{"product_id":"the-juniper-tree-isbn-9781681371313","title":"The Juniper Tree","description":"\u003cb\u003eA modern reimagining of a classic fairy tale by one of most bewitching, idiosyncratic British writers of the twentieth century.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBella Winter has hit a low. Homeless and jobless, she is the mother of a toddler by a man whose name she didn’t quite catch, and her once pretty face is disfigured by the scar she acquired in a car accident. Friendless and without family, she’s recently disentangled herself from a selfish and indifferent boyfriend and a cruel and indifferent mother. But she shares a quality common to Barbara Comyns’s other heroines: a bracingly unsentimental ability to carry on. Before too long, Bella has found not only a job but a vocation; not only a place to live but a home and a makeshift family. As Comyns’s novel progresses, the story echoes and inverts the Brothers Grimm’s macabre tale \u003ci\u003eThe Juniper Tree\u003c\/i\u003e. Will Bella’s hard-won restoration to life and love come at the cost of the happiness of others?\"A treasure from the 1980s...[\u003ci\u003eThe Juniper Tree\u003c\/i\u003e] picks up the Grimm notion that an excess of maternal happiness can prove fatal...Comyns's prose is vivid and charmingly hurried... The Grimm story is about evil, revenge, and justice—an eye for an eye—but \u003ci\u003eThe Juniper Tree\u003c\/i\u003e is about accidents, damage, and repair.\" —Christine Smallwood, \u003ci\u003eHarper's\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Part fairy tale, part domestic tragedy, \u003ci\u003eThe Juniper Tree\u003c\/i\u003e inherits the fairy tale tradition as a psychic compulsion that structures the events, symbols, and aesthetic sensibility of the novel. But what makes \u003ci\u003eThe Juniper Tree\u003c\/i\u003e distinctive is the gentle, oblique texture of its psychological and material realism, and the way Comyns wields this unique comingling of realism and fabulism to create an astonishing suspension of disbelief and narrative structure. There’s a magic here that makes me think I too have lived it.” —Sarah McClung, \u003ci\u003eLiterary Hub \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Comyns has a pictorial eye, and though she wrote stories from a young age, she originally thought of herself as a sculptor and painter...[her] wild but exact style is always instantly recognizable, a mix of looseness and compression.” —Jé Wilson, \u003ci\u003eThe New York Review of Books\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“The novel . . . achieves a life of its own, and allows Bella to emerge at last from her ordeal with a feminist, fertile, happy, fairy-tale ending. Hypnotic and enthralling in the process.” —\u003ci\u003eKirkus Reviews\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Comyns’s world is weird and wonderful . . . there’s also something uniquely original about her voice. Tragic, comic and completely bonkers all in one, I’d go as far as to call her something of a neglected genius.” —Lucy Scholes,\u003ci\u003e The Observer\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003ci\u003eThe Juniper Tree\u003c\/i\u003e, which appeared in 1985, is one of Comyns’s most successful, confident and curious productions. It has the clear pure narrative quality of a fable, but also shows a humanity and maturity.” —Margaret Drabble\u003cbr\u003e\u003cbr\u003e “\u003ci\u003eThe Juniper Tree\u003c\/i\u003e is a fairy tale that haunts me because even at the end the evil in it is never wholly undone. Through her reimagining of the wicked stepmother figure, Comyns speculates convincingly as to how damage escalates despite all conscious attempts to limit itself.” —Helen Oyeyemi\u003cbr\u003e\u003cbr\u003e“I don’t think there is any other novelist I’ve come across who writes so subtly the disturbing and the domestic.” —\u003ci\u003eStuck in a Book \u003c\/i\u003e(blog)\u003cbr\u003e  \u003cbr\u003e “Comyns approaches the world as if everything is worthy of clear-eyed attention. In this novel in particular, she is better than any other writer I know at striking an impossible balance between accuracy, wonder, and disgust.” —Brian Evenson, \u003ci\u003eThe Rumpus\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e “Comyn’s [CE1] voice has childlike qualities; she looks at everything in the world as though seeing it for the first time. In later books, though, her narrators’ naivety is deployed in order to provoke horror; the gap between what the reader knows and the narrator doesn’t serves to make the reader fascinated and fearful.” —Emily Gould, \u003ci\u003eThe Awl\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e “Here is a beautifully organized, well-written book that reads almost conversationally.... Delicate, tough, quick moving, it’s a haunting book...an amazing achievement...” —\u003ci\u003eFinancial Times\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e “Comyns’s heroines, and her novels, are plaintive, strange, and robust all at once.... As an exercise in reconstruction, using the old ingredients but producing a fable for a different age, \u003ci\u003eThe Juniper Tree \u003c\/i\u003ecould hardly have been more satisfactorily accomplished.” —\u003ci\u003eThe Times Literary Supplement\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e “Hypnotic and enthralling.”—\u003ci\u003eKirkus Reviews\u003c\/i\u003e\u003cb\u003eBarbara Comyns \u003c\/b\u003e(1909–1992) was born in Bidfordon-Avon, in the English county of Warwickshire, one of six children of an increasingly unsuccessful Birmingham brewer. Living on the run-down but romantic family estate and receiving her education from governesses, she began to write and illustrate stories at the age of ten. After her father’s death, she attended art school in London and married a painter, with whom she had two children she supported by trading antiques and classic cars, modeling, breeding poodles, and renovating apartments. A second marriage, to Richard Comyns Carr, who worked in the Foreign Office, took place during World War II. Comyns wrote her first book, \u003ci\u003eSisters by a River\u003c\/i\u003e (1947), a series of sketches based on her childhood, while living in the country to escape the Blitz, which is also when she made an initial sketch for \u003ci\u003eThe Vet’s Daughter\u003c\/i\u003e (1959). This, however, she put aside to complete \u003ci\u003eOur Spoons Came from Woolworths\u003c\/i\u003e (1950) and \u003ci\u003eWho Was Changed and Who Was Dead\u003c\/i\u003e (1954). \u003ci\u003eThe Vet’s Daughter\u003c\/i\u003e was published in 1959. Among Comyns’s other books are the novels \u003ci\u003eThe Skin Chairs\u003c\/i\u003e (1962) and \u003ci\u003eThe Juniper Tree \u003c\/i\u003e(1985), and \u003ci\u003eOut of the Red into the Blue\u003c\/i\u003e (1960), a work of nonfiction about Spain, where she lived for eighteen years.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e Sadie Stein \u003c\/b\u003eis a writer and critic living in New York.","brand":"NYRB Classics","offers":[{"title":"Default Title","offer_id":46300362735845,"sku":"NP9781681371313","price":17.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781681371313.jpg?v=1767740031","url":"https:\/\/k12savings.com\/products\/the-juniper-tree-isbn-9781681371313","provider":"K12savings","version":"1.0","type":"link"}