{"product_id":"really-the-blues-isbn-9781590179451","title":"Really the Blues","description":"\u003cb\u003eHailed as an “American counter-culture classic,\u003cb\u003e”\u003c\/b\u003e this “funny” and candid musical memoir offers a delicious glimpse into the 1930s jazz scene (\u003ci\u003eThe Wall Street Journal\u003c\/i\u003e)\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e Mezz Mezzrow was a boy from Chicago who learned to play the sax in reform school and pursued a life in music and a life of crime. He moved from Chicago to New Orleans to New York, working in brothels and bars, bootlegging, dealing drugs, getting hooked, doing time, producing records, and playing with the greats, among them Louis Armstrong, Bix Beiderbecke, and Fats Waller. \u003cbr\u003e  \u003cbr\u003e \u003ci\u003eReally the Blues\u003c\/i\u003e—the jive-talking memoir that Mezzrow wrote at the insistence of, and with the help of, the novelist Bernard Wolfe—is the story of an unusual and unusually American life, and a portrait of a man who moved freely across racial boundaries when few could or did, “the odyssey of an individualist . . . the saga of a guy who wanted to make friends in a jungle where everyone was too busy making money.”“American counter-culture classic \u003ci\u003eReally the Blues\u003c\/i\u003e [is] a stylized oral history that anticipates the Beat novel…\u003ci\u003eReally the Blues \u003c\/i\u003eis part quixotic adventure novel, part inside-scoop…Mezzrow’s voice is funny, impulsive, full of itself and often spectacularly scatological….Listening to “Mezz” is tremendous fun…the book’s true literary inheritance is its style…one of the great, flawed, jubilant, jive-talking characters of American literature.”\u003cbr\u003e\u003cb\u003e—Martin Riker, \u003ci\u003eThe Wall Street Journal\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“The mighty Mezz was at once the greatest digger, the greatest chronicler, the greatest celebrator of [jazz] culture, as well as being a principal actor on its main stage and contributor of its most characteristic fragrance—the pungent aroma of burning bush.”\u003cbr\u003e\u003cb\u003e—Albert Goldman, \u003c\/b\u003e\u003ci\u003e\u003cb\u003eHigh Times\u003c\/b\u003e\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e“Mezz Mezzrow’s rambunctious enthusiasm for jazz and the world it shaped and defined keeps the pages turning...The lost world of the Jazz Age comes alive in these pages, replete with all the Chi-town bounce and streetwise braggadocio that came with the risqué territory...Mezzrow’s love of the music and the ‘bandid’ lifestyle is palpable and infectious, giving his story a novelistic verve. In many ways, Mezz is the Augie March of jazz.”\u003cbr\u003e\u003cb\u003e—Matt Hanson, \u003ci\u003eThe Arts Fuse\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“As to the books of Bernard Wolfe, his extraordinary imagination, his range of styles and genres, should alone qualify him for a conspicuous role in 20th-century American literature.”\u003cbr\u003e\u003cb\u003e—Thomas Berger\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“\u003ci\u003eReally the Blues\u003c\/i\u003e returns us...to the roots of rock, to the roots  certainly of beat and hence to the beginnings of the sixties  counterculture through an extended look into the life of a Jewish  boy...who turned his back on the middle class and all it had to offer to  blow jazz in ‘more creep joints and speakeasies and dancehalls than the  law allows.’ ”\u003cbr\u003e\u003cb\u003e—Brooke Horvath, \u003ci\u003eReview of Contemporary Fiction\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“An intense, sincere and honest book. It makes all the novels with jazz backgrounds seem as phony as an Eddie Condon concert.”\u003cbr\u003e\u003cb\u003e—Bucklin Moon, \u003ci\u003eThe New Republic\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e  \u003cbr\u003e “An autobiography such as was never seen before beneath the moon.”\u003cbr\u003e\u003cb\u003e—Ben Ray Redman, \u003ci\u003eThe American Mercury \u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eMezz Mezzrow\u003c\/b\u003e (1899–1972) was born Milton Mesirow in  Chicago to a Jewish family “as respectable as Sunday morning.” As a  teenager, however, he was sent to Pontiac Reformatory for stealing a  car; there he learned to play the saxophone and decided to devote his  life to the blues. Beginning in the 1920s, he had an intermittent career  as a sideman in jazz groups, and struck up friendships with many of the  greats of the day, including Louis Armstrong and Bix Beiderbecke.  Enamored of African American culture, he helped channel it to whiter and  wider audiences, backing and producing significant recordings by  Frankie Newton, Teddy Wilson, Sidney Bechet, and Tommy Ladnier, among  others, and helping to spark the New Orleans revival of the late 1930s.  In the 1940s, Mezzrow started his own record label, King Jazz Records.  He spent the last years of his life in Paris.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBernard Wolfe\u003c\/b\u003e (1915–1985) was born in New Haven and attended Yale University, where  he studied psychology. An active member of the labor movement, he moved  to Mexico for eight months in 1937 to work as personal secretary and  assistant to Leon Trotsky. In subsequent years, Wolfe held disparate  jobs—from serving in the Merchant Marines to working as a pornographic  novelist to editing \u003ci\u003eMechanix Illustrated\u003c\/i\u003e—while writing fiction and science fiction. His best-known work is the 1959 novel \u003ci\u003eThe Great Prince Died\u003c\/i\u003e, a fictional account of Trotsky’s assassination. Among his other books are \u003ci\u003eThe Late Risers\u003c\/i\u003e,\u003ci\u003e In Deep, Limbo\u003c\/i\u003e, and \u003ci\u003eLogan’s Gone\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBen Ratliff\u003c\/b\u003e has been a jazz and pop critic for \u003ci\u003eThe New York Times\u003c\/i\u003e since 1996 and has written four books including \u003ci\u003eThe Jazz Ear: Conversations over Music\u003c\/i\u003e and \u003ci\u003eColtrane: The Story of a Sound\u003c\/i\u003e. His latest book is \u003ci\u003eEvery Song Ever: Twenty Ways to Listen in an Age of Musical Plenty\u003c\/i\u003e.","brand":"NYRB Classics","offers":[{"title":"Default Title","offer_id":46302146789605,"sku":"NP9781590179451","price":22.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781590179451.jpg?v=1767735480","url":"https:\/\/k12savings.com\/products\/really-the-blues-isbn-9781590179451","provider":"K12savings","version":"1.0","type":"link"}