{"product_id":"the-invincible-iron-man-omnibus-vol-2-salvador-larroca-cover-new-printing-isbn-9781302958992","title":"The Invincible Iron Man Omnibus Vol. 2 Salvador Larroca Cover [New Printing]","description":"To the world, Tony Stark is a debonair scientist leading the jet-set life. What they don't know is that he's secretly the Armored Avenger, Iron Man. But that secret may not last for long when the U.S. Senate forces Stark to divulge Stark Enterprises' secrets! Meanwhile, Iron Man faces a host of villains including classic battles against the Mandarin, the Hulk, Crimson Dynamo, Titanium Man and A.I.M. - not to mention the debuts of Whiplash and the sultry Madame Masque! Written by Stan \"The Man\" Lee and Iron Man heir apparent Archie Goodwin, with art by Gene \"The Dean\" Colan, George Tuska and E.C. Comics great Johnny Craig, these tales are the crème de la crème of Iron Man adventures! Collecting IRON MAN (1968) #1-25, and material from TALES OF SUSPENSE (1959) #84-99 and IRON MAN AND THE SUB-MARINER #1. | Writer\/editor   Stan Lee (1922-2018) made   comic-book history together with Jack Kirby in 1961 with Fantastic Four #1. The monumental   popularity of its new style inspired Lee to develop similarly themed   characters — including the Hulk and X-Men with Kirby, Spider-Man and Doctor   Strange with Steve Ditko, and Daredevil with Bill Everett. After shepherding   his creations through dozens of issues — in some cases a hundred or more —   Lee allowed other writers to take over, but he maintained steady editorial   control. Eventually, he helped expand Marvel into a multimedia empire. In   recent years, his frequent cameo appearances in Marvel’s films established   Lee as one of the world’s most famous faces.\u003cbr\u003e\u003cbr\u003eAs   both writer and artist, Archie Goodwin (d. 1998) got his start in comic strips and cartoons before   moving to Warren Publishing’s Vampirella — and from there to Marvel, where he eventually succeeded Gerry   Conway as editor in chief. He has been credited with saving Marvel from   financial ruin, with Roy Thomas, by securing adaptation rights to the   legendary Star Wars   franchise, perceiving its potential long before later merchandisers. He also   wrote comic-book adaptations of Alien, Blade Runner and other hit films. He   created both Marvel’s Graphic Novel line and its Epic Comics imprint — where, as editor, he occasionally   appeared in caricature as alien, elf or other. He also edited early English   translations of the Akira   series and the works of Moebius. At DC Comics, he guided the destinies of   Batman and Starman; one of his most memorable bodies of work was his   collaboration with Walter Simonson on the “Manhunter” backup feature in Detective Comics, which won five   Shazam Awards.\u003cbr\u003e\u003cbr\u003eThe   unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula — among the dozens   of other Marvel titles he has drawn. His DC work on Detective   Comics and Night Force is equally well remembered. During the Golden Age, he drew   multiple war stories for Marvel and DC alike. Colan has earned several Eagle   Awards and had professional art showings in New York City. His work on Ed   Brubaker’s Captain America at the age of 82 drew well-deserved raves.\u003cbr\u003e\u003cbr\u003eOne of   the Golden Age’s earliest talents, George Tuska (1916-2009) created characters for Fiction House, Harvey   Comics and Fawcett Comics’ Captain Marvel   Adventures, among many others. He helped launch   one of the most popular post-war genres in Lev Gleason’s Crime Does Not Pay. He eventually   provided multi-genre art for Atlas Comics, to which he returned following its   transformation into Marvel. Tuska penciled Ghost   Rider, Luke Cage: Power   Man and Sub-Mariner, as well as a 10-year Iron Man stint. At DC, he illustrated Challengers   of the Unknown and Superman, among others. As a comic-strip artist, Tuska drew Buck Rogers, Scorchy Smith and DC’s World’s Greatest Superheroes. His   final industry work was cover art for Masquerade, part of Dynamite’s Golden Age character revival, bringing him   full circle.","brand":"Marvel Universe","offers":[{"title":"Default Title","offer_id":46302507237605,"sku":"NP9781302958992","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781302958992.jpg?v=1767739968","url":"https:\/\/k12savings.com\/products\/the-invincible-iron-man-omnibus-vol-2-salvador-larroca-cover-new-printing-isbn-9781302958992","provider":"K12savings","version":"1.0","type":"link"}