{"product_id":"an-equal-music-isbn-9780375709241","title":"An Equal Music","description":"The author of the international bestseller \u003cb\u003eA Suitable Boy\u003c\/b\u003e returns with a powerful and deeply romantic tale of two gifted musicians.  Michael Holme is a violinist, a member of the successful Maggiore Quartet.  He has long been haunted, though, by memories of the pianist he loved and left ten years earlier, Julia McNicholl.  Now Julia, married and the mother of a small child, unexpectedly reenters his life and the romance flares up once more.\u003cbr\u003e\u003cbr\u003eAgainst the magical backdrop of Venice and Vienna, the two lovers confront the truth about themselves and their love, about the music that both unites and divides them, and about a devastating secret that Julia must finally reveal.  With poetic, evocative writing and a brilliant portrait of the international music scene, \u003cb\u003eAn Equal Music\u003c\/b\u003e confirms Vikram Seth as one of the world's finest and most enticing writers.\"A beautifully written novel of music, romance, and the endless search for transcendent passion....A joy to read.\"  -\u003ci\u003eThe Baltimore Sun\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"Seth depicts, with Canaletto-like skill, the shimmering air and light of Venice at dawn, even as he neatly reproduces the loving tensions of the Maggiore [Quartet].\"  -\u003ci\u003eThe Washington Post\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"A gift for any reader and a must-read for music lovers and musicians.\"  -\u003ci\u003eThe Christian Science Monitor\u003c\/i\u003eVikram Seth divides his time between India and London.\u003cbr\u003eThe branches are bare, the sky tonight a milky violet. It is not quiet here, but it is peaceful. The wind ruffles the black water towards me.\u003cbr\u003e\u003cbr\u003eThere is no one about. The birds are still. The traffic slashes through Hyde Park. It comes to my ears as white noise.\u003cbr\u003e\u003cbr\u003eI test the bench but do not sit down. As yesterday, as the day before, I stand until I have lost my thoughts. I look at the water of the Serpentine.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eYesterday as I walked back across the park I paused at a fork in the footpath. I had the sense that someone had paused behind me. I walked on. The sound of footsteps followed along the gravel. They were unhurried; they appeared to keep pace with me. Then they suddenly made up their mind, speeded up, and overtook me. They belonged to a man in a thick black overcoat, quite tall - about my height - a young man from his gait and attitude, though I did not see his face. His sense of hurry was now evident. After a while, unwilling so soon to cross the blinding Bayswater Road, I paused again, this time by the bridle path.\u003cbr\u003e\u003cbr\u003eNow I heard the faint sound of hooves.  This time, however, they were not embodied. I looked to left, to right. There was nothing.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAs I approach Archangel Court I am conscious of being watched. I enter the hallway. There are flowers here, a concoction of gerberas and general foliage. A camera surveys the hall. A watched building is a secure building, a secure building a happy one.\u003cbr\u003e\u003cbr\u003eA few days ago I was told I was happy by the young woman behind the counter at Etienne's. I ordered seven croissants. As she gave me my change she said: \"You are a happy man.\"\u003cbr\u003e\u003cbr\u003eI stared at her with such incredulity that she looked down.\u003cbr\u003e\u003cbr\u003e\"You're always humming,\" she said in a much quieter voice, feeling perhaps that she had to explain.\u003cbr\u003e\u003cbr\u003e\"It's my work,\" I said, ashamed of my bitterness. Another customer entered the shop, and I left.\u003cbr\u003e\u003cbr\u003eAs I put my week's croissants - all except one - in the freezer, I noticed I was humming the same half-tuneless tune of one of Schubert's last songs:\u003cbr\u003e\u003cbr\u003eI see a man who stares upwards\u003cbr\u003eAnd wrings his hands from the force of his pain.\u003cbr\u003eI shudder when I see his face.\u003cbr\u003eThe moon reveals myself to me.\u003cbr\u003e\u003cbr\u003eI put the water on for coffee, and look out of the window. From the eighth floor I can see as far as St Paul's, Croydon, Highgate. I can look across the brown-branched park to spires and towers and chimneys beyond. London unsettles me - even from such a height there is no clear countryside to view.\u003cbr\u003e\u003cbr\u003eBut it is not Vienna. It is not Venice. It is not, for that matter, my hometown in the North, in clear reach of the moors.\u003cbr\u003e\u003cbr\u003eIt wasn't my work, though, that made me hum that song. I have not played Schubert for more than a month. My violin misses him more than I do. I tune it, and we enter my soundproof cell. No light, no sound comes in from the world. Electrons along copper, horsehair across acrylic create my impressions of sense.\u003cbr\u003e\u003cbr\u003eI will play nothing of what we have played in our quartet, nothing that reminds me of my recent music-making with any human being. I will play his songs.\u003cbr\u003e\u003cbr\u003eThe Tononi seems to purr at the suggestion. Something happy, something happy, surely:\u003cbr\u003e\u003cbr\u003eIn a clear brook\u003cbr\u003eWith joyful haste\u003cbr\u003eThe whimsical trout\u003cbr\u003eShot past me like an arrow.\u003cbr\u003e\u003cbr\u003eI play the line of the song, I play the leaps and plunges of the right hand of the piano, I am the trout, the angler, the brook, the observer. I sing the words, bobbing my constricted chin. The Tononi does not object; it resounds. I play it in B, in A, in E flat. Schubert does not object. I am not transposing his string quartets.\u003cbr\u003e\u003cbr\u003eWhere a piano note is too low for the violin, it leaps into a higher octave. As it is, it is playing the songline an octave above its script. Now, if it were a viola . . . but it has been years since I played the viola.\u003cbr\u003e\u003cbr\u003eThe last time was when I was a student in Vienna ten years ago. I return there again and again and think: was I in error? Was I unseeing? Where was the balance of pain between the two of us? What I lost there I have never come near to retrieving.\u003cbr\u003e\u003cbr\u003eWhat happened to me so many years ago? Love or no love, I could not continue in that city. I stumbled, my mind jammed, I felt the pressure of every breath. I told her I was going, and went. For two months I could do nothing, not even write to her. I came to London. The smog dispersed but too late. Where are you now, Julia, and am I not forgiven?Author of A Suitable Boy","brand":"Vintage","offers":[{"title":"Default Title","offer_id":46304096059621,"sku":"NP9780375709241","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780375709241.jpg?v=1767721504","url":"https:\/\/k12savings.com\/products\/an-equal-music-isbn-9780375709241","provider":"K12savings","version":"1.0","type":"link"}