{"product_id":"my-mother-she-killed-me-my-father-he-ate-me-isbn-9780143117841","title":"My Mother She Killed Me, My Father He Ate Me","description":"\u003cb\u003eThe fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction, science fiction, fantasy, and magical realism. \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Neil Gaiman, “Orange”\u003cbr\u003e  \u003cbr\u003e Aimee Bender, “The Color Master”\u003cbr\u003e  \u003cbr\u003e Joyce Carol Oates, “Blue-bearded Lover”\u003cbr\u003e  \u003cbr\u003e Michael Cunningham, “The Wild Swans”\u003cbr\u003e  \u003cbr\u003e These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.\u003cbr\u003e  \u003cbr\u003e Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.\u003cbr\u003e  \u003cbr\u003e Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.\"Spooky, shocking, and surreal narrative tricks and treats [in] forty spanking- new stories inspired by classic folktales from around the world are showcased in [this] lavish anthology.\"\u003cbr\u003e-\u003ci\u003eElle\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"The shiveringly titled \u003ci\u003eMy Mother She Killed Me, My Father He Ate Me\u003c\/i\u003e proves that the fairy tale can still mutate into new, chilling, often humorous forms... There are many surprising plums in this pie... A fine example...is Aimee Bender's 'The Color Master.'...Kevin Brockmeier's 'A Day in the Life of Half of Rumpelstiltskin'' is a grotesque, witty, and melancholy guess into what life must be like for the Rumpelstiltskin... The best story here is an old one by John Updike... Another triumph of realism is Francine Prose's 'Hansel and Gretel.'... Chris Adrian's retelling of the Irish story 'Teague O'Kane and the Corpse' is a gruesome romp. Karen Joy Fowler's 'Halfway People' is eerie and stirring. Jim Shepard's 'Pleasure Boating in Lituya Bay' is challengingly complex. And the haunting 'First Day of Snow' by Naoko Awa is a fairy tale that makes you feel like a child again.\"\u003cbr\u003e-\u003ci\u003eThe Boston Globe\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Witty, gruesome, eerie, funny, and . . . fresh, surprising, and vividly sharp . . . this collection offers surprises and delights at every turn. . . . The author contributor list is a huge draw: Neil Gaiman rubs shoulders with Michael Cunningham, Shelley Jackson keeps company with John Updike, and Aimee Bender shares page room with Kelly Link.” —\u003ci\u003eLibrary Journal\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"The fairy tale is not dead. This wonderful collection brings together some of our best contemporary writers and some of our most beloved (and even feared) old stories. Rumplestiltskin, Bluebeard, the Earl-King, Hansel and Gretel, Snow White-all come alive again in vivid and colloquial prose. This is a book of brilliant dreams and dazzling nightmares: perfect fare for imaginative readers of any age.\"\u003cbr\u003e-Seth Lerer, author of \u003ci\u003eChildren's Literature: A Reader's History from Aesop to Harry Potter\u003c\/i\u003e and dean of arts and humanities at the University of California, San Diego\u003cbr\u003e\u003cbr\u003e\"I cannot remember a time I had more fun reading a book! Many of these contemporary tales rival the originals in creepiness, joy, and impact.\"\u003cbr\u003e-Darcey Steinke, author of \u003ci\u003eEaster Everywhere\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"Let's open the door to the green room and peek to see who is waiting. A bevy of beauties . . . an evanescence of sprites . . . an abundance of adversaries . . . a passel of princes . . . Maybe we should have brought that bubbly; but there's something being served here more deeply inebriating than champagne. Hush.\"\u003cbr\u003e-Gregory Maguire, from the Foreword\u003cbr\u003e \u003cb\u003eKate Bernheimer \u003c\/b\u003eis the editor of \u003ci\u003exo Orpheus: Fifty New Myths,\u003c\/i\u003e among several other anthologies, and the founder and editor of the literary journal \u003ci\u003eFairy Tale Review\u003c\/i\u003e. The author of numerous works of fiction, including \u003ci\u003eHow a Mother Weaned Her Girl from Fairy Tales\u003c\/i\u003e, she teaches in the English department at the University of Arizona.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGregory Maguire \u003c\/b\u003e(foreword)\u003cb\u003e \u003c\/b\u003eis the bestselling author of \u003ci\u003eWicked, \u003c\/i\u003ethe basis for the Tony Award–winning Broadway musical of the same name. He lives in Boston, Massachusetts.\u003cb\u003e\u003ci\u003eMy Mother She Killed Me, My Father He Ate Me\u003c\/i\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cu\u003eContents\u003c\/u\u003e\u003cbr\u003e \u003ci\u003e \u003c\/i\u003e\u003cbr\u003eIntroduction\u003ci\u003e \u003c\/i\u003eby Kate Bernheimer\u003cbr\u003e Foreword\u003ci\u003e \u003c\/i\u003eby Gregory Maguire\u003cbr\u003e\u003cbr\u003e \u003cb\u003eRussia\u003c\/b\u003e\u003cbr\u003e Joy Williams,\u003ci\u003e \u003c\/i\u003e“Baba Iaga and the Pelican Child” (source tale: “Baba Yaga”)\u003cbr\u003e Jonathon Keats, “Ardour” (source tale: “Baba Yaga”)\u003cbr\u003e Ludmilla Petrushevskaya, “I’m Here” (source tale: “Ivan Tsarevich”)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eGermany\u003c\/b\u003e\u003cbr\u003e Alissa Nutting, “The Brother and the Bird” (source tale: “The Juniper Tree,” Brothers Grimm)\u003cbr\u003e Francine Prose, “Hansel and Gretel” (source tale: “Hansel \u0026amp; Gretel,” Brothers Grimm)\u003cbr\u003e Kevin Brockmeier, “A Day in the Life of Half of Rumpelstiltskin” (source tale: “Rumpelstiltskin,” Brothers Grimm)\u003cbr\u003e Neil LaBute, “With Hair of Hand-Spun Gold” (source tale: “Rumpelstiltskin,” Brothers Grimm) \u003cbr\u003e Shelley Jackson, “The Swan Brothers” (source tale: “The Six Swans,” Brothers Grimm) \u003cbr\u003e Joyelle McSweeney, “The Warm Mouth” (source tale: “The Bremen Town Musicians,” Brothers Grimm)\u003cbr\u003e Lydia Millet, “Snow White, Rose Red” (source tale: “Snow-White and Rose-Red,” Brothers Grimm)\u003cbr\u003e Sarah Shun-Lien Bynum, “The Erlking” (source tale: “The Erlking,”\u003cb\u003e \u003c\/b\u003eJohann Goethe)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eNorway\u003c\/b\u003e\u003cbr\u003e Brian Evenson, “Dapplegrim” (source tale: “Dapplegrim,”\u003cb\u003e \u003c\/b\u003ePeter Christen Asbjornien and Jorgen Moe) \u003cbr\u003e\u003cbr\u003e \u003cb\u003eDenmark\u003cbr\u003e \u003c\/b\u003eMichael Cunningham, “The Wild Swans” (source tale: “The Wild Swans,” Hans Christian Andersen) \u003cbr\u003e Karen Joy Fowler, “Halfway People” (source tale: “The Wild Swans,” Hans Christian Andersen) \u003cbr\u003e Rikki Ducornet, “Green Air” (source tale: “The Little Match Girl,” Hans Christian Andersen) \u003cbr\u003e Timothy Schaffert, “The Mermaid in the Tree” (source tale: “The Little Mermaid,” Hans Christian Andersen)\u003cbr\u003e Katherine Vaz, “What the Conch Shell Sings When the Body Is Gone” (source tale: “The Little Mermaid,” Hans Christian Andersen)\u003cbr\u003e Karen Brennan, “The Snow Queen” (source tale: “The Snow Queen,” Hans Christian Andersen)\u003cbr\u003e Lucy Corin, “Eyes of Dogs” (source tale: “The Tinder Box,” Hans Christian Andersen)\u003cbr\u003e Ilya Kaminsky, “Little Pot” (source tale: “The Teapot,” Hans Christian Andersen)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eEngland\u003cbr\u003e \u003c\/b\u003eMichael Martone, “A Bucket of Warm Spit” (source tale: “Jack and the Beanstalk,” Joseph Jacobs) \u003cbr\u003e Kelly Link, “Catskin” (source tale: “Catskin,” Joseph Jacobs)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eIreland\u003c\/b\u003e\u003cbr\u003e Chris Adrian, “Teague O'Kane and the Corpse” (source tale: “Teague O’Kane and The Corpse,” William Butler Yeats)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eItaly\u003c\/b\u003e\u003cbr\u003e Jim Shepard, “Pleasure Boating in Lituya Bay” (source tale: “Jump Into My Sack,” Italo Calvino)\u003cbr\u003e Kathryn Davis, “Body-without-Soul” (source tale: “Body-without-Soul,” Italo Calvino)\u003cbr\u003e Kellie Wells, “The Girl, the Wolf, the Crone” (source tale: “The Story of Grandmother”)\u003cbr\u003e Sabrina Orah Mark, “My Brother Gary Made a Movie and This Is What Happened” (source tale: “The Young Slave,” Giambattista Basile) \u003cbr\u003e\u003cbr\u003e \u003cb\u003eFrance\u003cbr\u003e \u003c\/b\u003eAimee Bender, “The Color Master” (source tale: “Donkeyskin,” Charles Perrault) \u003cbr\u003e Marjorie Sandor, “The White Cat” (source tale: “The White Cat,” Madame d’Aulnoy)\u003cbr\u003e Joyce Carol Oates, “Blue-bearded Lover” (source tale: “Bluebeard,” Charles Perrault)\u003cbr\u003e John Updike, “Bluebeard in Ireland” (source tale: “Bluebeard,” Charles Perrault)\u003cbr\u003e Rabih Alameddine, “A Kiss to Wake the Sleeper” (source tale: “Sleeping Beauty,” Charles Perrault) \u003cbr\u003e Stacey Richter, “A Case Study of Emergency Room Procedure and Risk Management by Hospital Staff Members in the Urban Facility” (source tale: “Cinderella,”\u003cb\u003e \u003c\/b\u003eCharles Perrault) \u003cbr\u003e\u003cbr\u003e \u003cb\u003eGreece\u003c\/b\u003e\u003cbr\u003e Neil Gaiman, “Orange” (source tale: \u003ci\u003eThe Odyssey,\u003c\/i\u003e Homer)\u003cbr\u003e Francesca Lia Block, “Psyche's Dark Night” (source tale: “Cupid and Psyche”)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eVietnam\u003c\/b\u003e\u003cbr\u003e Lily Hoang, “The Story of the Mosquito” (source tale: “The Story of the Mosquito\")\u003cbr\u003e\u003cbr\u003e \u003cb\u003eJapan\u003cbr\u003e \u003c\/b\u003eNaoko Awa, “First Day of Snow” (source tale: “A Kamikakushi Tale”)\u003cbr\u003e Hiromi Itō, “I Am Anjuhimeko” (source tale: “Sanshō the Steward”)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eMexico\u003cbr\u003e \u003c\/b\u003eMichael Mejia, “Coyote Takes Us Home” (source tale: “Tales from Jalisco,” Mexico)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eUnited States\u003cbr\u003e \u003c\/b\u003eKim Addonizio, “Ever After” (source tale: “Snow White and the Seven Dwarfs,” Walt Disney)\u003cbr\u003e Kate Bernheimer, “Whitework” (source tale: “The Oval Portrait,” Edgar Allan Poe)","brand":"Penguin Books","offers":[{"title":"Default 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