\u003ci\u003eVigour Times\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\"Triumphant...Shapland's humane, intelligent voice...is, quite simply, excellent company.\"\u003cbr\u003e—\u003cb\u003e\u003ci\u003eProspect Magazine\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“There’s an appealing free-range quality to these essays as well, which zig and zag among a range of ideas as if in a particle accelerator. Shapland moves fluidly from Marie Curie’s fateful work on the nature of radioactivity to her own upbringing as ‘an extremely sheltered kid’ in Chicago to her visit to the Memorial for Peace and Justice in Alabama…A keen sense of curiosity irrigates the essays—a willingness to overturn conventional ideas.”\u003cbr\u003e\u003cb\u003e —\u003ci\u003eThe Village Voice\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Provocative…In a vigorous tradition of feminist and anti-capitalist writers, from Susan Sontag to Ellen Willis to Audre Lorde to Rachel Carlson (a much-invoked spiritual inspiration for Shapland) to Eula Biss (an oft-invoked literary one) and Simone Weil (ditto). Still, \u003ci\u003eThin Skin\u003c\/i\u003e doesn’t feel like it’s working well-worn ground…[Shapland is] a fine critic.”\u003cbr\u003e —\u003cb\u003e\u003ci\u003eOn the Seawall\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Exhilarating…It’s hard not to marvel at how the author draws unexpected conclusions from a diverse array of anecdotes, illuminating the profound ways in which individuals and the world shape each other. This is a gem.”\u003cb\u003e\u003ci\u003e\u003cbr\u003e —\u003cb\u003e\u003ci\u003ePublishers Weekly\u003c\/i\u003e, starred review\u003c\/b\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e“Even more beautiful and thought-provoking than I’d imagined. I’m savoring this one and underlining like a lunatic, so if you’re looking for your next essay collection to adore, I highly recommend.”\u003cb\u003e\u003ci\u003e\u003cb\u003e\u003cbr\u003e—\u003cb\u003e\u003ci\u003eAutostraddle\u003c\/i\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Breathtaking in their sharp synthesis of a variety of ideas and experiences, Shapland’s essays are a truth-telling balm for mind, body, and spirit. An eloquent and vibrantly lucid collection.” \u003cbr\u003e \u003cb\u003e—\u003c\/b\u003e\u003ci\u003e\u003cb\u003eKirkus\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e, starred review\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Reflective, compassionate…Her selection of topics is broad and transcendent…The kind of book we should all be reading to better understand the world around us.”\u003cbr\u003e\u003cb\u003e —\u003ci\u003eBoca Raton Magazine\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eJENN SHAPLAND\u003c\/b\u003e’s first book, \u003ci\u003eMy Autobiography of Carson McCullers,\u003c\/i\u003e was a finalist for the National Book Award and won a Lambda Literary Award and a Christian Gauss Award, among other honors; it has been translated into Spanish, French, and Polish. Shapland has a PhD in English from the University of Texas at Austin. She lives in Santa Fe, New Mexico, where she works as an archivist for a visual artist.\u003cb\u003ePreface\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e I’m sitting in my office, a converted garage in Santa Fe, New Mexico, in the waning September light, with Lou, the small gray cat, on my lap, while Chelsea is out with a friend. I’ve just come inside from removing three dead baby mice from our shed. Their mother appears to have abandoned them, and though I tried, naïvely, to revive them—with tortilla chips,with carrot shavings, with oat milk in a syringe—they didn’t make it. My editor, Naomi, has asked me to write an author’s note for this book, which I’ve chosen to call a preface, because I like the sound of it better. The preface is meant to tell you what connects these five essays for me, to give you a plan, a sense of direction.\u003cbr\u003e  \u003cbr\u003e I wanted this book to open with something soft, some easy ground to land on. I wanted to begin with a funny anecdote, relevant to our times but not too taxing. I wanted to ease us all into it, the idea of our utter physical enmeshment with every other being on the planet. I wanted to let the bottom of our bounded individuality fall away beneath us slowly, almost imperceptibly. Instead, this book begins in the free fall of reality: the material fact of our exposure to nuclear and industrial waste, and our political and cultural willingness to wasteland entire human communities and ecosystems. Note that my impulse here is to apologize.\u003cbr\u003e  \u003cbr\u003e It starts with “Thin Skin,” a corporeal account of how thin the membrane is between each of us and one another, between each of us and the world outside. I want it to be clear from the outset that there is no “outside,” that the world is a part of our cellular makeup, that we impact it with every tiny choice we make. My thinking for this book began with an essay called “The Toomuchness,” which took five years to write. It was inspired by the clothes moths that had infested our closet, which I saw as a metaphor made literal, the ultimate intersection of capitalism’s excess and human mortality.\u003cbr\u003e I couldn’t look away.\u003cbr\u003e  \u003cbr\u003e I began to see what I now think of as literalized metaphors for my entanglement, my complicity, all over my life: in my dermatological diagnosis of “thin skin,” in my friends’ having babies as the world burned, in the crystals cropping up everywhere to heal us of something, in my own sense of vulnerability and my desire to feel safe. I began to question the idea of myself as a being in need of protection, indeed as something that could be protected. Nothing can protect us: just look at the mice. It struck me as I wrote that I was utterly vulnerable to every other person, every other creature on Earth, and they were also vulnerable to me. Writing under lockdown during the COVID-19 pandemic only made this more obvious and inescapable. As I wrote, I began to seek other ways of understanding the self that might be more useful than this shivering, weak thing we must shore up against the world.\u003cbr\u003e  \u003cbr\u003e At times I thought of these essays as a way to document coping mechanisms for capitalism: all the things that I do, that many of us do already, to cope with a broken and violent system. At other times I longed for a way to burn it all down and start again. What would it mean to imagine alternatives to our limited narratives about family, love, labor, longing, pleasure, safety, and legacy? As I thought and read about these intersecting ideas, I grounded the essays in the present conditions of my life, yet each one took me farther back in time— to the makeshift lives of queer women in the ___s; to the construction of our ideas about work and white femininity during the early days of U.S. colonization and slavery; to the witch hunts in Europe, a point of origin for our dysfunctional healthcare system and the ongoing pressure on women to caretake. I love essays because they can go anywhere, can incorporate any body of knowledge, any question. Nothing is too big or too small.\u003cbr\u003e  \u003cbr\u003e In writing these pieces, I saw myself as source material— not as a character, not as the story, but as one vehicle among many for probing the ideas that most torment or entice me, that keep me up at night. To be thin- skinned is to feel keenly, to perceive things that might go unseen, unnoticed, that others might prefer not to notice. The essays contain many people’s voices other than my own, some of whom express a sensitivity, an ability to feel and sense this profound permeability with others. Writing can be a mode of perception, a sensitivity to the world. This is a book about the joys and perils of our dissolving boundaries: the physical boundary of our skin as it absorbs chemicals, the emotional border where real fear meets cultivated violence, the obscured line from our desires to our material things, the ever- more- fluid overlap between self and work, and the imaginative realm beyond our prescribed expectations for a full life and toward expanded ideas of personhood, meaning, and purpose.","brand":"Pantheon","offers":[{"title":"Default Title","offer_id":46303056691429,"sku":"NP9780593317457","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780593317457.jpg?v=1757964804","url":"https:\/\/k12savings.com\/products\/thin-skin-isbn-9780593317457","provider":"K12savings","version":"1.0","type":"link"}