{"product_id":"sugar-town-queens-isbn-9780525515623","title":"Sugar Town Queens","description":"\u003cb\u003eFrom \u003ci\u003eLos Angeles Times\u003c\/i\u003e Book Prize Award winner and Edgar Award nominee Malla Nunn comes a stunning portrait of a family divided and a powerful story of how friendship saves and heals.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWhen Amandla wakes up on her fifteenth birthday, she knows it's going to be one of her mother's difficult days. Her mother has had another vision. This one involves Amandla wearing a bedsheet loosely stitched as a dress. An outfit, her mother says, is certain to bring Amandla's father back home, as if he were the prince and this was the fairytale ending their family was destined for. But in truth, Amandla's father has long been gone--since before Amandla was born--and even her mother's memory of him is hazy. In fact, many of her mother's memories from before Amandla was born are hazy. It's just one of the many reasons people in Sugar Town give them strange looks--that and the fact her mother is white and Amandla is Black.\u003cbr\u003e\u003cbr\u003eWhen Amandla finds a mysterious address in the bottom of her mother's handbag along with a large amount of cash, she decides it's finally time to get answers about her mother's life. What she discovers will change the shape and size of her family forever. But with her best friends at her side, Amandla is ready to take on family secrets and the devil himself. These Sugar Town queens are ready to take over the world to expose the hard truths of their lives.\u003cb\u003e\u003cu\u003ePraise for Sugar Town Queens:\u003c\/u\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003cb\u003eA 2022 Bank Street Best Children’s Book of the Year\u003c\/b\u003e\u003cbr\u003eA 2022 YALSA Best Fiction for Young Adults Pick\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003cb\u003e\u003cb\u003eA 2022 NCSS-CBC Notable Social Studies Trade Books Pick\u003c\/b\u003e\u003c\/b\u003e\u003cbr\u003eAn Amazon Best Book – August 2021\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e★ “Amandla uncovers the painful secrets of her mother’s past with the help of supportive, intergenerational friends and family. She also gains the courage to confront violent ­misogyny and racism in a post-apartheid South Africa, coming to accept herself as a biracial, intelligent individual. This \u003cb\u003edescriptive\u003c\/b\u003e, \u003cb\u003efast-paced\u003c\/b\u003e ­narrative is a \u003cb\u003ecompelling\u003c\/b\u003e read that is \u003cb\u003edifficult to put down\u003c\/b\u003e and will likely fly off library shelves.” —\u003ci\u003eSchool Library Journal\u003c\/i\u003e, starred review\u003cbr\u003e\u003cbr\u003e★ “Nunn grounds her tale in Amandla’s convictions and \u003cb\u003eembrace\u003c\/b\u003e of her life and neighbors in Sugar Town. Complexities of race and racism in Mandela’s freed South Africa are \u003cb\u003ehandled with realism and strength\u003c\/b\u003e . . . but it is the \u003cb\u003eresilient community\u003c\/b\u003e that is front and center in Nunn's \u003cb\u003eunique and detailed setting\u003c\/b\u003e. Readers will cheer Amandla as she discovers who she is and where she came from in this \u003cb\u003ecaptivating\u003c\/b\u003e book.” —\u003ci\u003eBooklist\u003c\/i\u003e, \u003cb\u003estarred review\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e★ “\u003c\/b\u003eNunn’s \u003cb\u003eevocative storytelling\u003c\/b\u003e will make you ache for Amandla. She is a complex creation whose circumstances are sensational but whose journey is \u003cb\u003erelatable\u003c\/b\u003e. Nunn surrounds Amandla with a \u003cb\u003ediverse cast of characters\u003c\/b\u003e who are similarly interesting and strongly developed. The novel’s hard truths about race and class are more than balanced by the love of all types that Amandla experiences. These supportive relationships are the most \u003cb\u003erewarding\u003c\/b\u003e part of \u003cb\u003e\u003ci\u003eSugar Town Queens\u003c\/i\u003e\u003c\/b\u003e, the glue that holds it all together.” —\u003ci\u003eBookPage\u003c\/i\u003e, starred review\u003cbr\u003e\u003cbr\u003e★ “\u003cb\u003ePart coming-of-age story, part mystery\u003c\/b\u003e, infused with dysfunctional family dynamics . . . Amandla learns who really loves her, how many friends she has in Sugar Town, the vile and pervasive nature of racism in South Africa, and her own strength. \u003cb\u003eExcellent narration\u003c\/b\u003e by Bahni Turpin, especially in the subtle variation between Amandla and her mother’s voices, enhances this audiobook . . . \u003cb\u003eAn excellent story\u003c\/b\u003e \u003cb\u003efor teens\u003c\/b\u003e who appreciate \u003cb\u003estrong female protagonists\u003c\/b\u003e and a story that reflects life in another country and culture.” —\u003ci\u003eSchool Library Journal\u003c\/i\u003e, \u003cb\u003estarred review\u003c\/b\u003e of the audiobook\u003cbr\u003e\u003cbr\u003e“Nunn (\u003ci\u003eWhen the Ground is Hard\u003c\/i\u003e) \u003cb\u003eilluminates\u003c\/b\u003e the struggles of a cast of \u003cb\u003estrong-willed South African women\u003c\/b\u003e who \u003cb\u003ebuild each other up\u003c\/b\u003e while meeting the intersections of misogyny, racism, and classism head-on.” —\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"The \u003cb\u003eamazing community\u003c\/b\u003e of their township, Sugar Town...is one of the strongest aspects of the story…a narrative that shows a young woman reckoning with possible paths lying ahead and harsh judgments of women’s behavior…This origin-story mystery…[is] \u003cb\u003eengrossing \u003c\/b\u003eto the end.\" —\u003ci\u003eKirkus Reviews\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e“Amandla’s story is \u003cb\u003ea rewarding blend of high melodrama and gutsy realism\u003c\/b\u003e, and…is \u003cb\u003ecompelling\u003c\/b\u003e….In a novel whose subtextual message is the \u003cb\u003epower of women\u003c\/b\u003e, readers unfamiliar with South Africa may also be \u003cb\u003estruck by the view\u003c\/b\u003e into a society still highly stratified following the end of apartheid, while rooting for Amandla and her compatriots to upend the old order.” —\u003ci\u003eThe Bulletin of the Center for Children’s Books\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“The \u003cb\u003eexcitement of the mystery\u003c\/b\u003e; the \u003cb\u003ememorable cast of characters\u003c\/b\u003e, particularly the female characters; and the \u003cb\u003emany twists and turns of the plot keep the pages turning\u003c\/b\u003e until the very end.” —\u003ci\u003eThe Horn Book\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“The persistent racism and stark economic inequalities of post-Mandela South Africa offer a \u003cb\u003ecolorful and illuminating\u003c\/b\u003e political backdrop to this \u003cb\u003eintriguing, beautifully written\u003c\/b\u003e novel by Malla Nunn.” —\u003ci\u003eThe Buffalo News\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“\u003cb\u003eAn intimate portrait\u003c\/b\u003e of a family divided and the bonds that knit our communities . . . A story of race, class, the family you’re related to and the family you choose, \u003ci\u003eSugar Town Queens\u003c\/i\u003e is . . . \u003cb\u003esurprising and original\u003c\/b\u003e.” —\u003ci\u003eCulturess\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“A \u003cb\u003espectacular and heartbreaking\u003c\/b\u003e account of three generations of women fighting against prejudice, violence and injustice. . . a \u003cb\u003eperfect balance\u003c\/b\u003e between being character and plot-driven . . . Nunn \u003cb\u003egorgeously depicts\u003c\/b\u003e the power of friendship. . . The \u003cb\u003ecomplex and lovable characters\u003c\/b\u003e make \u003ci\u003eSugar Town Queens\u003c\/i\u003e \u003cb\u003ean enticing read\u003c\/b\u003e.” —\u003ci\u003eArtsHub\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"\u003cb\u003eBeautiful writing\u003c\/b\u003e, \u003cb\u003egreat characterisation\u003c\/b\u003e. A complex examination of race, class, family and patriarchy in modern South Africa. Anyone who thinks YA is a lesser genre needs to read this.\" —\u003cb\u003eMaxine Beneba Clarke\u003c\/b\u003e, \u003ci\u003eThe Hate Race\u003c\/i\u003e and \u003ci\u003eWhen We Say Black Lives Matter\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"\u003ci\u003eSugar Town Queens\u003c\/i\u003e is the story of a place and a family divided. It is the story of friendship and first love. Most of all, it is \u003cb\u003ea powerful tale \u003c\/b\u003eof three generations of women who join forces to fight against prejudice and violence.\" —\u003cb\u003eErin Gough\u003c\/b\u003e, \u003ci\u003eFlywheel\u003c\/i\u003e and \u003ci\u003eAmelia Westlake Was Here\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"\u003ci\u003eG\u003c\/i\u003eives voice to the new generation who push back for change in the world.\u003cb\u003e A story of fierce girls, lost-and-found family, and friendship\u003c\/b\u003e—I loved it.\" —\u003cb\u003eVikki Wakefield\u003c\/b\u003e, \u003ci\u003eThis is How We Change the Ending\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\"\u003cb\u003eS\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003etrikes the perfect balance\u003c\/b\u003e between character and plot-driven story...Nunn does a \u003cb\u003ephenomenal\u003c\/b\u003e job at incorporating Zulu culture, tradition and language into the novel...and makes a point to talk about South Africa post-Mandela and the difficulties of bringing together a nation so divided by race and wealth. Like recent similarly politically charged YA novels \u003ci\u003eThe Hate U Give\u003c\/i\u003e by Angie Thomas and \u003ci\u003eI Am Change\u003c\/i\u003e by Suzy Zail, context is given for these topics so they're easy to understand but never feel separate to the main story. In\u003ci\u003e Sugar Town Queens\u003c\/i\u003e Amandla's South Africa is both beautiful and deeply flawed, much like those she loves.\" —\u003cb\u003eTracy-Kate Simambo\u003c\/b\u003e\u003ci\u003e, Books + Publishing\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cu\u003ePraise for \u003ci\u003eWhen the Ground Is Hard\u003c\/i\u003e:\u003c\/u\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWinner of the L.A. Times Book Festival Prize for Young Adult Literature - 2019\u003cbr\u003e\u003cb\u003eA \u003ci\u003eKirkus Reviews\u003c\/i\u003e Best Young Adult Book of the Year \u003cb\u003e– 2019\u003c\/b\u003e\u003c\/b\u003e\u003cbr\u003eJosette Frank Award Winner - 2020\u003cbr\u003eA YALSA Best Fiction Pick - 2020\u003cbr\u003e\u003cb\u003eA Westchester Fiction Award Winner – 2020\u003cbr\u003e\u003c\/b\u003e\u003c\/b\u003e\u003cbr\u003e★ \"Excellent writing and an evocative setting make this novel \u003cb\u003ea standout\u003c\/b\u003e.\" —\u003ci\u003eBooklist\u003c\/i\u003e, starred review\u003cbr\u003e\u003cbr\u003e★ “Turpin reads with a musical African accent. She makes fine distinctions among the characters’ voices and embodies Adele’s swiftly shifting emotions. American missionaries have clipped accents, and male characters sound credible. The \u003cb\u003erichly evoked setting\u003c\/b\u003e may be strange to American readers, and the vivid racism may be shocking, but \u003cb\u003eteens will be drawn into\u003c\/b\u003e the girls’ growing friendship and search for self.” —\u003ci\u003eBooklist\u003c\/i\u003e, starred review on audiobookMalla Nunn was born and raised in Swaziland. Her adult crime books have earned her two Edgar nominations and a RUSA Award for Best Mystery Novel. Her first young adult novel, \u003ci\u003eWhen the Ground is Hard\u003c\/i\u003e, won the L.A. Times Book Prize for Young Adult Literature and the Josette Frank Award for Children's Literature. \u003cbr\u003e\u003cbr\u003eAfter earning a master's degree in Theatre Studies, she dabbled in acting in New York City, worked as a cocktail waitress, a nanny, a bookseller, and on film sets, but never at the same time. She also made short films and an award-winning documentary, \u003ci\u003eServant of the Ancestors\u003c\/i\u003e, before surrendering to her passion: writing books. \u003cbr\u003e\u003cbr\u003eShe married in a traditional Swazi ceremony. Her bride price was eighteen cows.\u003cp\u003eWhite stars dance across my field of vision. The blindfold is tied too tight and I want to rip it off. Instead, I sit and try to rub the goose bumps off my arms. It’s cold inside our one-room house, the cracks in the corrugated-iron walls wide enough to let the air in from outside. It’s winter, so we have stuffed rags into the spaces we can reach. I shiver and wait patiently for the two surprises that my mother has planned.\u003c\/p\u003e\u003cp\u003eThe thing is: not all surprises are good.\u003c\/p\u003e\u003cp\u003e“Happy fifteenth birthday, Amandla.” My mother, Annalisa, who refuses to be called Mother in any of South Africa’s eleven official languages, unties the blindfold and hands me a bowl of lumpy porridge decorated with multicolored sprinkles, icing sugar, and whatever canned fruit was in the cupboard. This year’s fruit is pears in syrup, a step up from last year’s ancient mandarins. Loaded porridge is the closest I will ever get to a birthday cake: a blessing. Annalisa is a terrible cook and a worse baker.\u003c\/p\u003e\u003cp\u003e“Thank you.” I take the bowl (surprise number one) and our fingers touch, hers pale, mine brown, both with long fingers, elegant, waiting for jewelry, or a piano. In another life, maybe. Our room is too small for a piano, and there is no money for jewels.\u003c\/p\u003e\u003cp\u003e“Today is extra special for two reasons. It’s your birthday, plus . . .” She takes a deep breath and cups my cheek with a shaky hand. “Last night, I had a vision. It was wonderful, but we have to do our part to make it come true.”\u003c\/p\u003e\u003cp\u003eThe lumpy porridge sticks in my throat and stops me from cursing. Annalisa’s visions have taken us into the cane fields to sing to the stars at midnight. They have told us to eat eggs, and only eggs, for four days in a row. They have led us into the heart of a storm to wait for the lightning to send us instructions. The instructions never came.\u003c\/p\u003e\u003cp\u003eMy mother is out of her mind.\u003c\/p\u003e\u003cp\u003eThe lightning was eight months ago. Every night since, I have prayed for the spirits to leave Annalisa alone and go whisper directions to someone else.\u003c\/p\u003e\u003cp\u003e“Tell me what we have to do.” I use a fake calm voice to mask the anxious feeling gathering inside my chest. I have to stay cool and make my next move carefully. “But hurry. I have to get to school.”\u003c\/p\u003e\u003cp\u003e“Hands over your eyes,” she says. “Here comes the second surprise.”\u003c\/p\u003e\u003cp\u003eI cover my eyes and peek through the space between my fingers as Annalisa walks across the cracked linoleum floor in black tailored trousers, a white silk shirt, and a cropped leather jacket with silver buckles. This is her best outfit. This morning, she will disappear into the city of Durban and come home with bags of the basics: socks, underwear, soap, and a special something for my birthday.\u003c\/p\u003e\u003cp\u003e“Open your eyes now.” She pulls a piece of blue material from her wardrobe and holds it up with a flourish. “Look. Isn’t it beautiful?”\u003c\/p\u003e\u003cp\u003e“It” is a folded bedsheet with two holes cut in the fabric for the arms and another larger hole, for the head. The material is stained and held together by stitches that zigzag in different directions. She drapes the sheet dress across the foot of my cot as if it is made of raw silk and sewn together by cartoon birds with golden needles.\u003c\/p\u003e\u003cp\u003e“If you wear this . . .” Her pale skin glows like there’s a fire burning out of control inside her. “All our dreams will come true.”\u003c\/p\u003e\u003cp\u003e\u003ci\u003eNo. All my nightmares will come true.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“Which dreams are you talking about, exactly?” Annalisa’s dreams can be anything. A brick house with ocean views. A holiday under swaying palms. Cold lobster rolls chilling in a fridge for when the temperature rises . . . if only we had a fridge instead of a cooler.\u003c\/p\u003e\u003cp\u003e“Wear this dress,” she says. “And your father will come back to us. Blue was his favorite color. You see?”\u003c\/p\u003e\u003cp\u003e\u003ci\u003eNo, I do not see.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eMy father is not an actual person. He is a collage of blurred images thrown together by Annalisa in the half hour before we go to bed. Less now than when I was little. She would whisper that father was tall as a lala palm and black as a moonless night. He wore a sharp gray suit with a blue tie, iridescent like peacock feathers. He loved to dance, and he stole her breath away when he kissed her.\u003c\/p\u003e\u003cp\u003eNo matter how pretty a picture she paints of him, there is only one thing that I know for sure about my father.\u003c\/p\u003e\u003cp\u003eHe is doing fine without me.\u003c\/p\u003e\u003cp\u003e“Is he here in Sugar Town?” He isn’t, but I ask just in case. I have to be sure, even though I hate that there is still a tiny shred of hope left in me that he is out there somewhere.\u003c\/p\u003e\u003cp\u003eAnnalisa smiles wide, and her lips stretch tight across her teeth. “He’s not here yet, but he’ll come when he sees your blue dress.” She grabs my hands and squeezes tight. “The wind will carry the message to him quicker than a text. Get dressed now. It’s time to leave.”\u003c\/p\u003e\u003cp\u003eToday is Friday, a school day. On school days, I wear a uniform. Blue skirt or pants, white shirt, black shoes, and white socks.  A black sweater or a black blazer for now in winter. Nothing fancy, but Miss Gabela, the principal, is clear about the rules: No uniform, no school. Annalisa’s magic sheet will get me suspended, and it will frighten away the few friends I have. This is the last day of second term, but the scandal of the blue sheet will survive the holidays and live on to haunt me for the rest of the year.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eNo thanks. I’ll pass.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“Hurry.” Annalisa tugs at my nightgown. “Lift up your arms and put on your new dress. There’s a good girl.”\u003c\/p\u003e\u003cp\u003e“It is not a dress.” I pull away. “It is a sheet with holes in it, and I won’t wear it. Ever.”\u003c\/p\u003e\u003cp\u003e“You have to wear the dress.” Annalisa’s smile disappears, and her expression turns dark. “It’s the only way to get him back.”\u003c\/p\u003e\u003cp\u003eWe stand face-to-face, breathing hard. Mother is a few inches taller than me, with fine blond hair and pale blue eyes that remind me of the sunlit ocean. She is delicate, with slender limbs and narrow hips, while I am all bumps and curves. What did the nurses think when I slipped into the world with different skin, different hair, different everything from Annalisa? They must have wondered how the two of us fit together. Sometimes, I look in the mirror and I wonder the same thing. Who am I, and where do I fit in?\u003c\/p\u003e\u003cp\u003e“Put the dress on,” Annalisa says. “Do it for me. For us.”\u003c\/p\u003e\u003cp\u003eAnnalisa angry is scary. Annalisa with a bottomless darkness welling up inside her is terrifying. I see that darkness well up now. More resistance from me and she’ll tumble into it. She will curl up and sleep for days. She won’t talk or eat. I have been to the bottom of the well with her once. I will never go there again—if I can help it.\u003c\/p\u003e\u003cp\u003e“Here. Give it.” I take the sheet from her with jerky movements and point to the mirror hanging to the right of the sink. “Don’t forget your lipstick.”\u003c\/p\u003e\u003cp\u003e“Of course.” Annalisa digs through her faux-leather hobo bag that acts as a portal to another dimension. At different times, she has pulled out an orchid bulb with dangling roots, an owl feather, five mother-of-pearl buttons, a vintage Coca-Cola yo-yo, and a porcupine quill. I’m surprised my father isn’t in there, too.\u003c\/p\u003e\u003cp\u003eShe takes out a tube of Moroccan Sunset, her favorite color, and leans close to the mirror to put it on. The moment her back is turned, I grab my school uniform out of the bedside drawer and push it deep into my backpack. I slip the sheet dress over my head and bend low to tie the laces of my school shoes, working up a plan to switch the dress for my uniform somewhere. Somehow.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eGot it.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“Lil Bit and me are meeting early to finish up an assignment in the school computer lab.” The “lab” is a room the size of a cleaning closet. One door, one window, and the faint smell of bleach coming up from the concrete floor. Come to think of it, the room might, in fact, have been an actual cleaning closet before the donated computers arrived from a Christian school in Denmark. “Got to run.”\u003c\/p\u003e\u003cp\u003e“Lil Bit and I,” Annalisa automatically corrects. “And we’re not finished yet. Sit, and I’ll do your hair. It has to look the same as in my vision.”\u003c\/p\u003e\u003cp\u003e\u003ci\u003eShit.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“Fine.” I take a seat and work through next steps. I have a plan. For the plan to work, I’ll have to leave home five minutes before Annalisa, and then I’ll have to run. Not my preferred activity. But run I will. Today, I will be the great sprinter Caster Semenya—strong, fast, and focused.\u003c\/p\u003e\u003cp\u003eAnnalisa wraps a curl around her finger, remembering. “You got your father’s hair, that’s for sure. Don’t ever straighten it.”\u003c\/p\u003e\u003cp\u003e“I won’t.” No lie. I will keep my kinked-up curls, not because they tie me to an invisible man who haunts our lives, but because straightened hair is an imitation of white hair, and I am not white. I am brown with a snub nose sprinkled with freckles. I have hazel eyes flecked with green. I’m a genetic mutt. And I am happy to let my hair be.\u003c\/p\u003e\u003cp\u003e“Today, your hair will be a halo,” Annalisa says. “That way, your father will see the angel that we made together.”\u003c\/p\u003e\u003cp\u003eOn a normal day, she plaits my hair into a single French braid that dangles between my shoulder blades, but today is not normal. Today she pulls the metal teeth of an Afro pick through my springy curls to make a bumping 'fro that casts a shadow onto the kitchen table. It is huge. An alien spacecraft could crash-land on the surface of it and sustain no damage. Beyoncé rocking a Foxxy Cleopatra wig has nothing on me. The style is loud and proud, and damn, I gotta admit that it is impressive.\u003c\/p\u003e\u003cp\u003e“Last and best of all.” Annalisa dips her hand into her bag and pulls out a tiara. An honest-to-goodness rhinestone tiara with Birthday Princess spelled out in fake pink diamonds. Hideous.\u003c\/p\u003e\u003cp\u003e“You bought this?”\u003c\/p\u003e\u003cp\u003e“Of course not.” She anchors the tiara to my head. “I found it lying on the side of the road. It’s ugly, but it’s perfect for today. The stones will catch the light, and the light will fly over the hills to wherever your father is.”\u003c\/p\u003e\u003cp\u003eI can barely breathe I am so angry. The 'fro I can deal with, but the sheet dress and the tiara are too much! Instead of screaming, It’s my birthday! Be normal. Just this once, I make a list in my head. Lists soothe me. Lists are anchors to rational thought. Lists are how I survive.\u003c\/p\u003e\u003cp\u003eThis morning, I will:\u003c\/p\u003e\u003cp\u003e1.   Keep calm.\u003c\/p\u003e\u003cp\u003e2.   Run fast.\u003c\/p\u003e\u003cp\u003e3.   Get help.\u003c\/p\u003e\u003cp\u003e“Catch you this afternoon . . .” I grab my backpack and rush to the door that leads to the lane. Annalisa blows me a goodbye kiss and tucks a strand of blond hair behind her ear. I am stunned to see her so cool and elegant. She belongs in a magazine, and I wonder, for the millionth time, how she ended up in this tiny house on a dirt strip that runs between Tugela Way and Sisulu Street. The lane doesn’t have a real name. “The lane between Tugela and Sisulu” is description enough for the bill collectors to find us. When I used to ask Annalisa where she came from, she’d say, \u003ci\u003eNext door and a million miles away.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eI don’t ask anymore.\u003c\/p\u003e","brand":"G.P. Putnam's Sons Books for Young Readers","offers":[{"title":"Default Title","offer_id":46302614454501,"sku":"NP9780525515623","price":11.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780525515623.jpg?v=1767737499","url":"https:\/\/k12savings.com\/products\/sugar-town-queens-isbn-9780525515623","provider":"K12savings","version":"1.0","type":"link"}