{"product_id":"paradise-rot-isbn-9781804294529","title":"Paradise Rot","description":"\u003cb\u003e\"As intriguing and impressive a novelist as she is a musician, Hval is a master of quiet horror and wonder.”\u003cbr\u003e—Chris Kraus, author of \u003ci\u003eI Love Dick\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eA lyrical debut novel from a musician and artist renowned for her sharp sexual and political imagery\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eJo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo’s sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh.\u003cbr\u003e\u003cbr\u003eThis debut novel from critically acclaimed artist and musician Jenny Hval presents a heady and hyper-sensual portrayal of sexual awakening and queer desire.“In \u003ci\u003eParadise Rot\u003c\/i\u003e, Jenny Hval creates a parallel world that’s familiar but subtly skewed. As intriguing and  impressive a novelist as she is a musician, Hval is a master of quiet horror and wonder.”\u003cbr\u003e\u003cb\u003e—Chris Kraus, author of \u003ci\u003eI Love Dick\u003c\/i\u003e\u003c\/b\u003e \u003ci\u003e\u003cbr\u003e\u003c\/i\u003e \u003cbr\u003e“Hval is an artist of many questions—the ones she asks, and those she provokes in the listener. \u003ci\u003eApocalypse, Girl\u003c\/i\u003e swerves from decipherable politics to recondite personal imagery. It’s  not a paraphrasable album, but it is a listenable one, its avant-garde  tendencies held in check by Hval’s beguiling voice.”\u003cbr\u003e\u003cb\u003e—Anwen Crawford, \u003ci\u003eNew Yorker\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e“Contemporary  pop culture teems with unfiltered first-person narratives and cathartic  self-exposure, from search-engine-optimized ‘it happened to me’ essays  to the highbrow family memoirs of authors like Maggie Nelson. At its  worst, the form is trashy; at its best, it can convey ideas that extend  far beyond the confessor, tapping into something both intensely intimate  and universally political. The avant-garde Norwegian singer Jenny Hval  pulls off this feat with a rare grace, layering prose poems, both spoken  and sung, over synths, pulsing house rhythms, and noise-rock fuzz.  Where Hval’s last studio album, \u003ci\u003eApocalypse, Girl\u003c\/i\u003e, served as a  withering feminist commentary on the sexual politics of American  consumer culture (sample lines: “I beckon the cupcake\/The huge  capitalist clit”; “I grab my cunt with my hand that isn’t clean”), \u003ci\u003eBlood Bitch\u003c\/i\u003e,  out September 30, deconstructs the menstrual cycle, the ageing body,  and the symbiotic relationship between lovers, vampires, and prey.” \u003cbr\u003e\u003cb\u003e—Atossa Araxia Abrahamian, \u003ci\u003eVillage Voice\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e“Hval’s  words shock precisely because they’re not referring to sex or desire  but instead address vulnerability and nurturing … Hval’s world is  radically different: an intimate, often mysterious place where the  melodic sophistication of Björk and Kate Bush meets Laurie Anderson’s  witty cool.”\u003cbr\u003e\u003cb\u003e—Sharon O’Connell, \u003ci\u003eGuardian\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e“As with all her work, she finds new ways to provoke, and new parts of your brain to light up.”\u003cbr\u003e\u003cb\u003e—Miles Raymer, \u003ci\u003ePitchfork\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e“Norwegian  artist Jenny Hval presents a version of female sexuality in which  carnal impulses, anxieties and the female\/male perspective are often  knotted together.”\u003cbr\u003e\u003cb\u003e—Kate Hutchinson, \u003ci\u003eGuardian\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “Every page of \u003ci\u003eParadise Rot\u003c\/i\u003e contains something in it that burrows deep inside you. Much like Hval’s musical output, the book is almost uncomfortably intimate, the kind of penetrating encounter that will make you uncontrollably shudder as your body is plunged into the sensory world that Hval has created. It’s an uncanny and yet deeply moving reading experience, one that Hval uses to explore the complexities of queer desire and human enmeshment in our physical surroundings.”\u003cbr\u003e\u003cb\u003e —\u003ci\u003eNylon\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “Hval is an expert at creating and sustaining atmospherics across genres, and \u003ci\u003eParadise Rot\u003c\/i\u003e is no exception. \u003ci\u003eParadise Rot\u003c\/i\u003e is an odd microcosm inside an ordinary world … It is, in many ways, a novel about finding and then choosing a self; it also shows the pull of unexpected queer desire and the dismantling of boundaries that draw requires. But most of all, in the way that a microscope reveals an unsettling truth about the familiar (that it’s teeming with life you never expected), \u003ci\u003eParadise Rot\u003c\/i\u003e is hard to forget.”\u003cbr\u003e\u003cb\u003e —\u003ci\u003ePitchfork\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Hval’s curiosity is more than simple pleasure in perversity: It’s meant to defile the idea of women’s bodies as pristine and plush … and reshape it into something more dreadfully real. Maybe more revolutionary than that transfiguration is her disemboweling of desire itself, unraveling it to its fearsome, primal state, and exploring the strangeness of how sexuality can alienate one from oneself; how feelings of mistrust come about when desire is new, queer and unreliable.” \u003cbr\u003e\u003cb\u003e—NPR\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e“Strange and lyrical … Hval’s writing is surreal and rich with the grotesque banalities of human existence.” \u003cbr\u003e\u003cb\u003e—\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “With the release of the newly translated Paradise Rot, we can experience her artistic evolution beyond the shape of a timeline, as a series of challenging examinations melting and bending in on themselves … Listening to—or now reading—her work feels like getting jettisoned into an underwater reality that fantastically mirrors our own. It would be entirely terrifying, if exploring it weren’t so much fun.” \u003cbr\u003e\u003cb\u003e—Ann-Derrick Gaillot, \u003ci\u003eNation\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “The themes of alienation, queerness, and the unsettling nature of desire align Hval with modern mainstays like Chris Kraus, Ottessa Moshfegh, and Maggie Nelson.” \u003cbr\u003e\u003cb\u003e—\u003ci\u003ePitchfork\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Hval’s surreal debut riffs on the same layered intricacies as her music, transcending simple categorisation to create a dreamy landscape both separate and a part of what we recognise as reality.” \u003cbr\u003e\u003cb\u003e—\u003ci\u003eStinging Fly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Hval’s writing is hyper-sensual and poetic.”\u003cbr\u003e\u003cb\u003e—\u003ci\u003eAutostraddle\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Corrosive, liquefactive, poetic: these are amongthe erotic modalities explored in a novel where paradise is aburgeoning swamp inhabited by two desirous Eves. Art, literature, and life ceaselessly affirm the intimate linkage of sex and death, and it is in light of this connection that Hval’s evocations of rot take on their full amplitude—for the breakdown of form and structure (psychological, bodily, social, andinstitutional) corresponds to the blooming effulgence of decaythat constitutes this book’s imagination of earthly paradise.”\u003cbr\u003e\u003cb\u003e—Jeremy Biles, \u003ci\u003eReligious Studies Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “A lurid hothouse of a thriller about a female student’s sexual awakening.”\u003cbr\u003e\u003cb\u003e—Sukhdev Sandhu, \u003ci\u003eGuardian\u003c\/i\u003e\u003c\/b\u003e\u003cp\u003eNorwegian musician and writer \u003cb\u003eJenny Hval\u003c\/b\u003e has honed an intellectual and uncompromising view of politics and sexuality in her prose as well as in records that include \u003ci\u003eBlood Bitch\u003c\/i\u003e; \u003ci\u003eApocalypse, Girl\u003c\/i\u003e; and \u003ci\u003eInnocence Is Kinky\u003c\/i\u003e. \u003ci\u003eParadise Rot\u003c\/i\u003e is the first of her books to appear in English.\u003c\/p\u003e","brand":"Verso Fiction","offers":[{"title":"Default Title","offer_id":46301799121125,"sku":"NP9781804294529","price":19.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781804294529.jpg?v=1767734483","url":"https:\/\/k12savings.com\/products\/paradise-rot-isbn-9781804294529","provider":"K12savings","version":"1.0","type":"link"}