{"product_id":"the-hiding-place-isbn-9781524761028","title":"The Hiding Place","description":"\u003cb\u003e\u003ci\u003e“The Hiding Place\u003c\/i\u003e is terrific in every way.”—Lee Child\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e \u003c\/b\u003e\u003cbr\u003e\u003cb\u003eFrom the acclaimed author of \u003ci\u003eThe Chalk Man \u003c\/i\u003ecomes an unputdownable psychological thriller about a man who returns home to settle old scores—and uncovers a secret darker than he could have imagined.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eJoe never wanted to come back to Arnhill. After the way things ended with his old gang—the betrayal, the suicide—and what happened when his sister went missing, the last thing he wanted to do was return to his hometown. But Joe doesn’t have a choice, not after a chilling email surfaces in his inbox: \u003ci\u003eI know what happened to your sister. It’s happening again . . .\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003eLying his way into a teaching job at his former high school is the easy part. Facing off with onetime friends who aren’t too happy to have him back in town—while avoiding the enemies he’s made in the years since—is tougher. But the hardest part of all will be returning to the abandoned mine where his life changed forever, and finally confronting the horrifying truth about Arnhill, his sister, and himself. Because for Joe, the worst moment of his life wasn’t the day his sister went missing.\u003cbr\u003e \u003cbr\u003eIt was the day she came \u003ci\u003eback\u003c\/i\u003e.\u003cb\u003e“Tudor maintains a tone of creeping dread throughout the book, of something lingering always in the background, coyly hiding its face while whispering promises of very bad things to come. In the last quarter, however, she goes for broke with outright horror, giving readers an effective jolt of adrenaline that will carry them all the way to the terrifying conclusion. Readers won’t know what hit them. Tudor came out swinging with \u003ci\u003eThe Chalk Man\u003c\/i\u003e, but this one puts her firmly on the map. Not to be missed.”\u003cb\u003e \u003c\/b\u003e—\u003c\/b\u003eKirkus\u003cb\u003e\u003cbr\u003e\u003cbr\u003e“Tudor has crafted another fantastic horror-tinged thriller (after \u003ci\u003eThe Chalk Man\u003c\/i\u003e, 2018) in the vein of John Connolly and Brendan Duffy\" -\u003c\/b\u003e Booklist\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\"Some writers have it, and some don't.  CJ Tudor has it big time - \u003ci\u003eThe Hiding Place\u003c\/i\u003e is terrific in every way\u003c\/b\u003e.\" – LEE CHILD\u003cbr\u003e  \u003cbr\u003e “\u003cb\u003eWith \u003ci\u003eThe Hiding Place\u003c\/i\u003e, CJ Tudor has proven that she is a true master at creating perfectly dark, highly propulsive, and tightly coiled mysteries that are utterly impossible to put down\u003c\/b\u003e. From page one, the reader is pulled in with a gathering sense of dread, and taken on an addictive, thrilling ride to the very last page.” – AIMEE MOLLOY,\u003ci\u003e New York Times \u003c\/i\u003eBestselling author of \u003ci\u003eThe Perfect Mother\u003cbr\u003e\u003cbr\u003e\u003cb\u003e“Dark, gothic and utterly compelling,\u003ci\u003e The Hiding Place\u003c\/i\u003e pulls off a rare combination – an atmosphere of unsettling evil along with richly nuanced characterisation.” - \u003c\/b\u003eJP DELANEY\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb\u003e\"Deliciously creepy, impeccably plotted and laced with both wicked humor and genuine shocks, The Hiding Place is the kind of read-under-the-covers thriller you didn't think people wrote anymore. Lucky for us, C.J. Tudor still does. An absolute corker of a book.\u003c\/b\u003e\" -- Riley Sager, New York Times bestselling author of FINAL GIRLS and THE LAST TIME I LIED\u003cbr\u003e\u003cbr\u003e“\u003cb\u003eGripping and dark, \u003ci\u003eThe Hiding Place\u003c\/i\u003e descends like its very own mine shaft, getting creepier the further you go\u003c\/b\u003e. You’ll race to the finish.” – ROZ NAY, internationally bestselling author of \u003ci\u003eOur Little Secret\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"Razor-sharp writing and masterful plotting drive this dark story about a small town, buried secrets, and ghosts from the past. \u003cb\u003eWitty and compelling all at once, \u003ci\u003eThe Hiding Place\u003c\/i\u003e is a must read page-turner!\" \u003c\/b\u003e– WENDY WALKER, bestselling author of \u003ci\u003eAll Is Not Forgotten\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e \"Delicious in every way. A deliciously creepy story, deliciously told. Storytelling like a siren's song: your hair will prickle and stand on end but you won't be able to tear your eyes from the page. \u003cb\u003eIf you like Tana French, you will love, love, love C.J. Tudor\u003c\/b\u003e.” – ALMA KATSU, author of \u003ci\u003eThe Hunger\u003c\/i\u003e\u003cbr\u003e \u003cb\u003e\u003cbr\u003e“WOW WOW WOW!\u003c\/b\u003e CJ Tudor’s follow-up to her impressive debut is superbly chilling and delightfully creepy. \u003cb\u003eSmartly written and brilliantly plotted, here is a book that crawls under your skin and hooks on until you reach that jaw-dropping ending\u003c\/b\u003e.” – CJ COOKE, author of \u003ci\u003eI Know My Name\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb\u003eC. J. Tudor\u003c\/b\u003e is the author of \u003ci\u003eThe Drift, The Burning Girls, The Other People, The Hiding Place,\u003c\/i\u003e and \u003ci\u003eThe Chalk Man, \u003c\/i\u003ewhich won the International Thriller Writers Award for Best First Novel, the Barry Award, and the Strand Critics\u003ci\u003e \u003c\/i\u003eAward for Best Debut Novel. Over the years she has worked as a copywriter, television presenter, voice-over artist, and dog walker. She is now thrilled to be able to write full-time, and doesn’t miss chasing wet dogs through muddy fields all that much. She lives in England with her partner and daughter.PROLOGUE\u003cbr\u003e  \u003cbr\u003e Even before stepping into the cottage, Gary knows that this is bad. \u003cbr\u003e  \u003cbr\u003e It’s the sickly-sweet smell drifting out through the open door; the flies buzzing around the sticky, hot hallway and, if that isn’t a dead giveaway that something about this house is not right, not right in the worst possible way, then the silence confirms it. \u003cbr\u003e  \u003cbr\u003e A smart white Fiat sits in the driveway; a bike is propped outside the front door, rain boots discarded just inside. A family home. And even when a family home is empty it has an echo of life. It shouldn’t sit, heavy and foreboding with a thick, suffocating blanket of silence like this house does. \u003cbr\u003e  \u003cbr\u003e Still, he calls again. “Hello. Anyone here?” \u003cbr\u003e  \u003cbr\u003e Cheryl raises a hand and raps briskly against the open door. Shut when they arrived, but unlocked. Again, not right. Arnhill might be a small village but people still lock their doors. \u003cbr\u003e  \u003cbr\u003e “Police!” she shouts. \u003cbr\u003e  \u003cbr\u003e Nothing. Not a faint footstep, creak or whisper. Gary sighs, realizing he feels superstitiously reluctant about entering. Not just because of the rancid aroma of death. There’s something else. Something primal that seems to be urging him to turn and walk away, right now. \u003cbr\u003e  \u003cbr\u003e Sarge?” Cheryl looks up at him, one pencil-thin eyebrow raised questioningly. \u003cbr\u003e  \u003cbr\u003e He glances at his five-foot-four, barely-breaking-one-hundred pounds companion. At over six foot and almost two hundred eighty pounds, Gary is the Baloo to Cheryl’s delicate Bambi. At least, in looks. Personality-wise, suffice it to say, Gary cries at Disney movies. \u003cbr\u003e  \u003cbr\u003e He gives her a small, grim nod and the pair step inside. \u003cbr\u003e  \u003cbr\u003e The ripe, rich smell of human decay is overwhelming. Gary swallows, trying to breathe through his mouth, wishing fervently that someone else—\u003ci\u003eanyone else\u003c\/i\u003e—could have taken this call. Cheryl pulls a disgusted face and covers her nose with her hand. \u003cbr\u003e  \u003cbr\u003e These small cottages are fairly typical in layout. Small hallway. Stairs to the left. Living room to the right and a tiny kitchen tacked on the back. Gary turns toward the living room. Pushes open the door. \u003cbr\u003e  \u003cbr\u003e Gary has seen dead bodies before. A young kid killed by a hit-and-run driver. A teenager mangled in farm equipment. They were horrible, yes. Needless, most definitely. But this. This is bad, he thinks again. Really bad. \u003cbr\u003e  \u003cbr\u003e “F***,” Cheryl whispers, and Gary couldn’t have put it better himself. \u003cbr\u003e  \u003cbr\u003e Everything conveyed in that single appalled expletive. \u003ci\u003eF***\u003c\/i\u003e. \u003cbr\u003e  \u003cbr\u003e A woman is slumped on a worn leather sofa in the middle of the room, facing a large flatscreen TV. The TV has a spiderweb crack in its front around which dozens of fat bluebottles crawl lazily. \u003cbr\u003e  \u003cbr\u003e The rest buzz around the woman. \u003ci\u003eThe body\u003c\/i\u003e, Gary corrects himself. Not a person anymore. Just a corpse. Just another case. Pull it together. \u003cbr\u003e  \u003cbr\u003e Despite the bloating of putrefaction he can tell that in life she had probably been slim, with pale skin, now mottled and marbled with green veins. She is dressed well. Checked shirt, fitted jeans and leather boots. Telling her age is difficult, mainly because most of the top of her head is missing. Well, not exactly missing. He can see chunks of it stuck to the wall and the bookcase and the cushions. \u003cbr\u003e  \u003cbr\u003e Not much doubt about who pulled the trigger. The shotgun still rests in her lap, bloated fingers bulging around it. Quickly, Gary assesses what must have happened. Gun inserted into her mouth, pulls the trigger, bullet exits slightly to the left, as that’s where the worst damage is, which makes sense, as the gun is in her right hand. \u003cbr\u003e  \u003cbr\u003e Gary is only a uniformed sergeant and doesn’t have a lot to do with forensics, but he does watch a lot of \u003ci\u003eCSI\u003c\/i\u003e.\u003cbr\u003e  \u003cbr\u003e Decomposition probably occurred quite rapidly. It’s hot in the little cottage, stifling in fact. The temperature outside is mid-seventies, the windows are shut and, although the curtains are pulled, it must be creeping up to ninety. He can already feel the sweat trickling down his back and dampening his underarms. Cheryl, who never loses her cool, is wiping her forehead and looking uncomfortable. \u003cbr\u003e  \u003cbr\u003e “Shit. What a mess,” she says, with a weariness he doesn’t often hear. \u003cbr\u003e  \u003cbr\u003e She stares at the body on the sofa, shaking her head, then her eyes shift around the rest of the room, lips pursed, face grim. Gary knows what she is thinking. \u003ci\u003eNice cottage. Nice car. Nice clothes. But you never really know.\u003c\/i\u003e \u003ci\u003eYou never really know what goes on inside\u003c\/i\u003e. \u003cbr\u003e  \u003cbr\u003e Apart from the leather sofa the only other furniture is a heavy oak bookcase, a small coffee table and the TV. He looks at it again, wondering about the crack in the screen and why the flies are so interested in crawling all over it. He takes a few steps forward, broken glass crunching beneath his feet, and bends down. \u003cbr\u003e  \u003cbr\u003e Closer, he spots the reason. The splintered glass is covered in dark, crusted blood. More has run down the screen to the floor, where, he realizes, he has only just avoided standing in a sticky puddle that has spread over the floorboards. \u003cbr\u003e  \u003cbr\u003e Cheryl moves to stand beside him. “What’s that? Blood?” \u003cbr\u003e  \u003cbr\u003e He thinks about the bike. The rain boots. The silence. \u003cbr\u003e  \u003cbr\u003e “We need to check the rest of the cottage,” he says. She looks at him with troubled eyes and nods. \u003cbr\u003e  \u003cbr\u003e The stairs are steep, creaky and streaked with more trails of dark blood. At the top a narrow landing leads to two bedrooms and a tiny bathroom. If possible, the heat on the landing is more intense, the smell even more repugnant. Gary gestures for Cheryl to go and check the bathroom. For a moment he thinks she’ll argue. It’s obvious that the smell is coming from one of the bedrooms but, for once, she lets him play the senior officer and walks cautiously across the landing. \u003cbr\u003e  \u003cbr\u003e He faces the first bedroom door, a bitter metallic taste in his mouth, and then, slowly, eases it open. It’s a woman’s room. Clean, neat and empty. Wardrobe in one corner, chest of drawers by the window, large bed covered with a pristine cream duvet. On the bedside table, a lamp and a solitary picture in a plain wooden frame. He walks over and picks it up. A young boy, ten or eleven, small and wiry, with a toothy smile and messy blond hair. Oh God, he finds himself praying. \u003ci\u003ePlease, God, no\u003c\/i\u003e. \u003cbr\u003e  \u003cbr\u003e With an even heavier heart he walks back out into the corridor to find Cheryl looking pale and tense. \u003cbr\u003e  \u003cbr\u003e “Bathroom’s empty,” she says, and he knows that she is thinking the same thing. Only one room left. Only one door to open to reveal the grand prize. He angrily swats away a fly and would have taken a steadying breath if the smell hadn’t already been choking him. Instead, he reaches for the handle and pushes the door open. \u003cbr\u003e  \u003cbr\u003e Cheryl is too tough to be sick, but he still hears her make a retching noise. His own stomach gives a good solid heave but he manages to fight the nausea back down. \u003cbr\u003e  \u003cbr\u003e When he thought this was bad, he was wrong. This is a f***ing nightmare. \u003cbr\u003e  \u003cbr\u003e The boy lies on his bed, dressed in an oversized T-shirt, baggy shorts and white sports socks. The elastic of the socks digs into the swollen flesh of his legs. \u003cbr\u003e  \u003cbr\u003e Bright white socks, Gary can’t help noticing. Blindingly white. Fresh-on white. Like a detergent ad. Or perhaps they just seem that way because everything else is red. Dark red. Streaking the oversized T- shirt, smeared all over the pillows and sheets. And where the boy’s face should be just a big mushy mess of red, features indiscernible, crawling with busy black bodies, flies and beetles, wriggling in and out of the ruined flesh. His mind flicks back to the splintered TV screen and the puddle of blood on the floor, and suddenly he sees it. The boy’s head being smashed into the TV again and again, then hammered into the floor until he is unrecognizable, until he has no face. \u003cbr\u003e  \u003cbr\u003e And maybe that was the point, he thinks, as he raises his eyes to the other red. The most obvious red. The red it is impossible to miss. Big letters scrawled across the wall above the boy’s body: \u003cbr\u003e  \u003cbr\u003e \u003cb\u003eNOT MY SON\u003c\/b\u003eAuthor of The Chalk Man","brand":"Ballantine Books","offers":[{"title":"Default Title","offer_id":46304561922277,"sku":"NP9781524761028","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781524761028.jpg?v=1767739784","url":"https:\/\/k12savings.com\/products\/the-hiding-place-isbn-9781524761028","provider":"K12savings","version":"1.0","type":"link"}