{"product_id":"theater-garden-bestiary-isbn-9783956794551","title":"Theater, Garden, Bestiary","description":"\u003cb\u003eProposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions.\u003c\/b\u003e\u003cp\u003eThis volume gathers and expands upon the results of the research project “Theater, Garden, Bestiary: A Materialist History of Exhibitions,” held at ECAL\/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eContributors\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eEtienne Chambaud, Elitza Dulguerova, Anselm Franke, Tristan Garcia, Fabien Giraud \u0026amp; Raphaël Siboni, Dorothea von Hantelmann, Yuk Hui, Pierre Huyghe, Sami Khatib, Jeremy Lecomte, Stéphane Lojkine, Rafael Mandressi, Vincent Normand, Peter Osborne, Filipa Ramos, Juliane Rebentisch, João Ribas, Pamela Rosenkranz, Anna-Sophie Springer, Lucy Steeds, Olivier Surel, Etienne Turpin, Kim West, Charles Wolfe\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eTristan Garcia is a philosopher and writer. He codirected the research project \u003ci\u003eTheater, Garden, Bestiary: A Materialist History of Exhibitions \u003c\/i\u003eat ECAL\/University of Art and Design Lausanne (2015–17). His academic publications include: \u003ci\u003eForm and Object: A Treatise on Things \u003c\/i\u003eand \u003ci\u003eThe Life Intense: A Modern Obsession\u003c\/i\u003e. In 2008 he won the Prix de Flore for his first novel: \u003ci\u003eHate: A Romance\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eVincent Normand is an art historian, writer, and occasional curator. He teaches at ECAL\/University of Art and Design Lausanne, where he codirected the research project \u003ci\u003eTheater, Garden, Bestiary: A Materialist History of Exhibitions \u003c\/i\u003e(2015–17). He is codirector and coeditor of the research platform and journal \u003ci\u003eGlass Bead\u003c\/i\u003e. He has curated exhibitions at Centre Pompidou, Paris; LABOR, Mexico City; David Roberts Art Foundation, London; and elsewhere.\u003cbr\u003e\u003cbr\u003eLucy Steeds is Reader in Art Theory and Exhibition History at Central Saint Martins, University of the Arts, London. She is coeditor of \u003ci\u003eThe Curatorial Conundrum: What to Study? What to Research? What to Practice? \u003c\/i\u003eand \u003ci\u003eHow Institutions Think\u003c\/i\u003e (both published by the MIT Press).\u003cbr\u003e\u003cbr\u003eFilipa Ramos is editor-in-chief of \u003ci\u003eart-agenda\u003c\/i\u003e and a Lecturer in Experimental Film at Kingston University and Moving Image at Central Saint Martins, London. She is the author of \u003ci\u003eLost and Found: Crisis of Memory in Contemporary Art \u003c\/i\u003e(2009).\u003cbr\u003e\u003cbr\u003eVincent Normand is an art historian, writer, and occasional curator. He teaches at ECAL\/University of Art and Design Lausanne, where he codirected the research project \u003ci\u003eTheater, Garden, Bestiary: A Materialist History of Exhibitions \u003c\/i\u003e(2015–17). He is codirector and coeditor of the research platform and journal \u003ci\u003eGlass Bead\u003c\/i\u003e. He has curated exhibitions at Centre Pompidou, Paris; LABOR, Mexico City; David Roberts Art Foundation, London; and elsewhere.\u003cbr\u003e\u003cbr\u003eAnna-Sophie Springer, an independent exhibition maker, is the director of K. Verlag, a publishing imprint and curatorial-editorial platform based in Berlin and Toronto.\u003cbr\u003e\u003cbr\u003eEtienne Turpin is a philosopher and the founding director of anexact office, a design research practice based in Jakarta and Berlin.\u003cbr\u003e\u003cbr\u003eTristan Garcia is a philosopher and writer. He codirected the research project \u003ci\u003eTheater, Garden, Bestiary: A Materialist History of Exhibitions \u003c\/i\u003eat ECAL\/University of Art and Design Lausanne (2015–17). His academic publications include: \u003ci\u003eForm and Object: A Treatise on Things \u003c\/i\u003eand \u003ci\u003eThe Life Intense: A Modern Obsession\u003c\/i\u003e. In 2008 he won the Prix de Flore for his first novel: \u003ci\u003eHate: A Romance\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eYuk Hui is a philosopher based in Berlin and the author of \u003ci\u003eOn the Existence of Digital Objects\u003c\/i\u003e and \u003ci\u003eRecursivity and Contingency\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eAnselm Franke has been Head of Visual Arts and Film at Haus der Kulturen der Welt (HKW) since 2013.\u003cbr\u003e\u003cbr\u003ePeter Osborne is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy at Middlesex University, London. Editor of the journal\u003ci\u003e Radical Philosophy\u003c\/i\u003e, he is the author of \u003ci\u003eThe Politics of Time: Modernity and Avant-Garde\u003c\/i\u003e.","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":46301045817573,"sku":"NP9783956794551","price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9783956794551.jpg?v=1767742376","url":"https:\/\/k12savings.com\/products\/theater-garden-bestiary-isbn-9783956794551","provider":"K12savings","version":"1.0","type":"link"}