{"product_id":"creative-industries-isbn-9781405101486","title":"Creative Industries","description":"\u003ci\u003eCreative Industries\u003c\/i\u003e is a daring collection of essays that charts the noisy revolution that is transforming the production, consumption, and understanding of culture in the all-wired era. It brings together seminal essays written across traditional and new media, industry sectors, and national contexts to demonstrate that content still drives a value-neutral, knowledge economy.  \u003cul\u003e \u003cli\u003eChronicles the way mass culture is produced, packaged and circulated in a technology-enabled and globalized world\u003c\/li\u003e \u003cli\u003eDraws together, in one accessible volume, seminal essays written across traditional and new media, industry sectors, and national contexts\u003c\/li\u003e \u003cli\u003eExplores the subjects that have come to define the creative industries – including learning services, knowledge clusters, dot.coms, creative cities, networked incubators, the new media, and the shift from the \"culture industries\" to the \"industries of culture\"\u003c\/li\u003e \u003cli\u003eFeatures 31 essays by leading international scholars – covering the creative industries of several fields, including book publishing, TV production, urban development, and games\u003c\/li\u003e \u003cli\u003eIncludes substantial editorial introductions by the editor, making this a useful, engaging, and thought-provoking collection of the very best scholarship on modern creative culture.\u003c\/li\u003e \u003c\/ul\u003e  Acknowledgements. \u003cp\u003eNotes on Authors.\u003c\/p\u003e \u003cp\u003eCreative Industries:John Hartley.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I: Creative World.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCreative World: Ellie Rennie.\u003c\/p\u003e \u003cp\u003eCommons on the Wires: Lawrence Lessig.\u003c\/p\u003e \u003cp\u003eOpen Publishing, Open Technologies: Graham Meikle.\u003c\/p\u003e \u003cp\u003eAt the Opening of New Media Center Sarai, Delhi: Geert Lovink.\u003c\/p\u003e \u003cp\u003eMulticultural Policies and Integration via the Market: Néstor García Canclini.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II: Creative Identities\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eCreative Identities: John Hartley.\u003c\/p\u003e \u003cp\u003eThe Mayor’s Commission on the Creative Industries: John Howkins.\u003c\/p\u003e \u003cp\u003eDelia Smith Not Adam Smith: Charles Leadbeater.\u003c\/p\u003e \u003cp\u003eThe Experiential Life: Richard Florida.\u003c\/p\u003e \u003cp\u003eConclusion to Global Hollywood: Toby Miller, Nitin Govil, John McMurria and Richard Maxwell.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III: Creative Practices\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eCreative Practices: Brad Haseman.\u003c\/p\u003e \u003cp\u003eThe Poetics of the Open Work: Umberto Eco.\u003c\/p\u003e \u003cp\u003eDigital TV and the Emerging Formats of Cyberdrama: Janet H. Murray.\u003c\/p\u003e \u003cp\u003eBalancing the Books: Ken Robinson.\u003c\/p\u003e \u003cp\u003eConnecting Creativity: Luigi Maramotti.\u003c\/p\u003e \u003cp\u003ePerforming the ‘Real’ 24\/7: Jane Roscoe.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV: Creative Cities\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eCreative Cities: Jinna Tay.\u003c\/p\u003e \u003cp\u003eLondon as a Creative City: Charles Landry.\u003c\/p\u003e \u003cp\u003eDeveloping Cultural Industries in St Petersburg: Justin O’Connor.\u003c\/p\u003e \u003cp\u003eLocal clusters in a global economy: Michael E. Porter.\u003c\/p\u003e \u003cp\u003eCosmopolitan De-scriptions: Shanghai and Hong Kong: Ackbar Abbas.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V: Creative Enterprises\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eCreative Enterprises: Stuart Cunningham.\u003c\/p\u003e \u003cp\u003eWhy Cultural Entrepreneurs Matter: Charles Leadbeater and Kate Oakley.\u003c\/p\u003e \u003cp\u003eGames, the New Lively Art: Henry Jenkins.\u003c\/p\u003e \u003cp\u003eHarnessing the Hive: JC Herz.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI: Creative Economy\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eCreative Economy: Terry Flew.\u003c\/p\u003e \u003cp\u003eWhen Markets Give Way to Networks … Everything is a Service: Jeremy Rifkin.\u003c\/p\u003e \u003cp\u003eClubs to companies: Angela McRobbie.\u003c\/p\u003e \u003cp\u003eCulture and the Creative Economy in the Information Age: Shalini Venturelli.\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e  “John Hartley has put together a remarkably rich and critical volume which discusses creativity creatively, making sense of contemporary dilemmas facing cultural producers and receivers.” \u003ci\u003eStephen Coleman, Oxford Internet Institute, University of Oxford\u003c\/i\u003e\u003cbr\u003e \u003cp\u003e\u003cbr\u003e \u003c\/p\u003e \u003cp\u003e“An innovative look at creative innovation in contemporary information societies and media cultures. These provocative, and often surprising, essays make us rethink the roles that artists, educators, business people, amateurs, governments, and everyday publics play in the creative process.” \u003ci\u003eLynn Spigel, Professor of Radio\/TV\/Film, Northwestern University\u003c\/i\u003e\u003c\/p\u003e \u003cb\u003eJohn Hartley\u003c\/b\u003e is Dean of the Creative Industries Faculty, Queensland University of Technology, Australia. He is the author of numerous books in the field, including \u003ci\u003eA Short History of Cultural Studies\u003c\/i\u003e (2003), \u003ci\u003eCommunication, Cultural and Media Studies: The Key Concepts\u003c\/i\u003e (2002), \u003ci\u003eUses of Television\u003c\/i\u003e (1999), and \u003ci\u003ePopular Reality: Journalism, Modernity, Popular Culture\u003c\/i\u003e (1996). He is editor of the \u003ci\u003eInternational Journal of Cultural Studies\u003c\/i\u003e.  Bringing together ground-breaking essays from across the disciplinary spectrum, \u003ci\u003eCreative Industries\u003c\/i\u003e chronicles how culture is produced, packaged, and circulated in a technology-enabled and globalized world. This is the first systematic analysis of the challenge of the creative industries in a world where innovation and risk are requirements for both economic and cultural enterprise, where knowledge and ideas drive wealth creation and social modernization, and where globalization and new technologies are the material of everyday life and experience.  \u003cp\u003eThirty essays and new contextualizing chapters by leading international scholars cover several domains, including multimedia, publishing, TV production, urban development, and games. Each of the six sections is edited by a specialist, making this a useful, engaging, and thought-provoking collection of the very best scholarship on modern creative culture.\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47989002830053,"sku":"NP9781405101486","price":43.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781405101486.jpg?v=1761782390","url":"https:\/\/k12savings.com\/products\/creative-industries-isbn-9781405101486","provider":"K12savings","version":"1.0","type":"link"}