{"product_id":"high-definition-isbn-9781118451854","title":"High Definition","description":"\u003cp\u003eA pioneering title, \u003ci\u003eHigh Definition\u003c\/i\u003e explores the onslaught of new and highly accurate digital metrology tools in large- and small-scale 3-D scanning and 3-D modelling. Capable of measuring space to an accuracy of less than 1 mm, these tools offer unprecedented precision for the development and interrogation of design before, during and post production. Over the last decade or so, the array of designers’ digital tools to propose and make their ideas have evolved significantly, but the absence of high-accuracy, zero-tolerance design production has often remained the missing piece between design and fulfilment. Innovative technologies are thus substantially recalibrating the way that designers operate in the world between the drawn and the made, having the power to transform the architect’s role from that of visualiser to one that is intensely involved with the realisation of objects and buildings. \u003ci\u003eHigh Definition\u003c\/i\u003e will examine the capabilities of advanced technologies in design production through their impact on design theory, practice and greater levels of collaboration between design and manufacturing. It will permeate the entangled world between means and meaning and unravel a new understanding between the representation and production of architectural design.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e Contributors include: Philip Beesley, Centre for Advanced Spatial Analysis, Gehry Technologies, Ruairi Glynn, Zaha Hadid Architects, ScanLAB Projects, Territorial Agency, Skylar Tibbits, Mike Webb.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eEDITORIAL 5\u003cbr\u003e\u003ci\u003eHelen Castle\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eABOUT THE GUEST-EDITOR 6\u003cbr\u003e \u003ci\u003eBob Sheil\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eINTRODUCTION High Definition: Negotiating Zero Tolerance 8\u003cbr\u003e \u003ci\u003eBob Sheil\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eDigital Doppelgängers: Future Scanscapes 20\u003cbr\u003e \u003ci\u003eMatthew Shaw and William Trossell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eArraying Territories: Remote Sensing and Escalation in the North 30\u003cbr\u003e \u003ci\u003eAnn-Sofi Rönnskog and John Palmesino\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTracking, Tagging and Scanning the City 40\u003cbr\u003e \u003ci\u003eAndrew Hudson-Smith\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eWhat We Want Is in That Room 48\u003cbr\u003e \u003ci\u003eIlona Gaynor and Benedict Singleton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eDrawing into the Cloud 54\u003cbr\u003e \u003ci\u003eBirgir Örn Jónsson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eLandschaft: Revisiting \u003ci\u003eThe Journey \u003c\/i\u003eand \u003ci\u003eDrive-In House 60\u003cbr\u003e Michael Webb\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTripping the Flight Fantastic: \u003ci\u003eSlipstream\u003c\/i\u003e, Terminal 2, Heathrow Airport 74\u003cbr\u003e \u003ci\u003eRalph Parker and Tim Lucas\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eGehry Partners’ Fondation Louis Vuitton: Crowdsourcing Embedded Intelligence 82\u003cbr\u003e \u003ci\u003eTobias Nolte and Andrew Witt\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eDiffusive Thermal Architecture: New Work from the Hylozoic Series 90\u003cbr\u003e \u003ci\u003ePhilip Beesley\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eAnimating Architecture: Coupling High-Definition Sensing with High-Definition Actuation 100\u003cbr\u003e \u003ci\u003eRuairi Glynn\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eImpossible Objects 106\u003cbr\u003e \u003ci\u003eBrandon Kruysman and Jonathan Proto\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTo the Micron: A New Architecture Through High-Resolution Multi-Scalar Design and Manufacturing 112\u003cbr\u003e \u003ci\u003eRichard Beckett and Sarat Babu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4D Printing: Multi-Material Shape Change 116\u003cbr\u003e \u003ci\u003eSkylar Tibbits\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSoft Tolerance: An Approach for Additive Construction on Site 122\u003cbr\u003e \u003ci\u003eMarta Malé-Alemany and Jordi Portell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eCOUNTERPOINT: Why We Need Architecture of Tolerance 128\u003cbr\u003e \u003ci\u003eBranko Kolarevic\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eCONTRIBUTOR 133\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eBob Sheil\u003c\/strong\u003e is?Professor in Architecture and Design through Production at UCL, and has been?Director of The Bartlett School of Architecture since 2014. He is a founding partner of sixteen*(makers), whose work in collaboration with Stahlbogen GmbH '55\/02' won a RIBA award for design in 2010, and also includes a ten year catalogue of experimental projects both internationally published and exhibited. He is an educator, critic, researcher, collaborator and practitioner, as well as an experimental designer who is fascinated by transgression between making, craft, and technology, in architectural design practice.?He is the author of multiple book chapters, refereed papers, and articles on design, making and technology. He has co-designed and built 6 significant artefacts\/built works, and been internationally exhibited on 11 occasions. He has edited five books, including three issues of \u003cem\u003eArchitectural Design\u003c\/em\u003e; \u003cem\u003eDesign through Making\u003c\/em\u003e (2005), \u003cem\u003eProtoarchitecture\u003c\/em\u003e (2008), and the forthcoming \u003cem\u003eHigh Definition: Negotiating Zero Tolerance\u003c\/em\u003e (2014), an AD Reader \u003cem\u003eManufacturing the Bespoke\u003c\/em\u003e published in 2012, and \u003cem\u003e55\/02: A sixteen*(makers) Monograph\u003c\/em\u003e (also 2012). In 2011, he Co-Chaired the highly acclaimed international conference 'FABRICATE' with Ruairi Glynn, for which he also co-edited the substantial parallel publication. FABRICATE has now become an internationally established conference brand, with the 2014 event hosted by ETH Zurich.   \u003c\/p\u003e\u003cp\u003eA pioneering title, \u003ci\u003eHigh Definition\u003c\/i\u003e explores the onslaught of new and highly accurate digital metrology tools in large- and small-scale 3-D scanning and 3-D modelling. Capable of measuring space to an accuracy of less than 1 mm, these tools offer unprecedented precision for the development and interrogation of design before, during and post production. Over the last decade or so, the array of designers’ digital tools to propose and make their ideas have evolved significantly, but the absence of high-accuracy, zero-tolerance design production has often remained the missing piece between design and fulfilment. Innovative technologies are thus substantially recalibrating the way that designers operate in the world between the drawn and the made, having the power to transform the architect’s role from that of visualiser to one that is intensely involved with the realisation of objects and buildings. \u003ci\u003eHigh Definition\u003c\/i\u003e will examine the capabilities of advanced technologies in design production through their impact on design theory, practice and greater levels of collaboration between design and manufacturing. It will permeate the entangled world between means and meaning and unravel a new understanding between the representation and production of architectural design.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e Contributors include: Philip Beesley, Centre for Advanced Spatial Analysis, Gehry Technologies, Ruairi Glynn, Zaha Hadid Architects, ScanLAB Projects, Territorial Agency, Skylar Tibbits, Mike Webb.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Academy Press","offers":[{"title":"Default Title","offer_id":47989360394469,"sku":"NP9781118451854","price":40.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781118451854.jpg?v=1761783811","url":"https:\/\/k12savings.com\/products\/high-definition-isbn-9781118451854","provider":"K12savings","version":"1.0","type":"link"}