{"product_id":"overstayingisbn-9781948980197","title":"Overstaying","description":"\u003cb\u003eWinner of the most prestigious German prize for debut fiction, Swiss playwright and visual artist Ariane Koch’s \u003ci\u003eOverstaying\u003c\/i\u003e is an absurdist tour de force.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“I don't see my writing as chronological or classically narrative, but as spatial—a kind of architecture. I keep adding rooms, and readers can take different paths through the rooms,” writes Ariane Koch of \u003ci\u003eOverstaying\u003c\/i\u003e, her anarchically comic debut. Koch’s narrator is an impudent young woman, a contemporary Bartleby living alone in her parents’ old house in the small hometown she hates but can’t bring herself to leave.\u003cbr\u003e\u003cbr\u003eWhen a visitor turns up, promisingly new, she takes him in, and instantly her life revolves around him. Yet it is hard to tell what, exactly, this visitor \u003ci\u003eis\u003c\/i\u003e. A mooch, a lover, an absence, a presence—possibly a pet? Mostly, he is a set of contradictions, an occasion for Koch’s wild imagination to take readers in brilliant and unexpected directions.“Layered, experimental, and fragmented, this novel embraces the strangeness both in and around us.” —\u003ci\u003eKirkus\u003c\/i\u003e, starred review\u003cbr\u003e\u003cbr\u003e “Koch is a Swiss playwright and visual artist, and her debut novel is a  slim, dreamlike, and bizarre—in short, a perfect escape from all you’re  looking to escape.” —\u003ci\u003eLiterary Hub\u003c\/i\u003e, “Most Anticipated”\u003cbr\u003e\u003cbr\u003e “[\u003ci\u003eOverstaying\u003c\/i\u003e] both welcomes and distances the reader, which is  a rare feat and may be why the book won prizes in Germany and in Koch’s  home country of Switzerland. If there’s any justice, it should do the  same here.” —John Self, \u003ci\u003eThe Critic\u003c\/i\u003e\u003cbr\u003e \u003ci\u003e\u003cbr\u003e\u003c\/i\u003e“\u003ci\u003eOverstaying\u003c\/i\u003e amazed me.” —Jonathan Lethem\u003cbr\u003e\u003cbr\u003e“The tale is uncanny, bizarre and outlandish, delivered with such charm and wry humour that this brilliant slim book is utterly captivating.” —\u003ci\u003eThe Berliner\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Like in the dollhouse dreamworlds of Edward Hopper, the spirits  inhabiting Koch’s small town are waiting around for nothingness.  We  follow them down winding tangents, delighting in their absurd and  humorous struggles with the strange physics of their local reality.  Koch’s cerebral observations about intimacy are somehow both comforting  and unfamiliar, with a subtle existential violence lurking underneath  her wide-eyed prose. Koch’s world sticks its tongue out at us every time  we look away.” —Adam Green\u003cbr\u003e\u003cbr\u003e“\u003ci\u003eOverstaying\u003c\/i\u003e has a lot to say about housing—not in a particularly consistent or dogmatic way, but in a fumbling, ambivalent, and artistic one. It’s the tale of a home gone stale and, more largely and critically, of housing precarity and the moral rot that comes from wielding the privilege of property over others.” —Walker Rutter-Bowman, \u003ci\u003eThe Baffler\u003c\/i\u003e\u003cbr\u003e \u003ci\u003e\u003cbr\u003e\u003c\/i\u003e“\u003ci\u003eOverstaying\u003c\/i\u003e is a short novel of huge ambition. Much of its  beauty lies in its arresting use of language, the unruly juxtaposition  of images that ought not to cohere but somehow do, jolting us from our  complacency towards a more vital understanding of the world. Damion  Searls’s translation from the Swiss German is lucid and precise. . . .  Hypnotic and masterly, this is a book that creates its own world,  forcing us to look at our own through altered eyes.” —Nina Allan, \u003ci\u003eTimes Literary Supplement\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Swiss playwright\/visual artist Ariane Koch’s zany first novel, \u003ci\u003eOverstaying\u003c\/i\u003e (adroitly translated from the German by Damion Searls) stuck me as a wonderfully entertaining update [to Max Frisch’s \u003ci\u003eBiedermann und die Brandstifter\u003c\/i\u003e]. This is an exercise in tragic-comic absurdism squared.” —Bill Marx, \u003ci\u003eThe Arts Fuse\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “So many novels have been written about immigration . . . that you might think there’s nothing more to say. But then you read \u003ci\u003eOverstaying\u003c\/i\u003e by Ariane Koch. A winner of Germany’s Aspekte Literature Prize and a  Swiss Literature Prize in its original German, the novel takes these  themes and transforms them into a strange, brilliant fever dream.” —Niamh Donnelly, \u003ci\u003eFinancial Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “[A] bizarre and beautiful psychodrama about hospitality, control, and  domination.... Koch’s novel seems to take place half in the ‘real  world’ and half in a Leonora Carrington painting... Novels like this  aren’t about plot, per se, but Koch develops such an engaging offbeat  dynamic, and ends each short chapter on such a deliciously provocative  flourish—aided by Damion Searls’s supple translation—that you race  through, desperate to find out the next small act of cruelty of  indignity.” —Luke Kennard, \u003ci\u003eThe Telegraph\u003c\/i\u003e\u003cbr\u003e \u003ci\u003e\u003cbr\u003e“Overstaying\u003c\/i\u003e has the makings of a classic.” —\u003ci\u003eDie Zeit\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “A brave debut, remarkable in its literary aesthetics.” —Christian Metz, \u003ci\u003eDeutschlandfunk\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “In Koch’s light, precise and yet dreamlike language, scenes emerge  that—as in the theater of the absurd—seem at first to make no sense at  all and then a tremendous amount of sense. Derrida, writing about  hospitality, stated that absolute hospitality means opening one’s home:  to give place not only to the stranger, but also to the unknown, to the  other, without expecting reciprocity. Koch skillfully varies this  postmodern utopia of opening oneself to the unknown in her impressive  literary debut.” —\u003ci\u003easpekte\u003c\/i\u003e Prize Committee\u003cbr\u003e\u003cbr\u003e “Bewitching . . . and consistently sharp. Fans of dreamy and mysterious fiction like Claire-Louise Bennett’s \u003ci\u003ePond\u003c\/i\u003e will devour this.” —\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003cb\u003eAriane Koch\u003c\/b\u003e was born in Basel and studied fine arts and interdisciplinarity. She writes—often in collaboration—theatre and performance texts, radio plays and prose. Her texts have won numerous awards and have been performed in places like Basel, Berlin, Cairo, Istanbul, and Moscow. \u003ci\u003eOverstaying\u003c\/i\u003e is her debut novel.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDamion Searls \u003c\/b\u003ehas translated thirty books from German, French, Norwegian, and Dutch, including the novels of Jon Fosse, winner of the 2023 Nobel Prize in Literature.","brand":"Dorothy, a publishing project","offers":[{"title":"Default Title","offer_id":46300157968613,"sku":"NP9781948980197","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781948980197_69c9d8fc-6c04-49db-96e2-97e0332dc576.jpg?v=1730743865","url":"https:\/\/k12savings.com\/products\/overstayingisbn-9781948980197","provider":"K12savings","version":"1.0","type":"link"}