Horrors of History
The year was 1900--a time before cars, evacuation routes, and up-to-the-minute weather reports. It was the day the deadliest storm in US history hammered Galveston, Texas. It was the day an entire island city was nearly wiped from existence.
At the onset of the hurricane, Albert Campbell and the other boys at the orphanage kicked and splashed in the emerging puddles. Daisy Thorne read letters from her fiancé, and Sam Young wondered if his telegram had reached the mainland, warning his family of the weather.
Just a few hours later, torrential rains and crushing tidal waves had flooded the metropolis. Winds upwards of one hundred miles per hour swept entire houses and trees down the streets. Debris slashed through the air; bodies whirled amid the rushing waters. Albert, Daisy, and Sam weren’t safe. No one was.
Based on an historic natural disaster, CITY OF THE DEAD weaves together a shocking story where some miraculously survive . . . and many others are tragically lost.
CITY OF THE DEAD is the first book in the Horrors of History series. The series commemorates horrific, life-changing events in our nation's past. Each novel makes history accessible with a combination of thorough research, descriptions of a specific time period, narrative accounts of actual historical persons, and fictionalized characters.T. Neill Anderson is a research fanatic and American-history buff. He is the author of the Horrors of History series. He lives and works in Brooklyn, New York.The young newspaper reporter sat in a small rowboat in Galveston Bay, not believing his eyes.
Human bodies bobbed facedown in the water, bumping against the boat. Men, women, children, babies. Swollen and lifeless. One corpse was twisted at the waist so that its face was visible, wide-eyed and stricken with terror.
The reporter had already spent five hours floating through the bay toward Galveston Island. Just three days before, Galveston, located three miles off the coast of Texas, had been shaken by a giant and brutal hurricane. As a gentle breeze nudged the boat through the calm water, the reporter now knew what he was moving toward: a city of the dead.
The sound of a rifle firing somewhere on the island sliced through the air as the boat reached the wharf.
This is what the end of the world looks like, the reporter thought. He staggered into a city that had been shaken to its foundation. As far as the eye could see, houses lay in ruins. He passed worn men grouped about the streets, speaking in hushed tones, their faces blank. Sad-eyed women picked over the remains of their demolished houses. Children with cuts on their faces, barely dressed in tattered clothing, sat on piles of wood.
Bodies lay in the rubble. Some were buried under piles of bricks. Some had sharp pieces of timber lodged in their head. Most had been stripped naked by the storm and thrown like rag dolls across the ground.
The reporter saw smoke rising from behind a long stretch of mangled houses up ahead on the other side of the narrow island. What could have caught fire in this sodden place? The smell of rotting flesh emanated from within the endless piles of timber and brick. The reporter pressed on, struggling to keep from being sick. He gripped his nose and mouth with his hand to block out the stench, stepping over cooking utensils, tablecloths, window frames, toys, candles, books, bicycles, and empty dresser drawers. Ahead of him he saw trees uprooted and driven through houses like nails through a board, telephone poles that had been lifted up and thrown like darts, a piano lodged in the window of a capsized house.
He finally reached the shore on the south side of the island. A scarred beach stretched before him, the sand blotched with refuse and splattered with blood. Here and there along the mutilated shore, pools of slimy water stank with the dead bodies of chickens, birds, horses, dogs, and cats. Ahead for what seemed like a mile, destroyed pieces of houses and machinery from midway games stuck out of the water. Down the beach a giant fire blazed, fed with the timbers of wrecked homes.
The reporter stood on the beach and watched men pull bodies from the sand. One man in particular stood out, because he was struggling to lift the tiny body of a very young boy. Something was keeping the body buried in the ground.
The man knelt down and started scooping sand from around the body. Seeing a length of clothesline around the boy’s waist, he pulled on the line. Yet another body emerged from under the sand—a girl’s this time, also with clothesline tied around her waist. The man followed the line and continued pulling. Another child’s body surfaced, also a young girl. With tears in his eyes, the man continued pulling and digging. A boy appeared, holding the hand of another boy. More pulling on the line. A girl surfaced next, the fingers of one hand gripping the clothesline. After more digging, the man unearthed two more girls, locked in a horrified embrace, the head of one of them nestled into the chest of the other, their wet hair intertwined. Then a final grim tug, and a boy with a gash in his head came into view.
Nine children, tied together. All dead.
Through his tears the man saw that the boy with the head wound was holding on to something not yet visible beneath the sand. Trembling, the man pulled once again on the line.
It was the body of a nun. Her eyes were open, gazing up at the heavens.
The reporter couldn’t watch any longer. He turned his head and looked down the beach. What was that he could see men dragging from the shore and over to the fire?
Bodies and more bodies. Now in heaps by the hundreds. Swollen and soaked. Decomposed. Waiting to feed the flames.
On September 7, 1900, Galveston, Texas, was a thriving island city of thirty-eight thousand people. It was a busy port with many oceangoing vessels at anchor, a travel destination connected to the Texas mainland by a railway bridge. A popular beach resort, the city was bursting with natural beauty—roses, oleanders, palm trees—as well as the finest shops and handsomest manmade structures that the Gilded Age could offer.
By September 9, Galveston was a city utterly destroyed, victim of the worst natural disaster in American history. An estimated eight thousand people were dead, and many thousands were homeless. Galveston was a waterlogged wreck, its bridge to the mainland wiped out, its communications with the rest of the country cut. Beaches, buildings, ships, houses—all were cemeteries hiding their dead in unmarked graves.
The storm had no name. It arrived on the morning of September 8, 1900, with whipping winds and rising water. By noon it was banging ferociously on Galveston’s door. . . .
At the onset of the hurricane, Albert Campbell and the other boys at the orphanage kicked and splashed in the emerging puddles. Daisy Thorne read letters from her fiancé, and Sam Young wondered if his telegram had reached the mainland, warning his family of the weather.
Just a few hours later, torrential rains and crushing tidal waves had flooded the metropolis. Winds upwards of one hundred miles per hour swept entire houses and trees down the streets. Debris slashed through the air; bodies whirled amid the rushing waters. Albert, Daisy, and Sam weren’t safe. No one was.
Based on an historic natural disaster, CITY OF THE DEAD weaves together a shocking story where some miraculously survive . . . and many others are tragically lost.
CITY OF THE DEAD is the first book in the Horrors of History series. The series commemorates horrific, life-changing events in our nation's past. Each novel makes history accessible with a combination of thorough research, descriptions of a specific time period, narrative accounts of actual historical persons, and fictionalized characters.T. Neill Anderson is a research fanatic and American-history buff. He is the author of the Horrors of History series. He lives and works in Brooklyn, New York.The young newspaper reporter sat in a small rowboat in Galveston Bay, not believing his eyes.
Human bodies bobbed facedown in the water, bumping against the boat. Men, women, children, babies. Swollen and lifeless. One corpse was twisted at the waist so that its face was visible, wide-eyed and stricken with terror.
The reporter had already spent five hours floating through the bay toward Galveston Island. Just three days before, Galveston, located three miles off the coast of Texas, had been shaken by a giant and brutal hurricane. As a gentle breeze nudged the boat through the calm water, the reporter now knew what he was moving toward: a city of the dead.
The sound of a rifle firing somewhere on the island sliced through the air as the boat reached the wharf.
This is what the end of the world looks like, the reporter thought. He staggered into a city that had been shaken to its foundation. As far as the eye could see, houses lay in ruins. He passed worn men grouped about the streets, speaking in hushed tones, their faces blank. Sad-eyed women picked over the remains of their demolished houses. Children with cuts on their faces, barely dressed in tattered clothing, sat on piles of wood.
Bodies lay in the rubble. Some were buried under piles of bricks. Some had sharp pieces of timber lodged in their head. Most had been stripped naked by the storm and thrown like rag dolls across the ground.
The reporter saw smoke rising from behind a long stretch of mangled houses up ahead on the other side of the narrow island. What could have caught fire in this sodden place? The smell of rotting flesh emanated from within the endless piles of timber and brick. The reporter pressed on, struggling to keep from being sick. He gripped his nose and mouth with his hand to block out the stench, stepping over cooking utensils, tablecloths, window frames, toys, candles, books, bicycles, and empty dresser drawers. Ahead of him he saw trees uprooted and driven through houses like nails through a board, telephone poles that had been lifted up and thrown like darts, a piano lodged in the window of a capsized house.
He finally reached the shore on the south side of the island. A scarred beach stretched before him, the sand blotched with refuse and splattered with blood. Here and there along the mutilated shore, pools of slimy water stank with the dead bodies of chickens, birds, horses, dogs, and cats. Ahead for what seemed like a mile, destroyed pieces of houses and machinery from midway games stuck out of the water. Down the beach a giant fire blazed, fed with the timbers of wrecked homes.
The reporter stood on the beach and watched men pull bodies from the sand. One man in particular stood out, because he was struggling to lift the tiny body of a very young boy. Something was keeping the body buried in the ground.
The man knelt down and started scooping sand from around the body. Seeing a length of clothesline around the boy’s waist, he pulled on the line. Yet another body emerged from under the sand—a girl’s this time, also with clothesline tied around her waist. The man followed the line and continued pulling. Another child’s body surfaced, also a young girl. With tears in his eyes, the man continued pulling and digging. A boy appeared, holding the hand of another boy. More pulling on the line. A girl surfaced next, the fingers of one hand gripping the clothesline. After more digging, the man unearthed two more girls, locked in a horrified embrace, the head of one of them nestled into the chest of the other, their wet hair intertwined. Then a final grim tug, and a boy with a gash in his head came into view.
Nine children, tied together. All dead.
Through his tears the man saw that the boy with the head wound was holding on to something not yet visible beneath the sand. Trembling, the man pulled once again on the line.
It was the body of a nun. Her eyes were open, gazing up at the heavens.
The reporter couldn’t watch any longer. He turned his head and looked down the beach. What was that he could see men dragging from the shore and over to the fire?
Bodies and more bodies. Now in heaps by the hundreds. Swollen and soaked. Decomposed. Waiting to feed the flames.
On September 7, 1900, Galveston, Texas, was a thriving island city of thirty-eight thousand people. It was a busy port with many oceangoing vessels at anchor, a travel destination connected to the Texas mainland by a railway bridge. A popular beach resort, the city was bursting with natural beauty—roses, oleanders, palm trees—as well as the finest shops and handsomest manmade structures that the Gilded Age could offer.
By September 9, Galveston was a city utterly destroyed, victim of the worst natural disaster in American history. An estimated eight thousand people were dead, and many thousands were homeless. Galveston was a waterlogged wreck, its bridge to the mainland wiped out, its communications with the rest of the country cut. Beaches, buildings, ships, houses—all were cemeteries hiding their dead in unmarked graves.
The storm had no name. It arrived on the morning of September 8, 1900, with whipping winds and rising water. By noon it was banging ferociously on Galveston’s door. . . .
PUBLISHER:
Charlesbridge
ISBN-10:
158089514X
ISBN-13:
9781580895149
BINDING:
Hardback
BOOK DIMENSIONS:
Dimensions: 6.4700(W) x Dimensions: 9.2600(H) x Dimensions: 0.6700(D)