{"product_id":"kapo-isbn-9781681374390","title":"Kapo","description":"\u003cb\u003eA devastating novel about the attrocities of WWII, and the unspeakable things people did to survive, by one of Yugoslavia's great literary voices.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe Book of Blam\u003c\/i\u003e, \u003ci\u003eThe Use of Man\u003c\/i\u003e, \u003ci\u003eKapo\u003c\/i\u003e: In these three unsparing novels the Yugoslav author Aleksandar Tišma anatomized the plight of those who survived the Second World War and the death camps, only to live on in a death-haunted world. Blam simply lucked out—and can hardly face himself in the mirror. By contrast, the teenage friends in \u003ci\u003eThe Use of Man\u003c\/i\u003e are condemned to live on and on while enduring every affliction. \u003ci\u003eKapo\u003c\/i\u003e is about Lamian, who made it through Auschwitz by serving his German masters, knowing that at any moment and for any reason his “special status” might be revoked.\u003cbr\u003e\u003cbr\u003eBut the war is over now. Auschwitz is in the past. Lamian has settled down in the Bosnian town of Banja Luka, where he has a respectable job as a superintendent in the railyard. Everything is normal enough. Then one day in the paper he comes on the name of Helena Lifka, a woman—like him a Yugoslav and a Jew—he raped in the camp. Not long after he sees her, aged and ungainly, Lamian is flooded with guilt and terror.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eKapo\u003c\/i\u003e, like Tišma’s other great novels, is not simply a document or an act of witness. Tišma’s terrible gift is to see with an artist’s dispassionate clarity how fear, violence, guilt, and desire—whether for life, love, or simple understanding—are inextricably knotted together in the human breast.“A book whose darkness, mercilessness, and intensity cannot be suppressed.” —\u003ci\u003eNeue Zürcher Zeitung\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“A brooding, curiously prescient saga. . . . A probing, exceptional study of a man as both victim and tormentor, and more.” —\u003ci\u003eKirkus Reviews\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e“[\u003ci\u003eKapo\u003c\/i\u003e is] the last and best book in the Novi Sad trilogy. . . . [Tišma’s] fiction is merciless, bereft of relief or respite. It is the work of a documentarian accustomed to confronting atrocity without allowing himself the indulgence of looking away.” —Becca Rothfeld, “Sidecar,” \u003ci\u003eThe New Left Review\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e“An unblinking portrayal of evil for which there is no penance, from whose guilt there is no relief, and for whose knowledge the only escape is death. . . . \u003ci\u003eKapo\u003c\/i\u003e is a palimpsest of horrible knowledge, obtained through unbearable means, and its unique value, even greater than Tišma’s other novels, lies in the rarity and moral necessity of its knowledge, delivered as painfully transparent art.” —David Auerbach, Apofenie\u003cb\u003eAleksandar Tišma\u003c\/b\u003e (1924–2003) was born in the Vojvodina, a former province of the Austro-Hungarian Empire that had been incorporated into the new Kingdom of Yugoslavia after the First World War. His father, a Serb, came from a peasant background; his mother was middle-class and Jewish. The family lived comfortably, and Tišma received a good education. In 1941, Hungary annexed Vojvodina; the next year—Tišma's last in high school—the regime carried out a series of murderous pogroms, killing some 3,000 inhabitants, primarily Serbs and Jews, though the Tišmas were spared. After fighting for the Yugoslav partisans, Tišma studied philosophy at Belgrade University and went into journalism and in 1949 joined the editorial staff of a publishing house, where he remained until his retirement in 1980. Tišma published his first story, \"Ibika's House,\" in 1951; it was followed by the novels \u003ci\u003eGuilt\u003c\/i\u003e and \u003ci\u003eIn Search of the Dark Girl \u003c\/i\u003eand a collection of stories, \u003ci\u003eViolence\u003c\/i\u003e. In the 1970s and '80s, he gained international recognition with the publication of his Novi Sad trilogy: \u003ci\u003eThe Book of Blam\u003c\/i\u003e (1971), about a survivor of the Hungarian occupation of Novi Sad; \u003ci\u003eThe Use of Man\u003c\/i\u003e (1976), which follows a group of friends through the Second World War and after; and \u003ci\u003eKapo\u003c\/i\u003e (1987), the story of a Jew raised as a Catholic who becomes a guard in a German concentration camp. Tišma moved to France after the outbreak of war and collapse of Yugoslavia in the early 1990s, but in 1995 he returned to Novi Sad, where he spent his last years.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eRichard Williams\u003c\/b\u003e’s translations from the Serbo-Croatian include the Siniša Kovačević play \u003ci\u003eNovo je doba\u003c\/i\u003e (\u003ci\u003eTimes Have Changed\u003c\/i\u003e).\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDavid Rieff\u003c\/b\u003e is the author of ten books, including \u003ci\u003eThe Exile: Cuba in the Heart of Miami;\u003c\/i\u003e \u003ci\u003eSlaughterhouse: Bosnia and the Failure of the West\u003c\/i\u003e; \u003ci\u003eA Bed for the Night: Humanitarianism in Crisis\u003c\/i\u003e; \u003ci\u003eSwimming in a Sea of Death: A Son’s Memoir\u003c\/i\u003e; and, most recently, \u003ci\u003eIn Praise of Forgetting: Historical Memory and its Ironies\u003c\/i\u003e.","brand":"NYRB Classics","offers":[{"title":"Default Title","offer_id":46305146896613,"sku":"NP9781681374390","price":17.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781681374390.jpg?v=1767730629","url":"https:\/\/k12savings.com\/products\/kapo-isbn-9781681374390","provider":"K12savings","version":"1.0","type":"link"}