{"product_id":"the-digital-turn-in-architecture-1992-2012-isbn-9781119951759","title":"The Digital Turn in Architecture 1992 - 2012","description":"Now almost 20 years old, the digital turn in architecture has already gone through several stages and phases. \u003ci\u003eArchitectural Design\u003c\/i\u003e (\u003ci\u003eAD\u003c\/i\u003e) has captured them all – from folding to cyberspace, nonlinearity and hypersurfaces, from versioning to scripting, emergence, information modelling and parametricism. It has recorded and interpreted the spirit of the times with vivid documentary precision, fostering and often anticipating crucial architectural and theoretical developments. This anthology of \u003ci\u003eAD\u003c\/i\u003e’s most salient articles is chronologically and thematically arranged to provide a complete historical timeline of the recent rise to pre-eminence of computer-based design and production. Mario Carpo provides an astute overview of the recent history of digital design in his comprehensive introductory essay and in his leaders to each original text. A much needed pedagogical and research tool for students and scholars, this synopsis also relates the present state of digitality in architecture to the history and theory of its recent development and trends, and raises issues of crucial importance for the contemporary practice of the design professions.   \u003cul\u003e \u003cli\u003eA comprehensive anthology on digital architecture edited by one of its most eminent scholars in this field, Mario Carpo.\u003c\/li\u003e \u003cli\u003eIncludes seminal texts by Bernard Cache, Peter Eisenman, John Frazer, Charles Jencks, Greg Lynn, Achim Menges and Patrik Schumacher.\u003c\/li\u003e \u003cli\u003eFeatures key works by FOA, Frank Gehry, Zaha Hadid, Ali Rahim, Lars Spuybroek\/NOX, Kas Oosterhuis and SHoP.\u003c\/li\u003e \u003c\/ul\u003eArchitektur im digitalen Zeitalter, eine zwei Jahrzehnte alte und wechselvolle Geschichte. Dieses Buch aus der Reihe Architectural Design (AD) beschreibt sämtliche Stufen und Phasen: von Folding zu Cyberspace, Nichtlinearität und Hypersurface-Architektur, von Versionierung zu Skripting, Emergenz, Informationsmodellen und Parametricism. Es erfasst und interpretiert den Geist der jeweiligen Zeit mit dokumentarischer Präzision, fördert und antizipiert oftmals bedeutende Entwicklungen in Architektur und Architekturtheorie. Diese Anthologie der bedeutendsten Artikel aus Architectural Design ist chronologisch und thematisch geordnet, bietet einen vollständigen historischen Zeitstrahl zu computergestütztem Design und digitalen Produktionsformen, von den Anfängen bis zur heutigen Vorrangstellung dieser Technologien. Mario Capo gibt in seiner ausführlichen Einleitung und im Vorwort zu jedem Originaltext einen scharfsinnigen Überblick über die jüngste Geschichte des digitalen Designs. Diese Synopse fehlte bislang, sowohl als pädagogisches Instrument für Studenten als auch Forschungsinstrument für Wissenschaftler. Sie spannt den Bogen zwischen dem Status quo \"digitaler\" Architektur und der Geschichte und Theorie jüngster Entwicklungen und Trends, stellt wichtige Fragen zu den heutigen Methoden und Techniken im professionellen Design.\u003cbr\u003e Eine umfassende Anthologie digitaler Architektur von Mario Carpo, einem der herausragendsten Wissenschaftler in diesem Fachgebiet. \u003cbr\u003e - enthält bahnbrechende Essays von Bernard Cache, Peter Eisenman, John Frazer, Charles Jencks, Greg Lynn, Achim Menges und Patrik Schumacher\u003cbr\u003e - stellt die wichtigsten Werke von FOA, Frank Gehry, Zaha Hadid, Ali Rahim, Lars Spuybroek\/NOX, Kas Oosterhuis und ShoP vor\u003cbr\u003e  \u003cp\u003e\u003cb\u003eIntroduction 8\u003cbr\u003e \u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eTwenty Years of Digital Design\u003c\/p\u003e \u003cp\u003e\u003cb\u003eArchitecture After the Age of Printing (1992) 15\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eVisions Unfolding: Architecture in the Age of Electronic Media\u003c\/i\u003e AD September–October 1992\u003cb\u003e\u003cbr\u003e \u003c\/b\u003e\u003ci\u003ePeter Eisenman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Affects of Singularit\u003cb\u003ey\u003c\/b\u003e\u003c\/i\u003e AD November–December 1992\u003cbr\u003e \u003ci\u003ePeter Eisenman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFolding in Architecture (1993) 28\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eArchitectural Curvilinearity: The Folded, the Pliant and the Supple\u003c\/i\u003e AD March–April 1993\u003cbr\u003e Greg Lynn\u003c\/p\u003e \u003cp\u003e\u003ci\u003eShoei Yoh, Prefectura Gymnasium\u003c\/i\u003e AD March–April 1993\u003cbr\u003e \u003ci\u003eGreg Lynn\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Architectural Relevance of Cyberspace (1995) 48\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Architectural Relevance of Cyberspace\u003c\/i\u003e AD November–December 1995\u003cbr\u003e \u003ci\u003eJohn Frazer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eArchitectural Experiments\u003c\/i\u003e AD November–December 1995\u003cbr\u003e \u003ci\u003eJohn Frazer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Digital and the Global (1996) 57\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eYokohama International Port Terminal\u003c\/i\u003e AD July–August 1996\u003c\/p\u003e \u003cp\u003eForeign Office Architects\u003c\/p\u003e \u003cp\u003e\u003cb\u003eField Conditions (1997) 62\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eFrom Object to Field\u003c\/i\u003e AD May–June 1997\u003cbr\u003e \u003ci\u003eStan Allen\u003cb\u003e \u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eNonlinear Architecture (1997) 80\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eNonlinear Architecture. New Science = New Architecture?\u003c\/i\u003e AD September–October 1997\u003cbr\u003e \u003ci\u003eCharles Jencks\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLandform Architecture. Emergent in the Nineties\u003c\/i\u003e AD September–October 1997\u003cbr\u003e \u003ci\u003eCharles Jencks\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eHypersurfaces (1998) 108\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMotor Geometry\u003c\/i\u003e AD May–June 1998\u003cbr\u003e \u003ci\u003eLars Spuybroek\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSalt Water Live, Behaviour of the Salt Water Pavilion\u003c\/i\u003e AD May–June 1998\u003cbr\u003e \u003ci\u003eKas Oosterhuis\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEmbryologic Houses© (2000) 124\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eEmbryologic Houses©\u003c\/i\u003e AD May–June 2000\u003cbr\u003e \u003ci\u003eGreg Lynn\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVersioning (2002) 131\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIntroduction to Versioning. Evolutionary Techniques in Architecture\u003c\/i\u003e AD September–October 2002\u003c\/p\u003e \u003cp\u003eSHoP\/Sharples Holden Pasquarelli\u003c\/p\u003e \u003cp\u003e\u003ci\u003eEroding the Barriers\u003c\/i\u003e AD September–October 2002\u003c\/p\u003e \u003cp\u003eSHoP\/Sharples Holden Pasquarelli\u003c\/p\u003e \u003cp\u003e\u003cb\u003eTopological Architecture (1998-2003) 146\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eBernard Cache\/Objectile, Topological Architecture and the Ambiguous Sign\u003c\/i\u003e AD May–June 1998\u003cbr\u003e \u003ci\u003eStephen Perrella\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePhilibert De L’Orme Pavilion: Towards an Associative Architecture\u003c\/i\u003e AD March–April 2003\u003cbr\u003e \u003ci\u003eBernard Cache\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMorphogenesis and the Mathematics of Emergence (2004-2006) 158\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIntroduction to Emergence: Morphogenetic Design Strategies\u003c\/i\u003e AD May–June 2004\u003cbr\u003e \u003ci\u003eMichael Hensel, Achim Menges and Michael Weinstock\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePolymorphism\u003c\/i\u003e AD March–April 2006\u003cbr\u003e \u003ci\u003eAchim Menges\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eScripting (2006) 182\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e20 Years of Scripted Space\u003c\/i\u003e AD July–August 2006\u003cbr\u003e \u003ci\u003eMalcolm McCullough\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCollective Intelligence (2006) 188\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIntroduction to Collective Intelligence in Design\u003c\/i\u003e AD September–October 2006\u003cbr\u003e \u003ci\u003eChristopher Hight and Chris Perry\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eComputational Intelligence: The Grid as a Post-Human Network\u003c\/i\u003e AD September–October 2006\u003cbr\u003e \u003ci\u003ePhilippe Morel\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eElegance (2007) 208\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Economies of Elegance. Migrating Coastlines: Residential Tower, Dubai\u003c\/i\u003e AD January–February 2007\u003cbr\u003e \u003ci\u003eAli Rahim and Hina Jamelle\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eDeus ex Machina: From Semiology to the Elegance of Aesthetics\u003c\/i\u003e AD January–February 2007\u003cbr\u003e \u003ci\u003eMark Foster Gage\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBuilding Information Modelling (2009) 226\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOptimisation Stories: The Impact of Building Information\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eModelling on Contemporary Design Practice\u003c\/i\u003e AD March–April 2009\u003cbr\u003e \u003ci\u003eRichard Garber\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eA New Global Style (2009) 240\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eParametricism: A New Global Style for Architecture and Urban Design\u003c\/i\u003e AD July–August 2009\u003cbr\u003e \u003ci\u003ePatrik Schumacher\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIndex\u003c\/b\u003e\u003c\/p\u003e  \u003cb\u003eMario Carpo\u003c\/b\u003e teaches architectural history and theory at the School of Architecture of Paris-La Villette, at the Georgia Institute of Technology and at the Yale School of Architecture. His research and publications focus on the relationship between architectural theory, cultural history and the history of information technology. Among his publications are the award-winning \u003ci\u003eArchitecture in the Age of Printing\u003c\/i\u003e (2001), monographs on Sebastiano Serlio and Leon Battista Alberti, and \u003ci\u003eThe Alphabet and the Algorithm\u003c\/i\u003e (2011), a history and critique of digital design theory. Carpo’s writings are also published internationally in journals and architectural magazines.  Now almost 20 years old, the digital turn in architecture has already gone through several stages and phases. \u003ci\u003eArchitectural Design\u003c\/i\u003e (\u003ci\u003eAD\u003c\/i\u003e) has captured them all – from folding to cyberspace, nonlinearity and hypersurfaces, from versioning to scripting, emergence, information modelling and parametricism. It has recorded and interpreted the spirit of the times with vivid documentary precision, fostering and often anticipating crucial architectural and theoretical developments. This anthology of \u003ci\u003eAD\u003c\/i\u003e’s most salient articles is chronologically and thematically arranged to provide a complete historical timeline of the recent rise to pre-eminence of computer-based design and production. Mario Carpo provides an astute overview of the recent history of digital design in his comprehensive introductory essay and in his leaders to each original text. A much needed pedagogical and research tool for students and scholars, this synopsis also relates the present state of digitality in architecture to the history and theory of its recent development and trends, and raises issues of crucial importance for the contemporary practice of the design professions.   \u003cul\u003e \u003cli\u003eA comprehensive anthology on digital architecture edited by one of its most eminent scholars in this field, Mario Carpo.\u003c\/li\u003e \u003cli\u003eIncludes seminal texts by Bernard Cache, Peter Eisenman, John Frazer, Charles Jencks, Greg Lynn, Achim Menges and Patrik Schumacher.\u003c\/li\u003e \u003cli\u003eFeatures key works by FOA, Frank Gehry, Zaha Hadid, Ali Rahim, Lars Spuybroek\/NOX, Kas Oosterhuis and SHoP.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47990207971557,"sku":"NP9781119951759","price":139.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781119951759.jpg?v=1761786912","url":"https:\/\/k12savings.com\/products\/the-digital-turn-in-architecture-1992-2012-isbn-9781119951759","provider":"K12savings","version":"1.0","type":"link"}