{"product_id":"new-and-collected-poems-1975-2015-isbn-9780807030134","title":"New and Collected Poems: 1975-2015","description":"\u003cb\u003eA new book, the first in over a decade, from acclaimed poet Jay Parini\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThis volume revolves around his deep connection to nature and underlines his concerns about the impacts of pollution and climate change. In these beautiful, haunting poems, Parini writes about the landscapes of mining country, of the railroads of Pennsylvania, of farm country, of worlds lost and families dispersed. He explores faith and how it is tested. He limns the deepest crevices of the human heart and soul. He surprises and moves us.\u003cbr\u003e\u003cbr\u003eIn addition to a complete volume’s worth of new work, called West Mountain Epilogue, offering more than fifty poems never before published in any form, Parini has collected the very best work from his previous four volumes, the poems, as he tells us, “written in the past forty years that I wish to stand by.’\u003cbr\u003e\u003cbr\u003eLavishly and deservingly praised over the decades for his work as an essayist, critic, biographer, novelist, and, especially, poet, Parini shines as never before in this generous volume.\u003ci\u003eAuthor’s Note\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eNEW POEMS: WEST MOUNTAIN EPILOGUE (2006-2015)\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe Language of Mines\u003c\/i\u003e\u003cbr\u003eSpring Snow\u003cbr\u003eOver the River\u003cbr\u003eWest Mountain Epilogue\u003cbr\u003eHome\u003cbr\u003eA Knock at Midnight\u003cbr\u003eHis Morning Meditations\u003cbr\u003eSnowday in Pittston\u003cbr\u003eA Dream of Stones\u003cbr\u003eLackawanna Rail\u003cbr\u003eA Night in the Field\u003cbr\u003eHappy Hour\u003cbr\u003eIn the Library After Hours\u003cbr\u003eSome Effects of Global Warming in Lackawanna County\u003cbr\u003eBelow Zero\u003cbr\u003eThe Language of Mines\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe Grammar of Affection\u003c\/i\u003e\u003cbr\u003eHistoriography 101\u003cbr\u003eThe Grammar of Affection\u003cbr\u003eTo Ezra Pound\u003cbr\u003eSong and Skin\u003cbr\u003eUnpatriotic Gore\u003cbr\u003eThe Lost Poems\u003cbr\u003eToward a Poetics of the Next Generation\u003cbr\u003ePoem with Allusions\u003cbr\u003eLend an Ear\u003cbr\u003eHunch\u003cbr\u003eRevolutionary Days\u003cbr\u003eBitch My Tongue\u003cbr\u003eAt the Opening\u003cbr\u003eArs Poetica\u003cbr\u003eWoman by the Way\u003cbr\u003eThe Interruption of Summer\u003cbr\u003eA Single Page\u003cbr\u003e\u003cbr\u003e\u003ci\u003eOrdinary Time\u003c\/i\u003e\u003cbr\u003eMagi\u003cbr\u003eHeat Lightning\u003cbr\u003eBelief\u003cbr\u003eSisters of No Mercy\u003cbr\u003eMidrash\u003cbr\u003eAristotle in the Middle Ages\u003cbr\u003eThe Poor at Heart\u003cbr\u003eThe Dissolution\u003cbr\u003eOrdinary Time\u003cbr\u003eCreed\u003cbr\u003eGod’s Operation on Adam\u003cbr\u003eThe Insomniac Thinks of God\u003cbr\u003eDead Reckoning\u003cbr\u003eLament of the Middle Man\u003cbr\u003eSpring Burials\u003cbr\u003eEternal Tailor\u003cbr\u003eDo Lord Remember\u003cbr\u003eOld Frogs\u003cbr\u003eBlessings\u003cbr\u003e\u003cbr\u003e\u003ci\u003efrom\u003c\/i\u003e THE ART OF SUBTRACTION (1998-2005)\u003cbr\u003e\u003cbr\u003eAfter the Terror\u003cbr\u003eThe Prophets\u003cbr\u003eThe Lost Soldiers\u003cbr\u003eOccupied Country\u003cbr\u003eSleeping Through the Storm\u003cbr\u003eListening to the BBC World Service Late at Night\u003cbr\u003eThe President Eats Breakfast Alone\u003cbr\u003eDemocracy\u003cbr\u003eFish-Eye View\u003cbr\u003ePeaches\u003cbr\u003eHigh School\u003cbr\u003eFamily Reunion\u003cbr\u003eCovenant in April\u003cbr\u003eOld Teams\u003cbr\u003eRise\u003cbr\u003eThe Broken Neck\u003cbr\u003eLeo\u003cbr\u003eThe Trees Are Gone\u003cbr\u003eBorges in Scotland\u003cbr\u003eMind\u003cbr\u003ePower Stations\u003cbr\u003eNear Old Meldrum, After a Funeral\u003cbr\u003eThe Crucifixion\u003cbr\u003eLate Thoughts\u003cbr\u003eThe Art of Subtraction\u003cbr\u003e\u003cbr\u003e\u003ci\u003efrom\u003c\/i\u003e HOUSE OF DAYS (1989-1998)\u003cbr\u003e\u003cbr\u003eStars Falling\u003cbr\u003eSwimming After Thoughts\u003cbr\u003eRain Before Nightfall\u003cbr\u003eThe Lake House in Autumn\u003cbr\u003eWillow Song\u003cbr\u003eThe Discipline of Seeing\u003cbr\u003eA Killing Frost\u003cbr\u003eWho Owns the Land?\u003cbr\u003eNature Revisited\u003cbr\u003eHouse of Days\u003cbr\u003eThe Lost Scent\u003cbr\u003eAt School\u003cbr\u003eKeyser Valley: 1963\u003cbr\u003eTo My Father in Late September\u003cbr\u003eThe Crow-Mother Tells All\u003cbr\u003eThe Small Ones Leave Us\u003cbr\u003eNew Morning\u003cbr\u003eAdrift\u003cbr\u003eDemonial\u003cbr\u003eHouse on Fire\u003cbr\u003eThe Ruined House\u003cbr\u003eA Conversation in Oxford\u003cbr\u003eGood Friday in Amalfi\u003cbr\u003eStill Life\u003cbr\u003eNear Pitlochry\u003cbr\u003eI Was There\u003cbr\u003e\u003cbr\u003e\u003ci\u003efrom\u003c\/i\u003e TOWN LIFE (1983-1988)\u003cbr\u003e\u003cbr\u003eThe Mariner\u003cbr\u003eSyrinx\u003cbr\u003eThe Visitors\u003cbr\u003eDifferentiation\u003cbr\u003eCrops\u003cbr\u003eHistory\u003cbr\u003eGoodnight, Goodnight\u003cbr\u003eIn the Sphere of Common Duty\u003cbr\u003eReading Through the Night\u003cbr\u003eSkiing Home at Dusk\u003cbr\u003eTown Life\u003cbr\u003eSuburban Swamp\u003cbr\u003eThe Function of Winter\u003cbr\u003eA Lost Topography\u003cbr\u003ePassing Through Vermont on Three Martinis\u003cbr\u003eAmerica\u003cbr\u003ePortrait of the Artist as an Old Man\u003cbr\u003ePortrait of the Artist Underground\u003cbr\u003eDivine Parameters\u003cbr\u003eSolstice, Entering Capricorn\u003cbr\u003eThis Kampuchea\u003cbr\u003eAt the Ice Cream Parlor\u003cbr\u003eGrandmother in Heaven\u003cbr\u003eAt the Ruined Monastery in Amalfi\u003cbr\u003e\u003cbr\u003e\u003ci\u003efrom\u003c\/i\u003e ANTHRACITE COUNTRY (1975-1982)\u003cbr\u003e\u003cbr\u003eThe Sabine Farm\u003cbr\u003eBeginning the World\u003cbr\u003eWalking the Trestle\u003cbr\u003ePlaying in the Mines\u003cbr\u003e1913\u003cbr\u003eThe Missionary Visits Our Church in Scranton\u003cbr\u003eThe Miner’s Wake\u003cbr\u003eCoal Train\u003cbr\u003eTanya\u003cbr\u003eSnake Hill\u003cbr\u003eWorking the Face\u003cbr\u003eThe Lackawanna at Dusk\u003cbr\u003eAnthracite Country\u003cbr\u003eThe Rain School\u003cbr\u003eThe Salt Lick\u003cbr\u003eLearning to Swim\u003cbr\u003eBerry-Picking\u003cbr\u003eThe Sea Lily\u003cbr\u003eAmores (After Ovid)\u003cbr\u003eIn the Meadow\u003cbr\u003eSeasons of the Skin\u003cbr\u003eSwimming in Late September\u003cbr\u003eWinter of the Dog\u003cbr\u003eThis Scrying\u003cbr\u003eTo His Dear Friend, Bones\u003cbr\u003eSleepers\u003cbr\u003eHer Sadness\u003cbr\u003eAfter the Summer Heroes\u003cbr\u003eThis Reaping\u003cbr\u003eSkater in Blue\u003cbr\u003eSummer People\u003cbr\u003eBlack Week\u003cbr\u003eIllimitable Kingdom\u003cbr\u003eNear Aberdeen\u003cbr\u003eHigh Gannet\u003cb\u003ePraise for Jay Parini\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“Jay Parini is one of those writers who can do anything.”\u003cbr\u003e—Stacy Schiff, \u003ci\u003eNew York Times Book Review\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“His poems are fully imagined and highly accomplished. He never fails to astonish with his grace and wisdom.”\u003cbr\u003e—James Merrill\u003cbr\u003e\u003cbr\u003e“Jay Parini brings to the current poetic scene a classical sense of order. His impeccable poems burn with the tension between clearheaded intelligence and basic empathy with the human condition.”\u003cbr\u003e—Richard Eberhart\u003cbr\u003e\u003cbr\u003e“This is keen-eyed, thoughtful, artful yet unaffected poetry. I am struck by the honesty of Jay Parini’s desires and ignorances—his forthright longing for transcendence, his forthright fear that it may not happen.”\u003cbr\u003e—Richard Wilbur\u003cbr\u003e\u003cbr\u003e“Jay Parini expresses the best in American poetry.”\u003cbr\u003e—Anne Stevenson\u003cbr\u003e\u003cbr\u003e“Warm, accepting, peacemaking poems, with sudden jumps of articulate delight in them...The [poems] abound in grace—grace of attitude, grace of language.”\u003cbr\u003e—Alastair Reid\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePraise for \u003ci\u003eNew and Collected Poems: 1975-2015\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“[Parini] always leaves room for small delights or for glorious surprises.”\u003cbr\u003e—\u003ci\u003eChristian Science Monitor\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Parini is truly a man of letters. He is a biographer of Gore Vidal, William Faulkner, and Robert Frost, among other writers; a poet; and a novelist whose subjects include Herman Melville in \u003ci\u003eThe Passages of H.M.\u003c\/i\u003e (2010). For this collection, he explains, he selected ‘poems written in the past forty years that I wish to stand by,’ works from \u003ci\u003eThe Art of Subtraction\u003c\/i\u003e (2005), \u003ci\u003eHouse of Days\u003c\/i\u003e (1998), \u003ci\u003eTown Life\u003c\/i\u003e (1988), and \u003ci\u003eAnthracite Country\u003c\/i\u003e (1982). But first readers will discover a set of new poems under the title ‘West Mountain Epilogue.’ In these supple, straight-ahead lyrics, Parini evokes a strong sense of place as he remembers the Pennsylvania of his youth and his ‘very poor’ grandmother who lived so richly on a ‘tiny farm’ in Pennsylvania with her chickens: ‘I used to watch her scattering the grain \/ like John D. Rockefeller scattered dimes.’ The title poem spotlights the grim truth about Scranton’s ‘soot-rain,’ ‘coal dust,’ ‘white plastic trash,’ and ‘redbrick buildings with their broken teeth,’ while Parini also celebrates ‘Lackawanna light.’ Parini describes snow softening harsh terrain, sleeping outdoors as a boy, innocence, and hope, and he writes ruefully about our present predicaments, in poems such as ‘Some Effects of Global Warming in Lackawanna County.’ He also prophesies: ‘The poetry of tomorrow will not be pretty.’ As for now, Parini offers graceful and wry spiritual reflections in a number of prayerful poems, including ‘Do Lord Remember’ and ‘Blessings.’”\u003cbr\u003e—Donna Seaman, \u003ci\u003eBooklist Online\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Admired master of many genres, including novels, biographies, and essays, it is in his poetry that I’ve always felt Jay Parini comes into his own, using his astonishing and wide-ranging talent to mine the deeper ground. In his poetry, we get the full strength of all we admire in this writer: the springs of his lyricism, his keen eye for detail, his absorbing and compassionate curiosity about people and places, an ability to listen and capture the tone of our times, and moral imagination and spiritual yearning that delivers us into a larger way of seeing and being. \u003ci\u003eNew and Collected Poems\u003c\/i\u003e gathers together four decades of work: we follow him from his childhood in coal country to his full maturity in the Green Mountains, a journey that is a pilgrimage to the waters and watering place of his being, and ours. It’s the book I’ve always wanted from this author, the one I will read, reread, and give as a gift to others who care about literature that matters and will endure.”\u003cbr\u003e—Julia Alvarez, author of novels, short stories, nonfiction, memoir, including \u003ci\u003eIn the Time of the Butterflies\u003c\/i\u003e, \u003ci\u003eHow the García Girls Lost Their Accents\u003c\/i\u003e, and \u003ci\u003eA Wedding In Haiti\u003c\/i\u003e, as well as several books of poetry, most recently, \u003ci\u003eThe Woman I Kept to Myself\u003c\/i\u003e\u003cb\u003eJay Parini\u003c\/b\u003e is a poet, novelist, biographer, and critic. His five books of poetry include \u003ci\u003eAnthracite Country\u003c\/i\u003e and \u003ci\u003eHouse of Days\u003c\/i\u003e. He has written eight novels, including \u003ci\u003eBenjamin’s Crossing\u003c\/i\u003e, \u003ci\u003eThe Apprentice Lover\u003c\/i\u003e, \u003ci\u003eThe Passages of H.M.\u003c\/i\u003e, and \u003ci\u003eThe Last Station\u003c\/i\u003e—the last was made into an Academy Award-nominated film starring Helen Mirren and Christopher Plummer. Parini has written biographies of John Steinbeck, Robert Frost, William Faulkner, and, most recently, Gore Vidal. His nonfiction works include \u003ci\u003eJesus: The Human Face of God\u003c\/i\u003e, \u003ci\u003eWhy Poetry Matters\u003c\/i\u003e, and \u003ci\u003ePromised Land: Thirteen Books That Changed America\u003c\/i\u003e.","brand":"Beacon Press","offers":[{"title":"Default Title","offer_id":46301405151461,"sku":"NP9780807030134","price":27.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780807030134.jpg?v=1742924188","url":"https:\/\/k12savings.com\/products\/new-and-collected-poems-1975-2015-isbn-9780807030134","provider":"K12savings","version":"1.0","type":"link"}