{"product_id":"going-around-isbn-9781644214510","title":"Going Around","description":"\u003cb\u003eA definitive collection of writings by the legendary Pulitzer Prize-winning reporter Murray Kempton (1917-1997) with a foreword by Darryl Pinckney, gathering dozens of columns, essays, and critiques from publications including \u003ci\u003eThe New York Post\u003c\/i\u003e, \u003ci\u003eThe New York Review of Books\u003c\/i\u003e, \u003ci\u003eThe New Republic\u003c\/i\u003e, and \u003ci\u003eNewsday.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eWith many uncollected and long out-of-print writings, this is the first volume of Kempton’s work to appear in 30 years, a book that resdiscovers the legendary figure of journalism that David Remnick called “the greatest newspaperman in town.”\u003cbr\u003e\u003cbr\u003e“The man is a marvel. It’s like listening to Louis Armstrong, or Roy Eldridge: you don’t know where the hell he is going, but somehow he gets there and it knocks your socks off.” —Frank Sinatra\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eA courtly man of Southern roots, Murray Kempton worked as a labor reporter for the \u003ci\u003eNew York Post\u003c\/i\u003e, won a Pulitzer Prize while at Newsday, and was arrested at the Democratic National Convention in Chicago along the way. He wore three piece suits and polished oxfords and was known for riding his bicycle around New York City while listening to his CD Walkman and smoking a pipe with wild red hair that later turned white. He developed a taste for baroque prose and became, in the words of Robert Silvers, his editor at The New York Review of Books, ''unmatched in his moral insight into the hypocrisies of politics and their consequences for the poor and powerless.''\u003cbr\u003e\u003cbr\u003eHe went to court proceedings and traffic accidents and funerals and to speeches by people who either were or wanted to be rich and famous. He wrote about everything and anybody—Tonya Harding and Warren Harding, Fidel Castro and Mussolini, Harry Truman and Sal Maglie, St. Francis of Assisi and James Joyce and J. Edgar Hoover.\u003cbr\u003e\u003cbr\u003eFrom dispatches from a hardscrabble coal town in Western Maryland, a bus carrying Freedom Riders through Mississippi, an Iowa cornfield with Nikita Krushchev, an encampment of guerrillas in El Salvador, and Moscow at the end of the Soviet Union (these last two assignments filed by a reporter in his 70s), Kempton’s concerns and interests were extraordinarily broad. He wrote about subjects from H.L. Mencken to Tupac Shakur; organized labor and McCarthyism; the Civil Rights and Black Power movements; presidential hopefuls and Mafiosi; frauds and failures of all stripes; the “splendors and miseries” of life in New York City.Foreword, by Darryl Pinckney     \u003cbr\u003eIntroduction, by Andrew Holter\u003cbr\u003eI’ll Still Take Roosevelt, 10\/6\/36\u003cbr\u003e“Last Boat for Jerusalem,” 1941 50\u003cbr\u003eAll for Mr. Davis: The Story of Sharecropper Odell Waller (with Pauli Murray), 1941           \u003cbr\u003eThe Wobblies and Tom Clark, 8\/2\/49    \u003cbr\u003eChristmas in Shallmar, Md., 12\/22\/49  \u003cbr\u003eWomen Pickets Only ‘Floozies’ to Tenn. Troops, 6\/7\/50  \u003cbr\u003eHuntsman, What Quarry?, 4\/29\/53       \u003cbr\u003eA Night Thought, 6\/11\/53        \u003cbr\u003eBad Day at the Track, 3\/11\/54 \u003cbr\u003eThe Real Davy, 6\/21\/55           \u003cbr\u003eIntruder in the Dust, 11\/1\/55   \u003cbr\u003eThe Way It’s Got to Be, 2\/9\/56 \u003cbr\u003eAll the Saints, 3\/7\/56    111\u003cbr\u003eBuckley’s National Bore, July 1956        \u003cbr\u003eDaughter of the Furies, 1\/29\/57           \u003cbr\u003eThe Inheritance, New York Post, 6\/19\/57          \u003cbr\u003eLoyalty, 8\/14\/57          \u003cbr\u003eThe Wrong Man, 8\/15\/57         \u003cbr\u003eThe Big Cheese, 4\/2\/58 134\u003cbr\u003eTen Days That Shook, 9\/24\/59 \u003cbr\u003eLet Me Off Uptown, 9\/21\/60    \u003cbr\u003eA Seat on the Bus, 3\/25\/61      \u003cbr\u003eThe Saddest Story, 6\/5\/62       \u003cbr\u003e“I would like to talk to you tonight quite personally...,” address at rally against the McCarran Act, Manhattan Center, New York, 7\/7\/62      \u003cbr\u003eVisiting Hours, 8\/6\/62  \u003cbr\u003eBack at the Polo Grounds, August 1962 \u003cbr\u003eThe Clarity of A. Philip Randolph, 7\/6\/63           \u003cbr\u003eThe March on Washington, 9\/4\/63       \u003cbr\u003eRomans (with James Ridgeway), 12\/7\/63         \u003cbr\u003eThe Champ and the Chump, March 7, 1964       \u003cbr\u003eThe Meritocracy of Labor, 2\/2\/65\u003cbr\u003eRobert George Thompson: American, 1\/26\/66  \u003cbr\u003eFour Days in Mississippi, 7\/1\/66          \u003cbr\u003eK. Marx: Reporter, 6\/15\/67      \u003cbr\u003eThe Underestimation of Dwight D. Eisenhower, September, 1967\u003cbr\u003eThoughts on Columbia, 4\/30\/68           \u003cbr\u003eIllusion to Reality, from Law \u0026amp; Disorder: The Chicago Convention and Its Aftermath (Chicago: D. Myrus, 1968)\u003cbr\u003eA Victory for Proper Manners, 3\/7\/70    \u003cbr\u003eThe Panthers on Trial, 5\/7\/70   \u003cbr\u003e“One underappreciated advantage to being a pauper...,” 9\/9\/71\u003cbr\u003eMy Last Mugging, December 1971        \u003cbr\u003e“Our war with North Vietnam...,” 1\/30\/73          \u003cbr\u003e“The streakers seem to have disappeared...,” 3\/21\/74  \u003cbr\u003eWitnesses, 6\/10\/76     \u003cbr\u003eYes, the Ferry is Far From Perfect, 5\/18\/78       \u003cbr\u003eWe Owe the Mob a Lot, 3\/25\/78           \u003cbr\u003eThe Making of the Pope, 9\/11\/78         \u003cbr\u003eA Name for a Crime, 10\/15\/78  287\u003cbr\u003eOffsides for False Modesty, 11\/2\/78     \u003cbr\u003eThe Scribblers’ Choice, 9\/18\/80\u003cbr\u003eSaving a Whale, 6\/11\/81         \u003cbr\u003eThe Sad Secrets of an Assassin’s Mind, 10\/15\/81         \u003cbr\u003eCaptain Jolly Hasn’t Noticed We’re Adrift, 1\/6\/83           \u003cbr\u003eMussolini in Concert, 4\/14\/83  \u003cbr\u003eThe Ambivalence of J. Robert Oppenheimer, 12\/1\/83    \u003cbr\u003eMrs. Velasquez and the Politicians, 2\/2\/84       \u003cbr\u003e“If I Leave You, Baby, Count the Days I’m Gone,” 4\/29\/84          \u003cbr\u003eExample of Police Restraint Ends in Coma–and Death, 6\/26\/84 \u003cbr\u003ePride and Prejudice, 12\/5\/84   \u003cbr\u003eSplendors and Miseries on Gramercy Park, January 1985           \u003cbr\u003eParade’s End, 6\/13\/85\u003cbr\u003eThe Landlord State, 9\/5\/85      \u003cbr\u003eReport from Nicaragua, 6\/27\/86          \u003cbr\u003eIf RICO Wins, We Lose, 3\/8\/87 \u003cbr\u003eVerdict on a City, 6\/17\/87        \u003cbr\u003eBessie Smith: Poet, 4\/5\/87      \u003cbr\u003eStrange Landscape at Passion’s Height, Newsday, 11\/15\/87     \u003cbr\u003eTurning 70, Just by Chance, 12\/17\/87  \u003cbr\u003eHostage to History, 6\/19\/88     \u003cbr\u003eThe Beggar of Gracie Mansion, 8\/11\/88\u003cbr\u003eUndertaking Roy Cohn, Autumn 1988     396\u003cbr\u003eBike Theft as a Point of Departure, 10\/2\/88      \u003cbr\u003eOn Clemency for Jean Harris, 10\/13\/88\u003cbr\u003eThe Proof That Trump is a Self-Made Man, 6\/4\/89         \u003cbr\u003eMy File is Haunted by Hoover, 5\/14\/89 \u003cbr\u003eDeath, Life in Painting, Exhibition, 11\/17\/89     \u003cbr\u003eIn the Oddly Delightful Company of Guerrillas, 12\/3\/89  \u003cbr\u003eUnsentimental Education, 9\/13\/91       \u003cbr\u003eOh, for Brawls of Yesteryear, 4\/12\/92   \u003cbr\u003eLet Me Be Wrong About Clinton, 5\/27\/93          \u003cbr\u003eA Raisin in the Sun, 3\/24\/94    \u003cbr\u003eBrave Instincts, Affirming Dignity, 12\/1\/94        \u003cbr\u003eThe Reporter’s One Commanding Duty, address upon receiving the Elijah Parish Lovejoy Award, Colby College, 11\/9\/95   \u003cbr\u003eA Little Boy with Ol’ Blue Eyes, 12\/15\/96          \u003cbr\u003eUnjust Advances Behind Bars, 1\/5\/97  \u003cbr\u003eOnce Ain’t for Always, 6\/12\/97 \u003cbr\u003e“Trespassing,” c. 1995 \u003cbr\u003e“My Funeral,” 5\/8\/97   \u003cbr\u003eSources\u003cbr\u003eAcknowledgments\"All we journalists were in awe of Murray, not simply because he knew more than we did, but because he could do more with what he knew. How I miss him.\"\u003cb\u003e—Garry Wills, author of \u003c\/b\u003e\u003ci\u003e\u003cb\u003eLincoln at Gettysburg\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e \"This is a vital collection for all who remain committed to journalism as an art form. Just as splendidly as it did decades ago, Kempton's writing reminds us of all this medium can and must continue to do.\" \u003cb\u003e—Osita Nwanevu, contributing editor at \u003ci\u003eThe New Republic\u003c\/i\u003e and columnist at\u003ci\u003e The Guardian\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"When and if the dust finally settles on the American Century, Murray Kempton will prove to have been one of its greatest writers: almost miraculously immersed in every region, profession, political movement, and social class, he leaves behind a body of work whose range (seven decades!) and moral ambition seem nothing short of majestic. This new anthology rescues him from a pile of clippings and lets his voice ring out even more clearly than it did during his life.\"\u003cb\u003e—Benjamin Moser, Pulitzer Prize-winning author of \u003ci\u003eSontag: Her Life and Work\u003c\/i\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\"Murray Kempton wrote stately, measured prose in the tradition of Gibbon and Macauley, and within hours of publication it was used to wrap fish. He was also one of the great moral witnesses of his time, there on the sidewalk for 60-odd years, bringing his gimlet eye and sense of justice and solidarity—formed by his Episcopalian-bishop forebears and the IWW—to bear through the darkest and most hopeful times of the late twentieth century. I'm very happy there is at last a representative selection of his work, with a moving introductory portrait by Darryl Pinckney to put flesh on the bones.\"\u003cb\u003e—Lucy Sante, author of \u003ci\u003eI Heard Her Call My Name\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\"Throughout his career, the Pulitzer Prize–winning columnist and reporter Kempton (1917-1997) stood out among journalists. His approach was critical, and he was, writes editor Holter, 'for the downtrodden, instinctively.' Of the guerrillas in 1980s El Salvador, Kempton wrote, 'There aren’t all that many human creatures more attractive than some revolutionaries can be, at least until they win.' As regards police violence against civil rights activists: 'It is, of course, law and order when everyone who hits anyone else is wearing a uniform.' What mattered to him lay deeper. The Civil Rights March on Washington represented 'an acceptance of the revolutionaries into the American establishment' that embodied the white hope 'that the Negro revolt will stop where it is.' Holter, an independent historical researcher, has gathered nearly 90 articles and editorials 'from every period in Kempton’s career.' Many are outstanding. The first is Kempton’s 1936 defense of Franklin D. Roosevelt, and the last outlines his instructions for his funeral. Kempton’s subjects range from labor unions and his FBI file to notables such as A. Philip Randolph, Dwight Eisenhower, and J. Robert Oppenheimer; cultural figures such as the blues singer Bessie Smith; and the less famous such as Odell Waller, a 1940s black sharecropper who shot his white landlord during a dispute. A voice for the times, he wrote with a grace seldom encountered today. Of the conservative William F. Buckley, he said: 'I did not want him to fail, except in the superficial sense of dying an old man without ever seeing the kind of America he thinks he wants.' Describing the future president, in 1989, he concluded: 'We are assured that God does not make trash, which thought disposes of the impression that Donald Trump is not altogether a self-made man.'\u003cbr\u003e\u003cbr\u003eReading Kempton reminds us that, no matter the chaos, justice and human dignity are within our reach.\"—\u003ci\u003e\u003cb\u003eKirkus\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e, Starred Review\u003c\/b\u003e\u003cb\u003eMURRAY KEMPTON\u003c\/b\u003e was born in 1917 and raised in the Mount Vernon neighborhood of Baltimore. He spent much of his career as a columnist for \u003ci\u003eThe New York Post \u003c\/i\u003eand, later, \u003ci\u003eNew York Newsday\u003c\/i\u003e. He wrote regularly for \u003ci\u003eThe New York Review of Books\u003c\/i\u003e and contributed journalism, essays, and criticism to publications including \u003ci\u003eThe Progressive\u003c\/i\u003e, \u003ci\u003eEsquire\u003c\/i\u003e, \u003ci\u003eRolling Stone\u003c\/i\u003e, and \u003ci\u003eThe New Republic\u003c\/i\u003e, where he worked briefly as an editor. He wrote two books: \u003ci\u003ePart of Our Time: Some Ruins and Monuments of the Thirties\u003c\/i\u003e (1955) and \u003ci\u003eThe Briar Patch: The People of New York vs. Lumumba Shakur, et al.\u003c\/i\u003e (1973), which won a National Book Award. His other distinctions include two George Polk awards; the inaugural Sidney Hillman Prize; a Grammy for his contribution to the liner notes of a Frank Sinatra boxed set; and the Pulitzer Prize for Commentary in 1985. He died in New York City in 1997.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eANDREW HOLTER\u003c\/b\u003e (b. 1990) is a historian and writer based in Chicago, formerly of Frederick, Maryland, and Baltimore. His work has appeared in \u003ci\u003eThe Times Literary Supplement\u003c\/i\u003e, \u003ci\u003eRolling Stone\u003c\/i\u003e, \u003ci\u003eLos Angeles Review of Books, The Brooklyn Rail\u003c\/i\u003e, \u003ci\u003eLapham’s Quarterly\u003c\/i\u003e, and other publications. As an independent historical researcher, he has contributed to books, radio programs, and museum exhibitions, and served as the primary archival consultant for Theo Anthony’s 2016 documentary Rat Film, which the\u003ci\u003e New Yorker \u003c\/i\u003ecalled one of “62 Films That Shaped the Art of Documentary Filmmaking.”","brand":"Seven Stories Press","offers":[{"title":"Default Title","offer_id":46300099969253,"sku":"NP9781644214510","price":29.95,"currency_code":"USD","in_stock":false}],"url":"https:\/\/k12savings.com\/products\/going-around-isbn-9781644214510","provider":"K12savings","version":"1.0","type":"link"}