{"product_id":"if-only-isbn-9781839768880","title":"If Only","description":"\u003cb\u003eNYPL's Best Books of 2024 \u003cbr\u003e\u003cbr\u003e A groundbreaking, potent novel about the destructive force of romantic love from award-winning writer Vigdis Hjorth\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eA relatively young woman, aged thirty. She married in her early twenties, had two children. It is winter. January and minus 14°C, white, frosty mist around the parked car, around the spruces, the mailbox on its post, but higher up the sky is blue, clear, the sun has come back. She has written in her diary that she is waiting for the heartbreak that will turn her into her true self. She has an impending sense of doom or possibly her own death.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eSo opens Vigids Hjorth’s ground-breaking novel from 2001, which melds the yearning, doomed potency of Annie Ernaux’s \u003ci\u003eA Simple Passion\u003c\/i\u003e with the scale and force of \u003ci\u003eAnna Karenina\u003c\/i\u003e. It asks, can passion be mistaken for love? And proceeds to document the destruction a decade defined by such a misconstruction can yield on a life.\"The novel offers neither redemption nor transcendence as its resolution. And yet Hjorth makes this relationship and its aftermath legible to us as a part of the human experience-one that we can't extract from the type of love we do consider desirable or healthy. At the end of the book, we might find ourselves wondering, as Ida does: 'If only there was a cure, a cure for love.' And we might realize, even as we wish this, that we don't actually mean it at all.\"\u003cbr\u003e\u003cb\u003e—Sophie Haigney, \u003ci\u003eThe Paris Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"An absorbing study of inner turmoil ... gripping\"\u003cbr\u003e\u003cb\u003e—\u003ci\u003eGuardian\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Addictive ... The beauty of \u003ci\u003eIf Only\u003c\/i\u003e is in the way Hjorth underscores how often love and suffering are bedmates.\"\u003cbr\u003e\u003cb\u003e—Susie Mesure, \u003ci\u003eFinancial Times\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Cult author Vigdis Hjorth’s most important novel ... \u003ci\u003eIf Only\u003c\/i\u003e exposes the tragedy of both longing for and attaining one’s love object.\"\u003cbr\u003e\u003cb\u003e—Mia Levitin, \u003ci\u003eMonocle\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Vigdis Hjorth is one of my favorite contemporary writers.\"\u003cbr\u003e\u003cb\u003e—\u003ci\u003eSheila Heti\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"A love affair consumes a Norwegian woman's life in Hjorth's breathtaking latest ... Hjorth's narration is both irresistible and exhausting, a headlong rush that describes and enacts Ida's feelings as she careens between love and hate for a man she knows isn't \"worth the sacrifice.\" Like Raskolnikov in \u003ci\u003eCrime and Punishment\u003c\/i\u003e, Ida has occasional flashes that she's acting irrationally, and Hjorth evokes the agony of her protagonist's self-entrapment to a devastating degree. It's an enthralling tale of passion gone to rot.\"\u003cbr\u003e\u003cb\u003e—starred review, \u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Hjorth emerges once again, in this novel, as not only a chronicler of the bruised and bloody, but their champion, an author who grants her characters the power to author their own stories themselves.\"\u003cbr\u003e\u003cb\u003e—Griffin Reed, \u003ci\u003eFull Stop\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Hjorth, the Norwegian novelist behind 2022’s Is Mother Dead, painstakingly chronicles a 30-year-old married woman’s all-consuming and volatile romance with a married man, which blurs the lines between passion and love.\"\u003cbr\u003e\u003cb\u003e—Sophia Stewart, \u003ci\u003eThe Millions\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"The Norwegian author of \u003ci\u003eLong Live the Post Horn!\u003c\/i\u003e and \u003ci\u003eWill and Testament\u003c\/i\u003e has formed a small but formidable cult following in the US, and \u003ci\u003eIf Only\u003c\/i\u003e should only grow their army.\u003ci\u003e If Only\u003c\/i\u003e starts off with enigmatic and addictive words of love and death that call to mind our favorite doomed affairs-painful and poetic, cursed and necessary, we must go back in time to understand how our heroine found herself on the brink, caught between passion and ruin.\"\u003cbr\u003e\u003cb\u003e—James Folta, \u003ci\u003eLit Hub; Most Anticipated Books of 2024\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Feverish and intoxicating, \u003ci\u003eIf Only\u003c\/i\u003e is a novel about the depths of a life-altering devotion and the connections between love, creativity, and self-making.\"\u003cbr\u003e\u003cb\u003e—\u003ci\u003eForeword Reviews\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Who are we without passionate love, and do we need heartbreak to truly know ourselves? \u003ci\u003eIf Only\u003c\/i\u003e chronicles one woman’s questions of life, love and existence during a torrid love affair.\"\u003cbr\u003e\u003cb\u003e—B\u0026amp;N Reads\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Everything here that sets my teeth on edge – the claustrophobia and repetition, the endless torture the lovers put each other through – is exactly what makes Hjorth’s novel so remarkably, and horrifyingly, accomplished.\"\u003cbr\u003e\u003cb\u003e—Lucy Scholes, \u003ci\u003eTelegraph\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Hjorth’s portrait of her heroine’s madness nearly always teeters towards comedy, which is one reason the book, though depicting suffering and shame, is such a pleasure to read.\"\u003cbr\u003e\u003cb\u003e—Stuart Jeffries, \u003ci\u003eObserver\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"In form and function, \u003ci\u003eIf Only\u003c\/i\u003e paints a vivid portrait of desperation ... And for what? For love? For lust? For nothing? The question is not answered. It’s simply two lives laid out for ultimate destruction.\"\u003cbr\u003e\u003cb\u003e—Frank Valish, \u003ci\u003eUnder the Radar\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Already a leading and distinctive voice in contemporary Scandinavian literature, Hjorth is cementing her reputation abroad with this, her fourth novel translated from Norwegian to English…Hjorth dares us to keep reading, to hold out, to stick around for what we’re sure will be a great redemption, or at least a spectacular breakdown.\"\u003cbr\u003e\u003cb\u003e—Hannah Weber, \u003ci\u003eWords Without Borders\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Hjorth’s new novel is a wild ride of extramarital passion between two literary people. As in her volatile \u003ci\u003eIs Mother Dead\u003c\/i\u003e, the fur flies here as a protracted affair becomes an Albee-like relationship rife with violent fights, endless pleading, alcohol-fueled arguments, and lustful make-up sex.\"\u003cbr\u003e\u003cb\u003e—\u003ci\u003eThe Center for Fiction\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"A claustrophobic, wincingly real rendering of one woman's against-all-odds romantic obsession and the superhuman strength it affords her to demolish and rebuild her world.\"\u003cbr\u003e\u003cb\u003e—\u003ci\u003eTANK\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"There is no neat, tidy resolution to be found here ... but it is in this space of psychological rumination and the excavation of what many would prefer hidden from view that Hjorth's writing is at its best.\"\u003cbr\u003e\u003cb\u003e—Vanessa Peterson, \u003ci\u003eFrieze\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"A purging of a volatile affair ... every paragraph end [feels] like a desperate gasp before launching back into Ida’s fixation.\"\u003cbr\u003e\u003cb\u003e—Billie Walker, \u003ci\u003eThe Big Issue\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Vigdis Hjorth’s novels are like major fires, destructive and difficult to contain.\"\u003cbr\u003e\u003cb\u003e—Morten Høi Jensen, \u003ci\u003eLiterary Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"The framing device of \u003ci\u003eIf Only\u003c\/i\u003e – the older narrator’s ... terrifying belief that to be hurt is somehow necessary, strengthens its powerful sadness\"\u003cbr\u003e\u003cb\u003e—Alex Clark, \u003ci\u003eTimes Literary Supplement\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"You’ll find yourself swept with the swiftness into the centripetal swirl of Vigdis Hjorth’s breathtaking and formidably focused novel in the opening pages of If Only.\"\u003cbr\u003e\u003cb\u003e—Paul D'Agostino, \u003ci\u003eArt Spiel\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"[Hjorth makes] self-destructive love into an addictive literary style.\"\u003cbr\u003e\u003cb\u003e—Kevin Brazil, \u003ci\u003eGranta, Books of the Year 2024\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"A modern classic ... \u003ci\u003eIf Only\u003c\/i\u003e is about a horrendous relationship, but it’s also about a woman’s slow process of self-discovery.\"\u003cbr\u003e\u003cb\u003e—Toril Moi, \u003ci\u003eLondon Review of Books\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"This pell-mell collision, the madness of love, which never ceases to shift, surprise, and constantly reassert itself in the lives of the people involved, is rendered in full in Vigdis Hjorth’s novel\u003ci\u003e If Only\u003c\/i\u003e, recently translated into English by Charlotte Barslund. It is a book that’s impossible to put down, with each episode, each chapter of its central romance dragging its reader deeper into this same, wild madness of its protagonists.\"\u003cbr\u003e\u003cb\u003e—David Caruso, \u003ci\u003eCleveland Review of Books\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Hjorth is such a daring, original, sneaky writer. She sets her books like traps, their existential questions camouflaged under a layer of shaggy, rambling prose...[Hjorth] has a gift for depicting painful, confusing, and mortifying relationships, putting them under a microscope, showing us more and more.\"\u003cbr\u003e\u003cb\u003e—Ursula Lindsey, \u003ci\u003eNew York Review of Books\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eVigdis Hjorth\u003c\/b\u003e is the author of over a dozen prize-winning and best-selling novels. Will and Testament sold 170,000 copies in Norway and has received several awards, including the Norwegian Critics Prize for Literature and the Norwegian Booksellers’ Prize, as well as being nominated for the National Book Award and Nordic Council Literature Prize. \u003ci\u003eLong Live the Post Horn!\u003c\/i\u003e won the Believer Book Award for fiction in 2020, and \u003ci\u003eIs Mother Dead\u003c\/i\u003e was listed for the International Booker Prize in 2023.","brand":"Verso Fiction","offers":[{"title":"Default Title","offer_id":46302031544549,"sku":"NP9781839768880","price":19.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781839768880.jpg?v=1767729785","url":"https:\/\/k12savings.com\/products\/if-only-isbn-9781839768880","provider":"K12savings","version":"1.0","type":"link"}