{"product_id":"the-romantic-poets-isbn-9780631229315","title":"The Romantic Poets","description":"This welcome addition to the \u003ci\u003eBlackwell Guides to Criticism\u003c\/i\u003e series provides students with an invaluable survey of the critical reception of the Romantic poets.\u003cbr\u003e \u003cul\u003e \u003cli style=\"list-style: none\"\u003e\n\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eGuides readers through the wealth of critical material available on the Romantic poets and directs them to the most influential readings\u003cbr\u003e \u003c\/li\u003e \u003cli\u003ePresents key critical texts on each of the major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – as well as on poets of more marginal canonical standing\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eCross-referencing between the different sections highlights continuities and counterpoints\u003c\/li\u003e \u003c\/ul\u003e  Acknowledgements. \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1. William Blake (1757–1827)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eCritical History: From First Responses to Northrop Frye.\u003c\/p\u003e \u003cp\u003eExtract from Northrop Frye, Fearful Symmetry: A Study of William Blake (1947).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Historical and Political Readings.\u003c\/p\u003e \u003cp\u003eExtract from David Erdman, Blake: Prophet against Empire (1954).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: To the Present.\u003c\/p\u003e \u003cp\u003eExtract from V. A. De Luca, Words of Eternity: Blake and the Poetics of the.\u003c\/p\u003e \u003cp\u003eSublime (1991).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2. William Wordsworth (1770–1850).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCritical History: The Contemporary Reception.\u003c\/p\u003e \u003cp\u003eExtract from William Hazlitt, ‘Mr. Wordsworth’, in The Spirit of the Age.\u003c\/p\u003e \u003cp\u003e(1825).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Arnold to Hartman: From ‘Nature’ to ‘Vision’.\u003c\/p\u003e \u003cp\u003eExtract from Geoffrey Hartman, Wordsworth’s Poetry 1787–1814 (1964).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Historicizing Wordsworth.\u003c\/p\u003e \u003cp\u003eExtract from Alan Liu, Wordsworth: The Sense of History (1989).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: To the Present.\u003c\/p\u003e \u003cp\u003eExtract from David Bromwich, Disowned by Memory: Wordsworth’s Poetry.\u003c\/p\u003e \u003cp\u003eof the 1790s (1998).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3. Samuel Taylor Coleridge (1772–1834\u003c\/b\u003e).\u003c\/p\u003e \u003cp\u003eCritical History: From the 1790s to the 1930s.\u003c\/p\u003e \u003cp\u003eExtract from J. L. Lowes, The Road to Xanadu (1927).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Idealizing Coleridge.\u003c\/p\u003e \u003cp\u003eExtract from John Beer, Coleridge the Visionary (1959).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Deconstructing Coleridge.\u003c\/p\u003e \u003cp\u003eExtract from J. J. McGann, ‘The Ancient Mariner: The Meaning of.\u003c\/p\u003e \u003cp\u003eMeanings’ in The Beauty of Inflections (1985).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: To the Present.\u003c\/p\u003e \u003cp\u003eExtract from Seamus Perry, Coleridge and the Uses of Division (1999).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4. George Gordon, Lord Byron (1788–1824\u003c\/b\u003e).\u003c\/p\u003e \u003cp\u003eCritical History: From Contemporary Responses to Victorian Readings.\u003c\/p\u003e \u003cp\u003eExtract from Joseph Mazzini, ‘On Byron and Goethe’ (1839).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: The Early Twentieth Century.\u003c\/p\u003e \u003cp\u003eExtract from T. S. Eliot, ‘Byron’ (1937).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Canonical Byron: The 1960s and Onwards.\u003c\/p\u003e \u003cp\u003eExtract from J. J. McGann, Fiery Dust: Byron’s Poetic Development (1968).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Byron and Politics.\u003c\/p\u003e \u003cp\u003eExtract from Jerome Christensen, Lord Byron’s Strength: Romantic.\u003c\/p\u003e \u003cp\u003eWriting and Commercial Society (1993).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5. Percy Bysshe Shelley (1792–1822).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCritical History: From Contemporary Responses to the Twentieth Century.\u003c\/p\u003e \u003cp\u003eExtract from C. E. Pulos, The Deep Truth: A Study of Shelley’s Scepticism.\u003c\/p\u003e \u003cp\u003e(1954).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Shelley, Scepticism and Idealism.\u003c\/p\u003e \u003cp\u003eExtract from Earl Wasserman, Shelley: A Critical Reading (1971).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Shelley and Socialism.\u003c\/p\u003e \u003cp\u003eExtract from Timothy Clark, Embodying Revolution: The Figure of the.\u003c\/p\u003e \u003cp\u003ePoet in Shelley (1989).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6. John Keats (1795–1821).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCritical History: The Contemporary Reception.\u003c\/p\u003e \u003cp\u003eExtract from J. G. Lockhart (‘Z’), ‘The Cockney School of Poetry’ (No. 4) in Blackwood’s Edinburgh Magazine (1818).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Keats Canonized: The Victorian Period to the Twentieth Century.\u003c\/p\u003e \u003cp\u003eExtract from Walter Jackson Bate, John Keats (1963).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Class, Gender and Politics: Keats’s Anxiety.\u003c\/p\u003e \u003cp\u003eExtract from Marjorie Levinson, Keats’s Life of Allegory: The Origins of a.\u003c\/p\u003e \u003cp\u003eStyle (1988).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: History and Politics: Keats’s Radicalism.\u003c\/p\u003e \u003cp\u003eExtract from Nicholas Roe, John Keats and the Culture of Dissent (1997).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7. An Expanding Canon\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eCritical History: John Clare (1793–1864).\u003c\/p\u003e \u003cp\u003eExtract from John Barrell, ‘Being is Perceiving: James Thomson and John.\u003c\/p\u003e \u003cp\u003eClare’ in Poetry, Language, and Politics (1988).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eCritical History: Romantic Women Poets.\u003c\/p\u003e \u003cp\u003eExtract from Stuart Curran, ‘Romantic Poetry: The I Altered’ in Romanticism and Feminism, ed. Anne Mellor (1988).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e  “This anthology is not concerned with defining Romanticism, but rather is dedicated to producing a historical narrative that will guide students through the immense number of critical responses to the canonical Romantic poets.” (\u003ci\u003eStudies in English Literature\u003c\/i\u003e, Fall 2008)  \u003cp\u003e\"Authoritatively pithy, lucidly introduced and of great use to undergraduates.\" (\u003ci\u003eBARS Bulletin \u0026amp; Review\u003c\/i\u003e, July 2008)\u003c\/p\u003e  \u003cp\u003e\u003cb\u003eThe Editor\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003cb\u003eUTTARA NATARAJAN\u003c\/b\u003e is Senior Lecturer in English at Goldsmiths College, University of London. Her previous publications include \u003ci\u003eHazlitt and the Reach of Sense\u003c\/i\u003e (1998) and, with Tom Paulin and Duncan Wu, \u003ci\u003eMetaphysical Hazlitt\u003c\/i\u003e (2005).   This welcome addition to the \u003ci\u003eBlackwell Guides to Criticism\u003c\/i\u003e series provides students with an invaluable survey of the critical reception of the Romantic poets. It steers readers through the plethora of critical material in the field, from contemporary responses through to modern-day readings, and directs them to the most influential work on particular poets. \u003c\/p\u003e\u003cp\u003eThe editor presents key critical texts on each of the six major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats – as well as on the changing canon.\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47990333538533,"sku":"NP9780631229315","price":31.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780631229315.jpg?v=1761787395","url":"https:\/\/k12savings.com\/products\/the-romantic-poets-isbn-9780631229315","provider":"K12savings","version":"1.0","type":"link"}