{"product_id":"how-to-get-filthy-rich-in-rising-asia-isbn-9781594632334","title":"How to Get Filthy Rich in Rising Asia","description":"\u003cb\u003e\"Mr. Hamid reaffirms his place as one of his generation's most inventive and gifted writers.\" –Michiko Kakutani, \u003ci\u003eThe New York Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"A globalized version of \u003ci\u003eThe Great Gatsby \u003c\/i\u003e. . . [Hamid's] book is nearly that good.\" –Alan Cheuse, NPR\u003cbr\u003e\u003cbr\u003e \"Marvelous and moving.\" –\u003ci\u003eTIME Magazine\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e From the internationally bestselling author of \u003ci\u003eThe Reluctant Fundamentalist \u003c\/i\u003eand\u003ci\u003e Exit West, \u003c\/i\u003ethe boldly imagined tale of a poor boy’s quest for wealth and love \u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world’s pulse. \u003ci\u003eHow to Get Filthy Rich in Rising Asia\u003c\/i\u003e meets that reputation—and exceeds it. The astonishing and riveting tale of a man’s journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured by ambitious youths all over “rising Asia.” It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on that most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else, on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along.\u003cbr\u003e\u003cbr\u003e \u003ci\u003eHow to Get Filthy Rich in Rising Asia \u003c\/i\u003eis a striking slice of contemporary life at a time of crushing upheaval. Romantic without being sentimental, political without being didactic, and spiritual without being religious, it brings an unflinching gaze to the violence and hope it depicts. And it creates two unforgettable characters who find moments of transcendent intimacy in the midst of shattering change.\u003cb\u003e“A showcase for its author’s audacious talents… both an affecting and highly specific tale of love and ambition, and a larger metaphorical look at the startling social and economic changes that are … changing the lives of millions” -- Michiko Kakutani, in her “10 Favorite Books of 2013,” The New York Times\u003cbr\u003e\u003cbr\u003e A Foreign Policy Leading Global Thinker\u003cbr\u003e Shortlisted for the DSC Prize for South Asian Literature\u003cbr\u003e Named a Best or Notable Book of 2013 by The New York Times, National Public Radio, The Chicago Tribune, Vogue, Apple, The Observer (London), The Sunday Times (London),  Financial Times, The Christian Science Monitor, Huffington Post, Kansas City Star, Milwaukee Journal-Sentinel, Book Page, Publishers Weekly, and Kirkus Reviews\u003cbr\u003e A Vogue \"Favorite Novelist\"\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “It is a measure of Mr. Hamid’s audacious talents that he manages to make his protagonist’s story work on so many levels. ‘You’ is, at once, a modern-day Horatio Alger, representing the desires and frustrations of millions in rising Asia; a bildungsroman hero, by turns knavish and recognizably human, who sallies forth from the provinces to find his destiny; and a nameless but intimately known soul, whose bittersweet romance with the pretty girl possesses a remarkable emotional power. \u003cb\u003eWith \u003ci\u003eHow to Get Filthy Rich in Rising Asia\u003c\/i\u003e Mr. Hamid reaffirms his place as one of his generation’s most inventive and gifted writers\u003c\/b\u003e.” –Michiko Kakutani, \u003ci\u003eThe New York Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Thanks to Hamid's meticulous use of detail—and his sympathy for a man on the make in a society of endemic poverty—we engage deeply with a serious character whose essence remains his own yet who stands as a figure representative of his time and place, an effect only the best novelists can create… \u003cb\u003eThis tale of an unscrupulous striver may bring to mind a globalized version of \u003ci\u003e\u003ci\u003eThe Great Gatsby\u003c\/i\u003e\u003c\/i\u003e\u003c\/b\u003e. Given the unabashed gimmickry of Hamid's how-to design, \u003cb\u003eit's a pleasant surprise to find that his book is nearly that good\u003c\/b\u003e.” –Alan Cheuse, NPR\u003cbr\u003e\u003cbr\u003e \"A love story and bildungsroman disguised as a self-help book, and the result has all the inventiveness, exuberance and pathos that the writer's fans have come to expect… \u003cb\u003eMarvelous and moving\u003c\/b\u003e.\" –\u003ci\u003eTIME\u003c\/i\u003e \u003ci\u003eMagazine\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003cb\u003eExtraordinarily clever\u003c\/b\u003e… Hamid has taken the most American form of literature—the self-help book—and transformed it to tell… a surprisingly moving story.” –Ron Charles, \u003ci\u003eThe Washington Post\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “The marriage of… two curiously compatible genres—self-help and the old-fashioned bildungroman—is \u003cb\u003ejust one of the pleasures\u003c\/b\u003e of Mohsin Hamid’s shrewd and slippery new novel, a rags-to-rishes story that works on a head-splitting number of levels. It’s a love story and a study of seismic social change. It parodies a get-rich-quick book and \u003cb\u003egestures to a new direction for the novel, all in prose so pure and purposeful it pases straight through into the bloodstream. It intoxicates\u003c\/b\u003e.” –Parul Sehgal, \u003ci\u003eThe New York Times Book Review\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003cb\u003eWonderfully astringent\u003c\/b\u003e… Hamid is a sly witness to a traditional culture’s dizzying trajectory—supermodels stalk city billboards; a drone hovers ominously in the sky—but \u003cb\u003ehis satiric impulse gives way to compassion for the intimacies that keep us tethered in a rapidly changing world\u003c\/b\u003e.” –\u003ci\u003eVogue\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “This is one of those original works that are also resonant as a record of human experience and geo-political shift, and a strong argument for Hamid as \u003cb\u003eone of the most important writers working today\u003c\/b\u003e. An enjoyable read no matter who ‘you’ are.” –\u003ci\u003eThe Daily Beast\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"\u003cb\u003eRelentlessly brilliant\u003c\/b\u003e… Hamid is a master stylist, and his third novel is, I think, \u003cb\u003ehis best thus far\u003c\/b\u003e… There is something so rich and so deeply authentic in [the protagonist’s] romance that its rendering alone hooks the reader… the novel ends with one of the most stunning final sentences I’ve read in contemporary fiction, a sentence that no review will ever quote, but an indelible sentence, which \u003cb\u003ewill live in your heart, mind, and soul long after you read it\u003c\/b\u003e.\" –\u003ci\u003eThe Los Angeles Review of Books\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e\"Dazzling\u003c\/b\u003e…\u003cb\u003e an addictive, muscular piece of storytelling\u003c\/b\u003e… [\u003ci\u003eHow To Get Filthy Rich in Rising Asia\u003c\/i\u003e] \u003cb\u003eshows a writer at the height of his powers\u003c\/b\u003e, with a hell of a story to tell… \u003cb\u003ea tremendous novel: tender, sharp and formally daring, a portal into a fast-moving, vividly realised world\u003c\/b\u003e.\" –\u003ci\u003eThe Guardian\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"Mohsin Hamid’s latest novel \u003cb\u003eboasts a startlingly distinctive voice as commanding and unadorned as its title\u003c\/b\u003e.\" –Pico Iyer, \u003ci\u003eThe New York Times Book Review\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"Hamid exercises perfect control as he spins the life story of one man's struggle with turbulent times and economics in his unnamed Asian city. It's an impressive feat that he reveals this life, infancy to death, in a little more than 200 pages. That he achieves this with humor and pathos, and creates a last line that evokes the sweep of Molly Bloom's soliloquy in \u003ci\u003eUlysses\u003c\/i\u003e—well, it knocked the skepticism right out of me… \u003cb\u003eVivid, pungent and sweet, \u003ci\u003eHow to Get Filthy Rich in Rising Asia\u003c\/i\u003e is the kind of well-told literary novel that restores faith in the genre. More of this, please.\u003c\/b\u003e\" –\u003ci\u003eCleveland Plain Dealer \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"Hamid is as much an inventive stylist as he is a gifted storyteller… As a result, his novels are \u003cb\u003ecompulsively readable\u003c\/b\u003e, and \"Rising Asia\" is no exception… \u003cb\u003eTremendously profound and entertaining\u003c\/b\u003e.\" –Alex Gilvarry, \u003ci\u003eBoston Globe\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Bracingly inventive… it \u003cb\u003emight be the best book you read in 2013\u003c\/b\u003e.” –\u003ci\u003eV Magazine \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"\u003cb\u003eAstounding… An ambitious, moving story \u003c\/b\u003eabout love and loneliness [that] constantly surprises… by reinventing itself just as characters reinvent themselves… At the heart of the book is [the] consideration of what it means to succeed, to rise or to help oneself. How does one live and die? …The questions simmer below the surface of this \u003cb\u003etremendous\u003cb\u003e, \u003c\/b\u003ewise and surprisingly moral \u003c\/b\u003ebook.\" –\u003ci\u003eThe San Francisco Chronicle\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003cb\u003eAn utter delight… How to Get Filthy Rich in Rising Asia is one of the most tender narratives you will ever read… Amazing\u003c\/b\u003e.” –Counterpunch\u003cbr\u003e\u003cbr\u003e “Hamid is \u003cb\u003eone of the best writers working today\u003c\/b\u003e… \u003ci\u003e\u003ci\u003eHow to Get Filthy Rich in Rising Asia\u003c\/i\u003e\u003c\/i\u003e is filled with flashes of brilliance, deeply moving passages, and … beautifully clear prose.” –\u003ci\u003eThe Millions\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Mohsin Hamid’s hotly anticipated new book tells the story of young love between capitalism and the latest target of its cupid’s arrow: Asia… \u003cb\u003ePolitical, romantic, exciting, and a page-turner throughout\u003c\/b\u003e.” –\u003ci\u003eHarper’s Bazaar \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"\u003cb\u003eBrilliant\u003c\/b\u003e…\u003cb\u003e \u003c\/b\u003eIn its cleverness, its slightly cruel satire and its complex understanding of both Western and Eastern paradigms, \u003ci\u003eHow to Get Filthy Rich in Rising Asia\u003c\/i\u003e is pure Hamid… His storytelling style is \u003cb\u003eboth timeless and contemporary\u003c\/b\u003e, a postmodern Scheherazade… This novel is smart about many things, including medicine and the processes of death, but is \u003cb\u003esmartest of all about literature itself\u003c\/b\u003e.” –Marion Winik, \u003ci\u003eNewsday\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"Isn’t this \u003cb\u003ethe definition of great fiction\u003c\/b\u003e, that even when it begins with a character (tubercular, hiding on the dirt floor under his mother’s cot) who’s nothing like you, by the end you are convinced that it really \u003ci\u003e\u003ci\u003eis\u003c\/i\u003e\u003c\/i\u003e about you? That’s \u003cb\u003ea kind of miracle\u003c\/b\u003e, of the sort that self-help books can only dream of achieving.\" –\u003ci\u003eSalon\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"The protagonist, who Hamid also calls 'you,' is, despite the absence of a name or identified origin, a wonderfully particularized person… when, in the last stages of life, 'you' gains a measure of serenity and wisdom, you have tears in your eyes and know that \u003cb\u003eHamid’s novel has done that which few novels are capable of: It has deepened feeling and provoked questions about the meaning of your own world… gripping storytelling\u003c\/b\u003e.” –\u003ci\u003eWashington Independent Review of Books\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003cb\u003eThe kind of game Leo Tolstoy might have written\u003c\/b\u003e, clear-eyed in its dissection of human folly, ambition and love.” –\u003ci\u003eMilwaukee Journal Sentinel \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Although Hamid's fictional works vary in style and substance, a distinctive sensibility pervades all three: \u003cb\u003esimultaneously warm and ironic, elegant and profane, urbane but equipped with a strong B.S. detector\u003c\/b\u003e.” –\u003ci\u003eThe Los Angeles Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"In just 12 crisp chapters, you go from a diseased rural nobody to the model of self-made success. It is quite a journey… \u003cb\u003e[A] considerable literary talent [who] deploy[s] the second-person narrative with astonishing skill\u003c\/b\u003e… Hamid depicts a land where getting rich is not so much a luxury as a survival tactic.\" –\u003ci\u003eThe Economist\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003cb\u003eMy recommendation for book groups \u003c\/b\u003ethis month is Mohsin Hamid's wry third novel, \u003ci\u003eHow to Get Filthy Rich in Rising Asia,\u003c\/i\u003e and it might just satisfy both reluctant and bold literary explorers. It is at once accessible and exotic, and most definitely filthy rich in fresh material for literary discussion… [that] offers a surprisingly heartfelt conclusion.” –\u003ci\u003eChristian Science Monitor\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"\u003cb\u003eAn astonishing and riveting tale \u003c\/b\u003eof a man's journey from impoverished rural boy to corporate tycoon.\" –\u003ci\u003eThe Nation\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003cb\u003eFiction fans should be grateful \u003c\/b\u003eMohsin Hamid left his New York corporate cubicle to pursue his grand ambitions of becoming a novelist.” –\u003ci\u003eThe Atlantic\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003cb\u003eEffervescent… a universal story, wrought in tightly minimal, evocative prose\u003c\/b\u003e… Mr. Hamid has delivered a payload more nourishing than any self-help book.” ­–\u003ci\u003eThe New York Observer\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"A \u003cb\u003epowerful reverie \u003c\/b\u003eon life in a time of soul-shaking change.\" –\u003ci\u003eBusinessweek\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"Hamid’s choice to write a bildungsroman wrapped inside a self-help manual is an \u003cb\u003einspired \u003c\/b\u003eone… Hamid has left us with no doubts about how state and market, law and crime, nation and corporation, and money and violence go together—in rising Asia as in the rest of the world.\" –\u003ci\u003eBookforum\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Mohsin Hamid is one \u003cb\u003eof the most talented and formally audacious writers of his generation,\u003c\/b\u003e and his electrifying new novel… is a vital and affecting portrait of a teeming and significant, but largely unrecorded culture. It is a bold formal experiment contained within an elegant novella. It is moving and charming and funny. When you reach the end, you want to go straight back to the beginning. And yes—that does mean you.” –\u003ci\u003eThe Telegraph\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Mohsin Hamid’s third novel… is many things—a love story; an interrogation of the purpose of literary fiction; a portrait of an Asian city… \u003cb\u003eIn its compassionate glimpse into another’s life, Hamid’s novel suggests that the routes to success prescribed by self-help books are less hopeful and compelling than the moments that a novel so treasures, the moments in which life is lived.\u003c\/b\u003e” –\u003ci\u003eThe Sunday Telegraph\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “An ultra-intelligent and knowing account of life in the developing world, as well as an increasingly moving love-story… \u003cb\u003eSimply brilliant\u003c\/b\u003e.” –\u003ci\u003eThe Daily Mail\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003cb\u003eDaringly original\u003c\/b\u003e… \u003cb\u003epage-turning\u003c\/b\u003e.” –\u003ci\u003eThe Independent \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “Cast as a self-help book, about one man's rise from poverty to wealth… Hamid’s \u003cb\u003ebeautifully conceived and exquisitely executed\u003c\/b\u003e novel demonstrates that, in the right hands, narratorial tricks can be a serious matter, affording slants on the big realities and myths of our time unavailable to meat-and-potato realism.” –Adam Lively, \u003ci\u003eThe Sunday Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003ci\u003eHow to Get Filthy Rich in Rising Asia \u003c\/i\u003eturns out to be \u003cb\u003eas much moral fable as it is satire.\u003c\/b\u003e Fortunately, Hamid makes each mode as fresh as the other.” –\u003ci\u003eNew Statesman\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “The many selves of You, our hero, form \u003cb\u003ea portrait gallery of a disconnected man in a discontinuous world\u003c\/b\u003e. Self-help books that aren’t a novel try to make sense of all this. And fail.” –Bryan Appleyard, \u003ci\u003eThe Sunday Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003ci\u003e\"\u003c\/i\u003eAt once a quietly moving story of an individual man and \u003cb\u003ea sweeping epic\u003c\/b\u003e chronicling the economic, social and cultural development of an entire region of the world.\" –\u003ci\u003eVox Magazine\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"Hamid’s story is \u003cb\u003eat once fable-like and existential\u003c\/b\u003e… the novel is a parable about a new kid of loneliness, a homelessness quite different from the one characteristic of the protagonist’s impoverished and uncertain beginnings.\" –\u003ci\u003eThe Financial Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"\u003ci\u003eHow to Get Filthy Rich in Rising Asia \u003c\/i\u003eis dead short and narrated in a weird way that rarely gets done in novels… It’s a winning and surprisingly readable bash at some pretty wild experimentation. Hamid’s portrait of rising Asia makes bold use of \u003cb\u003ea newfangled way of compressing a whole life into 200 zipalong ‘hit book’ pages\u003c\/b\u003e.\" –\u003ci\u003eDazed and Confused\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"Ambition rules in this playful third novel... \u003cb\u003esubtle and rich\u003c\/b\u003e.\" –\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003cb\u003eThis brilliantly structured, deeply felt book is written with the confidence and bravura of a man born to write\u003c\/b\u003e. Hamid is at the peak of his considerable powers here, and delivers a tightly paced, preternaturally wise book about a thoroughly likable, thoroughly troubled striver in the messiest, most chaotic ring of the global economy. Completely unforgettable.” –Dave Eggers, author of \u003ci\u003eA Hologram for the King\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"\u003cb\u003eMohsin Hamid is one of the best writers in the world, period\u003c\/b\u003e. Only a master could have written this propulsive tale of a striver living on the knife's edge, a noir Horatio Alger story for our frenetic, violent times. The road to filthy riches is nasty, brutish, and long, yet Hamid's talent is such that we see the humanity in all this striving—indeed, on finishing this extraordinary book, one wonders if the striving might be the sincerest expression of our flawed, fragile humanity.\" –Ben Fountain, author of \u003ci\u003eBilly Lynn's Long Halftime Walk\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “A dazzling stylistic tour de force; a love story disguised as a self-help guide, freighted with sly social satire. \u003cb\u003eAs timely and timeless a novel as I’ve read in years\u003c\/b\u003e.” –Jay McInerney, author of \u003ci\u003eBright Lights, Big City\u003c\/i\u003e and \u003ci\u003eHow It Ended\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “\u003cb\u003eA marvelous book\u003c\/b\u003e.” –Philip Pullman, author of \u003ci\u003eThe Golden Compass\u003c\/i\u003e\u003cb\u003eMohsin Hamid \u003c\/b\u003eis the author of the international bestsellers \u003ci\u003eExit West\u003c\/i\u003e and \u003ci\u003eThe Reluctant Fundamentalist\u003c\/i\u003e, both finalists for the Man Booker Prize. His first novel, \u003ci\u003eMoth Smoke\u003c\/i\u003e, won the Betty Trask Award and was a finalist for the PEN\/Hemingway Foundation Award. His essays, a number of them collected as \u003ci\u003eDiscontent and Its Civilizations\u003c\/i\u003e, have appeared in \u003ci\u003eThe New York Times\u003c\/i\u003e, the \u003ci\u003eWashington Post\u003c\/i\u003e, \u003ci\u003eThe New York Review of Books\u003c\/i\u003e, and elsewhere. He lives in Lahore, Pakistan.\u003cb\u003eILLUSIONS MAKING SENSE OF ILLUSIONS\u003c\/b\u003e \u003cbr\u003e\u003cb\u003eAn essay by Mohsin Hamid\u003c\/b\u003e In 2009, after two decades spent mostly in London and on the Atlantic coast of the United States, I moved back to Pakistan to write my third novel. I'd often visited my birth city of Lahore in the interim, sometimes for six months or even a year, but always with a fixed departure date in mind. This return, though, was different. I came with no plans to leave.\u003cbr\u003ePakistan is frequently thought of as a place apart: unique, violent, troubled. And it is. But it also a piece of a whole: a world knitting itself together, an Asia being transformed. I re-entered life in Lahore to find pits being dug for office towers, a surfeit of cell-phone masts and shopping malls, proliferating traffic jams and commuter-hour radio shows. I visited Delhi, Bombay, Dubai, Bangkok and observed the same. I saw an East becoming more like the West, or rather a planet where such sweeping distinctions were dissolving.\u003cbr\u003e\u003cbr\u003eAnd much else seemed to be dissolving. Old ways of doing things. Neighborhoods. A stampede for wealth was underway, pulled along by televised lives of previously unimagined opulence, beaten from behind by the switch of crushing poverty. Money was becoming religion; religion was becoming politics. Spirituality, it seemed, could wait.\u003cbr\u003e\u003cbr\u003eBut death does not wait. To be human is to know ever-present mortality. And so we ache. Our selves ache. Dashing forward together, we recognize we will be plucked away, alone. In the face of this, as Asia rises, as the pursuit of money becomes paramount, as past repositories of solace are drained of meaning, what, if anything, can a novel do?\u003cbr\u003e\u003cbr\u003eModern science increasingly suggests that what we think of as the self is an illusion. \"You\" are in actuality a bundle of neural processes, most of them unconscious. Yet you need the illusion of a self. And you create it with stories. With stories about who you are, and stories about your surroundings.\u003cbr\u003e\u003cbr\u003eSome of these stories may be novels. And some of these novels may play, as the novel I was writing began to do, with notions of self-help, with notions of self-transcendence, which is to say with love and with death. For novels are illusions trying to make sense of illusions, stories trying to make sense of stories. Novels, in other words, are ourselves.","brand":"Riverhead Books","offers":[{"title":"Default Title","offer_id":46301123248357,"sku":"NP9781594632334","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781594632334.jpg?v=1767729412","url":"https:\/\/k12savings.com\/products\/how-to-get-filthy-rich-in-rising-asia-isbn-9781594632334","provider":"K12savings","version":"1.0","type":"link"}