{"product_id":"dont-tell-mama-isbn-9780142002476","title":"Don't Tell Mama!","description":"This important collection reveals as never before the quality, extent, and variety of the Italian American contribution to American literature. Bringing together fiction and poetry as well as academic essays and newspaper articles from the 1800s to the present, this volume covers a wide field of cultural experience.  Including many previously unpublished pieces as well as classic works, and enhanced by an insightful and entertaining introduction by Regina Barreca, \u003ci\u003eDon't Tell Mama\u003c\/i\u003e highlights both the unity and the diversity of the Italian American experience.Don't Tell Mama! - Edited by Regina Barreca       Introduction: Why \u003ci\u003eDon't Tell Mama! The Penguin Book of Italian American Writing\u003c\/i\u003e?\u003cbr\u003eExplanatory Notes and Caveats to the Introduction, by Hugo Barreca\u003cbr\u003e\u003cb\u003eFlavia Alaya\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eUnder the Rose: A Confession\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eCarol Bonomo Albright and Elvira Di Fabio\u003c\/b\u003e\u003cbr\u003e\"Introduction to Rocchietti's \u003ci\u003eLorenzo and Oonalaska\u003c\/i\u003e\"\u003cbr\u003eSelections, \u003ci\u003eLorenzo and Oonalaska\u003c\/i\u003e (1835)\u003cbr\u003e\u003cb\u003eGeorge Anastasia\u003c\/b\u003e\u003cbr\u003e\"Sinatra's 'Associations' with the Mob\"\u003cbr\u003e\u003cb\u003eTony Ardizzone\u003c\/b\u003e\u003cbr\u003e\"Holy Cards,\" from \u003ci\u003eTaking It Home: Stories from the Neighborhood\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eDavid Baldacci\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eWish You Well\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eHelen Barolini\u003c\/b\u003e\u003cbr\u003e\"Buried Alive by Language,\" from \u003ci\u003eChiaroscuro: Essays of Identity\u003c\/i\u003e\u003cbr\u003eFrom \u003ci\u003eUmbertina\u003c\/i\u003e\u003cbr\u003e\"Classic and Good,\" from \u003ci\u003eMore Italian Hours and Other Stories\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eRegina Barreca\u003c\/b\u003e\u003cbr\u003e\"My Grandmother, a Chicken, and Death,\" from \u003ci\u003eToo Much of a Good Thing Is Wonderful\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eJoy Behar\u003c\/b\u003e\u003cbr\u003e\"My Life in Funeral Parlors,\" from \u003ci\u003eJoy Shtick: Or What Is the Existential Vacuum and Does It Come with Attachments?\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMary Jo Bona\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eClaiming a Tradition: Italian American Women Writers\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eDorothy Bryant\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eMiss Giardino\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnne Calcagno\u003c\/b\u003e\u003cbr\u003e\"Story of My Weight,\" from \u003ci\u003ePray for Yourself and Other Stories\u003c\/i\u003e\u003cbr\u003e\u003cb\u003ePhyllis Capello\u003c\/b\u003e\u003cbr\u003e\"Careless Love: How Women Get to Hell\"\u003cbr\u003e\u003cb\u003eNancy Caronia\u003c\/b\u003e\u003cbr\u003eFrom \"Macaronis,\" from \u003ci\u003ePaper Napkins\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eGrace Cavalieri\u003c\/b\u003e\u003cbr\u003e\"Grandmother,\" from \u003ci\u003ePoems: New and Selected\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eDiana Cavallo\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eA Bridge of Leaves\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eThomas Centolella\u003c\/b\u003e\u003cbr\u003e\"Ossi Dei Morti,\" from \u003ci\u003eTerra Firma\u003c\/i\u003e\u003cbr\u003e\"Small Acts,\" from \u003ci\u003eTerra Firma\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eJohn Ciardi\u003c\/b\u003e\u003cbr\u003e\"True or False,\" from \u003ci\u003eThe Birds of Pompeii\u003c\/i\u003e\u003cbr\u003e\"Useless Knowledge,\" from \u003ci\u003eThe Birds of Pompeii\u003c\/i\u003e\u003cbr\u003e\"The Evil Eye,\" from \u003ci\u003eThe Collected Poems of John Ciardi\u003c\/i\u003e\u003cbr\u003e\"In Place of a Curse,\" from \u003ci\u003eThe Collected Poems of John Ciardi\u003c\/i\u003e\u003cbr\u003e\"On Flunking a Nice Boy Out of School,\" from \u003ci\u003eThe Collected Poems of John Ciardi\u003c\/i\u003e\u003cbr\u003e\"Statement,\" from \u003ci\u003eThe Collected Poems of John Ciardi\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eRita Ciresi\u003c\/b\u003e\u003cbr\u003e\"Lifelines,\" from \u003ci\u003eMother Rocket\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eRobert Corrente\u003c\/b\u003e\u003cbr\u003e\"Ellis Island\"\u003cb\u003eGregory Corso\u003c\/b\u003e\u003cbr\u003e\"Youthful Religious Experiences,\" from \u003ci\u003eHerald of the Autochtonic Spirit\"\u003cbr\u003e\u003cb\u003ePeter Covino\u003c\/b\u003e\u003cbr\u003e\"Poverty of Language\"\u003cbr\u003e\"Infidel\"\u003cbr\u003e\u003cb\u003eGeorge Cuomo\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eFamily Honor: An American Life\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eJoseph Cuomo\u003c\/b\u003e\u003cbr\u003e\"The First Night of the Wake\"\u003cbr\u003e\u003cb\u003eDon DeLillo\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eUnderworld\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eLina Del Tinto Demarsky\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eLeaves of the Pharisees: The Dark Side of Italian-American Life\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMary Russo Demetrick\u003c\/b\u003e\u003cbr\u003e\"I study Italian,\" from \u003ci\u003eFirst Pressing\u003c\/i\u003e\u003cbr\u003e\"I stash treasures,\" from \u003ci\u003eItalian Notebook\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eTina De Rosa\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003ePaper Fish\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eLouise DeSalvo\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eVertigo: A Memoir\u003c\/i\u003e\u003cbr\u003eFrom \u003ci\u003eBreathless\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eCarole DeSanti\u003c\/b\u003e\u003cbr\u003eFrom \"Ars Longa, Vita brevis?\"\u003cbr\u003e\u003cb\u003eRachel Guido DeVries\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eTender Warriors\u003c\/i\u003e\u003cbr\u003e\u003cb\u003ePietro Di Donato\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eChrist in Concrete\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eW. S. Di Piero\u003c\/b\u003e\u003cbr\u003e\"The Depot,\" from \u003ci\u003eShadows Burning\u003c\/i\u003e\u003cbr\u003e\"Sabbioneta to Parma,\" from \u003ci\u003eThe Dog Star\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eDiane Di Prima\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eRecollections of My Life as a Woman\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eJohn Fante\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eThe Brotherhood of the Grape\u003c\/i\u003e\u003cbr\u003e\"Hail Mary,\" from \u003ci\u003eDago Red\u003c\/i\u003e\u003cbr\u003eFrom \u003ci\u003eWait Until Spring, Bandini\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eLawrence Ferlinghetti\u003c\/b\u003e\u003cbr\u003e\"The Old Italians Dying,\" from \u003ci\u003eThese Are My Rivers\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eRobert Ferro\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eThe Family of Max Desir\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eCamille Lavieri Forman\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eA Perfect Time for Butterflies\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eRocco Fumento\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eTree of Dark Reflection\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eRichard Gambino\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eBlood of My Blood: The Dilemma of the Italian-Americans\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eFred Gardaphé\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eThe Italian-American Writer: An Essay and an Annotated Checklist\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eSandra M. Gilbert\u003c\/b\u003e\u003cbr\u003e\"The Tidal Wave,\" from \u003ci\u003eKissing the Bread: New and Selected Poems, 1969-1999\u003c\/i\u003e\u003cbr\u003e\"Mafioso,\" from \u003ci\u003eKissing the Bread\u003c\/i\u003e\u003cbr\u003e\"Tailors,\" from \u003ci\u003eKissing the Bread\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMaria Mazziotti Gillan\u003c\/b\u003e\u003cbr\u003e\"Opening the Door: 19th Street, Paterson,\" from \u003ci\u003eThings My Mother Told Me\u003c\/i\u003e\u003cbr\u003e\"Secrets,\" from \u003ci\u003eThings My Mother Told Me\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eDana Gioia\u003c\/b\u003e\u003cbr\u003e\"Cleared Away,\" from \u003ci\u003eThe Gods of Winter\u003c\/i\u003e\u003cbr\u003e\"Money,\" from \u003ci\u003eThe Gods of Winter\u003c\/i\u003e\u003cbr\u003e\"Planting a Sequoia,\" from \u003ci\u003eThe Gods of Winter\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eDaniela Gioseffi\u003c\/b\u003e\u003cbr\u003e\"For Grandma Lucia La Rosa, 'Light the Rose',\" from \u003ci\u003eWord Wounds and Water Flowers\u003c\/i\u003e\u003cbr\u003e\"American Sonnets for My Father,\" from \u003ci\u003eWord Wounds and Water Flowers\u003c\/i\u003e\u003cbr\u003e\"Woman with Tongue Sculpted in Cheek,\" from \u003ci\u003eEggs in the Lake\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eArturo Giovannitti\u003c\/b\u003e\u003cbr\u003e\"Anniversary I,\" from \u003ci\u003eThe Collected Poems of Arturo Giovannitti\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eEdvige Giunta\u003c\/b\u003e\u003cbr\u003e\"\u003ci\u003eLitania\u003c\/i\u003e for My Mother's Hands\"\u003cbr\u003e\u003cb\u003eJohn Glavin\u003c\/b\u003e\u003cbr\u003eFrom \"MANAYUNK: Growing Up in Philadelphia During and After the War\"\u003cbr\u003e\u003cb\u003eBarbara Grizzuti Harrison\u003c\/b\u003e\u003cbr\u003e\"Godfather II: Of Families and families,\" from \u003ci\u003eOff Center\u003c\/i\u003e\u003cbr\u003eFrom \u003ci\u003eAn Accidental Autobiography\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eJosephine Gattuso Hendin\u003c\/b\u003e\u003cbr\u003e\"Who Will Marry You Now?\"\u003cbr\u003e\u003cb\u003eJoanna Clapps Herman\u003c\/b\u003e\u003cbr\u003e\"The Discourse of \u003ci\u003eun' Propria Paparone\u003c\/i\u003e\"\u003cbr\u003e\u003cb\u003eEvan Hunter\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eThe Paper Dragon\u003c\/i\u003e\u003cbr\u003eFrom \u003ci\u003eThe Blackboard Jungle\u003c\/i\u003e\u003cbr\u003eFrom \"The Kiss\"\u003cbr\u003e\u003cb\u003eAlbert Innaurato\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eUlysses in Traction\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMarisa Labozzetta\u003c\/b\u003e\u003cbr\u003e\"After Victory\"\u003cbr\u003e\u003cb\u003eWally Lamb\u003c\/b\u003e\u003cbr\u003e\"Food and Fatalism\"\u003cbr\u003e\u003cb\u003eGaribaldi M. Lapolla\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eThe Grand Gennaro\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eSalvatore La Puma\u003c\/b\u003e\u003cbr\u003e\"Wear It in Good Health,\" from \u003ci\u003eThe Boys of Bensonhurst\u003c\/i\u003e\u003cbr\u003e\"First Cousins,\" from \u003ci\u003eTeaching Angels to Fly\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMaria Laurino\u003c\/b\u003e\u003cbr\u003eFrom \"Words,\" from \u003ci\u003eWere You Always an Italian? Ancestors and Other Icons of Italian America\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eJay Leno, with Bill Zehme\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eLeading with My Chin\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eFrank Lentricchia\u003c\/b\u003e\u003cbr\u003eFrom \"Sitdown at the Heartland Hotel,\" from \u003ci\u003eLucchesi and the Whale\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eJerre Mangione\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eMount Allegro\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eJerre Mangione and Ben Morreale\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eLa Storia: Five Centuries of the Italian American Experiene\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMary Ann Mannino\u003c\/b\u003e\u003cbr\u003e\"You Children Are Your Children, but Your Wife Is Just a Good Cigar\"\u003cbr\u003e\u003cb\u003ePaul Mariani\u003c\/b\u003e\u003cbr\u003e\"Duet,\" from \u003ci\u003eThe Great Wheel\u003c\/i\u003e\u003cbr\u003e\"Show \u0026amp; Tell,\" from \u003ci\u003eSalvage Operations\u003c\/i\u003e\u003cbr\u003e\"The Old Men Are Dying,\" from \u003ci\u003eSalvage Operations\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eCarole Maso\u003c\/b\u003e\u003cbr\u003e\"The Lion's Head,\" from \u003ci\u003eThe Art Lover\u003c\/i\u003e\u003cbr\u003e\"Friend,\" from \u003ci\u003eThe Art Lover\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eChristine Palamidessi Moore\u003c\/b\u003e\u003cbr\u003eFrom \"The Virgin's Nose\" (or Picking Up a Piece of the Pietà), from \u003ci\u003eThe Virgin Knows\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eBen Morreale\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eThe Loss of the Miraculous\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eGeorge Panetta\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eWe Ride a White Donkey\u003c\/i\u003e\u003cbr\u003eFrom \u003ci\u003eViva Madison Avenue!\u003c\/i\u003e\u003cbr\u003e\u003cb\u003ePaul Paolicelli\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eDances with Luigi: A Grandson's Determined Quest to Comprehend Italy and the Italians\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eJoseph Papaleo\u003c\/b\u003e\u003cbr\u003e\"The Shylock's Wedding,\" from \u003ci\u003eItalian Stories\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eJay Parini\u003c\/b\u003e\u003cbr\u003e\"Grandmother in Heaven,\" from \u003ci\u003eTown Life\u003c\/i\u003e\u003cbr\u003e\"1913,\" from \u003ci\u003eAnthracite Country\u003c\/i\u003e\u003cbr\u003e\"The Miner's Wake,\" from \u003ci\u003eAnthracite Country\u003c\/i\u003e\u003cbr\u003e\"Ida Parini (1890-1976),\" from \u003ci\u003eHouse of Days\u003c\/i\u003e\u003cbr\u003eFrom \u003ci\u003eThe Apprentice Lover\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eGianna Patriarca\u003c\/b\u003e\u003cbr\u003e\"Someday I Will Read 'Dover Beach,'\" from \u003ci\u003eCiao, Baby\u003c\/i\u003e\u003cbr\u003e\"Perfect Love,\" from \u003ci\u003eDaughters for Sale\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eSadie Penzato\u003c\/b\u003e\u003cbr\u003eFrom \"The Movies,\" from \u003ci\u003eGrowing Up Sicilian and Female\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eLucia Perillo\u003c\/b\u003e\u003cbr\u003e\"Canticle from the Book of Bob\"\u003cbr\u003e\"Lost Innocence of the Potato Givers,\" from \u003ci\u003eThe Body Mutinies\u003c\/i\u003e\u003cbr\u003e\"Long Time Too Long,\" from \u003ci\u003eThe Oldest Map with the Name America: New and Selected Poems\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMario Puzo\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eThe Godfather\u003c\/i\u003e\u003cbr\u003eFrom \u003ci\u003eThe Fortunate Pilgrim\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eRose Quiello\u003c\/b\u003e\u003cbr\u003e\"Dedicated to an Old Friend Whose Kindness I Shall Never Forget\"\u003cbr\u003e\u003cb\u003eGiose Rimanelli\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eBenedetta in Guysterland: A Liquid Novel\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eRay Romano\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eEverything and a Kite\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAgnes Rossi\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eThe Quick\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMary Jo Salter\u003c\/b\u003e\u003cbr\u003e\"Video Blues,\" from \u003ci\u003eA Kiss in Space: Poems\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMary Saracino\u003c\/b\u003e\u003cbr\u003eFrom \"Ravioli and Rage\"\u003cbr\u003e\u003cb\u003eJeanne Schinto\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eHuddle Fever: Living in the Immigrant City\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eChris Mellie Sherman\u003c\/b\u003e\u003cbr\u003e\"How to Marry an Italian-American Man\"\u003cbr\u003e\u003cb\u003eFelix Stefanile\u003c\/b\u003e\u003cbr\u003e\"The Veteran,\" from \u003ci\u003eThe Dance at St. Gabriel's\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eGay Talese\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eUnto the Sons\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMari Tomasi\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eLike Lesser Gods\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eLewis Turco\u003c\/b\u003e\u003cbr\u003e\"Failed Fathers,\" from \u003ci\u003eThe Shifting Web\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eAnthony Valerio\u003c\/b\u003e\u003cbr\u003e\"The Widows,\" from \u003ci\u003eConversation with Johnny\u003c\/i\u003e\u003cbr\u003e\"Song of the Castrato,\" from \u003ci\u003eConversation with Johnny\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eL. D. Ventura and S. Shevitch\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eMisfits and Remnants\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eRobert Viscusi\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eAstoria\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eOctavia Waldo\u003c\/b\u003e\u003cbr\u003eFrom \u003ci\u003eA Cup of the Sun\u003c\/i\u003e\u003cbr\u003eList of Contributors\u003cbr\u003e\u003c\/i\u003eRegina Barreca is a professor of English and feminist theory at the University of Connecticut. She is the editor of seven books, including \u003cb\u003eThe Penguin Book of Women's Humor\u003c\/b\u003e, and the author of four others. She writes frequently for the \u003cb\u003eNew York Times\u003c\/b\u003e, \u003cb\u003eChicago Tribune\u003c\/b\u003e, and the \u003cb\u003eHartford Courant\u003c\/b\u003e.","brand":"Penguin Books","offers":[{"title":"Default Title","offer_id":46301266018533,"sku":"NP9780142002476","price":37.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780142002476.jpg?v=1767725527","url":"https:\/\/k12savings.com\/products\/dont-tell-mama-isbn-9780142002476","provider":"K12savings","version":"1.0","type":"link"}