{"product_id":"drawing-the-landscape-isbn-9781118454817","title":"Drawing the Landscape","description":"\u003cp\u003eThis elegant \u003ci\u003eFourth Edition\u003c\/i\u003e of Chip Sullivan's classic \u003ci\u003eDrawing the Landscape\u003c\/i\u003e shows how to use drawing as a path towards understanding the natural and built environment. It offers guidance for tapping into and exploring personal creative potential and helps readers master the essential principles, tools, and techniques required to prepare professional graphic representations in landscape architecture and architecture. It illustrates how to create a wide range of graphic representations using step-by-step tutorials, exercises and hundreds of samples.\u003c\/p\u003e  \u003cp\u003e\u003ci\u003ePreface vii\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePreface to the Third Edition ix\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAcknowledgments xiii\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1 The Essence of Drawing 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDefinition of Drawing 3\u003c\/p\u003e \u003cp\u003eDrawing as Conceptualizing 7\u003c\/p\u003e \u003cp\u003eDrawing as Seeing 7\u003c\/p\u003e \u003cp\u003eFreedom and Structure 12\u003c\/p\u003e \u003cp\u003eThe Power of Drawing 16\u003c\/p\u003e \u003cp\u003eThe Spirit of Drawing 17\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2 The Daybook 19\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eTypes of Daybooks 27\u003c\/p\u003e \u003cp\u003eMedia 29\u003c\/p\u003e \u003cp\u003eMixed Media 31\u003c\/p\u003e \u003cp\u003eDoodles 32\u003c\/p\u003e \u003cp\u003eDaybook Variations 33\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3 The Creative Environment 43\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Studio 44\u003c\/p\u003e \u003cp\u003eThe Artistic Community 50\u003c\/p\u003e \u003cp\u003eInspiration 56\u003c\/p\u003e \u003cp\u003eThe Creative Process 60\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4 Equipment and Drawing Instruments 65\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eEquipment 66\u003c\/p\u003e \u003cp\u003eThe Pencil 69\u003cbr\u003e \u003cbr\u003e Drawing Paper 72\u003c\/p\u003e \u003cp\u003eSoft Media 73\u003c\/p\u003e \u003cp\u003ePen and Ink 76\u003c\/p\u003e \u003cp\u003eTechnical Pens 77\u003c\/p\u003e \u003cp\u003eColored Pencils 80\u003c\/p\u003e \u003cp\u003eWatercolor 84\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5 Preliminary Drawing Exercises 93\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eHolding the Drawing Instrument 94\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6 Tone and Texture 111\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLight, Shade, and Shadow 112\u003c\/p\u003e \u003cp\u003eTone and Value 113\u003c\/p\u003e \u003cp\u003eHatching 114\u003c\/p\u003e \u003cp\u003eCrosshatching 115\u003c\/p\u003e \u003cp\u003eChiaroscuro 116\u003c\/p\u003e \u003cp\u003eLight 116\u003c\/p\u003e \u003cp\u003eShadow 117\u003c\/p\u003e \u003cp\u003eBasic Solids in Tone 119\u003c\/p\u003e \u003cp\u003eTexture 122\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7 Drawing Techniques for Trees and Plants 131\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Contour Drawing 133\u003c\/p\u003e \u003cp\u003eGesture 136\u003c\/p\u003e \u003cp\u003ePlant Forms 137\u003c\/p\u003e \u003cp\u003ePlant Structure 137\u003c\/p\u003e \u003cp\u003eFoliage 140\u003c\/p\u003e \u003cp\u003eShadow 147\u003c\/p\u003e \u003cp\u003eTree and Plant Massing 154\u003c\/p\u003e \u003cp\u003e\u003cb\u003e8 Composing the Landscape Drawing 157\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Picture Plane 162\u003c\/p\u003e \u003cp\u003eDrawing Paper 164\u003c\/p\u003e \u003cp\u003eThe Classic Landscape Composition 169\u003c\/p\u003e \u003cp\u003eOptical Devices 171\u003c\/p\u003e \u003cp\u003e\u003cb\u003e9 Freehand Perspective Drawing 181\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLinear Perspective 183\u003c\/p\u003e \u003cp\u003eFreehand Landscape Perspective 186\u003c\/p\u003e \u003cp\u003eHorizon Line 187\u003c\/p\u003e \u003cp\u003eViewpoints and Vanishing Points 189\u003c\/p\u003e \u003cp\u003eProportional Relationships 191\u003c\/p\u003e \u003cp\u003eDeveloping the Gestural Quality of Freehand\u003c\/p\u003e \u003cp\u003ePerspective 200\u003c\/p\u003e \u003cp\u003eArchitectural Perspective 203\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10 Drawing the Landscape in Plan, Elevation, and Section 207\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Landscape Plan 209\u003c\/p\u003e \u003cp\u003eFrame of Reference 211\u003c\/p\u003e \u003cp\u003eScale 212\u003c\/p\u003e \u003cp\u003eThe Freehand Conceptual Plan 216\u003c\/p\u003e \u003cp\u003eThe Measured Plan 218\u003c\/p\u003e \u003cp\u003eGround Plane Treatments 219\u003c\/p\u003e \u003cp\u003eGround Plane Textures 220\u003c\/p\u003e \u003cp\u003eWater 221\u003c\/p\u003e \u003cp\u003eArchitecture 224\u003c\/p\u003e \u003cp\u003eTrees and Vegetation 225\u003c\/p\u003e \u003cp\u003eShadows 227\u003c\/p\u003e \u003cp\u003eThe Elevation 228\u003c\/p\u003e \u003cp\u003eThe Section 230\u003c\/p\u003e \u003cp\u003eIllustrating the Elevation and Section 231\u003c\/p\u003e \u003cp\u003eElevation Perspective 233\u003c\/p\u003e \u003cp\u003e\u003cb\u003e11 Axonometric and Isometric Landscape Drawing 235\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Axonometric 239\u003c\/p\u003e \u003cp\u003eThe Isometric 242\u003c\/p\u003e \u003cp\u003eFreehand Bird’s-Eye 243\u003c\/p\u003e \u003cp\u003eThe Exploded View 244\u003c\/p\u003e \u003cp\u003eIllustrating the Axonometric and\u003c\/p\u003e \u003cp\u003eIsometric 246\u003c\/p\u003e \u003cp\u003eComposing the Paraline Drawing 250\u003c\/p\u003e \u003cp\u003e\u003cb\u003e12 Animating the Landscape: Visual Narratives, Storyboards, and Moving Drawings 251\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Figure in Space 252\u003c\/p\u003e \u003cp\u003eComics and the Visual Narrative 259\u003c\/p\u003e \u003cp\u003eStoryboarding the Landscape 263\u003c\/p\u003e \u003cp\u003eMoving Drawings: Animating the Storyboard 271\u003c\/p\u003e \u003cp\u003e\u003cb\u003e13 The Hybrid Drawing 275\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Joy of Graphite 277\u003c\/p\u003e \u003cp\u003eEmbellishing the Wireframe 280\u003c\/p\u003e \u003cp\u003eDigital Rendering Techniques 281\u003c\/p\u003e \u003cp\u003eDrawing over Photographs 285\u003c\/p\u003e \u003cp\u003eThe Cézanne Effect and the\u003c\/p\u003e \u003cp\u003eImpressionist Image 286\u003c\/p\u003e \u003cp\u003eTechniques of Sequential Artists 288\u003c\/p\u003e \u003cp\u003eTea and Coffee Cocktail Washes 291\u003c\/p\u003e \u003cp\u003eThe Scanned Wash 291\u003c\/p\u003e \u003cp\u003eSpecial Effects for Texturing Digital Prints 292\u003c\/p\u003e \u003cp\u003eOverpainting with Oils 293\u003c\/p\u003e \u003cp\u003eThe Tableau 294\u003c\/p\u003e \u003cp\u003eSummary 297\u003c\/p\u003e \u003cp\u003e\u003cb\u003e14 The Art of Presentation 299\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Mock-up 302\u003c\/p\u003e \u003cp\u003eLettering 309\u003c\/p\u003e \u003cp\u003eThe Competition Drawing 310\u003c\/p\u003e \u003cp\u003eExperimental Media: A Gallery of Ideas 312\u003c\/p\u003e \u003cp\u003e\u003ci\u003eConclusion 319\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAfterword 323\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eReferences 325\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIndex 327\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChip Sullivanis\u003c\/b\u003e Professor of Landscape Architecture at the University of California, Berkeley. Numerous articles have been written by and about Mr. Sullivan, who continues to show his work in galleries across the country. He is the recipient of many prestigious awards, including the Rome Prize. Earlier in his career, he taught at Harvard University and worked at Sasaki Associates.\u003c\/p\u003e  \u003cp\u003eEssential principles, tools, and techniques for rendering the natural and built environment\u003c\/p\u003e \u003cp\u003eThis beautiful new Fourth Edition of Chip Sullivan's classic Drawing the Landscape shows how to use drawing as a path towards understanding the natural and built environment. It offers guidance for tapping into and exploring personal creative potential and helps readers master the principles, tools, and techniques required to prepare professional graphic presentations in landscape architecture and architecture.\u003c\/p\u003e \u003cp\u003eFrom quick sketches to highly finished works, from convincing perspective drawings to innovative freehand techniques, Drawing the Landscape explores a broad range of methods and media to help students and professionals communicate key design ideas as they express their own unique visions.\u003c\/p\u003e \u003cp\u003eStunningly illustrated, the Fourth Edition features:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA new chapter on hybrid drawing, exploring techniques for enhancing hand drawings with digital media\u003c\/li\u003e \u003cli\u003eAccess to video tutorials in which the author demonstrates techniques for drawing trees and plants; composing the landscape drawing; freehand perspective drawing; drawing the landscape in plan, elevation, and section; axonometric and isometric landscape drawing; animating the landscape; and more\u003c\/li\u003e \u003cli\u003eUpdated illustrations, drawings, animation stills, mixed-media constructions, and the author's highly acclaimed freehand drawings\u003c\/li\u003e \u003cli\u003eStep-by-step exercises and practical examples\u003c\/li\u003e \u003cli\u003eSolid advice on preparing design projects for professional competition\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eLandscape architecture professionals, architects, designers, artists, illustrators, and students turn to Drawing the Landscape for the skills and confidence to realize their creative potential.\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47989084881125,"sku":"NP9781118454817","price":70.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781118454817.jpg?v=1761782733","url":"https:\/\/k12savings.com\/products\/drawing-the-landscape-isbn-9781118454817","provider":"K12savings","version":"1.0","type":"link"}