{"product_id":"colour-engineering-isbn-9780471486886","title":"Colour Engineering","description":"\u003cp\u003eAs colour imaging takes on increasing importance in a range of products and technologies, colour fidelity across different media has become essential.\u003cbr\u003e\u003cbr\u003eThis book has arisen from the need for a specialist text that brings together key developments in colour management technology and findings from the colour engineering research community.\u003cbr\u003e\u003cbr\u003eEdited by highly regarded specialists in colour management systems, Colour Engineering introduces the reader systematically to the art of constistent quality of image reproduction - regardless of the monitor or graphic user interface employed.\u003cbr\u003e\u003cbr\u003eFeatures:\u003c\/p\u003e \u003cul\u003e \u003cli\u003ea thorough review of the elements of colour science that apply to colour imaging.\u003c\/li\u003e \u003cli\u003ea comprehensive analysis of methods for characterizing devices in the colour imaging chain.\u003c\/li\u003e \u003cli\u003ea review of the key topics in colour management.\u003c\/li\u003e \u003cli\u003ethe different approaches to implementing colour systems at some of the leading exponents in the imaging industry.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eThis authoritative book depicting the latest developments in colour imaging, written by a group of authors at the forefront of research in this exciting and fast-moving field will appeal to students as well as practitioners of the new discipline of colour engineering.\u003c\/p\u003e \u003cp\u003eThe Society for Information Display (SID) is an international society, which has the aim of encouraging the development of all aspects of the field of information display. Complementary to the aims of the society, the Wiley-SID series is intended to explain the latest developments in information display technology at a professional level. The broad scope of the series addresses all facets of information displays from technical aspects through systems and prototypes to standards and ergonomics\u003c\/p\u003eDieses maßgebliche Buch zeigt Ihnen, wie man eine vom Ein- und Ausgabegerät unabhängige Farbwiedergabe erreicht. Ein Kapitel widmet sich Fragen der Implementation der Algorithmen. Unter den Anwendern der hier vorgestellten Methoden befinden sich einige der weltgrößten Druck- und Verlagshäuser.  Colour plate captions. \u003cp\u003eContributors.\u003c\/p\u003e \u003cp\u003eSeries Preface.\u003c\/p\u003e \u003cp\u003ePreface.\u003c\/p\u003e \u003cp\u003eLight and colour (A. Tarrant).\u003c\/p\u003e \u003cp\u003eInstruments and methods for colour measurement (D. Rich).\u003c\/p\u003e \u003cp\u003eColorimetry and colour difference (P. Green).\u003c\/p\u003e \u003cp\u003eThe CIE 1997 colour appearance model: CIECAM97s (M. Luo).\u003c\/p\u003e \u003cp\u003eColour notation systems (P. Rhodes).\u003c\/p\u003e \u003cp\u003eOverview of characterization methods (P. Green).\u003c\/p\u003e \u003cp\u003eMethods for characterizing displays (R. Berns and N. Katoh).\u003c\/p\u003e \u003cp\u003eMethods for characterizing colour scanners and digital cameras (T. Johnson).\u003c\/p\u003e \u003cp\u003eColor processing for digital photography (J. Holm, et al.).\u003c\/p\u003e \u003cp\u003eCharacterizing hard copy printers (P. Green).\u003c\/p\u003e \u003cp\u003eColor management and transformation through ICC profiles (D. Wallner).\u003c\/p\u003e \u003cp\u003eColour gamut determination (M. Mahy).\u003c\/p\u003e \u003cp\u003eColour gamut mapping (J. Morovic).\u003c\/p\u003e \u003cp\u003eImplementation of device-independent color at Kodak (K. Spaulding and E. Giorgianni).\u003c\/p\u003e \u003cp\u003eEngineering color at Adobe (J. King).\u003c\/p\u003e \u003cp\u003eColour management in digital film post-production (W. Lempp and L. Noriega).\u003c\/p\u003e \u003cp\u003eManaging color in digital image libraries (S. Süsstrunk).\u003c\/p\u003e \u003cp\u003eStandards activities for colour imaging (D. McDowell).\u003c\/p\u003e \u003cp\u003eAuthor biographies.\u003c\/p\u003e \u003cp\u003eIndex.\u003c\/p\u003e \"...an excellent text that provides the essential tools, techniques and references required by those involved in colour management...\" (Coloration Technology, Issue 3, 2003)  \u003cb\u003ePhil Green\u003c\/b\u003e is a member of the Colour Imaging Group at the London College of Printing, and Course Director of the college's postgraduate programme in Digital Colour Imaging.\u003cbr\u003e He worked in the printing industry from 1975, joining the London College of Printing in 1986. He received an MSc in Interactive Systems Analysis from the University of Surrey in 1995, and is currently completing a PhD at the University of Derby. He has authored a number of graphic arts textbooks, including \u003ci\u003eUnderstanding Digital Color\u003c\/i\u003e (GATF), and \u003ci\u003eDigital Photography\u003c\/i\u003e (Pira International). He is active in CIE TC8-03 Gamut Mapping and his current research interests are gamut mapping and colour difference.  \u003cp\u003e\u003cb\u003eLindsay MacDonald\u003c\/b\u003e is Professor of Multimedia Imaging at the Colour \u0026amp; Imaging Institute, University of Derby. For 18 years he was with Crosfield Electronics Ltd (now Fujifilm Electronic Imaging), where he designed and wrote the software for the world's first computer-based page composition system in 1977.\u003cbr\u003e Professor MacDonald is a Fellow of the British Computer Society (FBCS), the Institution of Electrical Engineers (FIEE), the Royal Photographic Society (FRPS), and the Royal Society of Arts (FRSA). He is co-author or co-editor of a number of books, including \u003ci\u003eComputer Generated Colour\u003c\/i\u003e (Wiley), \u003ci\u003eDisplay Systems: Design and Applications\u003c\/i\u003e (Wiley), \u003ci\u003eColour Imaging: Vision and Technology\u003c\/i\u003e (Wiley) and \u003ci\u003eColour Image Science: Exploiting Digital Media\u003c\/i\u003e (Wiley).\u003c\/p\u003e As colour imaging takes on increasing importance in a range of products and technologies, colour fidelity across different media has become essential.\u003cbr\u003e \u003cbr\u003e This book has arisen from the need for a specialist text that brings together key developments in colour management technology and findings from the colour engineering research community.\u003cbr\u003e \u003cbr\u003e Edited by highly regarded specialists in colour management systems, Colour Engineering introduces the reader systematically to the art of constistent quality of image reproduction - regardless of the monitor or graphic user interface employed.\u003cbr\u003e \u003cbr\u003e Features:\u003cbr\u003e * a thorough review of the elements of colour science that apply to colour imaging.\u003cbr\u003e \u003cbr\u003e * a comprehensive analysis of methods for characterizing devices in the colour imaging chain.\u003cbr\u003e \u003cbr\u003e * a review of the key topics in colour management.\u003cbr\u003e \u003cbr\u003e * the different approaches to implementing colour systems at some of the leading exponents in the imaging industry.\u003cbr\u003e This authoritative book depicting the latest developments in colour imaging, written by a group of authors at the forefront of research in this exciting and fast-moving field will appeal to students as well as practitioners of the new discipline of colour engineering.","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47988947747045,"sku":"NP9780471486886","price":231.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780471486886.jpg?v=1761782165","url":"https:\/\/k12savings.com\/products\/colour-engineering-isbn-9780471486886","provider":"K12savings","version":"1.0","type":"link"}