{"product_id":"neon-in-daylight-isbn-9781936787753","title":"Neon in Daylight","description":"\u003cb\u003eA \u003ci\u003eNew York Times Book Review\u003c\/i\u003e Editors' Choice\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\"A radiant first novel. . . . [\u003ci\u003eNeon in Daylight\u003c\/i\u003e] has antecedents in the great novels of the 1970s: Renata Adler’s \u003ci\u003eSpeedboat\u003c\/i\u003e, Elizabeth Hardwick’s \u003ci\u003eSleepless Nights\u003c\/i\u003e, Joan Didion’s \u003ci\u003ePlay It as It Lays\u003c\/i\u003e. . . . Precision—of observation, of language—is Hoby’s gift. Her sentences are sleek and tailored. Language molds snugly to thought.\" —Parul Sehgal, \u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eNew York City in 2012, the sweltering summer before Hurricane Sandy hits. Kate, a young woman newly arrived from England, is staying in a Manhattan apartment while she tries to figure out her future. She has two unfortunate responsibilities during her time in America: to make regular Skype calls to her miserable boyfriend back home, and to cat–sit an indifferent feline named Joni Mitchell.\u003cbr\u003e\u003cbr\u003eThe city has other plans for her. In New York's parks and bodegas, its galleries and performance spaces, its bars and clubs crowded with bodies, Kate encounters two strangers who will transform her stay: Bill, a charismatic but embittered writer made famous by the movie version of his only novel; and Inez, his daughter, a recent high school graduate who supplements her Bushwick cafe salary by enacting the fantasies of men she meets on Craigslist. Unmoored from her old life, Kate falls into an infatuation with both of them.\u003cbr\u003e\u003cbr\u003eSet in a heatwave that feels like it will never break, \u003ci\u003eNeon In Daylight\u003c\/i\u003e marries deep intelligence with captivating characters to offer us a joyful, unflinching exploration of desire, solitude, and the thin line between life and art.\u003cb\u003ePraise for \u003ci\u003eNeon in Daylight\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eA \u003ci\u003eNew York Times Book Review\u003c\/i\u003e Editors' Choice\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eA January 2018 Indie Next Pick\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e Named One of the Most Anticipated Books of 2018 by \u003ci\u003eEsquire\u003c\/i\u003e, \u003ci\u003eNYLON\u003c\/i\u003e, \u003ci\u003eBustle, Vogue, Refinery29, \u003c\/i\u003eand more\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"What do you get when a writer of extreme intelligence, insight, style and beauty chronicles the lives of self–absorbed hedonists—\u003ci\u003eThe Great Gatsby\u003c\/i\u003e, \u003ci\u003eBright Lights, Big City\u003c\/i\u003e, and now \u003ci\u003eNeon in Daylight\u003c\/i\u003e. Hermione Hoby paints a garish world that drew me in and held me spellbound. She is a marvel.\"\" \u003cb\u003e—Ann Patchett, author of \u003ci\u003eCommonwealth\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"A radiant first novel. . . . [\u003ci\u003eNeon in Daylight\u003c\/i\u003e] has antecedents in the great novels of the 1970s: Renata Adler’s \u003ci\u003eSpeedboat\u003c\/i\u003e, Elizabeth Hardwick’s \u003ci\u003eSleepless Nights\u003c\/i\u003e, Joan Didion’s \u003ci\u003ePlay It as It Lays\u003c\/i\u003e. . . . Precision—of observation, of language—is Hoby’s gift. Her sentences are sleek and tailored. Language molds snugly to thought.\" \u003cb\u003e—Parul Sehgal, \u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"A smart, shimmering study of youthful self–discovery and the power of place, unfurling over the course of a single summer in the city. . . The book’s prose is impressively precise, glinting with pocketable images and insights.\" \u003cb\u003e—\u003ci\u003eThe Guardian\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"[A] luminous, crackling debut.\" \u003cb\u003e—\u003ci\u003eEntertainment Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Hoby’s descriptive language is spectacular, like that of Elif Batuman with a freer spirit or Eve Babitz if she were writing about the opposite coast. . . . Luminous and wonderful. Hoby spins an intricate narrative that careens toward myriad social and emotional collisions. Her style has a delicious, raucous quality, and the way she weaves together her rotating perspectives keeps the book chugging along nicely. Her talent is clear, and her debut is a very good one.\" \u003cb\u003e—\u003ci\u003eLos Angeles Review of Books\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“\u003ci\u003eNeon in Daylight\u003c\/i\u003e is Hermione Hoby’s debut novel, and her skill on the sentence level — along with a keen eye for detail — will catapult her to stardom.” \u003cb\u003e—\u003ci\u003eChicago Review of Books\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"For the person who spends most of their summer nights on an only semi–legally accessed roof in New York City. For the person who has walked out of her apartment and into a bodega without bothering to put shoes on. For the person who buys cigarettes (or wine or, like, almond milk) based on the packaging . . . For the person who still mourns Craigslist's Casual Encounters. For the person who has a soft spot for those middle–aged male writers who are still living off the fire of their early success, long after its glow has dimmed. For the person who knows the name of their bodega cat.\" \u003cb\u003e—\u003ci\u003eNYLON\u003c\/i\u003e, One of the Best Books of the Year, So Far\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"You'll adore the bustling, artsy version of NYC in this read.” \u003cb\u003e—\u003ci\u003eBustle\u003c\/i\u003e, 1 of 11 Books Like \u003ci\u003eSweetbitter\u003c\/i\u003e to Read if You're Obsessed with the Novel \u0026amp; New TV Show\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"The depiction of New York in the summer has really beguiled people. . . There's a stultifying, steamy, hedonistic, kind of sexually charged reverie, the static of it all. Being a journalist, [Hoby] talks about her book so lyrically. . . . More than any other city in the world, New York is written about, and it's rewritten. It's overlaid with other people's interpretations of it. A good read.\" —\u003ci\u003e\u003cb\u003eThe High Low\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"Highly propulsive reading. . . . With effortlessly fluid prose, Hoby, herself a New York transplant from London, excels most promisingly in depicting the vivid, perhaps most iconic American city, especially as seen through the eyes of a curious and perceptive newcomer.\" \u003cb\u003e—\u003ci\u003eBooklist\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"In language so vivid that readers could break a sweat in an igloo, debut novelist Hoby brings to life the seamy underworld of bright, bored people during a suffocating New York City summer, demonstrating the sure hand seen in works by Bret Easton Ellis and Tama Janowitz.\" \u003cb\u003e—\u003ci\u003eLibrary Journal\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"[A] promising debut. . . . This is a sharp novel with perceptive observations . . . and vivid, complicated relationships.\" \u003cb\u003e—\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Hoby is a master of atmosphere.\" \u003cb\u003e—\u003ci\u003eKirkus Reviews\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"\u003ci\u003eNeon in Daylight\u003c\/i\u003e is a classic New York City novel—sleek and stylish, both in literary craft and in the milieu portrayed. Hermione Hoby's misfits combust on the page, but what sets this book apart is that her city isn’t just a playground—it’s remarkably lonely, punctuated by a series of connections and breakdowns that leave you feeling compassion for the characters long after the book is finished.\" \u003cb\u003e— Stephanie Danler, \u003ci\u003eNew York Times\u003c\/i\u003e bestselling author of \u003ci\u003eSweetbitter\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Bracingly intelligent and imbued with deep, humane wit, \u003ci\u003eNeon in Daylight\u003c\/i\u003e is an ode to the transience of the present, an exploration of the fierce and fragile bonds that guide us. Hermione Hoby channels the spirit of Joan Didion and the keen observational eye of Ben Lerner to show us the here and now, made luminously real.\" \u003cb\u003e— Alexandra Kleeman, author of \u003ci\u003eYou Too Can Have a Body Like Mine\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"\u003ci\u003eNeon in Daylight\u003c\/i\u003e perfectly nails the humidity, hustle, and heartbreak of being young in New York City. With the eyes and soul of a flâneur,  Hermione Hoby's prose renews the physical world like a near–death experience. Smart and classy, this debut novel is, like neon, both rare and lighter than air.\"\u003cb\u003e—Tony Tulathimutte, author of \u003ci\u003ePrivate Citizens\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eHermione Hoby\u003c\/b\u003e grew up in south London and has lived in New York since 2010. She is a freelance journalist who writes about culture and gender for publications including \u003ci\u003eThe New Yorker\u003c\/i\u003e, \u003ci\u003eThe Guardian\u003c\/i\u003e, \u003ci\u003eThe New York Times\u003c\/i\u003e, and \u003ci\u003eThe Times Literary Supplement\u003c\/i\u003e. She also writes the “Stranger of the Week” column for \u003ci\u003eThe Awl\u003c\/i\u003e. \u003ci\u003eNeon in Daylight\u003c\/i\u003e is her first novel.","brand":"Catapult","offers":[{"title":"Default Title","offer_id":46302263279845,"sku":"NP9781936787753","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781936787753.jpg?v=1767733619","url":"https:\/\/k12savings.com\/products\/neon-in-daylight-isbn-9781936787753","provider":"K12savings","version":"1.0","type":"link"}