The Waste Land and Other Writings

Also includes Prufrock and Other Observations, Poems (1920), and The Sacred Wood
Introduction by Mary Karr
 
First published in 1922, “The Waste Land,” T. S. Eliot’s masterpiece, is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot’s poem exerted a revolutionary influence on his contemporaries, summoning forth a potent new poetic language. As Kenneth Rexroth wrote, Eliot “articulated the mind of an epoch in words that seemed its most natural expression.” As commanding as his verse, Eliot’s criticism also transformed twentieth-century letters, and this Modern Library edition includes a selection of Eliot’s most important essays.Mary Karr is an award-winning poet, essayist, and memoirist. She is also the author of four books of poetry, Abacus, The Devil’s Tour, Viper Rum, and Sinners Welcome, and three memoirs, The Liar’s Club, Cherry, and Lit.Portrait of a Lady

Thou hast committed
Fornication: but that was in another country,
And besides, the wench is dead.
The Jew of Malta.

I
Among the smoke and fog of a December afternoon
You have the scene arrange itself as it will seem to do
With I have saved this afternoon for you;
And four wax candles in the darkened room,
Four rings of light upon the ceiling overhead,
An atmosphere of Juliet’s tomb
Prepared for all the things to be said, or left unsaid.
We have been, let us say, to hear the latest Pole
Transmit the Preludes, through his hair and fingertips.

So intimate, this Chopin, that I think his soul
Should be resurrected only among friends
Some two or three, who will not touch the bloom
That is rubbed and questioned in the concert room.

And so the conversation slips
Among velleities and carefully caught regrets
Through attenuated tones of violins
Mingled with remote cornets
And begins.

You do not know how much they mean to me, my friends,
And how, how rare and strange it is, to find
In a life composed so much, so much of odds and ends,
[For indeed I do not love it . . . you knew? you are not blind!
How keen you are!]
To find a friend who has these qualities,
Who has, and gives
Those qualities upon which friendship lives.
How much it means that I say this to you

Without these friendships life, what cauchemar!
Among the windings of the violins
And the ariettes
Of cracked cornets
Inside my brain a dull tom-tom begins
Absurdly hammering a prelude of its own,
Capricious monotone
That is at least one definite false note.

Let us take the air, in a tobacco trance,
Admire the monuments,
Discuss the late events,
Correct our watches by the public clocks.
Then sit for half an hour and drink our bocks.