{"product_id":"the-death-of-vivek-oji-isbn-9780525541622","title":"The Death of Vivek Oji","description":"\u003cb\u003eA Good Morning America Buzz Pick\u003cbr\u003e\u003cbr\u003eINSTANT NEW YORK TIMES BESTSELLER\u003cbr\u003e\u003cbr\u003e\"Electrifying.\" — \u003ci\u003eO: The Oprah Magazine\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cb\u003e\u003cbr\u003eNamed a Best Book of 2020 by \u003ci\u003eThe New York Times\u003c\/i\u003e, \u003ci\u003eThe Washington Post\u003c\/i\u003e, NPR\u003ci\u003e, \u003c\/i\u003eUSA TODAY,\u003ci\u003e Vanity Fair\u003c\/i\u003e, \u003ci\u003eElle\u003c\/i\u003e,\u003ci\u003e Harper's Bazaar\u003c\/i\u003e, \u003ci\u003eMarie Claire\u003c\/i\u003e, Shondaland, \u003ci\u003eTeen Vogue,\u003c\/i\u003e \u003ci\u003eVulture, Lit Hub, \u003c\/i\u003eBustle, Electric Literature, and BookPage\u003cbr\u003e\u003cbr\u003eWhat does it mean for a family to lose a child they never really knew?\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003eOne afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover her son’s body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. \u003cbr\u003e\u003cbr\u003ePropulsively readable, teeming with unforgettable characters, \u003ci\u003eThe Death of Vivek Oji\u003c\/i\u003e is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.\u003cb\u003ePraise for\u003ci\u003e The Death of Vivek Oji\u003c\/i\u003e:\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e“[A] dazzling, devastating story . . . A puzzle wrapped in beautiful language, raising questions of identity and loyalty that are as unanswerable as they are important.” —\u003cb\u003e\u003ci\u003eThe New York Times Book Review\u003c\/i\u003e\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e“Electrifying” \u003cb\u003e—\u003ci\u003eO: The Oprah Magazine\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e“Brilliant . . . This is a book full of line-level beauty; a book of multiple perspectives, each rendered organically and fully; a book of mystery and community and love. . . . A special read that will not soon be forgotten.” —\u003cb\u003eNana Kwame Adjei-Brenyah, author of \u003ci\u003eFriday Black\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Remarkably assured and graceful. . . . Emezi has once again encouraged us to embrace a fuller spectrum of human experience.” —\u003ci\u003e\u003cb\u003eThe Washington Post\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/i\u003e“This affecting novel of self-invention . . . poses searching questions about gender and acceptance.” \u003cb\u003e—\u003c\/b\u003e\u003ci\u003e\u003cb\u003eThe New Yorker\u003cbr\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e“Instead of getting flattened by death, Vivek becomes more vivid on each page. He glows like the sun, impossible to look at directly yet utterly charismatic. I missed him when the novel was done.” —\u003cb\u003eNPR\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e“One of the most highly acclaimed novels of 2020.”\u003cb\u003e —\u003ci\u003eNewsweek\u003c\/i\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e“Powerful . . . [a] slim book that contains as wide a range of experience as any saga — a little bit like Vivek’s brief yet gloriously expansive life.”  —\u003ci\u003e\u003cb\u003eLos Angeles Times\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“One of the best books of 2020. . . . a vivid, propulsive experience. . . . about freedom and our capacity to imagine what it’s like to be someone else, or perhaps, more so, what it’s like to experience them as they are.” \u003cb\u003e— Goop\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“A testament to Emezi’s immense literary prowess.” \u003cb\u003e—\u003ci\u003eElle\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e“Brilliant . . . [A] beautifully tragic story of self-determined wellness, peculiar belonging, communal acceptance, and pursuing what one wants from love . . . this book is a liminal force that determines, in its own tricky way, the path to a life worth knowing.” –\u003cb\u003eOluwantomisin Oredein, \u003ci\u003eThe Christian Century\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Equal parts heartwarming and emotionally shattering, the life and death of Vivek Oji is truly unforgettable.” —\u003cb\u003e\u003ci\u003eTeen Vogue\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Emezi has a gift for prose that is often as visceral, tender and heartbreaking as what it describes. . . . While the novel sets out to solve the mystery of Oji’s death, what gives it power is how it uncovers the story of a person shielded by the peace of self-acceptance against the pain of the world. Here is proof of what good fiction does best: it is an antidote to invisibility.”  —\u003ci\u003e\u003cb\u003eThe Guardian\u003cbr\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e“Emezi’s tender prose deftly depicts the inner lives of Vivek, Osita and those around them. . . . While the mystery surrounding Vivek’s death is finally revealed towards the end of this spellbinding mystery, what proves most satisfying is all that is learnt in the search for truth.”  —\u003cb\u003e\u003ci\u003eFinancial Times \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Emezi is a beacon of literary genius… in Emezi’s skilled hands, the mosaic of love, pain, community, family, trauma, and beauty, that make the crown to which Vivek is the bloody jewel, is crafted into an unforgettable and deeply moving story.” —\u003cb\u003eLambda Literary\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e“A robust literary triumph. . . . A sensitively drawn, achingly beautiful portrayal of the boundaries of personal, gender and societal identities.”  —\u003ci\u003e\u003cb\u003eChicago Review of Books \u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“While there are many books that stay with us long after we put them down,\u003ci\u003eThe Death of Vivek Oji\u003c\/i\u003e is as permanent as a tattoo.” —\u003ci\u003e\u003cb\u003ePaper Mag\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Equal parts brilliant and heartbreaking as readers are taken on a journey to discover the hidden parts of Vivek's life and the mystery surrounding his death.” —\u003cb\u003e\u003ci\u003eMarie Claire \u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e“[One] of our greatest living writers, Akwaeke Emezi is back . . . . a story of chosen family, discovery, love, pain, grief, and how colonialism infects individuals and nations.” —\u003cb\u003eShondaland \u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e“Electrifying . . . \u003ci\u003eThe Death of Vivek Oji\u003c\/i\u003e is a masterful contemplation on gender identity and fluidity, the heavy weight of shame, and the importance of having friends and family who accept you rather than attempt to ‘fix’ you.” — \u003ci\u003e\u003cb\u003eSalon\u003c\/b\u003e\u003c\/i\u003e \u003cbr\u003e\u003cbr\u003e“Propulsive and resonant. . . . Emezi is a dazzling literary talent whose works cut to the quick of the spiritual self.” —\u003cb\u003e\u003ci\u003eEsquire\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e“Although Akwaeke Emezi introduces us to Vivek Oji in death[,] it is his life that will resonate with readers, long after they've turned this book's final page.” — \u003cb\u003eRefinery29\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e“A work of elegant musicality and ingenuity [that draws] the reader into a world of memories, talismans, photographs, spirits, and intimacies.”\u003cb\u003e —Myriam Gurba, \u003cb\u003e\u003ci\u003eZora\u003c\/i\u003e \u003c\/b\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e“A masterful winding and unwinding of the tethers of love, shame, identity, intimacy, and violence. . . . The story takes us into the intimate worlds of each character, with chapters moving fluidly between consciousness and the voice that sees all of them moving and making choices. . . . [\u003ci\u003eThe Death of Vivek Oji\u003c\/i\u003e] made me want to live.” —\u003cb\u003eMan Repeller\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e“The Death of Vivek Oji \u003c\/i\u003eis an alchemy of personal family story and untouchable myth. It circles itself, like a shark preparing to take down its prey; reader, you will be disarmed.” —\u003cb\u003eLitHub\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“An astonishing book . . . With warmth and great detail, Emezi explores the complicated friction of cultural clashes and the loss of youthful innocence.” —\u003cb\u003e\u003ci\u003eStylist\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“A deep, tender look at a family unraveling around the tragic and early loss of someone they loved but never understood. . . . beautifully captures an ordinary family in all its loving, hurtful, messy glory.” \u003cb\u003e—Shelf Awareness \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Emezi offers a richly textured depiction of a middle-class community in Nigeria . . . Vividly written and deeply affecting.”\u003cb\u003e —\u003ci\u003eKirkus Reviews \u003c\/i\u003e(starred review)\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003cbr\u003ePraise for Akwaeke Emezi:\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e“Dazzling.”\u003cb\u003e \u003cb\u003e\u003ci\u003e—Los Angeles Times\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003c\/b\u003e\u003ci\u003e \u003c\/i\u003e“Extraordinarily powerful.”\u003cb\u003e —Edwidge Danticat, \u003cb\u003e\u003ci\u003eThe New Yorker\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/b\u003e\u003cbr\u003e “Remarkable and daring.”\u003cb\u003e \u003cb\u003e\u003ci\u003e—The New York Times Book Review\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/b\u003e\u003cbr\u003e “The arrival of a major talent.”\u003cb\u003e \u003cb\u003e\u003ci\u003e—San Francisco Chronicle\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003c\/b\u003e“Akwaeke Emezi parts the seas of the self.”\u003cb\u003e  \u003cb\u003e\u003ci\u003e—Vanity Fair\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003c\/b\u003e “Like watching the beginning of something big.” \u003cb\u003e—\u003cb\u003e\u003ci\u003eVox\u003c\/i\u003e\u003c\/b\u003e\u003c\/b\u003e\u003cb\u003eAkwaeke Emezi \u003c\/b\u003e(they\/them) is the author of the \u003ci\u003eNew York Times\u003c\/i\u003e bestseller \u003ci\u003eThe Death of Vivek Oji\u003c\/i\u003e, which was shortlisted for the Dylan Thomas Prize; \u003ci\u003ePet\u003c\/i\u003e, a finalist for the National Book Award for Young People’s Literature; and \u003ci\u003eFreshwater\u003c\/i\u003e, which was named a \u003ci\u003eNew York Times\u003c\/i\u003e Notable Book and shortlisted for the PEN\/Hemingway Award, the New York Public Library Young Lions Fiction Award, the Lambda Literary Award, and the Center for Fiction’s First Novel Prize. Selected as a 5 Under 35 honoree by the National Book Foundation, they are based in liminal spaces.\u003cp\u003e\u003cb\u003eOne\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThey burned down the market on the day Vivek Oji died.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTwo\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eIf this story was a stack of photographs-the old kind, rounded at the corners and kept in albums under the glass and lace doilies of center tables in parlors across the country-it would start with Vivek's father, Chika. The first print would be of him riding a bus to the village to visit his mother; it would show him dangling an arm out of the window, feeling the air push against his face and the breeze entering his smile.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eChika was twenty and as tall as his mother, six feet of red skin and suntouched-clay hair, teeth like polished bones. The women on the bus looked openly at him, his white shirt billowing out from the back of his neck in a cloud, and they smiled and whispered among themselves because he was beautiful. He had looks that should have lived forever, features he passed down to Vivek-the teeth, the almond eyes, the smooth skin-features that died with Vivek.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eThe next photograph in the stack would be of Chika's mother, Ahunna, sitting on her veranda when her son arrived, a bowl of udara beside her. Ahunna's wrapper was tied around her waist, leaving her breasts bare, and her skin was redder than Chika's, deeper and older, like a pot that had been bled over in its firing. She had fine wrinkles around her eyes, hair plaited into tight cornrows, and her left foot was bandaged and propped up on a stool.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"Mama! Gini mere?!\" Chika cried when he saw her, running up the veranda stairs. \"Are you all right? Why didn't you send someone?\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"There was no need to disturb you,\" Ahunna replied, splitting open an udara and sucking out its flesh. The large compound of her village house stretched around them-old family land, a whole legacy in earth that she'd held onto ever since Chika's father died several years ago. \"I stepped on a stick when I was on the farm,\" she explained, as her son sat down beside her. \"Mary took me to the hospital. Everything is fine now.\" She spat udara seeds from her mouth like small black bullets.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eMary was his brother Ekene's wife, a full and soft girl with cheeks like small clouds. They had married a few months ago, and Chika had watched Mary float down the aisle, white lace gathered around her body and a veil obscuring her pretty mouth. Ekene had been waiting for her at the altar, his spine stern and proud, his skin gleaming like wet loam against the tarred black of his suit. Chika had never seen his brother look so tender, the way his long fingers trembled, the love and pride simmering in his eyes. Mary had to tilt her head up to look at Ekene as they recited their vows-the men in their family were always tall-and Chika had watched her throat curve, her face glowing as his brother lifted up the tulle and kissed her. After the wedding, Ekene decided to move out of the village and into town, into the bustle and noise of Owerri, so Mary was staying with Ahunna while Ekene went to set up their new life. Chika stole a glance at Mary from the veranda as she watered the hibiscus garden, her hair tied back in a frayed knot, wearing a loose cotton dress in a faded floral print. She looked like home, like something he could fall into, whirling through her hips and thighs and breasts.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eHis mother frowned at him. \"Mind yourself,\" she warned, as if she could read his mind. \"That's your brother's wife.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eChika's face burned. \"I don't know what you're talking about, Mama.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eAhunna didn't blink. \"Go and find your own wife, just don't start any wahala in this house with this girl. Your brother is coming to collect her soon.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eChika reached out and took her hand. \"I'm not starting anything, Mama.\" She scoffed but didn't pull her hand away. They sat like \u003cbr\u003ethat, another picture, as the evening pulled across the veranda and sky, and something boiled slow and hot in Chika, thrumming at the back of his throat. This was before Vivek, before the fire, before Chika would discover exactly how difficult it was to dig his own grave with the bones of his son.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eWhen Ahunna's wound healed, it left a scar on the instep of her foot-a dark brown patch shaped like a limp starfish. Her son Ekene came and took his wife to their new house in Owerri, a white bungalow with flame-of-the-forest growing by the gate and guava trees lined up by the fence, and Chika visited them there. These would be the happy pictures: Mary smiling in her kitchen; Mary plaiting her hair with extensions and singing with her full throat in her church choir; Mary and Chika gisting in the kitchen while she cooked. Ekene had no patience for talkative women and he wasnÕt the jealous type, so he didn't mind that his junior brother and his wife got along so well.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eAs for Chika, the thing boiling inside him took on a new heat whenever he was around Mary. It sang and bubbled and scalded him where no one could see. He joked to his family that he just liked being in a house with a woman in it, rather than his empty bachelor flat, and Mary believed him-until one afternoon when he stepped behind her as she was cooking and put his mouth on the back of her neck. She whirled and started beating him with the long wooden spoon she was using to make garri.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"Are you mad?\" she shouted, flecks of hot garri spitting off her spoon and burning the forearms he'd raised to block her blows. \u003cbr\u003e\"What do you think you're doing?\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"Sorry! Sorry!\" He dropped to his knees, bowing his head under his arms. \"Biko, Mary, stop! I won't do it again, I swear!\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eShe paused, breathing hard, her face confused and hurt.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"What's your problem, ehn? Why must you try and spoil everything? Ekene and I are happy, you hear? We're happy.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"I know. I know.\" Chika stood up slowly, one reversed knee at a time, keeping his hands up and looking into her eyes. \"I know. I don't want to spoil anything. Please, forgive me.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eMary shook her head. \"You can't continue coming here if this is what you're coming for.\" Chika wanted to reach out to her, but her knuckles were tight around the spoon.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"I know,\" he said, keeping his voice soft.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"I'm not joking,\" she said. \"Don't come back with this nonsense.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eChika looked at the tears hanging wet inside her eyes and he put his hands down.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"I hear you. I swear, from now on, you're just my sister.\" He felt her eyes on him as he reached for his car keys. \"I'm going. I'll see you next week. Please, let's just forget today, okay?\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eMary said nothing. She just watched as he left, her fingers relaxing against the curved wood of the handle only when the door closed behind him.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eFor the next several months, Chika kept his distance from Owerri. He got a job as an accountant at a glass factory in Ngwa, the market town he had moved to when he left the village. The company doctor there was Dr. Khatri, a pale Indian man with shocks of grey hair at his temples. Sometimes, Dr. Khatri would bring in his niece, Kavita, to help with administrative work. The first time Chika met her, he'd gone in to see the doctor about a cough and Kavita was at the front desk with files heaped around her, frowning as she flipped through them. She was a small woman with dark brown skin and a thick braid of black hair hanging past her waist. That morning, she was wearing an orange cotton dress; she looked like a burning sunset, and Chika knew immediately that his story would end with her, that he would drown in her large liquid eyes and it would be the perfect way to go. There was nothing boiling in him, just a loud and clear exhale, a weight of peace wrapping around his heart. Kavita looked up and smiled at him, and somehow Chika found the liver to ask her to lunch. It surprised them both when she said yes, as did the affection that unfurled between them in the weeks that followed.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eWhen it became apparent how serious their courtship was getting, the doctor invited Chika to their home, where Kavita served them tea and small bowls of murukku. Her wrists were delicate, and her dark hair rained off her shoulders. Dr. Khatri told Chika how, after her parents died, Kavita had passed into his care, eventually coming with him all the way from India to Nigeria. \"We had some . . . family problems back in Delhi,\" he said. \"Because of her father's caste. It was better to make a fresh start.\" Chika nodded. That was the same reason he chose not to live in the same town as any of his family. Fresh starts were good; that separateness was where you could feel yourself, where you could learn who you were apart from everyone else.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003ePicture: the young couple in the back garden after dinner, walking along a line of bare rosebushes, Kavita running her fingers gently over the branches.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"I can't wait for these to bloom,\" she said. \"I used to hate the smell of roses back when we lived in Delhi, but my uncle loves them, and now-it's strange-all they do is remind me of home.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003ePicture: Chika's hand covering hers, serrated leaves crushed under their palms, a quiet kiss where their breaths tangle.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eAfterward, Chika went to the village and told his mother about Kavita. \"I want you to meet her,\" he said, avoiding her eyes. Ahunna watched him, his bent shoulders, the way he kept taking his hands out of his pockets and putting them back in. Children never really change, she thought, no matter how much they grow up.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"Bring the girl,\" Ahunna said. \"Nsogbu adighi..\" She went back to peeling yam, sitting on a low stool in front of the basin holding the tubers, throwing the rind out into the backyard for her goats. Chika stood above her, a dazed smile spreading across his face.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"Yes, Ma,\" he eventually said. \"Daalu.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eIt was only then he finally felt ready to visit Owerri, to share the news with Mary and Ekene, now that he could go to their house with a clean conscience. He and Mary never spoke of what had happened, that moment of misplaced desire in a sweltering kitchen.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eThree months later, Chika proposed to Kavita in the rose garden at her uncle's house. By then, pink and red blooms filled out the branches and the air was thick with scent. Kavita smiled, blinking back tears as she threw her arms around his clay neck and kissed him yes. A few days later, the families started arguing about the dowry. Chika tried to explain to Dr. Khatri that it was the husband's family who paid the brideprice, but the old doctor was enraged by the very idea. \"We came all the way from India with Kavita's dowry! It is her inheritance. I cannot let her go without it as if she's worth nothing to us!\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"And I cannot accept a brideprice from my wife's father!\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eHearing that word-father-Dr. Khatri teared up, and their argument hiccupped. \"She is truly a daughter to me,\" he said, his voice thick.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eAhunna rolled her eyes and stepped in. \"You men like shouting too much. Just let the dowries cancel each other, and no one pays anything.\" Dr. Khatri drew in breath to protest, but she held up a hand. \"You can keep Kavita's dowry for her children. I don't want to hear pim about this again.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eSo that was that. Kavita's dowry was a small collection of heavy gold jewelry that her mother had brought into her own marriage, passed down through the women before her.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003ePicture: Chika with Kavita in their bedroom, newlywed, the heavy necklaces and bangles pouring over his hands. \"I don't even know what to say. It's like the treasure you read about in books.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eKavita took them from him and returned them to their box. \"For our children,\" she reminded him, not knowing there would only be one. \"Let's just forget it's even here.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eMost of the jewelry stayed in that box for the next two decades, nestled against the deep red velvet, gemstones and gold links gleaming in the dark. There were times when Chika and Kavita sold one small piece or another, when things were difficult, but they held on to most of it, planning to use it to send their son, Vivek, to America. But when the jewelry finally came out of the box, it was Vivek's hands that lifted it.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003ePicture: the boy, shirtless, placing necklaces against his chest, draping them over his silver chain, clipping his ears with gold earrings, his hair tumbling over his shoulders. He looks like a bride, half-naked, partially undressed.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eThere is another boy in this picture now. His name is Osita. He is as tall as Vivek, but broader at the shoulders, his skin like deep loam. He is Ekene's son, born of Mary, and his eyes are narrow, his mouth full beyond belief. In this picture, Osita's face is carved and dark with alarm. He stands with his arms folded, his jaw set against something he cannot predict.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eVivek smiles at his cousin with gold droplets falling into his eyebrows. \"Bhai,\" he says, with a voice like a bell. \"How do I look?\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eOsita wished, much later, that he'd told Vivek the truth then, that he was so beautiful he made the air around him dull, made Osita hard with desire. \"Take it off,\" he snapped instead, his throat rough. \"Put it back before they catch us.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eVivek ignored him and spun around. There was so much light trapped in his face, it hurt Osita's eyes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\"I would do anything,\" he said, after Vivek's burial, \"give anything to see him like that just one more time, alive and covered with wealth.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eThe market they burned down used to be just after the second roundabout if you drove down Chief Michael Road, past the abandoned office buildings and the intersection with the vulcanizer, that short man with a scar breaking his right cheek. His name was Ebenezer and he had been working at that junction for as long as anyone could remember. Kavita used to bring their family car to him when the tires needed repair. It was a silver gray Peugeot 504, which Chika had bought after years of working at the glass factory, replacing the old rundown car heÕd been using. As a child, Vivek would place a small palm against the hot metal of the car, balancing from foot to foot as he watched Ebenezer work. The scar was thick against Ebenezer's skin, a shiny clotted red pushing out from the brown of his face. When he smiled at Vivek, the scar fought the folding of skin and his mouth rose properly on only one side.\u003c\/p\u003e","brand":"Riverhead Books","offers":[{"title":"Default Title","offer_id":46303288393957,"sku":"NP9780525541622","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780525541622.jpg?v=1767738966","url":"https:\/\/k12savings.com\/products\/the-death-of-vivek-oji-isbn-9780525541622","provider":"K12savings","version":"1.0","type":"link"}