{"product_id":"isa-genzken-isbn-9780262527118","title":"Isa Genzken","description":"\u003cb\u003eGenerously illustrated essays consider Isa Genzken's remarkable body of work, from her early elegant floor pieces to her later explosive assemblages.\u003c\/b\u003e\u003cp\u003eSince the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a \u003ci\u003eNew York Times\u003c\/i\u003e critic observes, are “brash, improvisational, full of searing color and attitude.” Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present.\u003c\/p\u003e\u003cp\u003eThese illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eContributors \u003cbr\u003e\u003c\/b\u003eYve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner\u003c\/p\u003e\u003cp\u003e\u003cb\u003eContents \u003cbr\u003e\u003c\/b\u003eIsa Genzken: Two Exercises (1974) • Birgit Pelzer: Axiomatics Subject to Withdrawal (1979) • Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992) • Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014) • Isa Genzken: Sketches for a Feature Film (1993) • Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996) • Diedrich Diederichsen: Subjects at the End of the Flagpole (2000) • Pamela M. Lee: The Skyscraper at Ear Level (2003) • Benjamin H. D. Buchloh: All Things Being Equal (2005) • Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003) • Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006) • Lisa Lee: “Make Life Beautiful!” The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007) • Lawrence Weiner: Isa Genzken Again (2010) • Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007) • Yve-Alain Bois: The Bum and the Architect (2007) • Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009) • Hal Foster: Fantastic Destruction (2014)\u003c\/p\u003eLisa Lee is Assistant Professor of Art History at Emory University. She is coeditor (with Hal Foster) of \u003ci\u003eCritical Laboratory: The Writings of Thomas Hirschhorn \u003c\/i\u003e(MIT Press, 2013).\u003cbr\u003e\u003cbr\u003eBenjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of \u003ci\u003eNeo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975\u003c\/i\u003e (MIT Press) and other books.\u003cbr\u003e\u003cbr\u003eBenjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of \u003ci\u003eNeo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975\u003c\/i\u003e (MIT Press) and other books.\u003cbr\u003e\u003cbr\u003eIsabelle Graw (Frankfurt am Main\/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule für bildende Künste–Städelschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine \u003ci\u003eTexte zur Kunst\u003c\/i\u003e. In 2003, Graw and Daniel Birnbaum founded the Institut für Kunstkritik at the Städelschule.\u003cbr\u003e\u003cbr\u003eDiedrich Diederichsen is Professor of Theory, Practice, and Communication of Contemporary Art at the Academy of Fine Art in Vienna.\u003cbr\u003e\u003cbr\u003ePamela M. Lee is Carnegie Professor of Modern and Contemporary Art at Yale University and the author of O\u003ci\u003ebject to Be Destroyed: The Work of Gordon Matta-Clark\u003c\/i\u003e, \u003ci\u003eChronophobia: On Time in the Art of the 1960s\u003c\/i\u003e, \u003ci\u003eForgetting the Art World\u003c\/i\u003e (all published by the MIT Press) and \u003ci\u003eThe Glen Park Library: A Fairy Tale\u003c\/i\u003e (no place press).\u003cbr\u003e\u003cbr\u003eBenjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of \u003ci\u003eNeo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975\u003c\/i\u003e (MIT Press) and other books.\u003cbr\u003e\u003cbr\u003eDiedrich Diederichsen is Professor of Theory, Practice, and Communication of Contemporary Art at the Academy of Fine Art in Vienna.\u003cbr\u003e\u003cbr\u003eLisa Lee is Assistant Professor of Art History at Emory University. She is coeditor (with Hal Foster) of \u003ci\u003eCritical Laboratory: The Writings of Thomas Hirschhorn \u003c\/i\u003e(MIT Press, 2013).\u003cbr\u003e\u003cbr\u003eYve-Alain Bois studied at the Ecole des Hautes Etudes under the guidance of Roland Barthes and Hubert Damisch. A founder of the French journal \u003ci\u003eMacula,\u003c\/i\u003e Bois is currently a professor in the School of Historical Studies at the Institute for Advanced Study, Princeton, NJ.\u003cbr\u003e\u003cbr\u003eHal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University and the author of \u003ci\u003eProsthetic Gods\u003c\/i\u003e (MIT Press) and other books.","brand":"The MIT Press","offers":[{"title":"Default Title","offer_id":46300730491109,"sku":"NP9780262527118","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780262527118.jpg?v=1767730200","url":"https:\/\/k12savings.com\/products\/isa-genzken-isbn-9780262527118","provider":"K12savings","version":"1.0","type":"link"}