{"product_id":"ernesto-isbn-9781681370828","title":"Ernesto","description":"\u003cb\u003eA coming of age story that is a classic of gay literature, now in English for the first time  \u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eAn NYRB Classics Original\u003cbr\u003e\u003cbr\u003eErnesto is a classic of gay literature, a tender and complex tale of sexual awakening by one of Italy’s most admired poets. Ernesto is a sixteen-year-old boy from an educated family who lives with his mother in Trieste. His mother is eager for him to get ahead and has asked a local businessman to give him some workplace experience in his warehouse. One day a workingman makes advances to Ernesto, who responds with willing curiosity. A month of trysts ensues before the boy begins to tire of the relationship, finally escaping it altogether by engineering his own dismissal. And yet his experience has changed him, and as Umberto Saba’s unfinished, autobiographical story breaks off, Ernesto has struck up a new, oddly romantic attachment to a boy his own age.\"This little miracle of a book tackles the weightiest themes—the unthinking cruelty of youth, the shock of adulthood, the humanizing force of love—with the humor and lightness of touch that are the surest sign of mastery. For all its modesty and charm, the novel’s profound, unassuming beauty has a force and finally a grandeur that come from the source of all great art, what Saba calls ‘the red hot center of life.’” — Garth Greenwell, author of \u003ci\u003eWhat Belongs to You\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“A work of tenderness that doesn’t smudge its complex corners.” —Anakana Schofield\u003cbr\u003e\u003cbr\u003e“Umberto Saba’s secret novel \u003ci\u003eErnesto\u003c\/i\u003e re-creates a boy’s awakening to sexual love with both men and women. It’s a story so fresh, so alive to nuances of feeling and perception, it defies any formulaic understanding of love in Saba’s time or in our own. Estelle Gilson’s translation catches the intimate rhythms of these discoveries.” —Rosanna Warren\u003cbr\u003e\u003cbr\u003e\"Even in an incomplete state, \u003ci\u003eErnesto\u003c\/i\u003e has the limpid style and emotional power of a major literary work.\" —Benjamin Ivry, \u003ci\u003eForward\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"One of the greatest modern Italian poets.... What sets \u003ci\u003eErnesto\u003c\/i\u003e apart (and Saba’s prose) is the equanimity, the sparkling irony of the   sensibility with which he greets this unexpected turn in his life...a   lovely, bright, wise fragment that by comparison makes most other   adolescent sex-memory fiction read like drying cement.\" —\u003ci\u003eKirkus Reviews\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"Spare,  realistic prose that...manages to convey great emotion and  deep  thought simultaneously...should gain [Saba] some of the recognition   already won by his friends and fellow Italian writers Carlo Levi and   Eugenio Montale.\" —\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"From this  skeletal account, one may derive the main elements of the  story, and  the key images and preoccupations, from which Saba would  build his  poems: the errant father, the lost paradise of Peppa’s house,  the city  of Trieste, the innocent and then tormented love for his wife,   melancholy, solitude, and sexual desire, including some lightly sketched   yearning for boys.... Saba inherited the mixture of Romantic plangency   and Classical stoicism that gave his own work its peculiar timbre.\"  —Rosanna Warren, \u003ci\u003eThe New Republic\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"He saunters through  every street of Trieste, catching glimpses of the  city’s manifold forms  of life; his sky holds a little cloud that has  haunted him from  childhood...a certain crisp exactitude.... Saba’s  straightforward  language, use of traditional forms and realism also have  had an impact  on the work of many of the leading Italian poets today.\" —Susan Stewart,  \u003ci\u003eThe Nation\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003eThis raw, autobiographical novel provides an honest look at romantic struggles and first loves.\u003cbr\u003e—Lucas Iberico Lozada\u003ci\u003e, \u003ci\u003ePaste\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb\u003eUmberto Saba\u003c\/b\u003e (1883–1957) was born Umberto Poli in the city of  Trieste, then part of the Austro-Hungarian Empire, and continued to live  in Trieste for the greater part of his life. The child of a broken  family—his father, who had converted to Judaism to marry, soon abandoned  his wife—Saba attended the Imperial Academy of Commerce and Navigation  in Trieste, and then moved for some years to Pisa, where he studied  classical languages and archaeology. In 1909 he married Carolina  Wölfler, also Jewish, and the subsequent year she gave birth to a  daughter; a first book of poems, published under the name of Umberto  Saba, also appeared that year. Saba’s marriage was at first troubled—his  wife’s affair with a painter led to a brief separation—and the couple  was poor, and for a few years they moved around Italy in the hopes of  improving their fortunes. After the end of World War I, however, Saba  bought a secondhand bookshop in Trieste—he called it La Libreria Antica e  Moderna—and in the next decades he made a comfortable living as a  bookdealer while working on \u003ci\u003eIl Canzoniere\u003c\/i\u003e, the book of poems he  published in 1921 and would go on adding to for the rest of his life.  During World War II, Saba and his family were forced to flee Trieste and  go into hiding in Florence to avoid deportation by the Nazis. Though  the postwar years brought him many prizes and widespread recognition as  one of modern Italy’s greatest poets, Saba suffered from depression,  which had plagued him all his life, and opium addiction and was  repeatedly institutionalized. He died at seventy-four, within a year of  his wife.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEstelle Gilson\u003c\/b\u003e is a writer, translator, and  poet. Among her translations are works by Stendhal, Gabriel Preil,  Natalia Ginzburg, Massimo Bontempelli, and Giacomo Debenedetti. Her  translation of \u003ci\u003eStories and Recollections of Umberto Saba\u003c\/i\u003e was awarded the MLA’s first Scaglione Prize for the best literary translation of the previous two years.","brand":"NYRB Classics","offers":[{"title":"Default Title","offer_id":46304482558181,"sku":"NP9781681370828","price":14.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781681370828.jpg?v=1767726337","url":"https:\/\/k12savings.com\/products\/ernesto-isbn-9781681370828","provider":"K12savings","version":"1.0","type":"link"}