{"product_id":"reading-lyrics-isbn-9780375400810","title":"Reading Lyrics","description":"A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies.\u003cbr\u003e \u003cbr\u003e\u003ci\u003eReading Lyrics\u003c\/i\u003e begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim.\u003cbr\u003e \u003cbr\u003e\u003ci\u003eReading Lyrics\u003c\/i\u003e also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer\/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”).\u003cbr\u003e \u003cbr\u003eThe lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball. | \u003ci\u003eIntroduction xxiii \u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eAnne Caldwell (1867–1936) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e I Know That You Know 3 \u003cbr\u003e Left All Alone Again Blues 3 \u003cbr\u003e Raggedy Ann 4 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eOtto Harbach (1873–1963) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Let’s Begin 6 \u003cbr\u003e The Love Nest 7 \u003cbr\u003e Poor Pierrot 7 \u003cbr\u003e She Didn’t Say “Yes” 8 \u003cbr\u003e Smoke Gets in Your Eyes 8 \u003cbr\u003e Yesterdays 9 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eGeorge M. Cohan (1878–1942) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Down by the Erie Canal 10 \u003cbr\u003e Forty-five Minutes from Broadway 10 \u003cbr\u003e Give My Regards to Broadway 11 \u003cbr\u003e I Want to Hear a Yankee Doodle Tune 11 \u003cbr\u003e If I’m Going to Die I’m Going to Have Some Fun 12 \u003cbr\u003e If Washington Should Come to Life 13 \u003cbr\u003e I’m Mighty Glad I’m Living and That’s All 14 \u003cbr\u003e Life’s a Funny Proposition After All 15 \u003cbr\u003e Mary’s a Grand Old Name 15 \u003cbr\u003e Nothing New Beneath the Sun 16 \u003cbr\u003e Over There 17 \u003cbr\u003e So Long, Mary 18 \u003cbr\u003e Twentieth-Century Love 18 \u003cbr\u003e When a Fellow’s on the Level with a Girl That’s on the Square 19 \u003cbr\u003e The Yankee Doodle Boy 19 \u003cbr\u003e You’re a Grand Old Flag 20 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eHenry Creamer (1879–1930) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e After You’ve Gone 21 \u003cbr\u003e If I Could Be with You 21 \u003cbr\u003e ’Way Down Yonder in New Orleans 22 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eP. G. Wodehouse (1881–1975) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Bill (Original Version) 23 \u003cbr\u003e (Show Boat Version) 24 \u003cbr\u003e Bungalow in Quogue 24 \u003cbr\u003e Cleopatterer 25 \u003cbr\u003e It’s a Hard, Hard World for a Man 26 \u003cbr\u003e The Land Where the Good Songs Go 27 \u003cbr\u003e Napoleon 27 \u003cbr\u003e That Was Before I Met You 28 \u003cbr\u003e Till the Clouds Roll By 29 \u003cbr\u003e Tulip Time in Sing Sing 29 \u003cbr\u003e You Can’t Make Love by Wireless 30 \u003cbr\u003e You Never Knew About Me 31 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eCecil Mack (1884–1944) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Charleston 32 \u003cbr\u003e He’s a Cousin of Mine 33 \u003cbr\u003e That’s Why They Call Me “Shine” 33\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eBert Kalmar (1884–1947) and Harry Ruby (1895–1974) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Give Me the Simple Life 35 \u003cbr\u003e Nevertheless (I’m in Love with You) 36 \u003cbr\u003e Three Little Words 36 \u003cbr\u003e What a Perfect Combination 37 \u003cbr\u003e Who’s Sorry Now? 37 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eJoseph McCarthy (1885–1943) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Alice Blue Gown 39 \u003cbr\u003e I’m Always Chasing Rainbows 39 \u003cbr\u003e You Made Me Love You (I Didn’t Want to Do It) 40\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eSam M. Lewis (1885–1959) and Joe Young (1889–1939) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Dinah 41 \u003cbr\u003e Five Foot Two, Eyes of Blue (Has Anybody Seen My Girl?) 42 \u003cbr\u003e For All We Know 42 \u003cbr\u003e How ’Ya Gonna Keep ’Em Down on the Farm? (After They’ve Seen Paree) 43 \u003cbr\u003e I Wonder Why She Kept on Saying “Si-Si-Si-Si-Senor” 43 \u003cbr\u003e I’m Gonna Sit Right Down and Write Myself a Letter 44 \u003cbr\u003e I’m Sitting on Top of the World 44 \u003cbr\u003e Just Friends 45 \u003cbr\u003e Life Is a Song, Let’s Sing It Together 45 \u003cbr\u003e Rock-a-Bye Your Baby with a Dixie Melody 46 \u003cbr\u003e Street of Dreams 46 \u003cbr\u003e Was That the Human Thing to Do? 47 \u003cbr\u003e You’re Gonna Lose Your Gal 48 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eEdgar Leslie (1885–1976) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Among My Souvenirs 49 \u003cbr\u003e For Me and My Gal 49 \u003cbr\u003e Kansas City Kitty 50 \u003cbr\u003e A Little Bit Independent 51\u003cbr\u003e  T’ain’t No Sin to Dance Around in Your Bones 51 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eShelton Brooks (1886–1975) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e The Darktown Strutters’ Ball 52 \u003cbr\u003e (That’s the Way) Dixieland Started Jazz 53 \u003cbr\u003e Some of These Days 53 \u003cbr\u003e Walkin’ the Dog 54 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eGus Kahn (1886–1941) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Ain’t We Got Fun 55 \u003cbr\u003e All God’s Chillun Got Rhythm 57 \u003cbr\u003e Carolina in the Morning 57 \u003cbr\u003e Guilty 58 \u003cbr\u003e I’ll See You in My Dreams 58 \u003cbr\u003e I’m Through with Love 58 \u003cbr\u003e It Had to Be You 59 \u003cbr\u003e Love Me or Leave Me 60 \u003cbr\u003e Makin’ Whoopee 60 \u003cbr\u003e My Baby Just Cares for Me 61 \u003cbr\u003e No, No, Nora 61 Okay, Toots 62 \u003cbr\u003e The One I Love (Belongs to Somebody Else) 62 \u003cbr\u003e Pretty Baby 63 \u003cbr\u003e Tomorrow Is Another Day 63 \u003cbr\u003e Toot, Toot, Tootsie! (Good-Bye) 64 \u003cbr\u003e When My Ship Comes In 64 \u003cbr\u003e Yes, Sir! That’s My Baby 65 \u003cbr\u003e You Stepped Out of a Dream 66\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eClifford Grey (1887–1941) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Hallelujah! 67 \u003cbr\u003e If You Were the Only Girl in the World 67 \u003cbr\u003e Spread a Little Happiness 68 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eHaven Gillespie (1888–1975) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Breezin’ Along with the Breeze 69 \u003cbr\u003e Santa Claus Is Comin’ to Town 69 \u003cbr\u003e That Lucky Old Sun 70 \u003cbr\u003e You Go to My Head 70 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eIrving Berlin (1888–1989) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Alexander’s Ragtime Band 72 \u003cbr\u003e Always 73 \u003cbr\u003e Blue Skies 73 \u003cbr\u003e Change Partners 74 \u003cbr\u003e Cheek to Cheek 74 \u003cbr\u003e A Couple of Swells 75 \u003cbr\u003e Easter Parade 75 \u003cbr\u003e Fools Fall in Love 76 \u003cbr\u003e Heat Wave 76 \u003cbr\u003e How Deep Is the Ocean? 77 \u003cbr\u003e I Got Lost in His Arms 77 \u003cbr\u003e I Got the Sun in the Morning 77 \u003cbr\u003e Isn’t This a Lovely Day (To Be Caught in the Rain?) 78 \u003cbr\u003e It’s a Lovely Day Today 79\u003cbr\u003e I’ve Got My Love to Keep Me Warm 79 \u003cbr\u003e Let Me Sing and I’m Happy 79 \u003cbr\u003e Let’s Face the Music and Dance 79 \u003cbr\u003e Let’s Have Another Cup of Coffee 80 \u003cbr\u003e The Little Things in Life 80 \u003cbr\u003e Manhattan Madness 81 \u003cbr\u003e Oh! How I Hate to Get Up in the Morning 81 \u003cbr\u003e Pack Up Your Sins and Go to the Devil 82 \u003cbr\u003e A Pretty Girl Is Like a Melody 83 \u003cbr\u003e Puttin’ on the Ritz (Original and Revised Versions) 83 \u003cbr\u003e Remember 84 \u003cbr\u003e Say It Isn’t So 84 \u003cbr\u003e The Song Is Ended (But the Melody Lingers On) 85 \u003cbr\u003e Supper Time 85 \u003cbr\u003e There’s No Business Like Show Business 86 \u003cbr\u003e They Say It’s Wonderful 87 \u003cbr\u003e This Is the Army, Mr. Jones 87 \u003cbr\u003e Top Hat, White Tie, and Tails 88 \u003cbr\u003e What’ll I Do? 88 \u003cbr\u003e When the Midnight Choo-Choo Leaves for Alabam’ 89 \u003cbr\u003e White Christmas 89 \u003cbr\u003e You Can’t Get a Man with a Gun 89 \u003cbr\u003e You’d Be Surprised 90 \u003cbr\u003e You’re Just in Love 91 \u003cbr\u003e You’re Laughing at Me 91 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eMaxwell Anderson (1888–1959) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e It Never Was You 93 \u003cbr\u003e Lost in the Stars 94 \u003cbr\u003e September Song 94 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eNoble Sissle (1889–1975) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Baltimore Buzz 95 \u003cbr\u003e I’m Craving for That Kind of Love 95 \u003cbr\u003e I’m Just Wild About Harry 96 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eGrant Clarke (1891–1931) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Am I Blue? 97 \u003cbr\u003e Everything Is Peaches Down in Georgia 98 \u003cbr\u003e Ragtime Cowboy Joe 98 \u003cbr\u003e Second Hand Rose 99 \u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eCole Porter (1891–1964) \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e All of You 100 \u003cbr\u003e Always True to You in My Fashion 100 \u003cbr\u003e Anything Goes 102 \u003cbr\u003e At Long Last Love 103 \u003cbr\u003e Begin the Beguine 103 \u003cbr\u003e Brush Up Your Shakespeare 104 \u003cbr\u003e Down in the Depths 105 \u003cbr\u003e Ev’ry Time We Say Good-bye 106 \u003cbr\u003e Friendship 106 \u003cbr\u003e From This Moment On 107 \u003cbr\u003e Get Out of Town 108 \u003cbr\u003e I Concentrate on You 108 \u003cbr\u003e I Get a Kick Out of You 108 \u003cbr\u003e I’m a Gigolo 109 \u003cbr\u003e In the Still of the Night 109 \u003cbr\u003e It’s All Right with Me 110 \u003cbr\u003e It’s De-Lovely 110 \u003cbr\u003e I’ve Got You Under My Skin 111 \u003cbr\u003e Just One of Those Things 112 \u003cbr\u003e Katie Went to Haiti 112 \u003cbr\u003e The Laziest Gal in Town 113 \u003cbr\u003e Let’s Do It, Let’s Fall in Love 113 \u003cbr\u003e Let’s Not Talk About Love 115 \u003cbr\u003e Love for Sale 117 Miss Otis Regrets 117 \u003cbr\u003e My Heart Belongs to Daddy 118 \u003cbr\u003e Night and Day 118 \u003cbr\u003e Red, Hot and Blue 119 \u003cbr\u003e Ridin’ High 119 \u003cbr\u003e So in Love 121 \u003cbr\u003e The Tale of the Oyster 121 \u003cbr\u003e They Couldn’t Compare to You 121 \u003cbr\u003e Too Darn Hot 123 \u003cbr\u003e What Is This Thing Called Love? 124 \u003cbr\u003e Where Is the Life That Late I Led? 124\u003cbr\u003e You Don’t Know Paree 125\u003cbr\u003e You’re the Top 125\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eAl Dubin (1891–1945)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e A Cup of Coffee, a Sandwich, and You 128\u003cbr\u003e Dames 128\u003cbr\u003e Forty-second Street 129\u003cbr\u003e The Gold Diggers’ Song (We’re in the Money) 129\u003cbr\u003e I Only Have Eyes for You 130\u003cbr\u003e I’ll String Along with You 130\u003cbr\u003e Lullaby of Broadway 130\u003cbr\u003e Lulu’s Back in Town 131\u003cbr\u003e Remember Me? 131\u003cbr\u003e September in the Rain 132\u003cbr\u003e She’s a Latin from Manhattan 132\u003cbr\u003e Shuffle Off to Buffalo 133\u003cbr\u003e Young and Healthy 133\u003cbr\u003e You’re Getting to Be a Habit with Me 134\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eClarence Gaskill (1892–1948)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e I Can’t Believe That You’re in Love with Me 135\u003cbr\u003e Minnie, the Moocher 135\u003cbr\u003e Prisoner of Love 137\u003cbr\u003e Mort Dixon (1892–1956)\u003cbr\u003e Bye Bye Blackbird 138\u003cbr\u003e A Great Big Bunch of You 139\u003cbr\u003e I Found a Million Dollar Baby (In a Five and Ten Cent Store) 139\u003cbr\u003e The Lady in Red 139\u003cbr\u003e Nagasaki 140\u003cbr\u003e River, Stay ’Way from My Door 141\u003cbr\u003e Would You Like to Take a Walk? 142\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eJack Yellen (1892–1991)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Ain’t She Sweet? 143\u003cbr\u003e Are You Havin’ Any Fun? 144\u003cbr\u003e Glad Rag Doll 144\u003cbr\u003e Happy Days Are Here Again 145\u003cbr\u003e Hard-Hearted Hannah (The Vamp of\u003cbr\u003e Savannah) 145\u003cbr\u003e Louisville Lou (The Vampin’ Lady) 146\u003cbr\u003e Mamma Goes Where Papa Goes 147\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eRoy Turk (1892–1934)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Ain’t That the Way It Goes? 148\u003cbr\u003e Are You Lonesome Tonight? 149\u003cbr\u003e Gimme a Little Kiss (Will Ya, Huh?) 149\u003cbr\u003e I Don’t Know Why (I Just Do) 150\u003cbr\u003e I’ll Get By (As Long As I Have You) 151\u003cbr\u003e Mean to Me 151\u003cbr\u003e Walkin’ My Baby Back Home 152\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eWalter Donaldson (1893–1947)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Because My Baby Don’t Mean Maybe Now 153\u003cbr\u003e Little White Lies 154\u003cbr\u003e You’re Driving Me Crazy (What Did I Do?) 154\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eHerman Hupfeld (1894–1951)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Are You Makin’ Any Money? 156\u003cbr\u003e As Time Goes By 156\u003cbr\u003e Let’s Put Out the Lights and Go to\u003cbr\u003e Sleep 157\u003cbr\u003e When Yuba Plays the Rumba on the Tuba 157\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eTed Koehler (1894–1973)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e As Long As I Live 159\u003cbr\u003e Between the Devil and the Deep\u003cbr\u003e Blue Sea 160\u003cbr\u003e Don’t Worry ’Bout Me 160\u003cbr\u003e Good for Nothin’ Joe 160\u003cbr\u003e Happy As the Day Is Long 161\u003cbr\u003e I Gotta Right to Sing the Blues 161\u003cbr\u003e I’ve Got the World on a String 162\u003cbr\u003e Ill Wind 162\u003cbr\u003e Let’s Fall in Love 163\u003cbr\u003e Sing, My Heart 163\u003cbr\u003e Spreadin’ Rhythm Around 164\u003cbr\u003e Stop! You’re Breakin’ My Heart 164\u003cbr\u003e Stormy Weather 165\u003cbr\u003e Tess’s Torch Song (I Had a Man) 165Truckin’ 166\u003cbr\u003e When the Sun Comes Out 166\u003cbr\u003e Wrap Your Troubles in Dreams 166\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eArthur Freed (1894–1973)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e All I Do Is Dream of You 168\u003cbr\u003e Broadway Melody 169\u003cbr\u003e Fit As a Fiddle 169\u003cbr\u003e Good Morning 170\u003cbr\u003e I Cried for You 170\u003cbr\u003e I’ve Got a Feelin’ You’re Foolin’ 170\u003cbr\u003e Singin’ in the Rain 171\u003cbr\u003e This Heart of Mine 171\u003cbr\u003e You Were Meant for Me 172\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eB. G. (Buddy) DeSylva (1895–1950), Lew Brown (1893–1958), and Ray Henderson (1896–1970)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e April Showers 174\u003cbr\u003e The Best Things in Life Are Free 174\u003cbr\u003e The Birth of the Blues 174\u003cbr\u003e (Here Am I) Broken Hearted 175\u003cbr\u003e Button Up Your Overcoat 175\u003cbr\u003e California, Here I Come 176\u003cbr\u003e Do It Again 177\u003cbr\u003e Don’t Bring Lulu 177\u003cbr\u003e I Want to Be Bad 178\u003cbr\u003e I’ll Say She Does 178\u003cbr\u003e If I Had a Talking Picture of You 179\u003cbr\u003e If You Knew Susie (Like I Know Susie) 179\u003cbr\u003e It All Depends on You 180\u003cbr\u003e Life Is Just a Bowl of Cherries 180\u003cbr\u003e Look for the Silver Lining 181\u003cbr\u003e Magnolia 181\u003cbr\u003e Maybe This Is Love 182\u003cbr\u003e Never Swat a Fly 182\u003cbr\u003e Somebody Loves Me 183\u003cbr\u003e Straw Hat in the Rain 184\u003cbr\u003e Sunny Side Up 184\u003cbr\u003e Thank Your Father 184\u003cbr\u003e That Old Feeling 185\u003cbr\u003e Turn On the Heat 185\u003cbr\u003e The Varsity Drag 186\u003cbr\u003e You’re an Old Smoothie 186\u003cbr\u003e You’re the Cream in My Coffee 187\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eLeo Robin (1895–1984)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Beyond the Blue Horizon 188\u003cbr\u003e Diamonds Are a Girl’s Best Friend 189\u003cbr\u003e Easy Living 189\u003cbr\u003e For Every Man There’s a Woman 189\u003cbr\u003e Hooray for Love 190\u003cbr\u003e In Love in Vain 190\u003cbr\u003e Little Girl from Little Rock 191\u003cbr\u003e Louise 191\u003cbr\u003e Love Is Just Around the Corner 192\u003cbr\u003e My Cutey’s Due at Two-to-Two Today 193\u003cbr\u003e My Ideal 193\u003cbr\u003e No Love, No Nothin’ 194\u003cbr\u003e Thanks for the Memory 194\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eLorenz Hart (1895–1943)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Bewitched, Bothered and Bewildered 196\u003cbr\u003e Blue Moon 198\u003cbr\u003e The Blue Room 198\u003cbr\u003e Dancing on the Ceiling 199\u003cbr\u003e Falling in Love with Love 199\u003cbr\u003e Glad to Be Unhappy 200\u003cbr\u003e Have You Met Miss Jones? 200\u003cbr\u003e He Was Too Good to Me 200\u003cbr\u003e I Didn’t Know What Time It Was 201\u003cbr\u003e I Wish I Were in Love Again 201\u003cbr\u003e It Never Entered My Mind 202\u003cbr\u003e It’s Got to Be Love 203\u003cbr\u003e I’ve Got Five Dollars 203\u003cbr\u003e Johnny One-Note 204\u003cbr\u003e The Lady Is a Tramp 205\u003cbr\u003e Little Girl Blue 206\u003cbr\u003e Manhattan 206\u003cbr\u003e The Most Beautiful Girl in the World 207\u003cbr\u003e Mountain Greenery 208\u003cbr\u003e My Funny Valentine 208\u003cbr\u003e My Heart Stood Still 209\u003cbr\u003e My Romance 209\u003cbr\u003e Nobody’s Heart 210\u003cbr\u003e A Ship Without a Sail 210\u003cbr\u003e Spring Is Here 211\u003cbr\u003e Ten Cents a Dance 211\u003cbr\u003e There’s a Small Hotel 212\u003cbr\u003e This Can’t Be Love 212\u003cbr\u003e This Funny World 213\u003cbr\u003e Thou Swell 213\u003cbr\u003e To Keep My Love Alive 214\u003cbr\u003e Wait Till You See Her 215\u003cbr\u003e Where or When 216\u003cbr\u003e With a Song in My Heart 216\u003cbr\u003e You Are Too Beautiful 217\u003cbr\u003e You Took Advantage of Me 217\u003cbr\u003e Zip 218\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eIrving Caesar (1895–1996)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Animal Crackers in My Soup 219\u003cbr\u003e Crazy Rhythm 219\u003cbr\u003e I Want to Be Happy 220\u003cbr\u003e Is It True What They Say About Dixie? 221\u003cbr\u003e Just a Gigolo 221\u003cbr\u003e Sometimes I’m Happy 222\u003cbr\u003e Spanish Jake 222\u003cbr\u003e Tea for Two 223\u003cbr\u003e Too Many Rings Around Rosie 223\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eOscar Hammerstein II (1895–1960)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e All er Nothin’ 225\u003cbr\u003e All the Things You Are 226\u003cbr\u003e Can’t Help Lovin’ Dat Man 227\u003cbr\u003e Dat’s Love (Habanera) 227\u003cbr\u003e Don’t Ever Leave Me 228\u003cbr\u003e The Folks Who Live on the Hill 228\u003cbr\u003e The Gentleman Is a Dope 229\u003cbr\u003e Happy Talk 229\u003cbr\u003e Hello, Young Lovers 230\u003cbr\u003e I Cain’t Say No 231\u003cbr\u003e I’ll Take Romance 231\u003cbr\u003e If I Loved You 232\u003cbr\u003e It Might As Well Be Spring 232\u003cbr\u003e I’ve Told Ev’ry Little Star 233\u003cbr\u003e June Is Bustin’ Out All Over 233\u003cbr\u003e The Last Time I Saw Paris 234\u003cbr\u003e Lover, Come Back to Me! 234\u003cbr\u003e Make Believe 235\u003cbr\u003e Many a New Day 235\u003cbr\u003e Mister Snow 236\u003cbr\u003e My Favorite Things 237\u003cbr\u003e Oh, What a Beautiful Mornin’! 237\u003cbr\u003e Ol’ Man River 237\u003cbr\u003e People Will Say We’re in Love 238\u003cbr\u003e Shall We Dance? 239\u003cbr\u003e Soliloquy 239\u003cbr\u003e Some Enchanted Evening 241\u003cbr\u003e The Song Is You 241\u003cbr\u003e The Sound of Music 242\u003cbr\u003e The Surrey with the Fringe on Top 242\u003cbr\u003e There Is Nothin’ Like a Dame 243\u003cbr\u003e Who? 244\u003cbr\u003e Why Was I Born? 245\u003cbr\u003e A Wonderful Guy 245\u003cbr\u003e You’ll Never Walk Alone 246\u003cbr\u003e Younger Than Springtime 246\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eAndy Razaf (1895–1973)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Ain’t Misbehavin’ 247\u003cbr\u003e Black and Blue (What Did I Do to Be So\u003cbr\u003e Black and Blue?) 248\u003cbr\u003e Guess Who’s in Town? (Nobody but\u003cbr\u003e That Gal of Mine) 249\u003cbr\u003e Honeysuckle Rose 250\u003cbr\u003e I’d Give a Dollar for a Dime 250\u003cbr\u003e The Joint Is Jumpin’ 250\u003cbr\u003e Keepin’ Out of Mischief Now 251\u003cbr\u003e Memories of You 251\u003cbr\u003e My Handy Man 252\u003cbr\u003e My Handy Man Ain’t Handy No More 252\u003cbr\u003e My Man o’War 253\u003cbr\u003e My Special Friend (Is Back in Town) 254\u003cbr\u003e A Porter’s Love Song to a Chambermaid 255\u003cbr\u003e S’posin’ 255\u003cbr\u003e Stompin’ at the Savoy 256\u003cbr\u003e Tan Manhattan 256\u003cbr\u003e You’re Lucky to Me 257\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eE. Y. Harburg (1896–1981)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e April in Paris 258\u003cbr\u003e Brother, Can You Spare a Dime? 259\u003cbr\u003e Down with Love 259\u003cbr\u003e The Eagle and Me 260\u003cbr\u003e Fun to Be Fooled 260\u003cbr\u003e Happiness Is Just a Thing Called Joe 261\u003cbr\u003e How Are Things in Glocca Morra? 261\u003cbr\u003e I Like the Likes of You 262\u003cbr\u003e If I Only Had a Brain (If I Only Had a Heart) (If I Only Had the Nerve) 262\u003cbr\u003e If This Isn’t Love 264\u003cbr\u003e It’s Only a Paper Moon 264\u003cbr\u003e Last Night When We Were Young 265\u003cbr\u003e Let’s Take a Walk Around the Block 265\u003cbr\u003e Lydia, the Tattooed Lady 266\u003cbr\u003e Moon About Town 267\u003cbr\u003e Necessity 268\u003cbr\u003e Old Devil Moon 268\u003cbr\u003e Over the Rainbow 269\u003cbr\u003e The Springtime Cometh 269\u003cbr\u003e Then I’ll Be Tired of You 270\u003cbr\u003e We’re Off to See the Wizard (The\u003cbr\u003e Wonderful Wizard of Oz) 270\u003cbr\u003e What Is There to Say? 270\u003cbr\u003e When I’m Not Near the Girl I Love 271\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003ePaul James (1896–1969)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Can This Be Love? 272\u003cbr\u003e Can’t We Be Friends? 272\u003cbr\u003e Fine and Dandy 273\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eHoward Dietz (1896–1983)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Alone Together 274\u003cbr\u003e Blue Grass 275\u003cbr\u003e Dancing in the Dark 275\u003cbr\u003e Haunted Heart 276\u003cbr\u003e I Guess I’ll Have to Change My Plan 276\u003cbr\u003e I See Your Face Before Me 277\u003cbr\u003e If There Is Someone Lovelier Than You 277\u003cbr\u003e Rhode Island Is Famous for You 277\u003cbr\u003e Something to Remember You By 278\u003cbr\u003e That’s Entertainment 279\u003cbr\u003e Triplets 280\u003cbr\u003e You and the Night and the Music 281\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eHarry Woods (1896–1970)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Over My Shoulder 282\u003cbr\u003e Paddlin’ Madelin’ Home 282\u003cbr\u003e Side by Side 283\u003cbr\u003e Try a Little Tenderness 284\u003cbr\u003e We Just Couldn’t Say Good-bye 284\u003cbr\u003e When the Red, Red Robin Comes Bob, Bob, Bobbin’ Along 284\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eIra Gershwin (1896–1983)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e The Babbitt and the Bromide 285\u003cbr\u003e Bidin’ My Time 286\u003cbr\u003e Blah, Blah, Blah 287\u003cbr\u003e But Not for Me 287\u003cbr\u003e Do, Do, Do 288\u003cbr\u003e Embraceable You 289\u003cbr\u003e Fascinating Rhythm 290\u003cbr\u003e A Foggy Day (In London Town) 291\u003cbr\u003e How Long Has This Been Going On? 291\u003cbr\u003e I Can’t Get Started 292\u003cbr\u003e I Got Plenty o’ Nuthin’ 293\u003cbr\u003e I Got Rhythm 294\u003cbr\u003e Isn’t It a Pity? 294\u003cbr\u003e It Ain’t Necessarily So 296\u003cbr\u003e Let’s Call the Whole Thing Off 296\u003cbr\u003e Long Ago (And Far Away) 297\u003cbr\u003e Love Is Here to Stay 297\u003cbr\u003e Love Is Sweeping the Country 298\u003cbr\u003e The Man I Love 298\u003cbr\u003e The Man That Got Away 299\u003cbr\u003e My Ship 299\u003cbr\u003e Nice Work If You Can Get It 300\u003cbr\u003e Of Thee I Sing 300\u003cbr\u003e Oh, Lady, Be Good! 300\u003cbr\u003e One Life to Live 301\u003cbr\u003e The Saga of Jenny 301\u003cbr\u003e Someone to Watch over Me 303\u003cbr\u003e Strike Up the Band 303\u003cbr\u003e Sunny Disposish 304\u003cbr\u003e ’S Wonderful 304\u003cbr\u003e Tchaikowsky (And Other Russians) 305\u003cbr\u003e They All Laughed 306\u003cbr\u003e They Can’t Take That Away from Me 306\u003cbr\u003e Things Are Looking Up 307\u003cbr\u003e Who Cares? 307\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eMann Holiner (1897–1958)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Until the Real Thing Comes Along 308\u003cbr\u003e Why Shouldn’t It Happen to Us? 309\u003cbr\u003e You Can’t Stop Me from Lovin’ You 309\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eNoel Gay (1898–1954)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Lambeth Walk 311\u003cbr\u003e Leaning on a Lamppost 311\u003cbr\u003e Me and My Girl 312\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eHoagy Carmichael (1899–1981)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Don’t Forget to Say No, Baby 313\u003cbr\u003e Hong Kong Blues 314\u003cbr\u003e I Get Along Without You Very Well 314\u003cbr\u003e Lazy River 314\u003cbr\u003e Rockin’ Chair 315\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eNoël Coward (1899–1973)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e A Bar on the Piccola Marina 316\u003cbr\u003e Don’t Let’s Be Beastly to the Germans 317\u003cbr\u003e I’ve Been to a Marvelous Party 319\u003cbr\u003e I Wonder What Happened to Him 320\u003cbr\u003e I’ll See You Again 321\u003cbr\u003e Let’s Do It 322\u003cbr\u003e London Pride 323\u003cbr\u003e Mad About the Boy 324\u003cbr\u003e Mad Dogs and Englishmen 327\u003cbr\u003e Mrs. Worthington 328\u003cbr\u003e Never Again 329\u003cbr\u003e Nina 329\u003cbr\u003e Poor Little Rich Girl 331\u003cbr\u003e Sail Away 331\u003cbr\u003e (I’m So) Weary of It All 332\u003cbr\u003e Why Must the Show Go On? 333\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eMitchell Parish (1900–1993)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Deep Purple 335\u003cbr\u003e Sophisticated Lady 336\u003cbr\u003e Star Dust 336\u003cbr\u003e Stars Fell on Alabama 336\u003cbr\u003e Sweet Lorraine 337\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eKim Gannon (1900–1974)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e A Dreamer’s Holiday 338\u003cbr\u003e Moonlight Cocktail 338\u003cbr\u003e Reciprocity 339\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eEdward Eliscu (1901–1998)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Flying Down to Rio 340\u003cbr\u003e Great Day 340\u003cbr\u003e More Than You Know 341\u003cbr\u003e Without a Song 341\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eEric Maschwitz (1901–1969)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e A Nightingale Sang in Berkeley\u003cbr\u003e Square 343\u003cbr\u003e Paris Is Not the Same 344\u003cbr\u003e These Foolish Things (Remind Me of You) 344\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eNed Washington (1901–1976)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Give Me a Heart to Sing To 346\u003cbr\u003e A Hundred Years from Today 346\u003cbr\u003e Love Is the Thing 347\u003cbr\u003e My Foolish Heart 347\u003cbr\u003e The Nearness of You 348\u003cbr\u003e A Woman’s Intuition 348\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eMeredith Willson (1902–1984)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Seventy-six Trombones 349\u003cbr\u003e Till There Was You 350\u003cbr\u003e Ya Got Trouble 350\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eOgden Nash (1902–1971)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e I’m a Stranger Here Myself 352\u003cbr\u003e Round About 353\u003cbr\u003e The Sea-Gull and the Ea-Gull 354\u003cbr\u003e Speak Low 354\u003cbr\u003e Sweet Bye and Bye 354\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eSam Coslow (1902–1983)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Cocktails for Two 356\u003cbr\u003e (I’m in Love With) The Honorable\u003cbr\u003e Mr. So and So 356\u003cbr\u003e It’s Love Again 357\u003cbr\u003e My Old Flame 357\u003cbr\u003e (Up on Top of a Rainbow) Sweepin’ the Clouds Away 358\u003cbr\u003e True Blue Lou 358\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eIrving Kahal (1903–1942)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e I Can Dream, Can’t I? 359\u003cbr\u003e I’ll Be Seeing You 359\u003cbr\u003e The Night Is Young and You’re So\u003cbr\u003e Beautiful 360\u003cbr\u003e Wedding Bells Are Breaking Up That\u003cbr\u003e Old Gang of Mine 360\u003cbr\u003e When I Take My Sugar to Tea 361\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eRay Noble (1903–1978)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Good Night, Sweetheart 362\u003cbr\u003e I Hadn’t Anyone Till You 363\u003cbr\u003e The Touch of Your Lips 363\u003cbr\u003e The Very Thought of You 363\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eEddie DeLange (1904–1949)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Darn That Dream 365\u003cbr\u003e Shake Down the Stars 365\u003cbr\u003e Solitude 366\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eMack Gordon (1904–1959)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Chattanooga Choo-Choo 367\u003cbr\u003e Head over Heels in Love 368\u003cbr\u003e I, Yi, Yi, Yi, Yi (I Like You Very Much) 368\u003cbr\u003e I’ve Got a Gal in Kalamazoo 369\u003cbr\u003e Love Thy Neighbor 369\u003cbr\u003e Mam’selle 369\u003cbr\u003e Meet the Beat of My Heart 370\u003cbr\u003e Serenade in Blue 370\u003cbr\u003e There Will Never Be Another You 371\u003cbr\u003e There’s a Lull in My Life 371\u003cbr\u003e You Hit the Spot 371\u003cbr\u003e You Make Me Feel So Young 372\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eAllan Roberts (1905–1966) and Doris Fisher (1915– )\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Put the Blame on Mame 373\u003cbr\u003e That Old Devil Called Love 374\u003cbr\u003e Tired 374\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eDorothy Fields (1905–1974)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Blue Again 376\u003cbr\u003e Bojangles of Harlem 377\u003cbr\u003e Don’t Blame Me 377\u003cbr\u003e A Fine Romance 378\u003cbr\u003e Have Feet, Will Dance 378\u003cbr\u003e I Can’t Give You Anything but Love 379\u003cbr\u003e I Won’t Dance 379\u003cbr\u003e I’m in the Mood for Love 380\u003cbr\u003e I’m Livin’ in a Great Big Way 380\u003cbr\u003e It’s All Yours 381\u003cbr\u003e Lovely to Look At 381\u003cbr\u003e Make the Man Love Me 382\u003cbr\u003e Never Gonna Dance 382\u003cbr\u003e On the Sunny Side of the Street 382\u003cbr\u003e Pick Yourself Up 383\u003cbr\u003e Remind Me 383\u003cbr\u003e There Must Be Somethin’ Better\u003cbr\u003e Than Love 384\u003cbr\u003e The Way You Look Tonight 385\u003cbr\u003e You Couldn’t Be Cuter 385\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eHerb Magidson (1906–1986)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e The Continental (You Kiss While You’re Dancing) 386\u003cbr\u003e Gone with the Wind 387\u003cbr\u003e (I’m Afraid) The Masquerade Is Over 387\u003cbr\u003e Music, Maestro, Please! 387\u003cbr\u003e T’ain’t No Use 388\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eHarold Adamson (1906–1980)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Everything I Have Is Yours 389\u003cbr\u003e I Just Found Out About Love 389\u003cbr\u003e It’s a Most Unusual Day 390\u003cbr\u003e It’s Been So Long 390\u003cbr\u003e Make with the Feet 391\u003cbr\u003e Time on My Hands 391\u003cbr\u003e Where Are You? 391\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eAlec Wilder (1907–1980)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Did You Ever Cross over to Sneden’s 393\u003cbr\u003e I’ll Be Around 394\u003cbr\u003e It’s So Peaceful in the Country 394\u003cbr\u003e Trouble Is a Man 394\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eEdward Heyman (1907–1981)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Blame It on My Youth 396\u003cbr\u003e Body and Soul 396\u003cbr\u003e Easy Come, Easy Go 397\u003cbr\u003e Ho Hum 397\u003cbr\u003e I Cover the Waterfront 398\u003cbr\u003e I Wanna Be Loved 398\u003cbr\u003e When I Fall in Love 399\u003cbr\u003e You’re Mine, You! 399\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eRalph Freed (1907–1973)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Babes on Broadway 401\u003cbr\u003e How About You 401\u003cbr\u003e You Leave Me Breathless 402\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003ePaul Francis Webster (1907–1984)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Baltimore Oriole 403\u003cbr\u003e Black Coffee 404\u003cbr\u003e Doctor, Lawyer, Indian Chief 404\u003cbr\u003e I Got It Bad and That Ain’t Good 405\u003cbr\u003e Jump for Joy 405\u003cbr\u003e Love Is a Many-Splendored Thing 406\u003cbr\u003e Secret Love 406\u003cbr\u003e Two Cigarettes in the Dark 406\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eHarold Rome (1908–1993)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Call Me Mister 407\u003cbr\u003e Chain Store Daisy 408\u003cbr\u003e Doing the Reactionary 409\u003cbr\u003e Don’t Wanna Write About the South 409\u003cbr\u003e F.D.R. Jones 409\u003cbr\u003e The Military Life 410\u003cbr\u003e The Money Song 411\u003cbr\u003e (All of a Sudden) My Heart Sings 413\u003cbr\u003e Nobody Makes a Pass at Me 413\u003cbr\u003e Ring on the Finger 414\u003cbr\u003e South America, Take It Away! 415\u003cbr\u003e Who Knows? 416\u003cbr\u003e Wish You Were Here 416\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eJohnny Burke (1908–1964)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Ain’t It a Shame About Mame 418\u003cbr\u003e But Beautiful 419\u003cbr\u003e Good Time Charlie 419\u003cbr\u003e Here’s That Rainy Day 420\u003cbr\u003e Imagination 420\u003cbr\u003e It Could Happen to You 420\u003cbr\u003e I’ve Got a Pocketful of Dreams 421\u003cbr\u003e Like Someone in Love 421\u003cbr\u003e Misty 421\u003cbr\u003e Moonlight Becomes You 422\u003cbr\u003e My Heart Is a Hobo 422\u003cbr\u003e Pennies from Heaven 422\u003cbr\u003e Personality 423\u003cbr\u003e Polka Dots and Moonbeams 423\u003cbr\u003e The Road to Morocco 424\u003cbr\u003e Sleigh Ride in July 424\u003cbr\u003e Swinging on a Star 425\u003cbr\u003e Welcome to My Dream 425\u003cbr\u003e You May Not Love Me 426\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eDon Raye (1909–1985)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Boogie Woogie Bugle Boy 427\u003cbr\u003e I’ll Remember April 428\u003cbr\u003e Milkman, Keep Those Bottles Quiet! 428\u003cbr\u003e Mister Five by Five 429\u003cbr\u003e You Don’t Know What Love Is 429\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eDon George (1909–1985)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e I Ain’t Got Nothin’ but the Blues 430\u003cbr\u003e I’m Beginning to See the Light 430\u003cbr\u003e It Shouldn’t Happen to a Dream 430\u003cbr\u003e It’s Kind of Lonesome Out Tonight 431\u003cbr\u003e Tulip or Turnip 431\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eGeorge Marion, Jr. (1909–1968)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e The Ladies Who Sing with a Band 432\u003cbr\u003e Love Is a Random Thing 432\u003cbr\u003e My Future Just Passed 433\u003cbr\u003e There’s a Man in My Life 434\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eJohnny Mercer (1909–1976)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Accentuate the Positive 435\u003cbr\u003e Arthur Murray Taught Me Dancing in a Hurry 436\u003cbr\u003e Blues in the Night 436\u003cbr\u003e Come Rain or Come Shine 437\u003cbr\u003e Day In—Day Out 437\u003cbr\u003e Early Autumn 437\u003cbr\u003e Glow-Worm 438\u003cbr\u003e Hooray for Hollywood 438\u003cbr\u003e How Little We Know 439\u003cbr\u003e I Remember You 439\u003cbr\u003e I Thought About You 439\u003cbr\u003e I Wonder What Became of Me 440\u003cbr\u003e I’m Old-Fashioned 440\u003cbr\u003e Jeepers Creepers 440\u003cbr\u003e Laura 441\u003cbr\u003e Midnight Sun 441\u003cbr\u003e Moon River 441\u003cbr\u003e My Shining Hour 442\u003cbr\u003e On the Atchison, Topeka and the\u003cbr\u003e Santa Fe 442\u003cbr\u003e One for My Baby (And One More for the Road) 442\u003cbr\u003e Out of This World 443\u003cbr\u003e P.S. I Love You 443\u003cbr\u003e Satin Doll 444\u003cbr\u003e Skylark 444\u003cbr\u003e Something’s Gotta Give 444\u003cbr\u003e Tangerine 445\u003cbr\u003e That Old Black Magic 445\u003cbr\u003e Too Marvelous for Words 445\u003cbr\u003e You Must Have Been a Beautiful Baby 446\u003cbr\u003e You Were Never Lovelier 446\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eFrank Loesser (1910–1969)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Adelaide’s Lament 447\u003cbr\u003e Baby, It’s Cold Outside 448\u003cbr\u003e The Boys in the Backroom 449\u003cbr\u003e Fugue for Tinhorns 449\u003cbr\u003e Guys and Dolls 450\u003cbr\u003e I Believe in You 451\u003cbr\u003e I Don’t Want to Walk Without You 452\u003cbr\u003e I Hear Music 452\u003cbr\u003e I Wish I Didn’t Love You So 452\u003cbr\u003e If I Were a Bell 453\u003cbr\u003e The Lady’s in Love with You 453\u003cbr\u003e Luck Be a Lady Tonight 454\u003cbr\u003e Make a Miracle 454\u003cbr\u003e Murder, He Says 456\u003cbr\u003e My Darling, My Darling 457\u003cbr\u003e Once in Love with Amy 457\u003cbr\u003e Sand in My Shoes 458\u003cbr\u003e Sit Down, You’re Rockin’ the Boat 458\u003cbr\u003e Somebody, Somewhere 459\u003cbr\u003e Spring Will Be a Little Late This Year 459\u003cbr\u003e Take Back Your Mink 460\u003cbr\u003e They’re Either Too Young or Too Old 460\u003cbr\u003e Two Sleepy People 461\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eBobby Troup (1910–1999)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Baby, Baby All the Time 462\u003cbr\u003e Daddy 463\u003cbr\u003e (Get Your Kicks On) Route 66! 463\u003cbr\u003e You’re in Love 463\u003cbr\u003e You’re Lookin’ at Me 464\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eMack David (1912–1993)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Candy 465\u003cbr\u003e I’m Just a Lucky So-and-So 465\u003cbr\u003e A Sinner Kissed an Angel 466\u003cbr\u003e Sunflower 466\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eJack Lawrence (1912– )\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e All or Nothing at All 468\u003cbr\u003e Foolin’ Myself 468\u003cbr\u003e Linda 469\u003cbr\u003e The Other Half of Me 469\u003cbr\u003e Sleepy Lagoon 469\u003cbr\u003e Tenderly 470\u003cbr\u003e What’s Your Story, Morning Glory 470\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eTom Adair (1913–1988)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Everything Happens to Me 471\u003cbr\u003e Let’s Get Away from It All 471\u003cbr\u003e The Night We Called It a Day 472\u003cbr\u003e Violets for Your Furs 472\u003cbr\u003e Will You Still Be Mine? 473\u003cbr\u003e  \u003cbr\u003e \u003cb\u003e\u003ci\u003eSammy Cahn (1913–1993)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e All the Way 474\u003cbr\u003e Call Me Irresponsible 475\u003cbr\u003e Come Fly with Me 475\u003cbr\u003e Day by Day 475\u003cbr\u003e Guess I’ll Hang My Tears Out to Dry 476\u003cbr\u003e I Fall in Love Too Easily 476\u003cbr\u003e I Should Care 476\u003cbr\u003e I’ll Walk Alone 477\u003cbr\u003e It’s Magic 477\u003cbr\u003e Let It Snow! Let It Snow! Let It Snow! 478\u003cbr\u003e Love and Marriage 478\u003cbr\u003e Put ’Em in a Box, Tie ’Em with a\u003cbr\u003e Ribbon (And Throw ’Em in the\u003cbr\u003e Deep Blue Sea) 478\u003cbr\u003e The Second Time Around 479\u003cbr\u003e Teach Me Tonight 479\u003cbr\u003e (Love Is) The Tender Trap 479\u003cbr\u003e The Things We Did Last Summer 480\u003cbr\u003e Time After Time 480\u003cbr\u003e","brand":"Pantheon","offers":[{"title":"Default Title","offer_id":48338547409125,"sku":"NP9780375400810","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780375400810.jpg?v=1769572634","url":"https:\/\/k12savings.com\/products\/reading-lyrics-isbn-9780375400810","provider":"K12savings","version":"1.0","type":"link"}