{"product_id":"park-avenue-summer-isbn-9781101991145","title":"Park Avenue Summer","description":"\u003cb\u003e“‘\u003ci\u003eMad Men\u003c\/i\u003e meets \u003ci\u003eThe Devil Wears Prada\u003c\/i\u003e,’ which might as well be saying ‘put me in your cart immediately.’”—PopSugar\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e \u003cb\u003eIt’s 1965 and \u003ci\u003eCosmopolitan\u003c\/i\u003e magazine’s brazen new editor in chief—Helen Gurley Brown—shocks America and saves a dying publication by daring to talk to women about all things off-limits...\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eNew York City is filled with opportunities for single girls like Alice Weiss, who leaves her small Midwestern town to chase her big-city dreams and unexpectedly lands a job working for the first female editor in chief of \u003ci\u003eCosmopolitan\u003c\/i\u003e magazine, Helen Gurley Brown.\u003cbr\u003e\u003cbr\u003e For Alice, who wants to be a photographer, it seems like the perfect foot in the door, but nothing could have prepared her for the world she enters. Editors and writers resign on the spot, refusing to work for the woman who wrote the scandalous bestseller \u003ci\u003eSex and the Single Girl\u003c\/i\u003e, and confidential memos, article ideas, and cover designs keep finding their way into the wrong hands. When someone tries to pull Alice into a scheme to sabotage her boss, she is more determined than ever to help Helen succeed.\u003cbr\u003e  \u003cbr\u003e While pressure mounts at the magazine, Alice struggles not to lose sight of her own dreams as she’s swept up into a glamorous world of five-star dinners, lavish parties, and men who are certainly no good. Because if Helen Gurley Brown has taught her anything, it’s that a woman can demand to have it all.\u003cb\u003ePraise for \u003ci\u003ePark Avenue Summer\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e“A delightful and empowering read.”—PopSugar\u003cbr\u003e\u003cbr\u003e“Renée Rosen is my go-to for whip-smart heroines who love their work. \u003ci\u003ePark Avenue Summer\u003c\/i\u003e is a delightful summer cocktail of a read!”—Kate Quinn,\u003ci\u003e New York Times\u003c\/i\u003e bestselling author of \u003ci\u003eThe Alice Network\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Filled with wit, heart, and verve, Rosen's novel dazzles and empowers. Simply wonderful!”—Chanel Cleeton, author of \u003ci\u003eNext Year in Havana\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Part historical fiction, part coming-of-age story, this is a novel for our keeper shelves to read and re-read when we begin to doubt that there is still time to become the best version of ourselves.  Lovely prose, a unique storyline, and a heroine who will stay with you for a long time make this a book I highly recommend.”—Karen White, \u003ci\u003eNew York Times\u003c\/i\u003e bestselling author\u003cbr\u003e  \u003cbr\u003e“A breezy, delightful novel that celebrates female friendship and ambition. With Park Avenue Summer, Renée Rosen brings legendary magazine editrix Helen Gurley Brown back to life and captures a beloved bygone era with acuity, wisdom, and heart.”—Jamie Brenner, bestselling author of \u003ci\u003eThe Forever Summer\u003c\/i\u003e and \u003ci\u003eThe Husband Hour\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Once again Renée Rosen works her magic, transporting us to the offices of Helen Gurley Brown’s \u003ci\u003eCosmopolitan\u003c\/i\u003e in 1960s New York, and the result is a delight...Rosen’s command of historical detail is masterful; so, too, is her ability to create fictional characters, among them her heroine Alice, who are as fully realized and compelling as the beguiling Brown herself.”—Jennifer Robson, internationally bestselling author of \u003ci\u003eSomewhere in France\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Rosen delivers a cast of complex and ambitious female protagonists to truly root for.\u003ci\u003e The Devil Wears Prada \u003c\/i\u003emeets\u003ci\u003e Mad Men, Park Avenue Summer\u003c\/i\u003e is pure joy from cover to cover. I loved it.”—Hazel Gaynor, \u003ci\u003eNew York Times\u003c\/i\u003e bestselling author of \u003ci\u003eThe Girl Who Came Home\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Pussycats, Renée Rosen brings Helen Gurley Brown to life with all her cunning, vision, and shocking frugality. Park Avenue Summer is both a breezy Girl-Takes-Manhattan fairy tale, and a crackling account of how a brazen editor—against her bosses' better judgment—invented iconic \u003ci\u003eCosmopolitan\u003c\/i\u003e Magazine. This novel perfectly captures the zeitgeist of 1965.”—Sally Koslow, author of \u003ci\u003eAnother Side of Paradise \u003c\/i\u003eand bestselling author of \u003ci\u003eThe Late, Lamented Molly Marx\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Renee Rosen combines meticulous research with a true affection for her characters to bring this heady time movingly to life.”—Elizabeth Letts, \u003ci\u003e#1 New York Times\u003c\/i\u003e bestselling author of \u003ci\u003eThe Eighty-Dollar Champion \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“This is a satisfying read about one young woman’s attempt to take advantage of the doors opening for women in 1960s America, and Alice is a likable complex heroine...Recommended for fans of Fiona Davis and Melanie Benjamin.”\u003ci\u003e—Library Journal\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e “Where the book sparkles brightest is in Rosen’s complete success in creating a soapy, small-town-girl-in-the-big-city story that includes sophisticated bad boys, designer clothes, and lots of smoking and day drinking. An ode to idealized 1960s New York, this champagne bubble of a novel takes the Mad Menapproach to depicting single, twentysomething women.”\u003ci\u003e—Booklist\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“\u003ci\u003ePark Avenue Summer\u003c\/i\u003e is a sweet, romantic story about making it in that big city, having your dreams come true, while finding friends, recapturing family, and finding forever love. Be still my heart. I loved it and found it hard to put down until the ending. It is a delicious delight that is simply wonderful! Thank you, Ms. Rosen.”—Fresh Fiction \u003cbr\u003e\u003cbr\u003e“\u003ci\u003ePark Avenue Summer \u003c\/i\u003eis a frothy and fun cocktail of fact and fiction, perfect for anyone who has ever been a “Cosmo Girl.”’—\u003ci\u003eAugusta Chronicle\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e \u003ci\u003e“Park Avenue Summer\u003c\/i\u003e is a fascinating behind-the-scenes glimpse into the world of the iconic \u003ci\u003eCosmopolitan \u003c\/i\u003emagazine and its equally iconic editor, Helen Gurley Brown…This novel features strong heroines and intertwines a love story and a mystery, and most of all, heart. The storyline is fast-paced and utterly absorbing: a delight from start to finish.”—Historical Novel Reviews \u003cbr\u003e\u003cbr\u003e“Instantly absorbing, thoroughly researched and a fun, breezy read. It’s like revisiting ‘Mad Men,’ but from Peggy and Joan’s points of view.”—BookReporter\u003cb\u003eRenée Rosen\u003c\/b\u003e is the author of \u003ci\u003eWindy City Blues\u003c\/i\u003e,\u003ci\u003e White Collar Girl\u003c\/i\u003e, \u003ci\u003eWhat the Lady Wants\u003c\/i\u003e, and \u003ci\u003eDollface\u003c\/i\u003e, as well as the young adult novel \u003ci\u003eEvery Crooked Pot\u003c\/i\u003e.\u003cp\u003eChapter One\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eNew York City\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e1965\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eI had creased and folded my subway map so many times over the past few days that it was on the verge of tearing in two. Somehow I had boarded the wrong train. Again. I'd ended up at Times Square instead of 57th Street. Now what?\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eI exited the train, took a few tentative steps and froze on the platform, people weaving around me, bumping up against my portfolio, jostling the photographs inside. A young woman in a pink and gold sari called to a little boy running on ahead of her, past a man playing bongos. The Times Square station was a maze of tiled corridors and tunnels, stairwells that led from one frenzied level to another. A blur of signs pointed me in all directions: Uptown, Downtown, The Bronx, Brooklyn, 8th Avenue, 40th Street . . .\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eI didn't have time to risk getting on the wrong train, so I folded my tattered map, tucked it inside my pocketbook and made my way to the 42nd Street exit where I was met with a blast of horns, a gust of exhaust. I stood at the curb feeling as bewildered as I'd been inside the station, and yet, it was exhilarating. I'd arrived in New York about a week ago, and like the city, I was alive, filled with possibility and adventure. Anything could happen now. My life was about to begin.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eI'd never hailed a taxicab before and was momentarily paralyzed. All I could do was observe other people's techniques, like the businessman who raised his hand ever so slightly, accomplishing the task with just two fingers. Another man with bags under his eyes, big and full as cheeks, yelled out a commanding \"Taxi,\" making a driver swerve across two lanes before bringing his cab to a screeching halt. Job done. The woman beside me waved her hand like a magic wand and a taxicab appeared. I mimicked her approach, my fingers flapping amateurishly. Two taxicabs barreled past me as if I wasn't there before one pulled up alongside me. I gave the driver the address while he laid on his horn, inching forward, leaving barely a whisper of air between his bumper and the taxicab in front of us. We were one in a chain of yellow cabs going nowhere fast.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eI checked the clock on the dashboard. \"I have an appointment in twenty minutes,\" I said to the driver through the cloudy Plexiglas window separating us. \"Do you think we can make it in time?\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eHe shot me an impatient look through his rearview mirror. \"You coulda walked it, lady,\" he said in a thick Brooklyn accent.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eI sat back, trying to relax, clutching my portfolio: a homemade case that protected my photographs, mounted to sheets of construction paper and held between two cardboard covers. I used a black ribbon to tie it shut.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eIt was a bright, unseasonably warm day, and the driver had all the windows rolled down. I drew a deep breath, unable to place the scent until I realized that it was everything I was not smelling: the absence of grass, trees and those easy, open-space breezes. The flow of air, obstructed by the buildings, seemed stagnant, almost stale, yet the city was in constant motion, all vigor and energy.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eAt the corner of 47th and Eighth Avenue, I spotted a man and a woman waiting for the light. They reminded me of couples I'd seen in the movies. He was in a dark suit, his fedora worn with a Sinatra tilt. She was impeccably dressed in a skirt and matching jacket, belted at the waist. He pulled a cigarette from his breast pocket, offering her one before he suavely lit them both. As puffs of smoke gathered above their heads, the streetlight changed and off they went. I watched until they disappeared into the throng of New Yorkers, wishing I had my camera with me. You didn't see people like that back in Ohio.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eMy cab cleared the intersection and I grew giddy thinking that soon I'd be taking my place among the locals, walking with a purpose, each step bringing me closer to the very things I'd come here for. And with that, I couldn't help but think about my mother. She was supposed to have been by my side when I came to New York, and I wasn't one of those people comforted by the ethereal; she's still with you, watching over you.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eAs we continued on, I craned my neck, not wanting to miss a thing. There was more to see here in just two blocks than in all of Youngstown. I leaned forward to get a better look at the giant Camel billboard of a man smoking a cigarette, blowing actual smoke rings. All of Times Square was flashing with Canadian Club, Coca-Cola, Chevrolet and a sign for Admiral Television Appliances. Even in the middle of the day, the theater marquees were lit and winking, some reputable while others advertised peep shows starring raw naked women. Again, I itched for my camera. Even when I didn't have it with me, I was still taking pictures in my head.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eI had moved to New York to become a photographer despite my father and everyone else, including the editor at the Youngstown Vindicator, telling me a woman couldn't do that kind of work. Taking personal snapshots like my mother did was one thing, but professional photographs for newspapers and magazines? Never. Maybe not in a small town, but surely New York City would be different. And just knowing they said I couldn't do it made me all the more determined to prove them wrong. Stubbornness, something I'd inherited from my mother.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eMy father and Faye, his new wife, said they weren't financing my pipe dream, so after graduating from secretarial school and working as a typist in a steel foundry for three months, I'd saved $375. I knew that wouldn't go very far, seeing as the taxicab meter had already hit 90 cents. My most immediate need was a job-any job. I'd already interviewed with an accounting firm, followed by a scaffolding manufacturer and an insurance agency. They were jobs I didn't want and thankfully didn't get.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThat was why I finally pulled out the number I'd been carrying since I'd arrived but had been too shy or proud to use. I called Elaine Sloan. Elaine and my mother had been roommates in New York, living at the Barbizon Hotel, both of them aspiring models. My mother, beautiful as she was, had fallen short of the dream, becoming a Midwestern housewife. Elaine ended up as a book editor at Bernard Geis Associates. I'd met Elaine once, at my mother's funeral, and had exchanged a few cards and letters with her since. She said to contact her if ever I needed anything. I thought maybe she could help me land a photography job, or at the very least, something in publishing.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eWhen I arrived at Bernard Geis Associates on East 56th Street, I found myself on the forty-second floor, in a colorful lobby filled with pop art and Eero Aarnio pod chairs suitable for a moon landing. In the middle of it all was a pole you'd expect to see in a fire station. It extended all the way through a circular cutout in the ceiling of the floor above. While I gave the receptionist my name, a woman slid down that pole, her skirt bunched up, revealing her blue garter, before landing with a respectable dismount.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eMoments later Elaine Sloan made a more dignified entrance through a side door. The first thing I-or probably anyone-noticed about Elaine was her hair. She was prematurely gray, each strand a luminous shade of silvery white that caught the light and accentuated her blue eyes. Eyes that looked as though they'd seen more than most women her age. I told myself she resembled my mother, though they looked nothing alike. My mind was playing tricks on me and I knew why. Yes, I was a grown woman of twenty-one, but I still wanted my mother. Elaine Sloan-her most devoted and dearest friend-was the closest I could get to her now.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eShe greeted me with a warm smile and showed me into her office, which had a spectacular view of the Manhattan skyline. \"Tell me how I can help you,\" she asked, gesturing for me to sit in the chair opposite her desk.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eAfter sharing tidbits of my disheartening job search, I set my portfolio on her desk. \"But what I'm really looking for is something in photography.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"I see.\" She leaned forward, reaching for my case. \"May I?\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"Please . . .\" I untied the ribbon for her and sat silently while she leafed through my photographs, pausing here and there but saying nothing. She closed the cover before she reached the end.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eIt was a blow, but I would not be ungrateful and let my disappointment show.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eShe smiled and sat back, inching my portfolio toward me with her fingertips. \"You have an eye,\" she said, just to be kind.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"Thank you.\" I tied my portfolio shut and set it in my lap, thinking how much more competitive everything was here. Back home people appreciated my photographs, selecting them for the school newspaper and yearbook. But in New York my pictures were barely enough to hold anyone's attention.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"Well, it's not photography,\" she said, \"but I do have something in mind.\" Elaine pressed the intercom on her desk and said, \"Get David Brown on the line for me, will you?\" She released the talk button and reached behind her for a book on her credenza. \"Are you familiar with this?\" She held up a copy of Sex and the Single Girl.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThat blue cover instantly took me back to my senior year of high school, to a slumber party in Esther Feinberg's basement. Four of us had stayed up half the night, taking turns reading aloud from Helen Gurley Brown's Sex and the Single Girl. I remembered certain passages made us squeal and roll onto our sides, pillows pressed to our faces to smother our giggles and shock. At the time, I didn't think the book applied to me because I had Michael Segal. My future was set. At least it was until I gave him back his grandmother's ring after he said he wasn't ready to marry me. The next day I went out and bought my own copy of Sex and the Single Girl and read it cover to cover. More than once.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eA moment later the secretary's voice squawked back on the intercom. \"I have Mr. Brown on line one for you.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"The best way to get to Helen is through her husband,\" Elaine said as she picked up the phone and swiveled around in her chair, facing the window. \"Hello, David.\" She leaned back and laughed at something he said. I watched her reflection in the glass as she propped her feet on the windowsill and crossed her ankles. She was wearing a pair of Gucci loafers. I recognized the interlocked gold G's on top. \"Is Helen still looking for a secretary?\" she asked. \"Oh, good. I have someone I think she should meet.\" She looked back at me and winked. \"Her name's Alice Weiss. Shall I send her over? Okay, let me know. Thank you, David.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eShe hung up, dropped her feet to the ground and swiveled back around, facing me with a smile. \"I know it's a secretarial position. It's not photography, but you have an interview with her tomorrow.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"With who? Helen Gurley Brown?\" I was in disbelief. Helen Gurley Brown was a celebrity. A famous author who'd been a regular on radio and television shows even though hosts like Merv Griffin and Jack Paar couldn't say the title of her book on the air.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"David's going to call back with the time. I'll let you know as soon as I hear from him. Meanwhile . . .\" She scribbled an address down on a monogrammed notepad, tore the page free and slid it across the desk to me.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"Is she writing another book?\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\"Actually, no. The Hearst Corporation just hired her to be the new editor in chief at Cosmopolitan magazine.\" Elaine shook her head, bewildered. \"Last I heard, Hearst was folding Cosmopolitan. Then all of a sudden, they bring in Helen. Must be some sort of a last-ditch effort to save the magazine. Hearst isn't in the habit of hiring women for positions like that, and frankly, we're all scratching our heads, wondering how she landed the job. I'm sure David had something to do with it, seeing as Helen's never edited a magazine before. My lord, she's never even worked at a magazine.\" Elaine laughed at the absurdity of it all. \"But I have worked with Helen. I was one of her editors for this.\" She tapped Sex and the Single Girl resting on her desk. \"And while I don't agree with everything she says in here, I do think she's smart. And God knows she's got chutzpah.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe following morning, I arrived at 224 West 57th. I was in the lobby, waiting for the elevator, when two girls walked up beside me. They were about my age and the one, with white-blond hair teased and backcombed into a magnificent bouffant, pressed the call button a second time, as if that would make it come faster. The Bouffant was wearing a chartreuse triangle shift dress. The other girl, a brunette with a pixie and chandelier earrings that touched her shoulders, wore a short red and white checkered skirt with knee-high boots. Compared to them, I had a big Ohio stamped on my forehead, even in my best houndstooth sheath dress.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe elevator landed with a ding, and after the doors opened, in we went. The two girls chattered on the way up, oblivious when I exited behind them on the fourth floor and followed them into Cosmopolitan's lobby. Before they disappeared down a hallway, the Pixie noticed me, glancing back with a neutral expression before she turned again, leaving me behind. There was no one at the receptionist's desk, so I waited.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe office was not what I'd been expecting. It suffered from neglect. The carpet was worn to its frayed backing. The seat cushions of the leather chairs were cracked, a vein of white stuffing poking through. Even the dust clinging to the leaves on the plastic plants in the entranceway said to all who passed through those doors that the reading public had lost faith in the old gal.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eStill no sign of the receptionist. To pass the time, I studied the covers from past issues strewn across the wall, hanging in cockeyed frames. I was surprised by what I saw. The Cosmopolitan magazine I knew was filled with casserole recipes and housekeeping tips, but the lobby walls told a different story. There was a plaque with a list of authors who'd written for the magazine going as far back as the 1800s, including Mark Twain, Edith Wharton, Kipling and others. Among the covers hanging up was the April 1939 issue featuring Somerset Maugham's The Facts of Life. Pearl S. Buck had a novella published in March 1935. O. Henry's The Gift of the Magi was also published by Cosmopolitan.\u003c\/p\u003e","brand":"Berkley","offers":[{"title":"Default Title","offer_id":46304449921253,"sku":"NP9781101991145","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781101991145.jpg?v=1767734520","url":"https:\/\/k12savings.com\/products\/park-avenue-summer-isbn-9781101991145","provider":"K12savings","version":"1.0","type":"link"}