{"product_id":"pages-of-mourning-isbn-9781953387400","title":"Pages of Mourning","description":"\u003cb\u003e\u003ci\u003ePages of Mourning\u003c\/i\u003e is a stunning achievement, a pioneering and inventive novel that confronts family history, creativity, Magical Realism, and the impact of violence from Mexico’s drug war, by a magnificent new talent in Diego Gerard Morrison.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIt’s 2017 and the crisis of forced disappearances has reached a tipping point after 43 docent students disappeared and are feared dead. Aureliano Más the Second is a fledgling writer at a lucrative fellowship in Mexico City chaired by his aunt, Rose. When Aureliano was very young, his mother left without reason or trace. Aureliano is attempting to write a novel that mirrors his mother’s unexplained disappearance while shattering Magical Realism as a genre in the process. It doesn’t help though, that he’s named after the protagonist of a touchstone of the Magical Realist canon, and raised in the mythical town of Comala.\u003cbr\u003e\u003cbr\u003eAureliano searches for insight and closure from his father and from Rose, who grappled with his mother’s disappearance through a failed novel of her own. Their stories lead back to the 1980’s and the burgeoning drug trade, as Rose and Aureliano’s mother journey as young runaways throughout the Mexican countryside. Meanwhile, Aureliano’s addictions and the overwhelming burden of the past threaten his tenuous position at the fellowship, just as a deadly earthquake strikes Mexico City on the exact same date as a legendary earthquake struck in 1985.\u003cbr\u003e\u003cbr\u003e\u003ci\u003ePages of Mourning\u003c\/i\u003e is a daring, captivating, darkly funny novel that grapples with uncertainty and loss in a land of violence and superstition, while questioning whether Magical Realism as a genre is capable of confronting the brutal dissonance of a country that awaits the return of the missing while not wholly acknowledging their death. Monumental, lyrical, and engrossing, \u003ci\u003ePages of Mourning\u003c\/i\u003e is a towering accomplishment by one of the most exciting new writers at work today.\"Reminiscent of the best passages in Roberto Bolaño’s \u003ci\u003eThe Savage Detectives\u003c\/i\u003e. Morrison has written the next chapter in the Magical-Realist-Surrealist-Realist-Infrarealist lineage, a suspenseful—what else, after all, does a wait consist of?—entry into the canon of the Mexican present.\" \u003cbr\u003e\u003cb\u003e—Sean McCoy, \u003ci\u003eThe Brooklyn Rail\u003c\/i\u003e\u003c\/b\u003e - (Read review.)\u003cp\u003e“Morrison’s voice reflects his work as a writer, editor and translator based in Mexico City, who seeks to interrogate “the concept of dissonance” through blended art forms such as poetry and fiction, translation and criticism. His story could be seen as an archetype, criticism, or a reflection through linguistic cadence on Pan American literature. There’s nothing magical, in the genre sense, in Morrison’s story. There are no magical rivers, enchanted messages, babies born with tails. Morrison’s dissonance is real — people get disappeared, they suffer addictions, writer’s block, crazy parents, crazier shamans, blank pages, corruption, the loss of loved ones. In this depiction of real Pan-American life — because all of this we are also explicitly suffering up North — Morrison finds his magic. His Aureliano is our Aureliano. He’s someone we know. Probably someone we loved — someone trying so hard to live.”\u003cbr\u003e\u003cb\u003e—Marcela Davison Avilés, NPR\u003c\/b\u003e - (Read review.)\u003c\/p\u003e\u003cp\u003e\"Aureliano Más may be named for 19 characters from One Hundred Years of Solitude and may hail from Comala, Mexico, the literal ghost town in Juan Rulfo’s novel Pedro Páramo, but he sees magical realism as pure fantasy that serves to soothe a country riven by forced disappearances. Pages of Mourning follows Aureliano’s attempts to dismantle the genre as he writes a novel about his mother, who vanished when he was an infant. It’s an inventive work of metafiction that grapples with the horrific realities of Mexico’s drug wars and the families left grieving without bodies to bury.\"\u003cb\u003e\u003cbr\u003e—Kristen Martin, NPR: Books We Love 2024 \u003c\/b\u003e(Read review.)\u003c\/p\u003e\u003cp\u003e“\u003ci\u003ePages of Mourning\u003c\/i\u003e, the Mexican author and translator Diego Gerard Morrison’s second novel (like its predecessor, written in English), begins in 2017, on the eve of the third anniversary of the Iguala mass kidnapping, in which forty-three trainee teachers were abducted in southwest Mexico, never to be seen again. The cry of the missing students’ loved ones, “\u003ci\u003eVivos se los llevaron, vivos los queremos\u003c\/i\u003e” (“They were taken alive, we want them returned alive”), echoes throughout the novel. Engaging... we join Édipa and Lázaro on their ride through the underworld, with all its romance and paranoia.”\u003cbr\u003e\u003cb\u003e —Matthew J. Mason, \u003ci\u003eTimes Literary Supplement\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e★ “Riveting, gripping, and atmospheric, the latest from award-winning, Mexico City-based Gerard Morrison (\u003ci\u003eThe Wait\u003c\/i\u003e) takes readers on a whirlwind trip across his homeland. Macondo, the magical utopia of \u003ci\u003eOne Hundred Years of Solitude\u003c\/i\u003e, is an object of desire that remains elusive in Morrison’s gritty tale of violence and love.”\u003cbr\u003e\u003cb\u003e—Lisa Rohrbaugh, \u003ci\u003eLibrary Journal\u003c\/i\u003e, starred review\u003c\/b\u003e - (Read review.)\u003c\/p\u003e\u003cp\u003e“Morrison asks us to consider how synchronicity—which can feel like magic—is generative both in life and in writing”\u003cbr\u003e\u003cb\u003e—Devin Kate Pope, \u003ci\u003eBOMB\u003c\/i\u003e\u003c\/b\u003e - (Read interview.)\u003c\/p\u003e\u003cp\u003e\"Diego Gerard Morrison’s novel “Pages of Mourning” is a satirical look at the impact of U.S. drug consumption on Mexicans caught in cartel violence\"\u003cbr\u003e\u003cb\u003e—Coco Picard, \u003ci\u003eElectric Literature\u003c\/i\u003e\u003c\/b\u003e - (Read interview.)\u003c\/p\u003e\u003cp\u003e“Disappearance, ghosts, and the brutal drug trade all enrich this powerful, haunting story of loss and literature.”\u003cbr\u003e\u003cb\u003e—Melanie Fleishman, The Center for Fiction\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"Both haunted and haunting... Gerard Morrison has no trouble exploding narrative possibilities. Ultimately, \u003ci\u003ePages of Mourning\u003c\/i\u003e reckons with how to make meaning out of life when resolution remains forever out of reach, and with how to mourn—how to move forward in time—when there is no body to bury.\"\u003cbr\u003e\u003cb\u003e—Kristen Martin, \u003ci\u003eThe Believer\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e★ \"Inventive and thrilling... Gerard Morrison brilliantly interweaves Aureliano’s personal story of loss within the larger context of the devastation caused by drug trade violence, and what begins as a critique of magical realism turns into a begrudging acceptance of its enduring power... It’s an impressive achievement.\"\u003cbr\u003e\u003cb\u003e—\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"Morrison may have shattered magical realism already, or at least cracked its dusty looking glass. Morrison’s measured but expansive prose paints a moving picture of how artists use the supposed alchemy of the creative process to confront grief.\" \u003cbr\u003e\u003cb\u003e—Stephen Meisel, \u003ci\u003eSouthern Review of Books\u003c\/i\u003e\u003c\/b\u003e - (Read review.)\u003c\/p\u003e\u003cp\u003e\"\u003ci\u003ePages of Mourning\u003c\/i\u003e by Diego Gerard Morrison is very funny and very sad and very, very smart. Unafraid to make his fiction work on and around questions of unambiguous gravity, Morrison never forgets the importance, indeed the power, in the endeavor of play. The world that emerges from this crafty 'universe of dust' is lit everywhere with empathy and insight.\"\u003cbr\u003e\u003cb\u003e—Laird Hunt, author of \u003ci\u003eZorrie\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"One of those rare books that emerges from the clashing of several schools of literature, filled with sad young literary men and women, tortured by art and life and their creations. If \u003ci\u003eThe Savage Detectives\u003c\/i\u003e had a younger, rowdier sibling, this is it.\"\u003cbr\u003e\u003cb\u003e—Fernando A. Flores, author of \u003ci\u003eValleyesque\u003c\/i\u003e and \u003ci\u003eTears of the Trufflepig\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"At once bookish and political, this novel crossfades between times, places and states of being—mourning, motherhood, Mexico Cityhood, impermanence, disappearance, border-crossing—while defamiliarizing the familiarly neurotic trope of the writer-who-cannot-write to ask whether and why writing matters.\"\u003cbr\u003e\u003cb\u003e —Gabriela Jauregui, author of \u003ci\u003eFeral\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"This propulsive novel contains many novels, written ones and unwritten ones, by invented authors as well as marquee names in twentieth-century fiction: Rulfo, García Márquez, Pynchon, Lowry… Places are haunted and rendered so convincingly that, while reading, more than once I had to remind myself I wasn’t in downtown New York; the subway in Mexico City; a farm on the Mexican Pacific coast; a coffee estate in, of all places, Comala... Diego Gerard Morrison has written a glorious kaleidoscope of a book in which the roads to artificial paradises lead to hell. When the dead are as restless as the living, how do we mourn them?\"\u003cbr\u003e\u003cb\u003e—Mónica de la Torre, author of \u003ci\u003eRepetition 19\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"What’s astonishing is not so much Morrison’s uncommon eye, which concentrates the world into such detailed acts of description that we can just about see the tonsils of each speaking character, but the fact that the novel is paced like the Preakness, so that once begun, we find it’s impossible to look away. \u003ci\u003ePages of Mourning\u003c\/i\u003e is not magic, but magisterial realism.\"\u003cbr\u003e\u003cb\u003e—Forrest Gander, Pulitzer Prize-winning author of \u003ci\u003eBe With\u003c\/i\u003e and \u003ci\u003eThe Trace\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"An emotionally gripping novel about a writer struggling with his own artistic stagnation and personal grief and loss while simultaneously pursuing Mexico’s tumultuous history of violence and forced disappearance. Diego Gerard Morrison masterfully intertwines individual and collective trauma through the lens of magical realism. A literary masterpiece, \u003ci\u003ePages of Mourning\u003c\/i\u003e illuminates the complexities of existence with haunting beauty and profound insight.\"\u003cbr\u003e\u003cb\u003e—Shirin Neshat, director of \u003ci\u003eWomen Without Men\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"Haunted since childhood by his mother's abandonment, Aureliano is struggling to write a novel about her disappearance. Set between Brooklyn and Mexico \u003ci\u003ePages of Mourning\u003c\/i\u003e by Diego Gerard Morrison is a bitingly funny novel about family, loss, grief, and creativity steeped in the food, drink, literature, superstition, and magical realism of Latin America. Pages of Mourning is a standout novel of 2024.\"\u003cbr\u003e\u003cb\u003e—Caitlin Baker, Island Books (Mercer Island, WA)\u003c\/b\u003e\u003c\/p\u003e\u003cb\u003eDiego Gerard Morrison\u003c\/b\u003e (Mexico City, 1984) is a writer, editor and translator whose recent work explores themes of Magical Realism and appropriation in the context of the Mexican drug war. He is the author of \u003ci\u003eThe Wait\u003c\/i\u003e, an appropriation of Samuel Beckett’s \u003ci\u003eWaiting for Godot\u003c\/i\u003e in a setting of Mexican cartel violence and its resulting crisis of forced disappearances. His debut novel, \u003ci\u003eMyth of Pterygium\u003c\/i\u003e was the winner of the Rising Prize in Fiction. He is the cofounder and fiction editor of \u003ci\u003ediSONARE\u003c\/i\u003e, an editorial project based in Mexico City. He lives in Mexico City.","brand":"Two Dollar Radio","offers":[{"title":"Default Title","offer_id":48233462071525,"sku":"NP9781953387400","price":18.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781953387400.jpg?v=1767734426","url":"https:\/\/k12savings.com\/products\/pages-of-mourning-isbn-9781953387400","provider":"K12savings","version":"1.0","type":"link"}