{"product_id":"red-london-isbn-9780593421956","title":"Red London","description":"\u003cb\u003eCIA agent Lyndsey Duncan's newest asset might just be her long-needed confidante...or her greatest betrayal.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAfter her role in taking down a well-placed mole inside the CIA, Agent Lyndsey Duncan arrives in London fully focused on her newest Russian asset, deadly war criminal Dmitri Tarasenko. That is until her MI6 counterpart, Davis Ranford, personally calls for her help.\u003cbr\u003e\u003cbr\u003eFollowing a suspicious attack on Russian oligarch Mikhail Rotenberg's property in a tony part of London, Davis needs Lyndsey to cozy up to the billionaire's aristocratic British wife, Emily Rotenberg. Fortunately for Lyndsey, there's little to dissuade Emily from taking in a much-needed confidante. Even being one of the richest women in the world is no guarantee of happiness. But before Lyndsey can cover much ground with her newfound friend, the CIA unveils a perturbing connection between Mikhail and Russia's geoplitical past, one that could upend the world order and jeopardize Lyndsey's longtime allegiance to the Agency.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eRed London\u003c\/i\u003e is a sharp and nuanced race-against-the-clock story ripped from today's headlines, a testament to author Alma Katsu’s thirty-five-year career in national security. It’s a rare spy novel written by an insider that feels as prescient as it is page-turning and utterly unforgettable.\u003cb\u003e\u003cb\u003eOne of \u003ci\u003eCrimeReads\u003c\/i\u003e’ Best Espionage Fiction\u003c\/b\u003e\u003cbr\u003eOne of \u003ci\u003eCrimeReads\u003c\/i\u003e’ Most Anticipated Crime Fiction of 2023\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eOne of \u003ci\u003eBookPage\u003c\/i\u003e’s Most Anticipated Mystery\/Suspense of 2023\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Katsu paints a vivid picture of modern London at the intersection of a vast, dangerous game being waged between Russia, its monied exiles, the British upper classes, and American intelligence.\" —\u003ci\u003e\u003cb\u003eCrimeReads\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"For those who love spies and thrillers, Alma Katsu’s latest \u003ci\u003eRed London\u003c\/i\u003e is a thrilling detour into the fictional world of CIA agent, Lyndsey Duncan.…An intriguing protagonist, sensitive, principled, highly capable, but down-to-earth. As the story’s tension escalates it is sure to leave eager readers on the edge of their seats.\" —\u003ci\u003e\u003cb\u003eHill Rag\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"A well-written and fascinating look at a CIA officer and a Russian oligarch in post-Putin London…Katsu captures the mystique and mystery of the shadowy world of espionage.\" —\u003cb\u003e\u003ci\u003eThe Washington Times\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Alma Katsu is a top-flight writer.…What allows the book to rise above \u003ci\u003eRed Widow\u003c\/i\u003e is the intimate way that Katsu threads together the minute details about the espionage world that only someone on the front lines would know. This, coupled with a fine blending of interpersonal relationships, makes \u003ci\u003eRed London\u003c\/i\u003e an outstanding and immensely readable thriller.\" —\u003cb\u003e\u003ci\u003eBook Reporter\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e\"Katsu’s knowledge of world events and spy craft make for a believable and compelling spy novel. The book’s ending is especially satisfying.\" —\u003cb\u003e\u003ci\u003eThe Big Thrill\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"An engaging read, with breathtaking international intrigue, Russian skullduggery, and old-fashioned Anglo-American intelligence cooperation . . . Masterful in its character development . . . The interaction of the two women as case officer and target makes for an absorbing spy plot . . . . A refreshing transition to post-Putin espionage and an entertaining portrayal of the oligarchic diaspora and its international machinations in a complex and ever-evolving geopolitical vortex . . . Well-written, suspenseful.\" —\u003ci\u003e\u003cb\u003eCipher Brief\u003c\/b\u003e\u003c\/i\u003e \u003cbr\u003e\u003cbr\u003e\"A superb spy thriller ripe for the times . . . Katsu transposes the traditional male heroes from the likes of John le Carre and Len Deighton in crafting a thriller that matches up to the best from both of them. Lyndsay is a post-modern, female version of George Smiley and \u003ci\u003eRed London\u003c\/i\u003e is every bit as much fun as his greatest adventures.\" —\u003cb\u003e\u003ci\u003eBookTrib\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Katsu’s second book in this taut spy series is even better than the first with the requisite suspense driving the twist-laden plot….Starring an outstanding, multidimensional protagonist.\" \u003cb\u003e—\u003ci\u003eBooklist \u003c\/i\u003e(starred review)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Katsu paints a vivid picture of modern London at the intersection of a vast geopolitical game between Russia, its monied exiles, the British upper classes, and American intelligence.” —\u003cb\u003e\u003ci\u003eCrimeReads\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Katsu, a former intelligence officer, shows us how intelligence-gathering works, how spies relate to each other, how intelligence agencies uneasily coexist. What sets the novel apart even more is the smoothness with which the author builds her tense narrative and characters—Lyndsey is unflashy but sensitive and principled and good at what she does, while Emily is one of the most sympathetically drawn victims in recent spy fiction. A strong second installment in a series we hope continues.” \u003cb\u003e—\u003ci\u003eKirkus Reviews\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Entertaining . . . Katsu knows her tradecraft. . . . A spy novel that focuses on relationships, women, and family is a refreshing change. . . . Katsu should win new fans with this one.” —\u003cb\u003e\u003ci\u003ePublishers Weekly\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\"Tense, smart, and surprising—from page one, \u003ci\u003eRed London\u003c\/i\u003e draws you into a web of power, money, seduction, and betrayal. A top-notch espionage novel.\"\u003cb\u003e —\u003cb\u003eMeg Gardiner, #1 \u003c\/b\u003e\u003ci\u003e\u003cb\u003eNew York Times \u003c\/b\u003e\u003c\/i\u003e\u003cb\u003ebestselling author \u003c\/b\u003e\u003ci\u003e\u003cb\u003eof \u003ci\u003eThe Shadow Tracer\u003c\/i\u003e and \u003ci\u003ePhantom Instinct\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\"An elegantly written novel of espionage, reminiscent of the great Daniel Silva. Well-plotted, wholly credible, and enormously tense—spy fiction fans simply must read this one!” —\u003cb\u003eMark Greaney, #1 \u003ci\u003eNew York Times\u003c\/i\u003e bestselling author of \u003ci\u003eBurner\u003c\/i\u003e, a \u003ci\u003eGray Man \u003c\/i\u003enovel\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAlma Katsu\u003c\/b\u003e is the award-winning author of eight novels, most recently \u003ci\u003eRed London, The Fervor, \u003c\/i\u003eand \u003ci\u003eRed Widow\u003c\/i\u003e. Prior to the publication of her first novel, she had a thirty-five-year career as a senior intelligence analyst for several U.S. agencies, including the CIA and NSA, as well as RAND, the global policy think tank. Katsu is a graduate of the masters writing program at the Johns Hopkins University and received her bachelors degree from Brandeis University. She lives outside of Washington, DC, with her husband, where she is a consultant to government and private industry on future trends and analytic methods.\u003cb\u003eChapter 1\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLondon\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIt starts after midnight, when most harrowing and horrifying things seem to take place.\u003cbr\u003e\u003cbr\u003eEmily Rotenberg has been in bed for about an hour but is still awake. It takes her hours to fall asleep these days, no matter how hard she tries. And she has tried everything to fix the situation, but nothing works-not a dreary book, not prescription pills. Not even a couple glasses of wine.\u003cbr\u003e\u003cbr\u003eEmily has no reason to believe that anything was different about this night. After all, she lives at the most desirable address in London. That's what the newspapers say, anyway: the way the media fusses over The Bishops Avenue you'd think God himself lived there. She read about the mile-long stretch just north of Hampstead Heath years before she met her husband, Mikhail, breathless stories in the color Sunday magazines when she was a little girl. It all sounded so grand, like something out of a fairy tale, and she would wonder what it would be like to live there.\u003cbr\u003e\u003cbr\u003eShe doesn't have to wonder anymore. A huge mansion on Billionaires Row is one of the things her husband, a Russian oligarch, has given her. Though she would say that the only thing of worth he's given her are the twins, Kit and Tatiana, asleep in the adjacent wing.\u003cbr\u003e\u003cbr\u003eMikhail is home. She knows this, even though he is not in bed with her. The fact that he's home is by no means a given: as often as not he spends the night without her at the Knightsbridge apartment, his in-town residence closer to business associates, but that night he is in the house they share. He is downstairs somewhere in the rambling mansion, still awake. The man is famous for never sleeping. When they were dating, Emily used to joke that he was secretly Count Dracula, that he slept during the day and rose refreshed and ready for an evening of wining, dining, and dancing. Though she knew that he'd been working because she saw the evidence of it in the news. He seemed to have a finger in every pie in Russia, not to mention his international interests. Mikhail Rotenberg is a machine for making money.\u003cbr\u003e\u003cbr\u003eShe hears a muffled noise toward the back of the property. That in itself is a rarity worth noting, but they do live in London, albeit a quieter, sleepier area to the north. It is a Saturday evening-technically, Sunday morning-so you can't rule out the occasional odd bit of noise. Only a curmudgeon would complain on a Saturday night.\u003cbr\u003e\u003cbr\u003eWhat happens next, however, \u003ci\u003enever\u003c\/i\u003e happens.\u003cbr\u003e\u003cbr\u003eThere is a burst of gunfire.\u003cbr\u003e\u003cbr\u003eShe bolts upright in bed. It's just a couple shots but that sound is unmistakable. \u003ci\u003ePop, pop, pop\u003c\/i\u003e. While Emily was not wealthy growing up, she came from an upper-class family. She has been to her share of hunting parties, spent many an autumn weekend slogging through the woods of a family friend's Scottish estate, a rifle in her hands, once she was old enough to participate. She wasn't a bad shot. The father had proclaimed her a natural, marked her forehead with the bright vermillion blood of the deer she'd taken down.\u003cbr\u003e\u003cbr\u003eThe gunfire tonight is nothing like the quaint old hunting rifles she'd used for pheasant or grouse. These first shots are deceptively quiet, however. Nothing like what will happen next.\u003cbr\u003e\u003cbr\u003eShe's reminded immediately of a murder on Billionaires Row she'd read about. It took place almost four decades ago, a foreign businessman shot dead in his home on New Year's Eve. What made the case so fascinating is that it didn't fit the usual pattern for home robberies. The robbers locked the wife in an upstairs bathroom instead of killing her alongside the husband. The gun used to kill the man was one of those tiny ladies' pistols, the kind that was designed to fit in an evening bag, and-curiouser still-the bullets were made of \u003ci\u003esilver\u003c\/i\u003e. This last bit makes the whole thing ludicrous, as far as Emily is concerned. They had to be decorative or a conversation piece, unless the man was suspected of being a werewolf. Somehow, the wife managed to escape from the bathroom and run for help, but the assailants were never found.\u003cbr\u003e\u003cbr\u003eBecause the wife survived, there were rumors that she was involved-of course. Even when a woman is the victim, she can't escape suspicion.\u003cbr\u003e\u003cbr\u003eThat infamous house is a few doors down. It was eventually sold and now, predictably, stands empty, another of these absentee owners who only comes to London once or twice a year.\u003cbr\u003e\u003cbr\u003eIt's the peculiar sound of the gunshots that make Emily think of the unsolved case she'd read about. \u003ci\u003eIs that what the ladies' handgun sounded like, soft and dainty?\u003c\/i\u003e Emily can't help but wonder.\u003cbr\u003e\u003cbr\u003eHer first, wishful thought is that it has to do with one of the neighbors. Some have their own security, just as they do-though, unlike the Rotenbergs, the neighbors' security tends to amount to nothing more than one or two personal security guards. One for the husband, maybe one for the wife and children. The bodyguards are discreet and professional, almost always former military. Many are Israeli, the preferred source for security at the moment-though Mikhail uses Russians, of course. The Rotenbergs have more security than most of their neighbors, but that's only to be expected, given who Mikhail is and his special circumstances. Igor Volkov, their chief of security, lives with them. \u003ci\u003eI like to keep my important people close\u003c\/i\u003e is how Mikhail explained it to Emily when they first started dating. She'd never known anyone as wealthy as Mikhail, so she took the otherwise bizarre situation as a given, assumed that all rich people had a clutch of people following them like a comet's tail. Volkov is an old family friend, to hear Mikhail tell it, and he has been with Mikhail from the very beginning. He is only a few years older than Mikhail but looks a hundred times tougher. Tall and wiry, and covered with scars. One circles his left eye, the circumference of a beer bottle. Like most Russian males, Volkov went right into the army after school. In contrast, Mikhail, due to family connections, avoided conscription and went to college, where he started to build his business empire.\u003cbr\u003e\u003cbr\u003eWho else is on duty? she wonders. There's always three or four twitchy young Russian men at the mansion. Emily is never told their full names and refers to them by Anglicized nicknames she gives them. That night, it is Leo, Max, and Mikey.\u003cbr\u003e\u003cbr\u003eThen comes the second round of shots, much closer to the house and altogether different in character. They must be automatic-something the police will confirm later. Short bursts of fire-\u003ci\u003ebang, bang, bang, bang\u003c\/i\u003e-much louder now.\u003cbr\u003e\u003cbr\u003eEmily trembles. \u003ci\u003eWhat is going on?\u003c\/i\u003e she asks even though deep inside, she knows. Has always been expecting this, if she is honest with herself.\u003cbr\u003e\u003cbr\u003eHer first thought is of her babies in the children's wing. Alice Wilkinson is with them, of course, her bedroom next door to the nursery. It is her responsibility to get up in the middle of the night when one of the children coughs or cries or is wakened by a bad dream. But, given the circumstances, it doesn't matter that help is in the same room with them. A nanny isn't enough: Emily has to be with them, to make sure they are all right.\u003cbr\u003e\u003cbr\u003eIt's funny, the stupid things one does in a moment like this. She takes a few precious seconds to put on a dressing gown. In her defense, what is she wearing is rather sheer and hardly the kind of thing you want to be caught in when armed gunmen descend on your home. She hopes, as she yanks on the dressing gown and ties the belt, that she will be locked in one of the bathrooms. Maybe it is only Mikhail they want.\u003cbr\u003e\u003cbr\u003eThe house is dark. Why hasn't anyone turned on the lights? Have the burglars cut the power? You hear of robbers doing that sort of thing. Where is everyone? Igor, undoubtedly, has gone to check with his men. Two are supposed to be posted at the back of the estate, but it is ominously quiet back there. Perhaps Igor is taking Mikhail somewhere safe. Where is Mikhail? You'd think he'd be on his way to check on his wife and children but there is no sign of him. Still, she tells herself that he is coming for them and pictures him running down the hall, running toward them, as though she could will it into being. She thinks, too, of Westie-Arthur Westover, Mikhail's funds manager-arguably more important to Mikhail than his wife. Maybe her husband is taking a moment to make sure \u003ci\u003ehe \u003c\/i\u003eis safe.\u003cbr\u003e\u003cbr\u003eAs she stumbles down the dark hallways, she curses Igor. Isn't it his job to make sure there plans for exigencies like this, for exactly this sort of thing? They have active shooter drills in primary schools, for god's sake, but since moving in she cannot remember being told what to do in the case of emergency. This seemed like a huge oversight on the security chief's part.\u003cbr\u003e\u003cbr\u003eIt is then Emily remembers the panic room. \u003ci\u003eOf course\u003c\/i\u003e there is a panic room in this giant, sprawling behemoth of a house; with his typical foresight, Mikhail had had it installed when he'd acquired the place over a decade ago.\u003cbr\u003e\u003cbr\u003eEmily hurries through the halls, her dressing gown fluttering around her like a shroud, as she makes her way to the next wing. Noises drift up from the great open foyer in the middle of the ground floor, commands issued in Russian (naturally: it is always Russian) that she doesn't understand. Still, she recognizes the voices. Igor's mostly. Strangely, Mikhail is silent and he is \u003ci\u003enever \u003c\/i\u003esilent. Where is he?\u003cbr\u003e\u003cbr\u003eShe has just crossed the main hall when she hears breaking glass below, high and bright and jangly. To Emily, the sound of breaking glass is one of the scariest in the world. It means that they-whoever \"they\" are, though she has a good idea-have reached the house and successfully breached the outer defenses. The invaders are about to come inside.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSurely, we'll hear sirens soon.\u003c\/i\u003e This is London, after all. Even though the houses here sit on several acres, sound travels, especially loud, angry sounds like gunshots. Their neighbors will have heard and called the police immediately. That is, if the guards hadn't alerted the police already. (But would they, given that their damnable Russian pride is on the line?) Either way, the police should arrive any minute. All Emily has to do is get the children to the panic room.\u003cbr\u003e\u003cbr\u003eShe arrives at the unlit nursery to see Miss Wilkinson standing between Kit's and Tatiana's tiny beds. She looks utterly distraught, unraveling from indecision.\u003cbr\u003e\u003cbr\u003eThe children seem to still be asleep. Emily doesn't want to jump to conclusions about Miss Wilkinson's grasp of the situation. Children can be such heavy sleepers at that age.\u003cbr\u003e\u003cbr\u003e\"What in the world is going on?\" the nanny asks in a loud, frightened whisper.\u003cbr\u003e\u003cbr\u003eWhat does the silly girl think is going on? Surely, she can't be that naïve. She knows whom she works for. \"I'll take Tatiana, you take Kit and follow me,\" Emily says, not bothering to answer the question. Had either she or Mikhail told the nanny that there is a panic room in the house? Probably not. No sense scaring the girl.\u003cbr\u003e\u003cbr\u003eEmily picks up her daughter. She snuggles instinctively against Emily's chest in a drowsy half sleep, burying her face into her mother's clavicle. Drinking in the warm, soft baby smell of her daughter, Emily nearly breaks into tears. To think bad men with weapons are converging on the house at that very minute... Coming for \u003ci\u003ethem\u003c\/i\u003e... The children are innocent. She's innocent, for that matter. Isn't she? Emily thinks again of the dead businessman's wife, locked in a bathroom, forced to shimmy down a drainpipe. There had been no mention of children in the newspaper stories.\u003cbr\u003e\u003cbr\u003eShe runs through the hall, Tatiana clutched to her chest. Two-year-olds are heavier than you might think. Kit is even heavier than his sister, and Miss Wilkinson, a slight thing, struggles to keep up. Emily probably should've taken Kit, she realizes in hindsight, and left the smaller Tatiana to the nanny, but she'd acted on instinct. She always worries more about Tatiana because she is the girl. Emily knows how hard the world can be on the fairer sex.\u003cbr\u003e\u003cbr\u003eThe panic room sits on the ground floor next to the kitchen. It is not a family kitchen, not the sort of well-decorated, lived-in room you see in magazines. It's a big industrial place, more the domain of staff, like a modern Downton Abbey. They'd put the panic room there, she supposes, because it was easiest for the builders. She'd been in it once: Mikhail had shown it to her shortly after they were married. He had been leading her around the huge mansion that had become her home. Showing her all the nooks and crannies that he didn't show most people: his second office, the \u003ci\u003ereal \u003c\/i\u003eone with its documents' safe, and the armory in the basement where his bodyguards kept their auxiliary weapons. \"God willing, we'll never have to use it,\" he'd said as they stood in the panic room that night.\u003cbr\u003e\u003cbr\u003eThere was no panic room in Downton Abbey, she is certain.\u003cbr\u003e\u003cbr\u003eNow here she is in the dark with her daughter in her arms, ready to activate the heavy steel doors for the first time, with only the nanny for company. Where is Mikhail?\u003cbr\u003e\u003cbr\u003e\"Let's go in,\" Emily says to Miss Wilkinson, whose teeth chatter like she'd seen a ghost. It's understandable, under the circumstances, but a bit surprising, nonetheless. She'd struck Emily as quite no-nonsense when she'd interviewed her.\u003cbr\u003e\u003cbr\u003eWilkinson reads her employer's mind. \"What about your husband? Shouldn't we wait until-\"\u003cbr\u003e\u003cbr\u003e\"I'm sure he'd prefer that his children be made safe,\" Emily says, snapping a little. She is more desperate than she first thought to get behind those bulletproof walls and seal the door. Hand hovering over the keypad, she notices that the gunfire has stopped-for the moment, anyway.\u003cbr\u003e\u003cbr\u003e\"Would you really close the door without me?\" Mikhail's deep voice is beside her, cutting through the darkness. Suddenly, he is standing next to her with Igor behind him holding a gun high, cradled in two hands. Surprisingly, in that moment, Igor seems very nervous. She's never seen him betray even a hint of nerves, and her stomach drops to her feet. It must mean they are in real trouble.\u003cbr\u003e\u003cbr\u003e\"Thank god you're safe.\" Emily presses her face to her husband's chest as best she can while holding a child in her arms. She wants to shout at him-Where were you?-because she is afraid and it would be an easy way to vent her fear, but she knows it's better to look like she'd been worried and frightened without him. Tatiana mewls slightly, like a kitten fighting to remain asleep.\u003cbr\u003e\u003cbr\u003eA radio crackles to life somewhere on Igor and he steps away, the better to hear. Mikhail begins to shepherd her and Miss Wilkinson into the safe room. His demeanor hits Emily as all wrong. He is angry rather than seriously frightened. Whatever is bothering him, however, he clearly is not about to discuss it in front of the nanny. Emily knows that much about her husband.\u003cbr\u003e\u003cbr\u003eMikhail looks from Kit, now awake and blinking owlishly at his father, to the sleeping Tatiana, and then to his wife, and Emily is grateful for that rare, tender moment. She trusts that means everything will be okay. Then he steps over to a control panel, a large, awkward thing affixed to the wall, incongruous among the bookcases and tufted leather armchairs. He presses the touch screen once to light it up, then holds a finger above a prominent red circle on the screen, the button that would send the room into lockdown.\u003cbr\u003e\u003cbr\u003eShe realizes in that second that he never taught her how to use the control pad. Perhaps he’d assumed she’d never need to use it—or was it because he didn’t want her using it on her own? Maybe he considers it \u003ci\u003ehis\u003c\/i\u003e panic room, which she and the twins are welcome to occupy only with \u003ci\u003ehim\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e Where does this strange, uncharitable thought come from?\u003cbr\u003e\u003cbr\u003e Mikhail is ashen and grim. He is shaken up. His house—which is definitely his castle, Englishman or no—has been breached. They both understand that, considering his position, this violation can mean many things. The implications must be running through his head.\u003cbr\u003e\u003cbr\u003e \u003ci\u003eSomeone wants you dead, Mikhail\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eBefore he can press the button, however, Igor is back and at Mikhail’s elbow, walkie talkie in hand. \"I was just informed that the police have arrived. The intruders left when they heard the sirens.\" Mikhail and his chief of security step aside to confer before he releases Igor to go speak to the police, who are ostensibly rustling around on the floor above them. When he turns to Emily, he looks greatly—but not completely—relieved.\u003cbr\u003e\u003cbr\u003eShe starts toward the hall. She wants to get the children to the nursery. Tatiana is heavy in her arms; the twins are awake now and fussing to be let down. \u003cbr\u003e\u003cbr\u003eHe draws her aside.\"Let the nanny take them upstairs. You and I must talk.\"\u003cbr\u003e\u003cbr\u003eEmily resists.\"They’ll be upset. They’ll have questions. I need to be with them.\"\u003cbr\u003e\u003cbr\u003e\"That’s the nanny’s job. You can go up in a minute, but right \u003ci\u003enow\u003c\/i\u003e we need to talk.\"\u003cbr\u003e\u003cbr\u003eShe does as he asks. She always does. A lump forms in her throat as she watches Miss Wilkinson lead her children away. The sight of another woman caring for her children in that moment tears her heart in two. \u003ci\u003eNever again\u003c\/i\u003e.","brand":"G.P. Putnam's Sons","offers":[{"title":"Default Title","offer_id":46300622848229,"sku":"NP9780593421956","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780593421956.jpg?v=1767735547","url":"https:\/\/k12savings.com\/products\/red-london-isbn-9780593421956","provider":"K12savings","version":"1.0","type":"link"}