{"product_id":"classical-guitar-for-dummies-isbn-9781119873020","title":"Classical Guitar For Dummies","description":"\u003cp\u003e\u003cb\u003eDiscover the magic of classical guitar with this fun and easy guide\u003c\/b\u003e  \u003c\/p\u003e\u003cp\u003eThe perfect starting point to learning classical guitar, \u003ci\u003eClassical Guitar For Dummies,\u003c\/i\u003e walks you through the steps, techniques, and styles you’ll need to finger-pick your way around some of the most beautiful songs ever written.  \u003c\/p\u003e\u003cp\u003eWhether you’re a first timer looking to add your very first classical guitar to your collection or you’ve already made the jump to the classical style want to pick up some priceless tips, this book is the easy-to-read companion you’ll want at your side. You can even play along with audio and video examples at dummies.com that will help you on your journey toward classical guitar mastery.  \u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eClassical Guitar For Dummies\u003c\/i\u003e, you’ll find:  \u003c\/p\u003e\u003cul\u003e   \u003cli\u003eFoundational and advanced techniques, from adapting your playing posture to coloring your tone with vibrato\u003c\/li\u003e   \u003cli\u003eTips and tricks on playing classical guitar favorites, like Cavatina by Stanley Myers\u003c\/li\u003e   \u003cli\u003eExplorations of classical scales, up and down the guitar neck\u003c\/li\u003e  \u003c\/ul\u003e  \u003cp\u003e\u003ci\u003eClassical Guitar For Dummies\u003c\/i\u003e is an essential aid for new and aspiring classical guitarists just beginning to learn their craft. More experienced guitarists seeking to improve their fundamentals and learn some new strategies for creating amazing music will also find a ton of useful info inside. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eIntroduction 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAbout This Book 1\u003c\/p\u003e \u003cp\u003eFoolish Assumptions 3\u003c\/p\u003e \u003cp\u003eIcons Used in This Book 4\u003c\/p\u003e \u003cp\u003eBeyond This Book 4\u003c\/p\u003e \u003cp\u003eWhere to Go from Here 5\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 1: Getting to Know the Classical Guitar 7\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1: An Acoustic Guitar in a League of Its Own 9\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDefining What a Classical Guitar Is (and Isn’t) 10\u003c\/p\u003e \u003cp\u003eKnowing What a Classical Guitar Looks Like 11\u003c\/p\u003e \u003cp\u003eRecognizing How a Classical Guitar Physically Differs from Its Peers 14\u003c\/p\u003e \u003cp\u003eBeyond Physique: Identifying Other Unique Attributes of Classical Guitar 17\u003c\/p\u003e \u003cp\u003ePlayer’s form and technique 17\u003c\/p\u003e \u003cp\u003eMusical knowledge and skills 19\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2: Getting Ready to Play 21\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSituating Yourself 21\u003c\/p\u003e \u003cp\u003eTaking your seat 22\u003c\/p\u003e \u003cp\u003eSupporting the guitar: Leg position 23\u003c\/p\u003e \u003cp\u003eEmbracing the guitar: Arm support 24\u003c\/p\u003e \u003cp\u003ePlacing your hands correctly 25\u003c\/p\u003e \u003cp\u003eApproaching the Strings with Your Hands 28\u003c\/p\u003e \u003cp\u003eFretting the strings: Left-hand form 28\u003c\/p\u003e \u003cp\u003ePreparing to pluck: Right-hand form 29\u003c\/p\u003e \u003cp\u003eStroking the strings: Basic right-hand technique 32\u003c\/p\u003e \u003cp\u003eTuning Up 36\u003c\/p\u003e \u003cp\u003eAdjusting the string tension to raise or lower pitch 36\u003c\/p\u003e \u003cp\u003eTuning visually with an electronic tuner 37\u003c\/p\u003e \u003cp\u003eTuning by ear 38\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3: Deciphering Music Notation and Tablature 43\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eKnowing the Ropes of Standard Music Notation 43\u003c\/p\u003e \u003cp\u003eThe composer’s canvas: The staff, clef, measures, and bar lines 44\u003c\/p\u003e \u003cp\u003ePitch: The highs and lows of music 45\u003c\/p\u003e \u003cp\u003eDuration: How long to hold a note, what determines rhythm, and so on 47\u003c\/p\u003e \u003cp\u003eExpression, articulation, and other symbols 50\u003c\/p\u003e \u003cp\u003eRelating the Notes on the Staff to the Fretboard 51\u003c\/p\u003e \u003cp\u003eRelishing the Usefulness of Guitar-Specific Notation 54\u003c\/p\u003e \u003cp\u003eFingering indications for the right and left hands 54\u003c\/p\u003e \u003cp\u003eStepping up to the barre 55\u003c\/p\u003e \u003cp\u003eTaking on tablature, a nice complement to standard notation 56\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 2: Starting to Play: The Basics 59\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4: One Note at a Time: Playing Simple Melodies 61\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003ePracticing Notes on One String 62\u003c\/p\u003e \u003cp\u003eExercising your fingers: Strings 1, 2, and 3 63\u003c\/p\u003e \u003cp\u003eWorkin’ (mostly) the thumb: Strings 6, 5, and 4 68P\u003c\/p\u003e \u003cp\u003ePlaying across Three Strings 72\u003c\/p\u003e \u003cp\u003eFinger fun on the first three strings 72\u003c\/p\u003e \u003cp\u003eAll thumbs again on the three lower strings 74\u003c\/p\u003e \u003cp\u003eCruising through All Six Strings 76\u003c\/p\u003e \u003cp\u003eNo thumbs allowed! 76\u003c\/p\u003e \u003cp\u003eFingers and thumb, unite! 77\u003c\/p\u003e \u003cp\u003eFlowing through Melodic Pieces Using All Six Strings 79\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 5: Rolling the Notes of a Chord: Arpeggio Technique 83\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003ePlaying the Notes of an Arpeggio: The Basics 84\u003c\/p\u003e \u003cp\u003eWorking Your Way across the Strings: The Thumb and Fingers in Order 85\u003c\/p\u003e \u003cp\u003eKeeping it simple: One digit per string 85\u003c\/p\u003e \u003cp\u003eMoving the thumb around 87\u003c\/p\u003e \u003cp\u003eVarying Your Right-Hand Strokes 89\u003c\/p\u003e \u003cp\u003eChanging the finger order 90\u003c\/p\u003e \u003cp\u003eAlternating the thumb and fingers 90\u003c\/p\u003e \u003cp\u003eAdding Harmony to Select Notes 93\u003c\/p\u003e \u003cp\u003eFeeling the pinch with your thumb and fingers 93\u003c\/p\u003e \u003cp\u003eDoubling up two fingers at once 95\u003c\/p\u003e \u003cp\u003ePlaying Pieces with Arpeggios 96\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 6: Practicing Scales in First and Second Position 101\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroducing Scales, the Necessary Evils 101\u003c\/p\u003e \u003cp\u003eWhy scales are important 102\u003c\/p\u003e \u003cp\u003eHow you name them: Applying key signatures 103\u003c\/p\u003e \u003cp\u003eWhere they start and end: A primer on positions 106\u003c\/p\u003e \u003cp\u003ePlaying Major Scales in 1st Position 108\u003c\/p\u003e \u003cp\u003eThe one-octave C major scale 109\u003c\/p\u003e \u003cp\u003eThe two-octave G major scale 110\u003c\/p\u003e \u003cp\u003eThe two-octave F major scale 111\u003c\/p\u003e \u003cp\u003eThe two-octave E major scale 111\u003c\/p\u003e \u003cp\u003eThe two-octave A♭ major scale 112\u003c\/p\u003e \u003cp\u003ePlaying Minor Scales in 1st Position 112\u003c\/p\u003e \u003cp\u003eThe one-octave A minor scale 113\u003c\/p\u003e \u003cp\u003eThe two-octave E minor scale 113\u003c\/p\u003e \u003cp\u003eThe two-octave F minor scale 114\u003c\/p\u003e \u003cp\u003ePlaying Scales in 2nd Position 115\u003c\/p\u003e \u003cp\u003eThe D major scale in 2nd position using open strings 115\u003c\/p\u003e \u003cp\u003eThe D major scale in 2nd position using all fretted notes 116\u003c\/p\u003e \u003cp\u003eThe G major scale in 2nd position using all fretted notes 117\u003c\/p\u003e \u003cp\u003eThe B minor scale in 2nd position using all fretted notes 117\u003c\/p\u003e \u003cp\u003eApplying Scales in Simple Pieces 118\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 7: Exploring Musical Textures 123\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCoordinating Contrapuntal Music: Layered Melodies 124\u003c\/p\u003e \u003cp\u003ePlaying two melodies in sync rhythmically 125\u003c\/p\u003e \u003cp\u003eOpposing forces: Separating the thumb and fingers rhythmically 125\u003c\/p\u003e \u003cp\u003eThickening the upper part by adding double-stops 127\u003c\/p\u003e \u003cp\u003eMelody and Accompaniment: Using All Your Fingers 128\u003c\/p\u003e \u003cp\u003eMatching rhythm between accompaniment and melody 129\u003c\/p\u003e \u003cp\u003eGetting creative with the flow: Two parts, two rhythms 130\u003c\/p\u003e \u003cp\u003ePlaying Easy Pieces in Different Textural Styles 131\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 3: Improving Your Technique 137\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 8: Flat-Fingered Fretting with Barres 139\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDiscovering How to Play Barres 139\u003c\/p\u003e \u003cp\u003eHalf barre 140\u003c\/p\u003e \u003cp\u003eFull barre 141\u003c\/p\u003e \u003cp\u003ePracticing Barres in Musical Context 142\u003c\/p\u003e \u003cp\u003eHalf barre 142\u003c\/p\u003e \u003cp\u003eFull barre 143\u003c\/p\u003e \u003cp\u003ePlaying Pieces with Barres 144\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 9: Getting a Smooth Sound with Slurs and Trills 149\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eConnecting Your Notes with Slurs 149\u003c\/p\u003e \u003cp\u003eHammering and pulling: Exploring slurs 150\u003c\/p\u003e \u003cp\u003eSlurring in the context of a larger musical phrase 153\u003c\/p\u003e \u003cp\u003eFluttering a Note with a Trill 155\u003c\/p\u003e \u003cp\u003ePlaying trills on their own 155\u003c\/p\u003e \u003cp\u003ePracticing trills in context 157\u003c\/p\u003e \u003cp\u003ePlaying Pieces Using Slurs and Trills 158\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 10: Coloring Your Sound with Tone-Production Techniques 161\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCreating Tones That Ring like Bells: Harmonics 162\u003c\/p\u003e \u003cp\u003ePlaying harmonics 162\u003c\/p\u003e \u003cp\u003ePracticing harmonics in context 163\u003c\/p\u003e \u003cp\u003eVarying the Tone with Vibrato 165\u003c\/p\u003e \u003cp\u003ePlaying vibrato 165\u003c\/p\u003e \u003cp\u003ePracticing vibrato in context 166\u003c\/p\u003e \u003cp\u003eBrightening or Darkening Your Sound by Changing Timbre 167\u003c\/p\u003e \u003cp\u003eImplementing tonal changes 167\u003c\/p\u003e \u003cp\u003ePracticing changing tone in context 169\u003c\/p\u003e \u003cp\u003eTremolo: The Classical Guitar Machine Gun of Sorts 170\u003c\/p\u003e \u003cp\u003ePlaying tremolo 170\u003c\/p\u003e \u003cp\u003ePracticing tremolo in context 171\u003c\/p\u003e \u003cp\u003ePlaying Pieces Using Tone-Production Techniques 173\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 11: Scaling the Musical Ladder beyond Second Position 177\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroducing Scales and Skills in This Chapter 178\u003c\/p\u003e \u003cp\u003eGetting to know the higher positions 178\u003c\/p\u003e \u003cp\u003eStrengthening your technical skill with practice variations 179\u003c\/p\u003e \u003cp\u003ePlaying Scales That Stay in 5th Position 180\u003c\/p\u003e \u003cp\u003eThe F major scale 181\u003c\/p\u003e \u003cp\u003eThe B♭ major scale 183\u003c\/p\u003e \u003cp\u003eThe D minor scale 183\u003c\/p\u003e \u003cp\u003ePlaying Scales That Stay in 9th Position 184\u003c\/p\u003e \u003cp\u003eThe A major scale 184\u003c\/p\u003e \u003cp\u003eThe D major scale 185\u003c\/p\u003e \u003cp\u003eThe F♯ minor scale 186\u003c\/p\u003e \u003cp\u003ePlaying Scales That Require Shifting Positions 186\u003c\/p\u003e \u003cp\u003eThe E major scale — one position shift 187\u003c\/p\u003e \u003cp\u003eThe A♭ major scale — two position shifts 187\u003c\/p\u003e \u003cp\u003eThe C♯ minor scale — one position shift 189\u003c\/p\u003e \u003cp\u003eThe G♯ minor scale — two position shifts 189\u003c\/p\u003e \u003cp\u003ePlaying Some Pieces Using Scales Up the Neck 190\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 12: Combining Arpeggios and Melody 195\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGrasping the Combination in Context 196\u003c\/p\u003e \u003cp\u003eDowntown: Melody in the Bass 197\u003c\/p\u003e \u003cp\u003ePlaying a melody within arpeggios in the bass 198\u003c\/p\u003e \u003cp\u003ePracticing making a bass melody stand out 199\u003c\/p\u003e \u003cp\u003eMoving Uptown: Melody in the Treble 200\u003c\/p\u003e \u003cp\u003ePlaying a treble melody within arpeggios 201\u003c\/p\u003e \u003cp\u003ePracticing making a treble melody stand out 202\u003c\/p\u003e \u003cp\u003eMixing Up Your Melodic Moves: The Thumb and Fingers Take Turns 203\u003c\/p\u003e \u003cp\u003ePlaying a shifting treble-and-bass melody within arpeggios 203\u003c\/p\u003e \u003cp\u003ePracticing making a shifting melody stand out 205\u003c\/p\u003e \u003cp\u003ePlaying Pieces That Combine Arpeggios and Melodies 206\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 13: Combining Left-Hand Techniques While Playing up the Neck 217\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLayering Melodies and Using Barres up the Neck: Counterpoint 218\u003c\/p\u003e \u003cp\u003eCombining Melody and Accompaniment with Barres and Slurs up the Neck 219\u003c\/p\u003e \u003cp\u003ePlaying Pieces up the Neck with Left-Hand Techniques 222\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 4: Mastering Classical Guitar Repertoire 229\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 14: Playing Pieces by the Guitar Greats 231\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGetting Acquainted with the Master Guitar Composers 232\u003c\/p\u003e \u003cp\u003eConcentrating on Music by the Spanish Composers 233\u003c\/p\u003e \u003cp\u003eSaying hello to Sor 233\u003c\/p\u003e \u003cp\u003eTackling Tárrega 233\u003c\/p\u003e \u003cp\u003eFocusing on Music by the Italian Composers 236\u003c\/p\u003e \u003cp\u003eGelling with Giuliani 236\u003c\/p\u003e \u003cp\u003eCozying Up to Carcassi 237\u003c\/p\u003e \u003cp\u003ePlaying Pieces by All the Master Guitar Composers 240\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 15: Early Guitar Music from the Renaissance and Baroque Eras 251\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGetting an Overview of the Styles 252\u003c\/p\u003e \u003cp\u003eThe Renaissance 252\u003c\/p\u003e \u003cp\u003eThe Baroque era 253\u003c\/p\u003e \u003cp\u003eIdentifying Some Renaissance Composers 254\u003c\/p\u003e \u003cp\u003eTraditional 16th-century melodies by anonymous composers 254\u003c\/p\u003e \u003cp\u003eJohn Dowland and other great lutenists 255\u003c\/p\u003e \u003cp\u003eRecognizing Some Baroque Composers 258\u003c\/p\u003e \u003cp\u003eBack to Bach 258\u003c\/p\u003e \u003cp\u003eGetting a handle on Handel 259\u003c\/p\u003e \u003cp\u003ePlaying Pieces from the Renaissance and Baroque Eras 261\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 16: The Guitar Comes of Age: The Classical, Romantic, and Modern Eras 269\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Classical Era: Mozart’s Muse 270\u003c\/p\u003e \u003cp\u003eGetting in Touch with Beethoven, the Classical Hopeless Romantic 272\u003c\/p\u003e \u003cp\u003eLetting the Inside Out with the Romantics: Brahms 274\u003c\/p\u003e \u003cp\u003eDreaming with Debussy: Music Becomes Modern 276\u003c\/p\u003e \u003cp\u003ePlaying Pieces from the Classical, Romantic, and Modern Eras 279\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 5: The Part of Tens 289\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 17: Ten (Or So) Classical Guitarists You Should Know 291\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAndrés Segovia (1893–1987) 291\u003c\/p\u003e \u003cp\u003eJulian Bream (b 1933–2020) 292\u003c\/p\u003e \u003cp\u003eOscar Ghiglia (b 1938) 293\u003c\/p\u003e \u003cp\u003eJohn Williams (b 1941) 293\u003c\/p\u003e \u003cp\u003ePepe Romero and Angel Romero (b 1944, 1946) 293\u003c\/p\u003e \u003cp\u003eChristopher Parkening (b 1947) 294\u003c\/p\u003e \u003cp\u003eDavid Starobin (b 1951) 294\u003c\/p\u003e \u003cp\u003eManuel Barrueco (b 1952) 294\u003c\/p\u003e \u003cp\u003eEliot Fisk (b 1954) 295\u003c\/p\u003e \u003cp\u003eBenjamin Verdery (b 1955) 295\u003c\/p\u003e \u003cp\u003eSharon Isbin (b 1956) 296\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 18: Ten Things to Do When Shopping for a Classical Guitar 297\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGo Retail if You Aren’t 100 Percent Sure What You Want 298\u003c\/p\u003e \u003cp\u003eBring a Friend Along 298\u003c\/p\u003e \u003cp\u003eDecide on a Price Range Before You Go 298\u003c\/p\u003e \u003cp\u003eKnow Your Materials 299\u003c\/p\u003e \u003cp\u003eEvaluate the Construction and Workmanship 299\u003c\/p\u003e \u003cp\u003eGet a Feel for the Guitar 300\u003c\/p\u003e \u003cp\u003eCheck the Intonation 301\u003c\/p\u003e \u003cp\u003eListen to the Sound 301\u003c\/p\u003e \u003cp\u003eJudge the Aesthetics 302\u003c\/p\u003e \u003cp\u003eDetermine a Guitar’s Growth Potential 302\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 6: Appendixes 303\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix A: Basic Guitar Care and Maintenance 305\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eKeeping Your Guitar Comfortable 306\u003c\/p\u003e \u003cp\u003eTemperature 306\u003c\/p\u003e \u003cp\u003eHumidity 306\u003c\/p\u003e \u003cp\u003eProtection, both at home and on the road 307\u003c\/p\u003e \u003cp\u003eCleaning Your Guitar 308\u003c\/p\u003e \u003cp\u003eChanging the Strings on Your Classical Guitar 308\u003c\/p\u003e \u003cp\u003eStep one: Remove the old string 309\u003c\/p\u003e \u003cp\u003eStep two: Tie off the string at the bridge 310\u003c\/p\u003e \u003cp\u003eStep three: Secure the string to the roller 311\u003c\/p\u003e \u003cp\u003eMaking Minor Repairs 313\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendix B: About the Online Tracks and Videos 315\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eRelating the Text to the Online Files 316\u003c\/p\u003e \u003cp\u003eListening to the Tracks 317\u003c\/p\u003e \u003cp\u003eWatching the Videos 321\u003c\/p\u003e \u003cp\u003eIndex 323 \u003c\/p\u003e \u003cp\u003e\u003cb\u003e Mark Phillips\u003c\/b\u003e is an author and former director of music at Cherry Lane Music. He has served as music editor of \u003ci\u003eGuitar\u003c\/i\u003e and \u003ci\u003eGuitar One\u003c\/i\u003e magazines.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eJon Chappell\u003c\/b\u003e is a guitarist, author, and former editor-in-chief of \u003ci\u003eGuitar\u003c\/i\u003e and \u003ci\u003eHome Recording\u003c\/i\u003e magazines. His work has appeared in \u003ci\u003eGuitar Shop, Keyboard, Electronic Musician,\u003c\/i\u003e and \u003ci\u003eGuitar Player.\u003c\/i\u003e  \u003c\/p\u003e\u003cp\u003e\u003cb\u003eDon’t fret—learn to play guitar the easy way\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe classical guitar is renowned for its beauty and elegance. You can win renown too—whether you’re playing for live audiences or for the simple entertainment of your cat. This book offers the quickest and friendliest way to get started and improve your technique, barre none! Start with a crash course on playing position and reading music, then dive into chapters on advanced techniques and achieving a tone that will wow ‘em. You can also see and hear how examples in the book are meant to be played by accessing audio and video files at dummies.com. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eInside… \u003cul\u003e\n\u003cli\u003eTips and tricks for buying a classical guitar\u003c\/li\u003e \u003cli\u003eFInd out how to read standard guitar notation and tablature\u003c\/li\u003e \u003cli\u003eMaster trills, slurs, barres, vibrato, and arpeggios \u003c\/li\u003e \u003cli\u003eBuild your classical repertoire\u003c\/li\u003e \u003cli\u003eDiscover techniques for making more expressive music\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47988926185701,"sku":"NP9781119873020","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781119873020.jpg?v=1761782079","url":"https:\/\/k12savings.com\/products\/classical-guitar-for-dummies-isbn-9781119873020","provider":"K12savings","version":"1.0","type":"link"}