{"product_id":"adobe-premiere-pro-cc-for-dummies-isbn-9781119867494","title":"Adobe Premiere Pro CC For Dummies","description":"\u003cp\u003e\u003cb\u003eWhen the filming stops, the real video production work begins\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eEver wonder how your favorite video creators regularly put out such slick content? They're probably using Adobe Premiere Pro CC, a go-to video production app for both professional and amateur video creators.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAdobe Premiere Pro CC For Dummies\u003c\/i\u003e walks you through each step of editing and producing slick and stylish videos that stand up to what the pros post. From transferring your digital movie files from your camera or phone to your computer all the way to uploading your latest creation to YouTube or the web, this book has the info you need to bring your ideas to life.\u003c\/p\u003e \u003cp\u003eIf you're new to video production, you can begin at the beginning with the handbook's user-friendly guide to the basics of setting clips on the timeline and making them flow seamlessly. Or, if you've already got a few videos under your belt, you can skip right to the more advanced material, like special effects and handy tricks of the trade.\u003c\/p\u003e \u003cp\u003eYou’ll also find:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eInstruction on joining video clips into a continuous final product, complete with transitions, special effects, and more\u003c\/li\u003e \u003cli\u003eAdvice on improving sound, getting rid of color errors, and customizing the look of your videos with filters and aftereffects\u003c\/li\u003e \u003cli\u003eStraightforward guides to adding voiceovers and soundtracks to your videos\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eSo, if you're new to Adobe Premiere Pro CC—or digital video editing in general—\u003ci\u003eAdobe Premiere Pro CC For Dummies\u003c\/i\u003e is the first and last resource you'll need to start editing like a pro.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIntroduction\u003c\/b\u003e\u003cb\u003e 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAbout this Book 1\u003c\/p\u003e \u003cp\u003eHow this book is organized 2\u003c\/p\u003e \u003cp\u003eIcons Used in the Book 3\u003c\/p\u003e \u003cp\u003eBeyond the book 4\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 1: Getting Familiar with the Adobe Premiere Pro Universe\u003c\/b\u003e\u003cb\u003e 5\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1: Perusing the Premiere Pro Landscape\u003c\/b\u003e\u003cb\u003e 7\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUnderstanding What Premiere Pro Can Do 8\u003c\/p\u003e \u003cp\u003eDissecting the Workspace 8\u003c\/p\u003e \u003cp\u003eBreaking down the interface 9\u003c\/p\u003e \u003cp\u003eIngesting and Editing 9\u003c\/p\u003e \u003cp\u003eUnderstanding the panels 10\u003c\/p\u003e \u003cp\u003eGetting around the workspace 10\u003c\/p\u003e \u003cp\u003eHaving a Panel Discussion 11\u003c\/p\u003e \u003cp\u003eKnowing the Project panel 11\u003c\/p\u003e \u003cp\u003eSpending some time with the Timeline panel 13\u003c\/p\u003e \u003cp\u003eMaking the most of the Source and Program Monitors 14\u003c\/p\u003e \u003cp\u003eGrasping the Effects and Effect Controls panels 15\u003c\/p\u003e \u003cp\u003eFeeling out the other panels 16\u003c\/p\u003e \u003cp\u003eUsing the libraries 18\u003c\/p\u003e \u003cp\u003eTooling Around the Toolbar 18\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2: Understanding the Premiere Pro Workspace\u003c\/b\u003e\u003cb\u003e 21\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIdentifying Your Needs 22\u003c\/p\u003e \u003cp\u003eWorking with your computer platform 22\u003c\/p\u003e \u003cp\u003eAre you a Mac? 22\u003c\/p\u003e \u003cp\u003eOr are you a PC? 24\u003c\/p\u003e \u003cp\u003eNaming PC models is a little harder 24\u003c\/p\u003e \u003cp\u003eThe systems are not that far apart 26\u003c\/p\u003e \u003cp\u003eLook before you leap on your PC 26\u003c\/p\u003e \u003cp\u003eUnderstanding Workstation Requirements 27\u003c\/p\u003e \u003cp\u003eDetermining if your computer is right 28\u003c\/p\u003e \u003cp\u003eBreaking down the differences between Mac and PC 29\u003c\/p\u003e \u003cp\u003eRespecting the graphics card 29\u003c\/p\u003e \u003cp\u003eNeeding GPU acceleration 30\u003c\/p\u003e \u003cp\u003eRandom access memory 30\u003c\/p\u003e \u003cp\u003eMore Hard Drive Space, Please 30\u003c\/p\u003e \u003cp\u003eSolid-state drives 31\u003c\/p\u003e \u003cp\u003eConventional hard drives 31\u003c\/p\u003e \u003cp\u003eNot all hard drives are created equal 32\u003c\/p\u003e \u003cp\u003eScratch disks 32\u003c\/p\u003e \u003cp\u003eManaging other computer components 33\u003c\/p\u003e \u003cp\u003eKeying into keyboard types 33\u003c\/p\u003e \u003cp\u003eEeek, a mouse! 33\u003c\/p\u003e \u003cp\u003eUSB-C is the new black 34\u003c\/p\u003e \u003cp\u003eLooking at Capture Gear 34\u003c\/p\u003e \u003cp\u003eSmartphone capture 34\u003c\/p\u003e \u003cp\u003eTop-of-the-line video cameras 35\u003c\/p\u003e \u003cp\u003eBroadcast video camera 36\u003c\/p\u003e \u003cp\u003eConsumer-level camcorders 36\u003c\/p\u003e \u003cp\u003eDigital single-lens reflex 37\u003c\/p\u003e \u003cp\u003ePoint-and-shoot video options 37\u003c\/p\u003e \u003cp\u003eMirrorless camera 38\u003c\/p\u003e \u003cp\u003eGoing GoPro 39\u003c\/p\u003e \u003cp\u003eCard readers and capture devices 39\u003c\/p\u003e \u003cp\u003eAudio recorders 40\u003c\/p\u003e \u003cp\u003eGoing to the videotape 40\u003c\/p\u003e \u003cp\u003eDefining Users 41\u003c\/p\u003e \u003cp\u003eNeophyte user 42\u003c\/p\u003e \u003cp\u003eIntermediate 42\u003c\/p\u003e \u003cp\u003eProfessional photographer 42\u003c\/p\u003e \u003cp\u003eVideo enthusiast 43\u003c\/p\u003e \u003cp\u003eSocial media influencer 43\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3: Adjusting Premiere Pro to Suit Your Needs\u003c\/b\u003e\u003cb\u003e 45\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSetting Up Your Workspace 45\u003c\/p\u003e \u003cp\u003eSubscribing and installing software 46\u003c\/p\u003e \u003cp\u003eFeeling welcome 46\u003c\/p\u003e \u003cp\u003eUsing workspace presets 46\u003c\/p\u003e \u003cp\u003eEdit workspace order 49\u003c\/p\u003e \u003cp\u003eAdding a clip description 49\u003c\/p\u003e \u003cp\u003eCustomizing and saving your workspace 49\u003c\/p\u003e \u003cp\u003eMoving panels 50\u003c\/p\u003e \u003cp\u003eSaving your workspace 50\u003c\/p\u003e \u003cp\u003eHiding workspace presets 51\u003c\/p\u003e \u003cp\u003eUsing a second monitor 51\u003c\/p\u003e \u003cp\u003eUsing your iPad as a second monitor 52\u003c\/p\u003e \u003cp\u003eSet up your iPad monitor 53\u003c\/p\u003e \u003cp\u003eUsing a broadcast monitor 53\u003c\/p\u003e \u003cp\u003eBreaking down keyboard shortcuts 54\u003c\/p\u003e \u003cp\u003ePersonalizing keyboard commands 55\u003c\/p\u003e \u003cp\u003eSingle Key shortcuts 56\u003c\/p\u003e \u003cp\u003eUsing a skin 56\u003c\/p\u003e \u003cp\u003eSetting your scratch disk 56\u003c\/p\u003e \u003cp\u003eRender files 57\u003c\/p\u003e \u003cp\u003ePointing in the right direction 57\u003c\/p\u003e \u003cp\u003eTweaking Program Settings 57\u003c\/p\u003e \u003cp\u003eSetting preferences 58\u003c\/p\u003e \u003cp\u003eOptimizing performance 60\u003c\/p\u003e \u003cp\u003eFine-tuning your setup 60\u003c\/p\u003e \u003cp\u003eCustomizing the Windows 61\u003c\/p\u003e \u003cp\u003eDoing the panel dance 61\u003c\/p\u003e \u003cp\u003eSizing the monitor 61\u003c\/p\u003e \u003cp\u003eWhat’s inside counts 62\u003c\/p\u003e \u003cp\u003eAdjusting the timeline 63\u003c\/p\u003e \u003cp\u003eModifying the Project panel 63\u003c\/p\u003e \u003cp\u003eFreestyling with Freeform 63\u003c\/p\u003e \u003cp\u003eUnderstanding the Audio Mixers 64\u003c\/p\u003e \u003cp\u003eAudio Clip Mixer 66\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 2: Gathering Content\u003c\/b\u003e\u003cb\u003e 67\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4: Sorting Out the Elements of Video Production\u003c\/b\u003e\u003cb\u003e 69\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDefining Digitized Video 69\u003c\/p\u003e \u003cp\u003eBinary refinery 70\u003c\/p\u003e \u003cp\u003eDigital Video 70\u003c\/p\u003e \u003cp\u003eHigh Definition is the flavor of the day 71\u003c\/p\u003e \u003cp\u003eFawning over 4K 71\u003c\/p\u003e \u003cp\u003eVying with VHS 72\u003c\/p\u003e \u003cp\u003eExplaining Digital Video Fundamentals 72\u003c\/p\u003e \u003cp\u003eUnderstanding how video works 72\u003c\/p\u003e \u003cp\u003eDealing with aspect ratio 73\u003c\/p\u003e \u003cp\u003eFrame rates 73\u003c\/p\u003e \u003cp\u003eUnderstanding timecode 74\u003c\/p\u003e \u003cp\u003eUnderstanding formats 74\u003c\/p\u003e \u003cp\u003eBreaking down the best file types 74\u003c\/p\u003e \u003cp\u003eCapturing Great Video 75\u003c\/p\u003e \u003cp\u003eControlling the camera 75\u003c\/p\u003e \u003cp\u003eArranging the scene 77\u003c\/p\u003e \u003cp\u003eUnderstanding shot lingo 79\u003c\/p\u003e \u003cp\u003eLighting the scene 80\u003c\/p\u003e \u003cp\u003eWaiting for the sun 80\u003c\/p\u003e \u003cp\u003eCommunicating through light 81\u003c\/p\u003e \u003cp\u003eOn-camera video lights 81\u003c\/p\u003e \u003cp\u003eThe French call it mise-en-scène 83\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 5: Prepping Your Movie Projects\u003c\/b\u003e\u003cb\u003e 85\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eStarting Your Project 86\u003c\/p\u003e \u003cp\u003eCreating a project 86\u003c\/p\u003e \u003cp\u003eOpening an existing project 88\u003c\/p\u003e \u003cp\u003eTweaking the Settings 88\u003c\/p\u003e \u003cp\u003eProject settings 88\u003c\/p\u003e \u003cp\u003eTitle safe margins 89\u003c\/p\u003e \u003cp\u003eGetting those preferences right 89\u003c\/p\u003e \u003cp\u003eTimeline preferences 91\u003c\/p\u003e \u003cp\u003eAuto Save preferences 91\u003c\/p\u003e \u003cp\u003ePlayback preferences 92\u003c\/p\u003e \u003cp\u003eScratching the scratch drive surface 92\u003c\/p\u003e \u003cp\u003eMaking a Sequence 94\u003c\/p\u003e \u003cp\u003eSetting each sequence 94\u003c\/p\u003e \u003cp\u003eMaking a custom setting 94\u003c\/p\u003e \u003cp\u003eAdjusting the Timeline 96\u003c\/p\u003e \u003cp\u003eIncreasing the height of the video and audio tracks 97\u003c\/p\u003e \u003cp\u003eFill the screen with a panel 98\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 6: Importing Media into a Project\u003c\/b\u003e\u003cb\u003e 101\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eStarting Your Project 102\u003c\/p\u003e \u003cp\u003eIngesting media 102\u003c\/p\u003e \u003cp\u003eAdobe Bridge 103\u003c\/p\u003e \u003cp\u003eTransferring from a card reader 103\u003c\/p\u003e \u003cp\u003eEditing directly from a card 105\u003c\/p\u003e \u003cp\u003eCapturing tape from a camcorder 105\u003c\/p\u003e \u003cp\u003eDownloading clips 107\u003c\/p\u003e \u003cp\u003eImporting media 107\u003c\/p\u003e \u003cp\u003eAdding music and audio clips 108\u003c\/p\u003e \u003cp\u003eRecording ADR 108\u003c\/p\u003e \u003cp\u003eSound effects 108\u003c\/p\u003e \u003cp\u003eAdding a soundtrack 109\u003c\/p\u003e \u003cp\u003eFinding the right music 109\u003c\/p\u003e \u003cp\u003eGrabbing royalty-free music from the web 110\u003c\/p\u003e \u003cp\u003ePrepping still images for the timeline 111\u003c\/p\u003e \u003cp\u003eOrganizing Media 112\u003c\/p\u003e \u003cp\u003eCreating bins 113\u003c\/p\u003e \u003cp\u003eColor coding your bins 113\u003c\/p\u003e \u003cp\u003eTagging with metadata 113\u003c\/p\u003e \u003cp\u003eUnderstanding data types 115\u003c\/p\u003e \u003cp\u003eMove it on over 115\u003c\/p\u003e \u003cp\u003eEntering data 116\u003c\/p\u003e \u003cp\u003eBins versus tags 116\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 3: Editing Your Masterpiece\u003c\/b\u003e\u003cb\u003e 117\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 7: Preparing Your Video for Editing\u003c\/b\u003e\u003cb\u003e 119\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGetting the Lowdown on Your Clips 120\u003c\/p\u003e \u003cp\u003eAnalyzing clip details 120\u003c\/p\u003e \u003cp\u003eKeeping bins lean and clean 121\u003c\/p\u003e \u003cp\u003ePlaying clips smoothly 121\u003c\/p\u003e \u003cp\u003eAltering playback resolution 122\u003c\/p\u003e \u003cp\u003eKnowing how far can you go 122\u003c\/p\u003e \u003cp\u003eChanging playback resolution 123\u003c\/p\u003e \u003cp\u003eWorking the In and Out Points 123\u003c\/p\u003e \u003cp\u003eSetting In and Out points 123\u003c\/p\u003e \u003cp\u003eUsing markers 125\u003c\/p\u003e \u003cp\u003eMore than a bookmark 125\u003c\/p\u003e \u003cp\u003eTypes of markers 125\u003c\/p\u003e \u003cp\u003eMaking your mark 126\u003c\/p\u003e \u003cp\u003eThe Markers panel 127\u003c\/p\u003e \u003cp\u003eModifying Clips 128\u003c\/p\u003e \u003cp\u003eScrubbing through the clip 128\u003c\/p\u003e \u003cp\u003eUsing keys 128\u003c\/p\u003e \u003cp\u003eUsing the arrow keys 128\u003c\/p\u003e \u003cp\u003eMarking the scrubbed clip 128\u003c\/p\u003e \u003cp\u003eAdjusting clip duration 129\u003c\/p\u003e \u003cp\u003eChanging speeds 129\u003c\/p\u003e \u003cp\u003eRate Stretch tool 130\u003c\/p\u003e \u003cp\u003eHere’s how to use it 130\u003c\/p\u003e \u003cp\u003eReversing the action 130\u003c\/p\u003e \u003cp\u003eUnderstanding Clip\/Speed Duration 131\u003c\/p\u003e \u003cp\u003eRippling through the Ripple tools 131\u003c\/p\u003e \u003cp\u003eRipple Edit tool 132\u003c\/p\u003e \u003cp\u003eThe Rolling Edit tool 132\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 8: Editing in the Timeline\u003c\/b\u003e\u003cb\u003e 133\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eManaging Your Sequence 134\u003c\/p\u003e \u003cp\u003ePopulating the timeline 134\u003c\/p\u003e \u003cp\u003eAdding clips 134\u003c\/p\u003e \u003cp\u003eBacking it up a bit 135\u003c\/p\u003e \u003cp\u003eMoving clips 136\u003c\/p\u003e \u003cp\u003eDragging clips into the timeline 136\u003c\/p\u003e \u003cp\u003eAdding clips through the Program panel 136\u003c\/p\u003e \u003cp\u003eSource Patching and Targeting 137\u003c\/p\u003e \u003cp\u003eWhat you drag isn’t always what you get 138\u003c\/p\u003e \u003cp\u003eFine Tuning Your Clips 139\u003c\/p\u003e \u003cp\u003eTrimming clips 139\u003c\/p\u003e \u003cp\u003eHandling enough clip frames to trim 140\u003c\/p\u003e \u003cp\u003eNaming clips 140\u003c\/p\u003e \u003cp\u003eExpanding to see waveforms 141\u003c\/p\u003e \u003cp\u003eFreezing frames 141\u003c\/p\u003e \u003cp\u003eChoosing Insert Frame Hold Segment 143\u003c\/p\u003e \u003cp\u003eAdvanced Timeline Tricks 143\u003c\/p\u003e \u003cp\u003eMore advanced clip movement 143\u003c\/p\u003e \u003cp\u003eUsing the Track Select tool 143\u003c\/p\u003e \u003cp\u003eOverwrite a clip with an adjacent clip 143\u003c\/p\u003e \u003cp\u003eConsidering the three-point edit 144\u003c\/p\u003e \u003cp\u003eBack-timing edits 145\u003c\/p\u003e \u003cp\u003eTrying a four-point edit 146\u003c\/p\u003e \u003cp\u003eMaking the right choice 147\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 9: Transitioning between Clips\u003c\/b\u003e\u003cb\u003e 149\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eChoosing Effective Transitions 150\u003c\/p\u003e \u003cp\u003ePerusing the transition palette 151\u003c\/p\u003e \u003cp\u003eWhy do you need transitions? 151\u003c\/p\u003e \u003cp\u003eGrasping Transition 101 153\u003c\/p\u003e \u003cp\u003eSetting default transitions 155\u003c\/p\u003e \u003cp\u003eApply default transitions 156\u003c\/p\u003e \u003cp\u003eControlling transitions 156\u003c\/p\u003e \u003cp\u003eUsing clip handles 158\u003c\/p\u003e \u003cp\u003eAdvanced Transition Techniques 158\u003c\/p\u003e \u003cp\u003ePlanning for your transitions 159\u003c\/p\u003e \u003cp\u003eThe one-sided transition 159\u003c\/p\u003e \u003cp\u003eDifferentiating transitions in the timeline 159\u003c\/p\u003e \u003cp\u003eChanging and deleting transitions 159\u003c\/p\u003e \u003cp\u003eCopying and pasting transitions 160\u003c\/p\u003e \u003cp\u003ePlug in to your transitions 160\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 10: Finishing Your Edited Video\u003c\/b\u003e\u003cb\u003e 161\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eExercising Video Correction 161\u003c\/p\u003e \u003cp\u003eFixing exposure issues 162\u003c\/p\u003e \u003cp\u003eTweaking those tones 162\u003c\/p\u003e \u003cp\u003eAdjusting color 163\u003c\/p\u003e \u003cp\u003eCropping to fill the frame 163\u003c\/p\u003e \u003cp\u003eWhat can you do about it? 164\u003c\/p\u003e \u003cp\u003eCorrecting Color and Tone 165\u003c\/p\u003e \u003cp\u003eGrasping Lumetri Color 165\u003c\/p\u003e \u003cp\u003eUnderstanding the Lumetri Color Landscape 166\u003c\/p\u003e \u003cp\u003eAdjusting tone 167\u003c\/p\u003e \u003cp\u003eMaking a quick correction 169\u003c\/p\u003e \u003cp\u003eCodec limits 170\u003c\/p\u003e \u003cp\u003eUsing color for style 170\u003c\/p\u003e \u003cp\u003eMatching color in the scene 171\u003c\/p\u003e \u003cp\u003eUsing Video Scopes 171\u003c\/p\u003e \u003cp\u003eAccessing the scopes 172\u003c\/p\u003e \u003cp\u003eDifferent scopes for different folks 173\u003c\/p\u003e \u003cp\u003eDefining the “scope” of terms 174\u003c\/p\u003e \u003cp\u003eExploring Some Advanced Techniques 175\u003c\/p\u003e \u003cp\u003eMaking adjustment layers 175\u003c\/p\u003e \u003cp\u003eMaking an informed decision 176\u003c\/p\u003e \u003cp\u003eUsing Comparison view 176\u003c\/p\u003e \u003cp\u003eRemoving a color cast 177\u003c\/p\u003e \u003cp\u003eAdding punch to the clip 178\u003c\/p\u003e \u003cp\u003eQuickly correct luminance 178\u003c\/p\u003e \u003cp\u003eColor correction with an Adjustment Layer 179\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 11: Constructing the Video Composite\u003c\/b\u003e\u003cb\u003e 181\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUnderstanding Compositing 182\u003c\/p\u003e \u003cp\u003eLayering clips 182\u003c\/p\u003e \u003cp\u003eAdjusting opacity to reveal 183\u003c\/p\u003e \u003cp\u003eMessing with opacity 183\u003c\/p\u003e \u003cp\u003eUsing the Opacity and Blend modes 184\u003c\/p\u003e \u003cp\u003eStriking the right balance between clips 184\u003c\/p\u003e \u003cp\u003eLet’s look at the Blend modes 187\u003c\/p\u003e \u003cp\u003eIntroducing the Blend modes 187\u003c\/p\u003e \u003cp\u003eApplying a Blend mode to an adjustment layer 192\u003c\/p\u003e \u003cp\u003eTransform effect and adjustment layers 192\u003c\/p\u003e \u003cp\u003eMerging clips in a nest 192\u003c\/p\u003e \u003cp\u003eWorking with the nested clip 193\u003c\/p\u003e \u003cp\u003eUnderstanding alpha channels 193\u003c\/p\u003e \u003cp\u003eCreating an image mask 195\u003c\/p\u003e \u003cp\u003eWorking with Keyframes 195\u003c\/p\u003e \u003cp\u003eHow keyframes work 195\u003c\/p\u003e \u003cp\u003eKeyframing in action 196\u003c\/p\u003e \u003cp\u003eCompositing with Special Effects 199\u003c\/p\u003e \u003cp\u003eKeen on green screen 199\u003c\/p\u003e \u003cp\u003eBlue too for chroma 199\u003c\/p\u003e \u003cp\u003eShooting your very own chroma key 199\u003c\/p\u003e \u003cp\u003ePutting your green-screen composite together 201\u003c\/p\u003e \u003cp\u003eFine-tuning your key 202\u003c\/p\u003e \u003cp\u003eLayering video 202\u003c\/p\u003e \u003cp\u003eMaking clips side-by-side 204\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 12: Choosing Cool Effects for Your Movie\u003c\/b\u003e\u003cb\u003e 207\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUnderstanding Effects 207\u003c\/p\u003e \u003cp\u003eEnhancing the look of your video 208\u003c\/p\u003e \u003cp\u003eImproving the scene with Lighting Effects 208\u003c\/p\u003e \u003cp\u003eControlling Lighting Effects 209\u003c\/p\u003e \u003cp\u003eBreaking down light types 210\u003c\/p\u003e \u003cp\u003eScaling video 212\u003c\/p\u003e \u003cp\u003eCropping video 214\u003c\/p\u003e \u003cp\u003eMaking Corrections 215\u003c\/p\u003e \u003cp\u003eDealing with shaky footage 215\u003c\/p\u003e \u003cp\u003eUnderstanding Warp Stabilization 215\u003c\/p\u003e \u003cp\u003eWarp Stabilization settings 216\u003c\/p\u003e \u003cp\u003eBlurring video 217\u003c\/p\u003e \u003cp\u003eUsing Blur under a still image 217\u003c\/p\u003e \u003cp\u003eMaking video sharper 219\u003c\/p\u003e \u003cp\u003eCreating a mosaic 219\u003c\/p\u003e \u003cp\u003eRemoving effects 220\u003c\/p\u003e \u003cp\u003eAdding a timecode 221\u003c\/p\u003e \u003cp\u003ePlaying with Your Clips 222\u003c\/p\u003e \u003cp\u003eFlipping video 222\u003c\/p\u003e \u003cp\u003eChanging speeds 223\u003c\/p\u003e \u003cp\u003eTime lapsing your video 224\u003c\/p\u003e \u003cp\u003eTrying Turbulent Displace 224\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 13: Working with Audio\u003c\/b\u003e\u003cb\u003e 227\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUnderstanding Your Audio Needs 227\u003c\/p\u003e \u003cp\u003eSound matters 228\u003c\/p\u003e \u003cp\u003eDefining great sound 228\u003c\/p\u003e \u003cp\u003eAdjusting audio levels 229\u003c\/p\u003e \u003cp\u003eMixing audio 230\u003c\/p\u003e \u003cp\u003eGet those levels right 230\u003c\/p\u003e \u003cp\u003eSimplifying varying audio levels 231\u003c\/p\u003e \u003cp\u003eBeginning with Recording the Audio 232\u003c\/p\u003e \u003cp\u003eConsiderations for capturing audio 233\u003c\/p\u003e \u003cp\u003eBe aware of sound on the scene 233\u003c\/p\u003e \u003cp\u003eWorking with Audio in Your Movie 235\u003c\/p\u003e \u003cp\u003eLinking and unlinking tracks 235\u003c\/p\u003e \u003cp\u003eWorking with separate tracks 237\u003c\/p\u003e \u003cp\u003eNavigating the Essential Sound Panel 239\u003c\/p\u003e \u003cp\u003eUsing the Essential Sound panel 239\u003c\/p\u003e \u003cp\u003eWorking with audio tracks in the Essential Sound panel 240\u003c\/p\u003e \u003cp\u003eOrganization is key 241\u003c\/p\u003e \u003cp\u003eAssigning audio track roles 241\u003c\/p\u003e \u003cp\u003eDelving into the Dialogue presets 241\u003c\/p\u003e \u003cp\u003eLooking into the Music option 243\u003c\/p\u003e \u003cp\u003eEffecting the SFX track 244\u003c\/p\u003e \u003cp\u003eAdjusting Ambience 245\u003c\/p\u003e \u003cp\u003eMaking voices sound better 246\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 14: Dazzling with Titles and Graphics \u003c\/b\u003e\u003cb\u003e249\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUnderstanding Titles and Motion Graphics 250\u003c\/p\u003e \u003cp\u003eUsing the Text Tool 250\u003c\/p\u003e \u003cp\u003eNavigating the Essential Graphics panel 250\u003c\/p\u003e \u003cp\u003eBrowsing the templates 250\u003c\/p\u003e \u003cp\u003eUsing Text to Speech 251\u003c\/p\u003e \u003cp\u003eCreating a transcript 252\u003c\/p\u003e \u003cp\u003eCreating Captions 253\u003c\/p\u003e \u003cp\u003eUnderstanding Create Captions Controls 254\u003c\/p\u003e \u003cp\u003eEditing text 255\u003c\/p\u003e \u003cp\u003eEditing Graphics 255\u003c\/p\u003e \u003cp\u003eSearching for a graphic is easy 256\u003c\/p\u003e \u003cp\u003eThe Browse section 256\u003c\/p\u003e \u003cp\u003eThe Edit section 257\u003c\/p\u003e \u003cp\u003ePutting words on the screen 258\u003c\/p\u003e \u003cp\u003eBreaking down text adjustments 258\u003c\/p\u003e \u003cp\u003eReplacing fonts 258\u003c\/p\u003e \u003cp\u003eCreate graphics 260\u003c\/p\u003e \u003cp\u003eAdjusting graphics 260\u003c\/p\u003e \u003cp\u003eMaking a text layer 260\u003c\/p\u003e \u003cp\u003eCreating titles 261\u003c\/p\u003e \u003cp\u003eAdding static titles 261\u003c\/p\u003e \u003cp\u003eTitle Safe and Action Safe 262\u003c\/p\u003e \u003cp\u003eMaking a graphic title 263\u003c\/p\u003e \u003cp\u003eSmartening up your movie 263\u003c\/p\u003e \u003cp\u003eCrediting your movie 263\u003c\/p\u003e \u003cp\u003eArranging your opening movie credits 264\u003c\/p\u003e \u003cp\u003eClosing credits 265\u003c\/p\u003e \u003cp\u003eAdding credits to your movie 266\u003c\/p\u003e \u003cp\u003eMaking your own rolling credits 266\u003c\/p\u003e \u003cp\u003eIdentifying a subject with a lower third 270\u003c\/p\u003e \u003cp\u003eTweaking fonts 270\u003c\/p\u003e \u003cp\u003eMaking a (simple) motion title 271\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 4: Finishing Off Your Project\u003c\/b\u003e\u003cb\u003e 275\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 15: Finalizing Your Project\u003c\/b\u003e\u003cb\u003e 277\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eBeing Your Own QC Monitor 278\u003c\/p\u003e \u003cp\u003eWatching and studying 278\u003c\/p\u003e \u003cp\u003eAssuring clip continuity 278\u003c\/p\u003e \u003cp\u003eMatching audio levels 280\u003c\/p\u003e \u003cp\u003eChecking graphics and titles 280\u003c\/p\u003e \u003cp\u003ePreviewing the Timeline 280\u003c\/p\u003e \u003cp\u003eCasting a critical eye 281\u003c\/p\u003e \u003cp\u003eHaving gap insurance 281\u003c\/p\u003e \u003cp\u003eWatching on an external monitor 282\u003c\/p\u003e \u003cp\u003eViewing the meters 282\u003c\/p\u003e \u003cp\u003eListening on speakers 283\u003c\/p\u003e \u003cp\u003eBeing a good listener 283\u003c\/p\u003e \u003cp\u003eHearing with your eyes closed 283\u003c\/p\u003e \u003cp\u003eFine-Tuning Video for Export 284\u003c\/p\u003e \u003cp\u003ePre-export process 284\u003c\/p\u003e \u003cp\u003eBeing efficient 284\u003c\/p\u003e \u003cp\u003eBumping up the preview quality 285\u003c\/p\u003e \u003cp\u003eAvoiding crashes 286\u003c\/p\u003e \u003cp\u003eChecking the timeline closely 288\u003c\/p\u003e \u003cp\u003eDividing the export 288\u003c\/p\u003e \u003cp\u003eRelinking media 289\u003c\/p\u003e \u003cp\u003eGrabbing freeze frames 290\u003c\/p\u003e \u003cp\u003eHere’s how to make a freeze frame 291\u003c\/p\u003e \u003cp\u003eExporting a JPEG sequence 292\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 16: Kicking Out Your Movie \u003c\/b\u003e\u003cb\u003e295\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eExporting Your Movie 295\u003c\/p\u003e \u003cp\u003eFamiliarizing yourself with the Export panel 297\u003c\/p\u003e \u003cp\u003eChoosing a format 297\u003c\/p\u003e \u003cp\u003eIntroducing the presets 298\u003c\/p\u003e \u003cp\u003eUnderstand the top video file extensions 298\u003c\/p\u003e \u003cp\u003ePopular file formats 299\u003c\/p\u003e \u003cp\u003eChecking the Summary 300\u003c\/p\u003e \u003cp\u003eThe lower section of the Export panel 300\u003c\/p\u003e \u003cp\u003eBitrate Setting 300\u003c\/p\u003e \u003cp\u003eChecking the right boxes 301\u003c\/p\u003e \u003cp\u003eKnowing the difference between file containers and codecs 302\u003c\/p\u003e \u003cp\u003eSetting output names for delivery 303\u003c\/p\u003e \u003cp\u003eChoosing the Right File Format for Your Needs 304\u003c\/p\u003e \u003cp\u003eExporting uncompressed video as a master file 304\u003c\/p\u003e \u003cp\u003ePre-export checklist 305\u003c\/p\u003e \u003cp\u003eExporting a portion of the movie 306\u003c\/p\u003e \u003cp\u003ePointing the file to a folder 306\u003c\/p\u003e \u003cp\u003eSaving settings for future exports 306\u003c\/p\u003e \u003cp\u003eConverting outside Premiere Pro 307\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 17: Spanning the Globe with Your Movie\u003c\/b\u003e\u003cb\u003e 309\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eShowing Your Movie 310\u003c\/p\u003e \u003cp\u003eOn your computer 310\u003c\/p\u003e \u003cp\u003eWatching on a smartphone 310\u003c\/p\u003e \u003cp\u003eTablet viewing 311\u003c\/p\u003e \u003cp\u003eProjecting on a screen 311\u003c\/p\u003e \u003cp\u003ePlaying on a home theater 312\u003c\/p\u003e \u003cp\u003eCast a movie on your iPhone or iPad 313\u003c\/p\u003e \u003cp\u003eA warning about intellectual property 313\u003c\/p\u003e \u003cp\u003eUsing the World’s Largest Screening Room 314\u003c\/p\u003e \u003cp\u003eUploading your movie 314\u003c\/p\u003e \u003cp\u003eSharing videos on YouTube 315\u003c\/p\u003e \u003cp\u003eSharing video on Vimeo 317\u003c\/p\u003e \u003cp\u003eUsing Social Media 320\u003c\/p\u003e \u003cp\u003eShowing your movie on Facebook 321\u003c\/p\u003e \u003cp\u003eInstagram 321\u003c\/p\u003e \u003cp\u003eTwitter video is meant to be short 323\u003c\/p\u003e \u003cp\u003eTwitter video upload requirements 324\u003c\/p\u003e \u003cp\u003eTikTok 324\u003c\/p\u003e \u003cp\u003eSharing your Movie 325\u003c\/p\u003e \u003cp\u003eWeTransfer 325\u003c\/p\u003e \u003cp\u003eiCloud 326\u003c\/p\u003e \u003cp\u003eiCloud Drive 326\u003c\/p\u003e \u003cp\u003eDropbox 327\u003c\/p\u003e \u003cp\u003eHightail 327\u003c\/p\u003e \u003cp\u003eGoogle Drive 327\u003c\/p\u003e \u003cp\u003eGoing Old School 328\u003c\/p\u003e \u003cp\u003eBurning to DVD 328\u003c\/p\u003e \u003cp\u003eDVD creation software 330\u003c\/p\u003e \u003cp\u003eExport to tape 330\u003c\/p\u003e \u003cp\u003eColor bars 331\u003c\/p\u003e \u003cp\u003eAdding a good leader 332\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 5: The Part of Tens\u003c\/b\u003e\u003cb\u003e 333\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 18: Ten Ideas for Making Fantastic Movies\u003c\/b\u003e\u003cb\u003e 335\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMaking Your Own \u003ci\u003eBrady Bunch \u003c\/i\u003eOpening (Or Something Like It) 336\u003c\/p\u003e \u003cp\u003eExploiting Montage Editing 337\u003c\/p\u003e \u003cp\u003eShowing Restraint While Using Plug-ins 338\u003c\/p\u003e \u003cp\u003eTransforming Your Movie to Film Noir 339\u003c\/p\u003e \u003cp\u003eMaking Still Images Move (The Ken Burns Effect) 340\u003c\/p\u003e \u003cp\u003eAdding a voiceover 340\u003c\/p\u003e \u003cp\u003eProducing Your Own News Segment 341\u003c\/p\u003e \u003cp\u003eUsing Transitions to Help Tell the Story 342\u003c\/p\u003e \u003cp\u003eApplying a Filter Over Your Movie 343\u003c\/p\u003e \u003cp\u003eHaving Fun by Reversing Motion 344\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 19: Ten Essential Premiere Pro Plug-Ins\u003c\/b\u003e\u003cb\u003e 345\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eKnocking Out Your Movie with the Cine Punch Bundle 346\u003c\/p\u003e \u003cp\u003eRoll with Motion Array Premiere Pro Transitions 346\u003c\/p\u003e \u003cp\u003eMaking Your Still Photo “Pop” Using Photo Montage 2 347\u003c\/p\u003e \u003cp\u003eProducing the Look of Film Stock with Film Convert Nitrate 347\u003c\/p\u003e \u003cp\u003eEmulating \u003ci\u003eStar Wars \u003c\/i\u003eOpening Titles with the Free Star Titler 347\u003c\/p\u003e \u003cp\u003eSweetening Up Audio with Accusonus ERA 5 Bundle 348\u003c\/p\u003e \u003cp\u003ePrettying Up Your Subject’s Skin Tones with Make Up Artist 3 348\u003c\/p\u003e \u003cp\u003eAdding Pizazz between Shots with Andy’s Swish Transitions 348\u003c\/p\u003e \u003cp\u003eMaking Seamless Time-Lapse and Slow-Motion Video with Flicker Free 349\u003c\/p\u003e \u003cp\u003eSimulating Beams of Light Coming through Portals with Light Rays 349\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 20: Ten Tips for Making Video Easier to Edit \u003c\/b\u003e\u003cb\u003e351\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eShooting Movies “Horizontally” with Your Smartphone 352\u003c\/p\u003e \u003cp\u003eProducing Better Video to Edit by Keeping It Steady 353\u003c\/p\u003e \u003cp\u003eShooting to Edit for Quicker Turnaround 354\u003c\/p\u003e \u003cp\u003eTaking Advantage of Natural Light 356\u003c\/p\u003e \u003cp\u003eHandling Each Shot for Your Edit 357\u003c\/p\u003e \u003cp\u003eSeeing True Video Quality with a Calibrated Monitor 358\u003c\/p\u003e \u003cp\u003eAdding Drives for Scratch Space 358\u003c\/p\u003e \u003cp\u003eDitching the Pinhole for a Microphone 359\u003c\/p\u003e \u003cp\u003eUsing an Audio Recorder for Great Sound 360\u003c\/p\u003e \u003cp\u003eConverting Master Files into the Right Format 360\u003c\/p\u003e \u003cp\u003eIndex 363\u003c\/p\u003e \u003cp\u003e\u003cb\u003eJohn Carucci \u003c\/b\u003eis not a celebrity, though he certainly brushes up against the stars of stage and screen on a regular basis in his role as an Entertainment TV Producer with the Associated Press. Along with hobnobbing with actors and musicians, John is also author of \u003ci\u003eDigital SLR Video \u0026amp; Filmmaking For Dummies\u003c\/i\u003e and two editions of \u003ci\u003eGoPro Cameras For Dummies\u003c\/i\u003e.\u003c\/p\u003e  \u003cp\u003e\u003cb\u003eSlice and dice your way to sensational video\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eShooting video clips is easy. Giving your clips a pro look, whether they’re destined for TikTok\u003csup\u003e®\u003c\/sup\u003e, YouTube\u003csup\u003e®\u003c\/sup\u003e, or for the big screen, requires some skill. This book walks you through the Adobe Premiere\u003csup\u003e®\u003c\/sup\u003e Pro CC video editing software and how to turn your clips into a video worth sharing. Look inside for guidance on setting up the program, lining up your video clips, and stitching them together to make a masterpiece. You’ll also learn how to save your video and upload it to social media (or just e-mail it to your grandma). \u003c\/p\u003e\u003cp\u003e\u003cb\u003eInside…\u003c\/b\u003e \u003c\/p\u003e\u003cul\u003e\u003cb\u003e\u003cli\u003e Add video clips to a timeline\u003c\/li\u003e \u003cli\u003eEdit clips and add transitions\u003c\/li\u003e \u003cli\u003eImprove sound quality\u003c\/li\u003e \u003cli\u003eCorrect video tone and color\u003c\/li\u003e \u003cli\u003eCompose and light shots\u003c\/li\u003e \u003cli\u003eOrganize and manage footage\u003c\/li\u003e \u003cli\u003eCreate composites and effects\u003c\/li\u003e\u003c\/b\u003e\u003c\/ul\u003e","brand":"For Dummies","offers":[{"title":"Default Title","offer_id":47988662206693,"sku":"NP9781119867494","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781119867494.jpg?v=1761781165","url":"https:\/\/k12savings.com\/products\/adobe-premiere-pro-cc-for-dummies-isbn-9781119867494","provider":"K12savings","version":"1.0","type":"link"}