{"product_id":"the-secret-chord-isbn-9780143109761","title":"The Secret Chord","description":"\u003cb\u003e“A page turner. . .Brooks is a master at bringing the past alive. . .in her skillful hands the issues of the past echo our own deepest concerns: love and loss, drama and tragedy, chaos and brutality.” – Alice Hoffman\u003ci\u003e, The Washington Post\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003eA rich and utterly absorbing novel about the life of King David, from the Pulitzer Prize–winning author of \u003ci\u003ePeople of the Book \u003c\/i\u003eand\u003ci\u003e March.\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWith more than three million copies of her novels sold, \u003ci\u003eNew York Times\u003c\/i\u003e bestselling author Geraldine Brooks has achieved both popular and critical acclaim. Here\u003ci\u003e, \u003c\/i\u003eBrooks takes on one of literature’s richest and most enigmatic figures: a man who shimmers between history and legend. Peeling away the myth to bring David to life in Second Iron Age Israel, Brooks traces the arc of his journey from obscurity to fame, from shepherd to soldier, from hero to traitor, from beloved king to murderous despot and into his remorseful and diminished dotage.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe Secret Chord\u003c\/i\u003e provides new context for some of the best-known episodes of David’s life while also focusing on others, even more remarkable and emotionally intense, that have been neglected. We see David through the eyes of those who love him or fear him—from the prophet Natan, voice of his conscience, to his wives Mikhal, Avigail, and Batsheva, and finally to Solomon, the late-born son who redeems his Lear-like old age. Brooks has an uncanny ability to hear and transform characters from history, and this beautifully written, unvarnished saga of faith, desire, family, ambition, betrayal, and power will enthrall her many fans. | \u003cb\u003ePraise for \u003ci\u003eThe Secret Chord\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“A page turner. . .Brooks is a master at bringing the past alive. . .in [her]skillful hands the issues of the past echo our own deepest concerns:  love and loss, drama and tragedy, chaos and brutality.”\u003cbr\u003e\u003cb\u003e—Alice Hoffman, \u003ci\u003eThe Washington Post\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e“\u003ci\u003eThe Secret Chord\u003c\/i\u003e—a thundering, gritty, emotionally devastating reconsideration of the story of King David—makes a masterly case for the generative power of retelling. . .some of the magic here has to do with setting and time—for sensory dramatics, it’s hard to compete with the Iron Age Middle East. . .but Brooks’s real accomplishment is that she also enables readers to feel the spirit of the place.”\u003cb\u003e\u003ci\u003e\u003cbr\u003e\u003cb\u003e—\u003ci\u003eThe New York Times \u003c\/i\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“There’s something bordering on the supernatural about Geraldine Brooks.  She seems able to transport herself back to earlier time periods, to time travel.  Sometimes, reading her work, she draws you so thoroughly into another era that you swear she’s actually lived in it.  With sensory acuity and a deep and complex understanding of emotional states, she conjures up the way we lived then. . .Brooks has humanized the king and cleverly added a modern perspective to our understanding of him. . .[Her] vision of the biblical world is enrapturing.”\u003cbr\u003e\u003cb\u003e  —\u003ci\u003eThe Boston Globe\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“The David that bursts off the page in this chronicle is a larger-than-life commixture of virtues and flaws. . .I may be late to the party on the amazing Ms. Brooks, but \u003ci\u003eThe Secret Chord\u003c\/i\u003e won me over.  Its storytelling magic is as timeless as the tale it tells.”\u003cbr\u003e\u003cb\u003e—\u003ci\u003eThe San Francisco Chronicle\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e                                                                  \u003cbr\u003e“It’s this David – gifted artist, vainglorious alpha male, conflicted husband and father – that we meet in \u003ci\u003eThe Secret Chord\u003c\/i\u003e, the beautiful, subtle, grave new novel by Geraldine Brooks. . .\u003ci\u003eThe Secret Chord\u003c\/i\u003e paints [a] fresh portrait of King David. . .For Brooks, David is interesting not for his status as the most beautiful man in art history, but, rather, for his matrix of contradictions. . .in this telling, he is the Bible’s ultimate Machiavellian.”   \u003cbr\u003e\u003cb\u003e\u003ci\u003e\u003cb\u003e—\u003c\/b\u003eUSA Today\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Rich and imaginative. . .Thanks to Brooks, David is as compelling as he is contradictory, with the writing in \u003ci\u003eThe Secret Chord\u003c\/i\u003e as lyrical as the lyre that David plays.”\u003cbr\u003e\u003ci\u003e\u003cb\u003e —The Minneapolis Star Tribune\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Deeply sympathetic. . .Brooks offers new perspectives on a character whose story has captured the Western imagination for millennia. . .she breaks from the biblical version by giving voice to the voiceless women in David’s life:  wives and lovers, a daughter, a mother -- the beloved and the scorned.” \u003cbr\u003e\u003cb\u003e\u003ci\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003eThe Chicago Tribune\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e“A compelling read, contemporary in its relevance. . .\u003ci\u003eThe Secret Chord\u003c\/i\u003e is powerful storytelling, its landscape and time evoked in lyrical prose.”  \u003cbr\u003e\u003cb\u003e\u003ci\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003eThe Guardian\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e“The best historical fiction. . .Brooks gives the whole king his due. . .It’s a tall order to breathe life into such a human being, and she manages it admirably.”                                            -\u003cb\u003e\u003ci\u003e—NPR\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“In \u003ci\u003eThe Secret Chord\u003c\/i\u003e, Brooks does what she does best: bring psychological realism and dramatic arc to a subject we scantly know from history and myth. . .The result yields a gripping tale of a ruler’s stresses and sacrifices, his triumphs and shames.  \u003ci\u003eThe Secret Chord\u003c\/i\u003e reads like a Shakespeare history play with a dash of Machiavelli.”\u003cbr\u003e\u003cb\u003e\u003ci\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003eThe Dallas Morning News\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e                                                            \u003cbr\u003e“[A] deeply imaginative exploration of this once powerful but deeply flawed ruler. . .Brooks is a gifted, engrossing storyteller.  Like \u003ci\u003eMarch\u003c\/i\u003e and \u003ci\u003ePeople of the Book\u003c\/i\u003e, \u003ci\u003eThe Secret Chord\u003c\/i\u003e is studded with action, interesting characters, sweeping timelines and moving scenes filled with drama and conflict. . .a timely and universal exploration of the limits of loyalty, the seductive and corrupting influence of power, and the intersections between sin and faith, punishment and redemption.”\u003cbr\u003e\u003cb\u003e\u003ci\u003e\u003ci\u003e\u003cb\u003e—\u003c\/b\u003e\u003c\/i\u003eThe Milwaukee Journal Sentinel\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e                                                         \u003cbr\u003e“George R.R. Martin’s got nothing on the biblical chroniclers of David, kind of Israel.  Incest? Treachery and murder?  Marriages for love and political alliance?  This is the original \u003ci\u003eGame of\u003c\/i\u003e \u003ci\u003eThrones\u003c\/i\u003e. . .Each of the members of David’s court comes into sharp relief.”\u003cbr\u003e\u003cb\u003e\u003ci\u003e\u003ci\u003e\u003cb\u003e—\u003c\/b\u003e\u003c\/i\u003eThe Miami Herald   \u003c\/i\u003e\u003c\/b\u003e                                                            \u003cbr\u003e\u003cbr\u003e“Like her beautiful descriptions of David as worshipful musician, Brooks' surface details befit the ancient story. Her delicate rendering of the spare, sun-pierced land is a painful foreshadowing of its still-embattled importance.” \u003cbr\u003e—\u003cb\u003e\u003ci\u003ePhiladelphia Inquirer\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “The Pulitzer-Prize winning author has succeeded in humanizing a mythic figure, breathing life, emotion, and literary resonance into a midrash that transforms David the King into David the Man.”                                                                               \u003cbr\u003e\u003cb\u003e\u003ci\u003e—Haaretz.com\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“In her gorgeously written novel of ambition, courage, retribution, and triumph, Brooks imagines the life and character of King David in all his complexity. . .The language, clear and precise throughout, turns soaringly poetic when describing music or the glory of David’s city. . .taken as a whole, the novel feels simultaneously ancient, accessible, and timeless.” \u003cbr\u003e\u003cb\u003e—\u003ci\u003eALA Booklist\u003c\/i\u003e\u003c\/b\u003e | \u003cb\u003eGeraldine Brooks \u003c\/b\u003eis the author of six novels, including \u003ci\u003eHorse\u003c\/i\u003e, \u003ci\u003ePeople of the Book\u003c\/i\u003e, \u003ci\u003eYear of Wonders\u003c\/i\u003e, and the Pulitzer Prize–winning \u003ci\u003eMarch\u003c\/i\u003e. She has also written acclaimed works of nonfiction, including \u003ci\u003eNine Parts of Desire \u003c\/i\u003eand \u003ci\u003eForeign Correspondence\u003c\/i\u003e. Her books have been translated into more than thirty languages and have sold millions of copies around the world. Born and raised in Australia, Brooks now divides her time between Sydney and Martha’s Vineyard.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e | \u003cp\u003e \u003c\/p\u003e\u003cp\u003eT\u003ci\u003ehere was an almond blossom, yesterday. It had opened its pale petals on a twig of the bough that curls and twists up to my windowsill. This morning, the blossom is gone; the paleness upon the twig is snow. It does one no good, in these hills, to set store by the earth’s steady warming.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMy body is as bent as that bough. The cold is an ache in my bones. I am sure that this year’s reaping will be the last that I see. I hope only for one more season of summer fruit, for the ease of the hot sun on my back, for ripe figs, warm from the tree, spilling their sweet nectar through these splayed fingers. I have come to love this plain house, here among the groves. I have laid my head down in many places—on greasy sheepskins at the edge of battlefields, under the black expanse of goat hair tents, on the cold stone of caves and on the scented linens of palaces. But this is the only home that has been my own.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThey are at work, already, on Har Moriah. From across the wadi, I can hear the thin squeal of the planes scraping upon the logs. Hard work to get these trees here; felled in the forests of the Lebanon, lashed together into rafts, floated south on the sea, dragged up from the coast by oxen. Now the tang of cut cedar perfumes the air. Soon, the king will come, as he does every morning, to inspect the progress of the work. I know when he arrives by the cheers of the men. Even conscripted workers and slaves call out in praise of him, because he treats them fairly and honors their skill.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eI close my eyes, and imagine how it will be, when the walls have risen from the foundations of dressed stone: the vast pillars carved with lilies and pomegranates, sunlight glinting on cladding of gold . . .\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eIt is the only way I will ever see it: these pictures in my mind’s eye. I will not live to make the ascent up the broad stairs, to stand within the gilded precincts as the scent of burning fat and incense rises to the sky. It is well. I would not wish to go without him. I thought, at one time, that we would go together. I can still see his eyes, bright with the joy of creation, as he chose and planned what materials, what embellishments, pacing the floor, throwing his arms up and shaping the pillars as he envisioned them, his long fingers carving the air. But that was before I had to tell him that he would never build the temple. Before I had to tell him that all his killing—the very blood that, one might say, slakes the mortar of those foundation stones—had stained him too deeply. Strange words, you might think, to come from the selfsame source that had required these killings of him.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eHard words, like blows. The blast from heaven, issuing from my mouth. Words born of thoughts I had not had, delivered with anger I did not feel, spilling out in a voice I did not even know for my own. Words whose reason no human heart could fathom. Civilization is built upon the backs of men like him, whose blood and sweat make it possible. But comes the peace, and the civil world has scant place for such men. It fell to me to tell him so.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAnd like all such words that have formed upon my lips, these have become true in fact. It has come to be just as the voice said it would: this one dear ambition denied him. A bequest, instead, to his heir.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eIn this, I am more fortunate than he. I have lived to complete my life’s great work. I have rolled and tied the scrolls with my own hands, sealed them with wax, secured them in clay vessels, and seen to their placement in the high, dry caves where I played as a child. In the nights, which have become so long for me, I think of those scrolls, and I feel a measure of peace. I remember it all so clearly, that day, at the turn of the year, the month when kings go out to battle. How warily I broached the matter. It might seem odd to say so, as my whole life in his service had been bent to this purpose: the speaking of truth, welcome or no. But it is one thing to transmit the divine through a blasting storm of holy noise, another thing entirely to write a history forged from human voices, imperfect memories, self-interested accounts.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eI have set it all down, first and last, the light and the dark. Because of my work, he will live. And not just as a legend lives, a safe tale for the fireside, fit for the ears of the young. Nothing about him ever was safe. Because of me, he will live in death as he did in life: a man who dwelt in the searing glance of the divine, but who sweated and stank, rutted without restraint, butchered the innocent, betrayed those most loyal to him. Who loved hugely, and was kind; who listened to brutal truth and honored the truth teller; who flayed himself for his wrongdoing; who built a nation, made music that pleased heaven and left poems in our mouths that will be spoken by people yet unborn.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eI have had a great length of days, and been many things. A reluctant warrior. A servant, a counselor. Sometimes, perhaps, his friend. And this, also, have I been: a hollow reed through which the breath of truth sounded its discordant notes.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWords. Words upon the wind. What will endure, perhaps, is what I have written. If so, it is enough.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eI\u003c\/p\u003e\u003cp\u003eA man alone in a room. Not such an extraordinary thing. Yet as I stepped into the chamber I had a sense of something out of place. My eye traveled around the space, the woven pillows, the low tables set with sweating ewers of cool water . . . all was in order, yet something was not right. Then I grasped it. It had been a while since I had found him in a room by himself. For a long time, it seemed, he had moved in a press of people: members of his household, the men of his army, his sons, servants, sycophants.\u003c\/p\u003e\u003cp\u003eHe stood by the open window, his back to me. From my place by the door I could not see what he saw, but the sounds made plain enough what held his gaze: the snap of banners in the breeze, the stamp of hooves, the wince and grind of iron on stone. And woven among these, like a bright thread through homespun, the sudden excited shouts of little boys. For them, born in the years of victory, muster for war was cause for uncomplicated joy. I knew that giddy thrill. I had been such a boy myself, once. When he, little more than a youth, led the band that sacked my village.\u003c\/p\u003e\u003cp\u003eHis fists, balled tight, were planted on the wide sill of the window embrasure, his arms encircled by polished copper cuffs. His hair, the same color as the copper, was undressed, and fell in a dense mane against the fine black wool of his mantle. The cuffs glinted in the low slant of early light as his arm muscles flexed. He was clenched from head to foot.\u003c\/p\u003e\u003cp\u003eI am not a coward. Being in his service does not allow for it. My life, at certain times, has required me to draw upon deep wells of courage, and I am glad to say that I have never yet come up dry. But as I have resolved to set down a full account here, so I must begin with an honest accounting of myself. That morning, I was afraid. I had been summoned from my bed when it was still full dark, and though my slave, when he called me, had thought to bring a tray of warm bread fresh from the ovens, I had not touched it. Now, my empty stomach churned. Sound carries, at that hour, and as I waited in the anteroom, even the heavy cedar door could not muffle the angry voices within.\u003c\/p\u003e\u003cp\u003eWhen Yoav exited the room, he burst through the door so abruptly that the young guard barely had time to come to attention, the butt of his spear striking the stone floor a few seconds after his general had already swept past him. Yoav’s lips were drawn thin as a sheet of linen, his skin as pallid. He paused for a moment, fiddling with a strap on his greaves. His hand, which I saw was trembling slightly, could not manage the buckle. I have known Yoav since I was a child and he a youth thinking to kill me. I have seen him outnumbered on the battlefield and watched him run a man through at close quarters. I have seen him stand accused of murder, awaiting a death sentence. But never before had I seen his hand shake. He saw that I noticed, and he scowled. “Go in,” he said tersely. “He wants you.” Then, as I edged past him: “Take care. He is in a rage. His mood is foul.”\u003c\/p\u003e\u003cp\u003eThe guard opened the door for me, looking to neither right nor left as I passed from the anteroom to the inner chamber. I stood, just inside, waiting for acknowledgment. After a time, unsure if he knew that I was there, I cleared my throat. Still he did not turn. I held myself motionless, my gaze on the yellow shaft of sunlight widening upon the flagstones. Although it was early, the room was warming. Soon enough, it would be hot. I felt a bead of sweat forming on my brow.\u003c\/p\u003e\u003cp\u003eSuddenly, he opened his fists, reached for the shutters, and slammed them shut. He turned, his light mantle swinging. I, who had served him for years, was used to that face, its grave beauty, the bright glance that could kindle love or fear. But the expression was not the one I had expected. Yoav was son of the king’s older sister; they had become men together. He knew David as well as anyone alive. Yoav had said anger, and anger was there, but I could tell he had not read his uncle in full. Anger was there, but not anger only. The tense set of David’s body showed will at work, containing wrath, but also grief. The glint in his eye was, I believe, a tear.\u003c\/p\u003e\u003cp\u003e“What is the profit of being an anointed king, Natan, if I am to be confined here like a prisoner?”\u003c\/p\u003e\u003cp\u003e“Your generals act only out of love for you—”\u003c\/p\u003e\u003cp\u003eHis hand spliced the air. “They act out of fear.” He had never been a man for platitude. “Love?” He spat the word. “There is no love in this. This is fear and mistrust. And for what? The lapse of a moment, merely. How many wars have we made together? You have been at my side, time and again, when we fought the Plishtim. You were with me in the south when we crushed the Moavites, and in the north against the Arameans. And you know well—who better?—I was a warrior for years before that. In all those battles, when did I ever flinch? Tell me. Tell me a time I faltered.” The voice had steadied now, and was rising.\u003c\/p\u003e\u003cp\u003eThat voice. So familiar to me. So familiar to all of us. \u003ci\u003eThe sweet singer of Israel.\u003c\/i\u003e So the people called him, long before he was king. I had heard that singer’s voice fill a hall, and bring tears to the cheeks of seasoned warriors. But I had heard it also on the battlefield, fierce and wild, carrying over the clash of arms and the cries of the dying.\u003c\/p\u003e\u003cp\u003e“Never,” I answered him. This was not flattery, but unburnished truth. In my mind, the visions crowded, one layered upon the other, each of them with the unnatural vividness of memories forged at moments when one’s life is at risk. I could see bright hair flying from beneath the iron helmet as he sprinted before us into a clatter of arrows, the faceted muscles of his calves as he led the swarm up a siege ladder, the sinews of his back, taut with the strain of the pulled bow as he braced himself in the \u003ci\u003emerkava.\u003c\/i\u003e Every memory I had of him was a view from behind. Simply because, at the deadly moment, he was always in the forefront.\u003c\/p\u003e\u003cp\u003eI had been trailing after him, as ever, at the end of that most recent campaign, of which he now spoke. We had been fighting for more than a week, the advantage now theirs, now ours. The day was hot, windless. The air was thick with lingering smoke from the night’s death pyres, still smoldering. The stench of charred bone met the stink of rot and vomit, shit and sweat. I have never loved war, as some men love it. I have fought of necessity, as has every man my age with two legs, two arms and wit enough to follow a simple order. It is what the times, and the Land, have required of us.\u003c\/p\u003e\u003cp\u003eIt was nearing sunset on the eighth day. We’d fought since dawn. I had reached that point beyond exhaustion, where every muscle quivers and my mind could not hold a thought beyond the next step, and the one after, the next breath, and the one after. We went forward through sheer will—his will, that force that could goad a man to do what was beyond him. Finally, in the long shadows of the late afternoon, the Plishtim began to fall back from the plain. Their retreat was toward the foothills. Another general would have let them go and been glad of it. But he saw that if they secured that high ground they might regroup and come at us again, this time with their archers positioned to advantage. So he called us to ranks with a curdling cry. I glimpsed his face through the crowd of men. It was bloodied, dirt-streaked, avid. Then he turned, fist to the sky, and sprinted. He set the pace for the fleetest of his runners, youths who could give him a decade. Even uphill, he seemed to fly over the loose stones that slid out from underfoot and left me skidding and swearing.\u003c\/p\u003e\u003cp\u003eI fell behind, and lost sight of him. Others—younger men, better fighters—overtook me, swarming to him, compelled by his courage. When I finally glimpsed him again, he was above me on a long, slender ridge, in the thick of fierce fighting. Trying to narrow the distance between us, I lost my footing entirely on the uncertain ground. I slipped. Metal, leather and flesh scraped against rough limestone that bit like snaggleteeth. I could not control my fall until I planted my foot into something that gave softly under my weight. The man had been attempting to crawl away, dragging himself with his remaining hand while a slime of blood pulsed from the stump of his sword arm. My boot, mashing his neck flat into stone, had put an end to that. When I lifted my foot, the man gave a wet gargle, and was still. I scraped the mess off my boot onto the nearest rock and went on.\u003c\/p\u003e\u003cp\u003eWhen I reached the ridge, the king was making an end of another fighter. He was up close, eye to eye. His sword had entered just above the man’s groin. He drew it upward, in a long, slow, arcing slash. As he pulled the blade back—slick, dripping—long tubes of bowel came tumbling after. I could see the dying man’s eyes, wide with horror, his hands gripping for his guts, trying to push them back into the gaping hole in his belly. The king’s own eyes were blank—all the warmth swallowed by the black stain of widening pupils. David reached out an arm and pushed the man hard in the chest. He fell backward off the narrow ledge and rolled down the slope, his entrails unfurling after him like a glossy ribband.\u003c\/p\u003e\u003cp\u003eI was engaged myself then, by a bullnecked spearman who required all my flagging strength. He was bigger than me, but clumsy, and I used his size against him, so that as I feinted one way, he lunged with his spear, overbalanced and fell right onto the dagger that I held close and short at my side. I felt the metal grating against the bone of his rib, and then I mustered enough force to thrust the tip sharply upward, the blade’s full length inside him, in the direction of his heart. I felt the warm wetness of his insides closing about my fist. It was intimate as a rape.\u003c\/p\u003e\u003cp\u003eWhen I made an end of it and could look up, the king had advanced again, to a higher ledge, and stood atop another fleeing adversary. Legs astride the body, he raised his dagger arm. The air throbbed then, the skirl of wings. A carrion bird. Reflexively, my eye followed it. That is how I saw the spearman. The setting sun had been hidden in a purple flounce of cloud, but just then a throbbing yellow crescent of fire broke the edge, and in the beam of sudden light, I caught a glint from behind the cover of an outcrop—a spear, poised for the cast. The spear thrower was above and to the right of the king. His legs were well braced, his line perfect. The bronze shaft sailed out of his hand. It would have been a lethal throw, if Yoav’s younger brother Avishai had not risked his own life to deflect it.\u003c\/p\u003e\u003cp\u003eAvishai leaped between the king and the spear, his head back, howling. He expected to die. Every man on that ridge turned to witness it. At the deadly second, some warrior instinct caused him to adjust his stance by a hairbreadth and raise his bow. The spear tip caught on the edge of it, splintering the wood, skittering harmlessly across the rocky ledge. It was the kind of thing we’d seen David do. Now a younger man had done it for him.\u003c\/p\u003e\u003cp\u003eWe all cheered, of course. Someone slew the spearman, and then the fighting resumed in the exhilarated frenzy that comes from catastrophe averted.\u003c\/p\u003e\u003cp\u003eBut the king did not wish to hear of this from me. Not today. So I buried the image of his near death and said: “Every man who has served with you knows how you have prevailed. Every one of us knows what you are.”\u003c\/p\u003e\u003cp\u003e“‘Are’? Say, rather, ‘were.’ That is what Yoav means: ‘You \u003ci\u003ewere \u003c\/i\u003ea mighty soldier, but now we must fight your battles for you.’ I tell you, when Avishai leaped before that spear, I knew how it would be seen. I had to laud Avishai before the men. It was his due. But the words were gall in my mouth. And even though he is my sister’s son and the brother of my general, I tell you this, Natan: I wanted to strike him dead. I wanted to grasp the end of that shattered shaft and plunge it through his side. I have lived most of my life in soldiers’ camps. I know what they saw. I know how they think. Their confidence sours as sudden as curdled milk.”\u003c\/p\u003e\u003cp\u003e“Not so. You may think you know the mind of the common soldier, but with respect—you are not one, and have not been for some time. The men know this, even if you do not. Times have changed, and you, King, have changed them. You are not that petty chieftain who led scattered bands of outlaws to skirmishes in the hills. Why do we not cower in the wastes, hiding amid thorns and rocks as we used to do every time a sortie out of Mitzrayim marched across our land? Why do we not huddle trapped in the highlands while the Plishtim garrison the passes to the fertile plains? It is not so long since we had to grovel to them for enough iron even to make farm tools, much less weapons. Now we push them to the coast and pursue them to the very gates of their towns. Now the very best of their fighters come and offer their sword hilts in your service. You know they would not bend the knee to any other man. Not they, nor the Hittites, nor the Yebusites, nor any other of the strangers who serve you. Do not tell me you would put all this at risk—after all it cost to bring it about—for some warrior-pride. You, who have nothing to prove to anyone about valor or skill at arms. You have taught our enemies to fear us. You are the lamp of Israel. Would you chance to quench it?”\u003c\/p\u003e\u003cp\u003eI had thought what I said would stoke his vanity. Instead, he glared at me. His eyes, that amber gaze that I was used to feel warm with affection, had turned cold. “Spare me, Natan. I have had an earful of this womanly keening, these empty pieties. From you, at least, I expect to hear the truth. The truth is, I have made this army. It’s I who drove them, I who gave them confidence. Too much, it seems. They think they can do without me, set me aside like some heathen’s war-god idol, set up in a temple to bring good luck.” He turned away, back to the window. He flung open one of the shutters. A few minutes, and Yoav’s voice rose, giving the order to move out.\u003c\/p\u003e\u003cp\u003e“Will you not go down? It would put heart into the troops.”\u003c\/p\u003e\u003cp\u003e“‘Go down’?” He mimicked my solicitous tone in a voice oily with contempt. “To remind my men that I stay behind? That for the first time in memory I do not lead them? Are you mad? Of course I will not go down.”\u003c\/p\u003e\u003cp\u003eA great cheer rose as the runners set off. The foot soldiers first—spears, archers, slings. This was followed by a clatter of hoofbeats and the squeal of metal wheels as fifty merkavot—a full half of all we had then—pulled out behind them. Dust motes rose from the street and drifted into the room, sparkling. He turned from the window, crossed the room and laid his fingers lightly upon the neck of his harp. There was always one near to hand; every servant knew to see to that. A small one hung by the window in his bedchamber. He said that when a night wind stirred the strings, it was a welcome awakening. He would rise from his bed and pray to the Name, who had blessed him so greatly. The instrument he reached for now was one of his favorites, a fine tall harp from Mitzrayim, the slender curve of its soundboard a smooth and perfect arc such as that land’s craftsmen know how to fashion. But, like all his harps, this one had been adapted to his use, the number of its strings doubled to allow for strange tunings, with half and quarter tones that gave his music its unique, complex sound.\u003c\/p\u003e\u003cp\u003e“You know, I suppose, why Yoav sent you.” I was unsure how to answer this. I did not want him to think that Yoav and I had been discussing ways to handle him, even though this was the truth. But it seemed he did not expect an answer. He snorted, and gave a smile that had no joy in it. “I know what Yoav has in his mind: he sees me sitting here with you, picking at the skein of my deeds like a woman at her weaving basket. He wants to give me occupation while he usurps my place and marches my men to war. You, I suppose, support him in this.”\u003c\/p\u003e\u003cp\u003e“No, I do not.”\u003c\/p\u003e\u003cp\u003e“No?” He looked up. “What’s this? You are at odds with Yoav?”\u003c\/p\u003e\u003cp\u003e“I do not think a recitation of your victories is worthy of your time.” I took a breath and dived deep. “Nor mine.”\u003c\/p\u003e\u003cp\u003e“Is that so? My victories are an unworthy subject for your talents?”\u003c\/p\u003e\u003cp\u003eHave a care, Natan, I told myself. It is one thing to speak hard truths to a king in that strange voice that rises up unbidden from the earth and echoes with the power of the heavens. It is another thing entirely to speak frankly to him as one man to another, especially as I am a man in his service. \u003ci\u003eEved hamalek\u003c\/i\u003e. The servant of the king. But, then, what service could I offer, if not this: speaking, where other men held a prudent peace. Whatever the risk, I had him now. His anger was shifting, away from Yoav and toward me. I had drawn the boar. Now I had to stick him.\u003c\/p\u003e\u003cp\u003e“Any half-skilled graver can etch a stela that says in this or that place the king did vanquish this or that people. I am sure the great king of the Two Rivers and your neighbor the pharaoh, each of them, has a legion of gravers at work this very moment, making\u003c\/p\u003e","brand":"Penguin Books","offers":[{"title":"Default Title","offer_id":48338553110757,"sku":"NP9780143109761","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780143109761.jpg?v=1769572661","url":"https:\/\/k12savings.com\/products\/the-secret-chord-isbn-9780143109761","provider":"K12savings","version":"1.0","type":"link"}