{"product_id":"manual-drafting-for-interiors-isbn-9780470879405","title":"Manual Drafting for Interiors","description":"\u003cp\u003eThe interior designer's guide to effective hand drafting\u003c\/p\u003e \u003cp\u003eThe kinesthetic act of completing a manually drafted drawing gives interior designers a greater understanding of the space they're designing, time to reflect on their work, and the skills needed to quickly draw freehand for presentations and design concept developments.\u003c\/p\u003e \u003cp\u003eManual Drafting for Interiors is an essential reference for interior designers learning how to manually draft scaled floor plans, elevations, sections, and three-dimensional drawings. Clearly explaining techniques and methods, it begins with an explanation of drafting tools and their various uses, and then presents instructions and illustrations that indicate how to complete increasingly more difficult drafting conventions. Additionally, readers will learn drawing techniques for indicating various materials, symbols for coordinating related drawings, and architectural lettering.\u003c\/p\u003e \u003cp\u003eComplemented with extensive drawings, inspiring examples, and tips for developing your own style of graphic expression, Manual Drafting for Interiors arms readers with essential skills they'll use throughout their career as a designer.\u003c\/p\u003e  Preface vii  \u003cp\u003eAcknowledgments ix\u003c\/p\u003e \u003cp\u003eC H A P T E R 1 : Before Beginning 1\u003c\/p\u003e \u003cp\u003e\u003cb\u003eKey Terms and Phrases\u003c\/b\u003e 1\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAbout This Text\u003c\/b\u003e 1\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter Descriptions\u003c\/b\u003e 2\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDrafting versus Freehand Drawing\u003c\/b\u003e 4\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWhat Skills Are Needed to Draft by Hand?\u003c\/b\u003e 6\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWhy Learn Manual Drafting?\u003c\/b\u003e 6\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThree Critical Concepts\u003c\/b\u003e 8\u003c\/p\u003e \u003cp\u003e\u003cb\u003eExpectations and Frustration\u003c\/b\u003e 9\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAssignments\u003c\/b\u003e 11\u003c\/p\u003e \u003cp\u003eC H A P T E R 2 : Getting Started 13\u003c\/p\u003e \u003cp\u003e\u003cb\u003eKey Terms and Phrases\u003c\/b\u003e 13\u003c\/p\u003e \u003cp\u003e\u003cb\u003eRecommended Drafting Equipment and Supplies\u003c\/b\u003e 14\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCare of Tools\u003c\/b\u003e 22\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSetting Up the Drafting Surface and Starting Practice\u003c\/b\u003e 23\u003c\/p\u003e \u003cp\u003e\u003cb\u003eLine Weights and Line Types\u003c\/b\u003e 27\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAssignments\u003c\/b\u003e 29\u003c\/p\u003e \u003cp\u003eC H A P T E R 3 : Understanding Orthographic Drawings 31\u003c\/p\u003e \u003cp\u003e\u003cb\u003eKey Terms and Phrases\u003c\/b\u003e 31\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDefining Orthographic Drawing\u003c\/b\u003e 32\u003c\/p\u003e \u003cp\u003e\u003cb\u003eOrthographic Views for Interior Spaces\u003c\/b\u003e 33\u003c\/p\u003e \u003cp\u003e\u003cb\u003eUnderstanding Orthographic Projection\u003c\/b\u003e 40\u003c\/p\u003e \u003cp\u003e\u003cb\u003eConsiderations for Creating Orthographic Views\u003c\/b\u003e 40\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDrafting Conventions\u003c\/b\u003e 49\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAssignments\u003c\/b\u003e 51\u003c\/p\u003e \u003cp\u003eC H A P T E R 4 : Learning Architectural Lettering 53\u003c\/p\u003e \u003cp\u003e\u003cb\u003eKey Terms and Phrases\u003c\/b\u003e 53\u003c\/p\u003e \u003cp\u003e\u003cb\u003eGuidelines\u003c\/b\u003e 53\u003c\/p\u003e \u003cp\u003e\u003cb\u003eNumbers\u003c\/b\u003e 54\u003c\/p\u003e \u003cp\u003e\u003cb\u003eLetter Spacing\u003c\/b\u003e 54\u003c\/p\u003e \u003cp\u003e\u003cb\u003eLine Spacing\u003c\/b\u003e 55\u003c\/p\u003e \u003cp\u003e\u003cb\u003eLettering With a Triangle\u003c\/b\u003e 56\u003c\/p\u003e \u003cp\u003e\u003cb\u003eStylistic Differences\u003c\/b\u003e 57\u003c\/p\u003e \u003cp\u003e\u003cb\u003eComposing the Drawing Sheet\u003c\/b\u003e 58\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAssignments\u003c\/b\u003e 61\u003c\/p\u003e \u003cp\u003eC H A P T E R 5 : Adding Details 63\u003c\/p\u003e \u003cp\u003e\u003cb\u003eKey Terms and Phrases\u003c\/b\u003e 63\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMaterial Symbols\u003c\/b\u003e 64\u003c\/p\u003e \u003cp\u003e\u003cb\u003eLine Weights for Details\u003c\/b\u003e 66\u003c\/p\u003e \u003cp\u003e\u003cb\u003eUpholstered Furniture in Plan\u003c\/b\u003e 67\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAdding the Human Figure\u003c\/b\u003e 67\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePlants in the Interior\u003c\/b\u003e 70\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWindows in Elevation\u003c\/b\u003e 70\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePoché\u003c\/b\u003e 71\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAssignments\u003c\/b\u003e 73\u003c\/p\u003e \u003cp\u003eC H A P T E R 6 : Adding Dimensions and Notes 75\u003c\/p\u003e \u003cp\u003e\u003cb\u003eKey Terms and Phrases\u003c\/b\u003e 75\u003c\/p\u003e \u003cp\u003e\u003cb\u003eParts of a Dimension Line\u003c\/b\u003e 75\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDrawing Dimension Lines\u003c\/b\u003e 77\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePlacement of Dimension Numbers\u003c\/b\u003e 78\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDimensioning Variations\u003c\/b\u003e 79\u003c\/p\u003e \u003cp\u003e\u003cb\u003eNotes in Drawings\u003c\/b\u003e 80\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCoordinating Dimensions and Notes\u003c\/b\u003e 81\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAssignments\u003c\/b\u003e 83\u003c\/p\u003e \u003cp\u003eC H A P T E R 7 : Developing a Set of Drawings 85\u003c\/p\u003e \u003cp\u003e\u003cb\u003eKey Terms and Phrases\u003c\/b\u003e 85\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWorking Drawings\u003c\/b\u003e 85\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWhat Makes Multiple Sheets of Drawings a Set?\u003c\/b\u003e 87\u003c\/p\u003e \u003cp\u003e\u003cb\u003eList of Drawings for Construction of an Interior\u003c\/b\u003e 87\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSymbols for Set Coordination\u003c\/b\u003e 89\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMaking Elevation and Section Symbols\u003c\/b\u003e 91\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSteps to Developing a Set\u003c\/b\u003e 92\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChecking the Drawing Set\u003c\/b\u003e 93\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAssignments\u003c\/b\u003e 94\u003c\/p\u003e \u003cp\u003eC H A P T E R 8 : Drafting Three- Dimensional Drawings 97\u003c\/p\u003e \u003cp\u003e\u003cb\u003eKey Terms and Phrases\u003c\/b\u003e 97\u003c\/p\u003e \u003cp\u003e\u003cb\u003eTypes of Paraline Views\u003c\/b\u003e 98\u003c\/p\u003e \u003cp\u003eS. Christine Cavataio is an architectural interior designer and the founder of Living Being Design. A LEED accredited professional, she is also NCIDQ and CCF certified. In addition to the application of manual (hand) drawing to support creative thinking, Christine’s areas of interest and research include exploring how the built environment can protect habitats and species. She started Living Being Design to create ways to encourage environmental stewardship and shrink ecological footprints through mindful design decisions. Christine has held full-time faculty positions in two undergraduate Interior Design degree programs. She has both taught and served as a critic for three other nationally accredited Interior Design programs in New England. To view Christine’s latest architectural illustration visit; LivingBeingDesign.com\u003c\/p\u003e  \u003cp\u003eThe interior designer's guide to effective hand drafting\u003c\/p\u003e \u003cp\u003eThe kinesthetic act of completing a manually drafted drawing gives interior designers a greater understanding of the space they're designing, time to reflect on their work, and the skills needed to quickly draw freehand for presentations and design concept developments.\u003c\/p\u003e \u003cp\u003eManual Drafting for Interiors is an essential reference for interior designers learning how to manually draft scaled floor plans, elevations, sections, and three-dimensional drawings. Clearly explaining techniques and methods, it begins with an explanation of drafting tools and their various uses, and then presents instructions and illustrations that indicate how to complete increasingly more difficult drafting conventions. Additionally, readers will learn drawing techniques for indicating various materials, symbols for coordinating related drawings, and architectural lettering.\u003c\/p\u003e \u003cp\u003eComplemented with extensive drawings, inspiring examples, and tips for developing your own style of graphic expression, Manual Drafting for Interiors arms readers with essential skills they'll use throughout their career as a designer.\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47989570076901,"sku":"NP9780470879405","price":65.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780470879405.jpg?v=1761784640","url":"https:\/\/k12savings.com\/products\/manual-drafting-for-interiors-isbn-9780470879405","provider":"K12savings","version":"1.0","type":"link"}