{"product_id":"the-king-in-the-tree-isbn-9781400031733","title":"The King in the Tree","description":"\u003cb\u003eA master of literary transformation, the Pulitzer Prize-winning author of \u003ci\u003eMartin Dressler\u003c\/i\u003e turns his attention to the transformations of love in these three hypnotic novellas. • “No one alive writes better about yearning and heartbreak…. Before such mastery, a reader can do nothing but bow his head.” —\u003ci\u003eThe Washington Post Book World\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003eWhile ostensibly showing her home to a prospective buyer, the narrator of “Revenge” unfolds an origami-like narrative of betrayal and psychic violence. In “An Adventure of Don Juan” the legendary seducer seeks out new diversion on an English country estate with devastating results. And the title novella retells the story of Tristan and Ysolt from the agonized perspective of King Mark, a husband who compulsively looks for evidence of his wife’s adultery yet compulsively denies what he finds. Combining enchantment as ancient as Sheherezade’s with up-to-the-minute acuity and unease, \u003ci\u003eThe King in the Tree \u003c\/i\u003eis Millhauser at his best.“No one alive writes better about yearning and heartbreak.... Before such mastery,   a reader can do nothing but bow his head.”  —\u003ci\u003eThe Washington Post Book World\u003cbr\u003e\u003cbr\u003e \u003c\/i\u003e“Millhauser   ... uses his lush prose and archetypal motifs to trace the outer arcs of passion,   places where eros and violence meet.... This writer is in love with a large, very   beautiful tiger, and at its best the fiction he produces is an exquisite negotiation   with the beast.”   —\u003ci\u003eThe New York Times Book Review\u003cbr\u003e\u003cbr\u003e \u003c\/i\u003e“[Millhauser] seeks always to   spellbind rather than merely to entertain.... He never fumbles a word out of   place, never lets fall an unfelicitous phrase, and especially never looks down during   his high-wire imaginative act.” —\u003ci\u003eSan Francisco Chronicle\u003c\/i\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e “In a mere 80 pages   or so, [Millhauser] can whistle up worlds as bright and intricate as a Mozart piano   sonata or as ominous and ethereal as a Charles Ives symphony ... powerful, spellbinding   reading.” —\u003ci\u003eThe Seattle Times\u003cbr\u003e\u003cbr\u003e \u003c\/i\u003e“An ingenious geometer of love triangles, Millhauser   tinkers with tested formulas in these three novellas, while giving full rein to his   taste for the fantastical.... [His] shrewd sense of psychology makes his characters’   impulses toward romantic excess manifestly believable.” —\u003ci\u003eThe New Yorker \u003cbr\u003e \u003c\/i\u003e\u003cbr\u003e “Coursing   through these novellas are such literary ghosts as Byron, Wagner-as-librettist, Matthew   Arnold and Alfred Lord Tennyson....\u003ci\u003e \u003c\/i\u003eBut when Millhauser is plumbing the mysteries   of the human heart, there’s no question that he is writing after, not before, Sigmund   Freud–and Kate Chopin, and John Updike and the sexual revolution.... \u003ci\u003eThe King   in the Tree\u003c\/i\u003e is a moving, melancholy book about the unlovely toll exacted by love   on those it has abandoned.” —\u003ci\u003eLos Angeles Times\u003c\/i\u003e \u003cbr\u003e\u003cbr\u003e “Ever finish a book that was so   good you ached to grab the collar of the next passer-by and shout in his unsuspecting   face, ‘Read this! You have got to read this!’? Steven Millhauser writes that kind   of book.” —\u003ci\u003eSan Diego Union Tribune\u003c\/i\u003e \u003cbr\u003e\u003cbr\u003e “Among [Millhauser’s] best....\u003ci\u003e The King in   the Tree\u003c\/i\u003e is a flawless retelling of the story of Tristan and Iseult.... Astonishingly,   Millhauser creates a version that though modern reads like a newly discovered medieval   tale.... His story will live with the older versions, and Richard Wagner’s, as   part of the myth.” —\u003ci\u003eThe Boston Globe\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Reading a book by Steven Millhauser is like tumbling   down Alice’s rabbit hole. In the Millhauser Wonderland, time reels backward, life   is but a fairy tale, and figures of mythology rule the universe.... All three   of the novellas that make up\u003ci\u003e The King in the Tree\u003c\/i\u003e inhabit eerie realms of the imagination.   Here men and women yearn for love, but it’s a poison more often than a tonic.” —\u003ci\u003eNewsday\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “These three tales, each in different ways, confirm Millhauser’s reputation as a   master stylist.” —\u003ci\u003eNewark Sunday Star-Ledger\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Millhauser is our most brilliant practicing   romantic, for whom surface reality is merely an uninteresting illusion, and ultimate   reality is always artifice.” —\u003ci\u003eMilwaukee Journal Sentinel\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “All three of the novellas   have Millhauser’s gifted storytelling voice going for them–a voice that grabs the   reader by the ear and makes him pay attention.” —\u003ci\u003eRocky Mountain News\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Millhauser’s   characters are poignantly likable. They hurt, long and love like the rest of us.... Sentence by sentence, Millhauser displays awesome control.” —\u003ci\u003eMinneapolis Star-Tribune   \u003cbr\u003e\u003cbr\u003e \u003c\/i\u003e\"Millhauser's three novellas are marvels of craftmanship and inventiveness ... a storytelling \u003ci\u003etour de force \u003c\/i\u003eand an emotional rollercoaster ride.\" —\u003ci\u003eRichmond Times-Dispatch\u003cbr\u003e \u003c\/i\u003eSTEVEN MILLHAUSER received the Pulitzer Prize for \u003cb\u003eMartin Dressler\u003c\/b\u003e. He is the author   of nine other books, including \u003cb\u003eEdwin Mullhouse\u003c\/b\u003e, \u003cb\u003eEnchanted Night\u003c\/b\u003e, and \u003cb\u003eThe Knife Thrower   and Other Stories\u003c\/b\u003e.  He teaches at Skidmore College and lives with his wife and two   children in Saratoga Springs, New York.\u003cb\u003eRevenge\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFRONT HALL\u003cbr\u003e\u003cbr\u003eThis is the hall. It isn’t much of a one, but it does the job. Boots here, umbrellas there. I hate those awful houses, don’t you, where the door opens right into the living room. Don’t you? It’s like being introduced to some man at a party who right away throws his arm around your shoulders. No, give me a little distance, thank you, a little formality. I’m all for the slow buildup, the gradual introduction. Of course you have to imagine it without the bookcase. There isn’t a room in the house without a bookcase.\u003cbr\u003e\u003cbr\u003eMay I take your coat? Oh, I like it. It’s perfect. And light as a feather. Wher\u003ci\u003eever\u003c\/i\u003e did you find it? It’s so hard to know what to wear this time of year, warm one day cold the next. I worry about my jonquils. They came out last week and then wouldn’t you know it: snow. Luckily it didn’t stick. It’s a miracle they didn’t die. I’ll just hang it right here, next to mine. It must look very empty to you, all those hangers side by side. Those are my late husband’s hats. Funny. One day I cleared out all the coats, all the shoes and galoshes—it just seemed pointless. But I left the hats. I couldn’t touch the hats.\u003cbr\u003e\u003cbr\u003eLIVING ROOM\u003cbr\u003e\u003cbr\u003eThis used to be my favorite room. Listen to me! Used to be. But that’s the way it is, you know. I don’t have a favorite room anymore. Still, I spend most of my time here. Where else would I go? I’m so glad you like it. One thing we always agreed on, my husband and I, was furniture: it had to be comfortable. As Robert put it, no matter how new it was, it had to look sat in. And of course the piano—what’s a living room without a piano, I’d like to know. Not that I ever touched it. No, I gave up piano at twelve. Don’t know why, really. It’s the sort of thing you later think you regret, without really regretting it. But Robert, now. He quit lessons at fifteen but kept on practicing. He never did like to give anything up.\u003cbr\u003e\u003cbr\u003eIt’s a warm room too. When we bought the place it was a little drafty in winter, but first we insulated and then we replaced those drafty old windows that Robert had to put up every fall. Triple-track: it made a difference, let me tell you. When you close the curtains, in cold weather, it’s just as if you’re sealing yourself in. I’d sit on the couch with my feet tucked under, reading, while Robert sat in the chair there, by the bookcase, reading and marking passages. Or we’d talk—you know, thoughts drifting up, turning into words, like, I don’t know, like a way of breathing. Sometimes he made a fire in the fireplace—excellent draft. I meant to tell you I had the chimney cleaned only last month. Was \u003ci\u003ethat\u003c\/i\u003e ever a job. You wouldn’t believe what was in there. I almost fell over when I saw the bill. But hey, can you blame the poor guy? \u003ci\u003eAny\u003c\/i\u003eway. When the fire was going, I’d move to that end of the couch, to be near it. I could feel the heat all along my right side. Sometimes Robert would go over to the piano, if the mood struck him. He never played for anyone except me. This wasn’t exactly as romantic as it sounds. He called himself an amateur—harsh word for Robert—said he refused to destroy beautiful things in public. Robert never liked to make mistakes. It upset him. He played for me because he knew I wouldn’t mind an occasional wrong note. Or you could say he played for himself and allowed me to overhear him. But I loved to hear him play, especially his Chopin nocturnes. He was crazy about Chopin, said he was the greatest composer—not ever, but of piano music. Second was Mozart. He’d play those Mozart sonatas over and over—every single one of them. Do you know what he’d do? He’d begin with any sonata and play right through the book, in order, till all of a sudden—right in the middle of a movement—the middle of a phrase—he stopped. “That’s enough of \u003ci\u003ethat\u003c\/i\u003e!” he’d say, as though he were angry at himself, or . . . or disappointed. Robert was hard on himself. You had to know when to soothe him and when to leave him alone. Men are harder on themselves that way than women, don’t you think? Or am I wrong? But when he played, he was able to lose himself for a while, in the music. So imagine a fire going—wood snapping the way it does when it’s a little green—the wind rattling the windows behind the curtains—and one of those Chopin melodies that feel like sorrow and ecstasy all mixed together pouring from the keys—and you have my idea of happiness. Or just reading, reading and lamplight, the sound of pages turning. And so you dare to be happy. You do that thing. You dare.\u003cbr\u003e\u003cbr\u003eI hope you don’t mind these little . . . anecdotes of mine. We can just breeze on through the house if you’d rather. Then it’s all right to continue?\u003cbr\u003e\u003cbr\u003eWell. I don’t want you to think of me sitting on that couch for twenty-two years with a look of blissful idiocy on my face. You know, the adoring wife and the happy hubby. Twenty- two years! That was how long Robert and I were married: twenty-two years. Things are bound to be a little imperfect, in twenty-two years. I met him when I was twenty-four, working in a bookstore in Vermont. Robert was thirty. Even back then he had that gloomy kind of handsomeness that just . . . slayed me. A handsome moody man. Doomed, as he was fond of saying. Difficult, was what it boiled down to. Robert was difficult. But you work your way through. Besides, I was a handful myself, back then. Demanding. Temperamental. Robert was very patient. Impatient with himself and others, patient with me. We . . . fell in love, as they say. And stayed there. That was the thing. And I knew him: God, did I know him. I was a student of his expressions, a scholar of his moods. I don’t know when it was, exactly, that I felt something was wrong. It was last year—spring was further along, half my forsythias dead. You remember that late frost. I was sitting on the couch with a book, after dinner, and Robert was sitting in his chair, with a book facedown on his leg, thinking. Brooding, you could say. For no particular reason I asked myself: Am I happy? And I felt a little pause, a little—oh, breath of hesitation, before I answered: Well, yes, of course I’m happy. Of course I am. Happy.\u003cbr\u003e\u003cbr\u003eWhat stayed with me was that blink of hesitation. Robert had been acting a little strange lately. I’d noticed it without noticing it, the way you do. His work wasn’t going well again, he was—I mean, all this was nothing new. But there was a new element, something I was suddenly aware of. Robert was very good at giving you his full attention. I’ve never known anyone who was so good at giving you their full attention that way. He would listen with a kind of . . . a kind of alertness, and whatever he said would be at the center of what you were talking about. I realized that I’d missed this for a while—that his deepest attention was elsewhere. Now, listen. There was no question of unfaithfulness between Robert and me. I knew Robert. It wasn’t the sort of thing he \u003ci\u003edid\u003c\/i\u003e. Not that he didn’t notice a pretty woman. He \u003ci\u003eliked\u003c\/i\u003e pretty women. He liked me, didn’t he? Was always talking about how pretty I was and all that; I didn’t deny it. And of course women were always noticing him. But noticing’s one thing, and Robert . . . it wasn’t his way. It just wasn’t in the bounds of possibility. Besides, we were happy. Weren’t we? But I found myself thinking, on the couch—or not really thinking, it was more like the shadow of a thought: could it be that Robert . . . ? I immediately felt embarrassed, almost . . . ashamed, as if I’d been caught in some unpleasant act. But there it was. The little thought-shadow.\u003cbr\u003e\u003cbr\u003eThis mantelpiece came with the house. I can show it to you in the original plan. Solid marble. Nice, if you like that sort of thing.\u003cbr\u003e\u003cbr\u003eListen. I’ll tell you a story. Once upon a time there was a woman—just like me. She grew up in a small New England town, just like me. She was well loved and cheerful and fond of reading, just like me. She was good at school but not brilliant and went to a small college in Vermont, and at the age of twenty-four she fell in love—just like me. She married the next year, and she and her husband moved into a comfortable old house. The years passed. She was happy. Then one day, do you know what happened? Listen: I’ll tell you what happened. Nothing happened. She was happy, life was worth living, she liked the summer, and the fall, and the winter, and the spring, and she liked all the days of the week. And this woman was not like me, not like me at all.\u003cbr\u003e\u003cbr\u003eThat’s my story. Did you like it?\u003cbr\u003e\u003cbr\u003eBut—good lord—can you believe it? All along I’ve been holding this envelope. You must have been wondering. Why didn’t you \u003ci\u003esay\u003c\/i\u003e something? It’s the appraisal. As I said on the phone, I’m selling the house myself. I have no use for realtors—or reelators, as everybody says these days. God, how Robert hated that. Put some water in the perculator for the reelator. Then we can discuss nucular war. Anyway, I had the place appraised, and here’s the report. I won’t ask a penny more, but I also won’t take a penny less. That keeps it nice and simple.\u003cbr\u003e\u003cbr\u003eNow if we step around this way. . . . Door to the cellar. Back porch. I want to show you the back porch. But first the kitchen. \u003ci\u003eThat\u003c\/i\u003e door?Three Novellas","brand":"Vintage","offers":[{"title":"Default Title","offer_id":46302315708645,"sku":"NP9781400031733","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781400031733.jpg?v=1767740051","url":"https:\/\/k12savings.com\/products\/the-king-in-the-tree-isbn-9781400031733","provider":"K12savings","version":"1.0","type":"link"}