{"product_id":"adobe-photoshop-cc-for-dummies-isbn-9781119711773","title":"Adobe Photoshop CC For Dummies","description":"\u003cp\u003e\u003cb\u003eGet picture perfect with Photoshop CC\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003ePhotoshop is a stunning program that puts the power of a professional photography studio into your hands, but it can also be a jungle to navigate—with a dense proliferation of menus, panels, shortcuts, plug-ins, and add-ons to get thoroughly lost in. Written by a literal Photoshop Hall of Famer, the new edition of \u003ci\u003ePhotoshop CC For Dummies\u003c\/i\u003e is your experienced guide to the technical terrain, slashing away the foliage for a clear picture of how to produce the perfectly framed and beautifully curated images you want.\u003c\/p\u003e \u003cp\u003eBeginning with an overview of the basic kit bag you need for your journey toward visual mastery, Peter Bauer—Photoshop instructor and an award-winning fine art photographer in his own right—shows you how to build your skills and enrich your creative palette with enhanced colors and tone, filters and layering, and even how undertake a foray into digital painting. Add in instructions on combining text with images and the how-tos of video and animation editing, and you have all the tools you need to carve out a one-person multimedia empire.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eMaster everything from the basics to professional insider tips\u003c\/li\u003e \u003cli\u003eCombine, layer, tone, and paint your images\u003c\/li\u003e \u003cli\u003eExplore the colorfully creative world of Photoshop filters\u003c\/li\u003e \u003cli\u003eFix common problems\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eYou'll find everything on the latest version of the software that you could dream of—and an improved shot at artistic success!\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIntroduction\u003c\/b\u003e\u003cb\u003e 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAbout This Book 1\u003c\/p\u003e \u003cp\u003eConventions Used in This Book 2\u003c\/p\u003e \u003cp\u003eIcons Used in This Book 3\u003c\/p\u003e \u003cp\u003eHow to Use This Book 3\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 1: Getting Started with Photoshop CC 5\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1: An Overview of Photoshop \u003c\/b\u003e\u003cb\u003e7\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eExploring Adobe Photoshop 7\u003c\/p\u003e \u003cp\u003eWhat Photoshop is designed to do 8\u003c\/p\u003e \u003cp\u003eOther things you can do with Photoshop 9\u003c\/p\u003e \u003cp\u003eViewing Photoshop’s Parts and Processes 10\u003c\/p\u003e \u003cp\u003eReviewing basic computer operations 10\u003c\/p\u003e \u003cp\u003ePhotoshop’s incredible selective Undo 12\u003c\/p\u003e \u003cp\u003eInstalling Photoshop: Need to know 14\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2: Knowing Just Enough about Digital Images\u003c\/b\u003e\u003cb\u003e 17\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWhat Exactly is a Digital Image? 18\u003c\/p\u003e \u003cp\u003eThe True Nature of Pixels 18\u003c\/p\u003e \u003cp\u003eHow Many Pixels Can Dance on the Head of a Pin? 21\u003c\/p\u003e \u003cp\u003eResolution revelations 21\u003c\/p\u003e \u003cp\u003eResolving image resolution 22\u003c\/p\u003e \u003cp\u003eFile Formats: Which Do You Need? 30\u003c\/p\u003e \u003cp\u003eFormats for digital photos 31\u003c\/p\u003e \u003cp\u003eFormats for web graphics 33\u003c\/p\u003e \u003cp\u003eFormats for commercial printing 34\u003c\/p\u003e \u003cp\u003eFormats for PowerPoint and Word 36\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3: Taking the Chef’s Tour of Your Photoshop Kitchen\u003c\/b\u003e\u003cb\u003e 37\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFood for Thought: How Things Work 38\u003c\/p\u003e \u003cp\u003eOrdering from the menus 39\u003c\/p\u003e \u003cp\u003eYour platter full of panels 40\u003c\/p\u003e \u003cp\u003eThe tools of your trade 42\u003c\/p\u003e \u003cp\u003eGet Cookin’ with Customization 44\u003c\/p\u003e \u003cp\u003eClearing the table: Custom workspaces 44\u003c\/p\u003e \u003cp\u003eSpoons can’t chop: Creating tool presets 47\u003c\/p\u003e \u003cp\u003eSeason to Taste: The Photoshop Settings 48\u003c\/p\u003e \u003cp\u003eStanding orders: Setting the Preferences 48\u003c\/p\u003e \u003cp\u003eEnsuring consistency: Color Settings 55\u003c\/p\u003e \u003cp\u003eWhen Good Programs Go Bad: Fixing Photoshop 57\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4: From Pics to Prints: Photoshop for Beginners\u003c\/b\u003e\u003cb\u003e 59\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eBringing Images into Photoshop 59\u003c\/p\u003e \u003cp\u003eDownloading from your digital camera 60\u003c\/p\u003e \u003cp\u003eScanning prints 61\u003c\/p\u003e \u003cp\u003eKeeping Your Images Organized 66\u003c\/p\u003e \u003cp\u003eCreating a folder structure 66\u003c\/p\u003e \u003cp\u003eUsing Adobe Bridge 67\u003c\/p\u003e \u003cp\u003eRenaming image files easily 69\u003c\/p\u003e \u003cp\u003ePrinting Your Images 71\u003c\/p\u003e \u003cp\u003eCropping to a specific aspect ratio 71\u003c\/p\u003e \u003cp\u003eRemembering resolution 73\u003c\/p\u003e \u003cp\u003eControlling color using File ➪ Print 74\u003c\/p\u003e \u003cp\u003eConsidering color management solutions 75\u003c\/p\u003e \u003cp\u003ePrinting alternatives 76\u003c\/p\u003e \u003cp\u003eSharing Your Images 77\u003c\/p\u003e \u003cp\u003eEmailing and AirDropping your images 78\u003c\/p\u003e \u003cp\u003eCreating PDFs and websites 78\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 2: Easy Enhancements for Digital Images 79\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 5: Making Tonality and Color Look Natural\u003c\/b\u003e\u003cb\u003e 81\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAdjusting Tonality to Make Your Images Pop 82\u003c\/p\u003e \u003cp\u003eHistograms Simplified 82\u003c\/p\u003e \u003cp\u003eUsing Photoshop’s Auto Corrections 84\u003c\/p\u003e \u003cp\u003eLevels and Curves and You 85\u003c\/p\u003e \u003cp\u003eLevel-headed you! 86\u003c\/p\u003e \u003cp\u003eTonal corrections with the eyedroppers 89\u003c\/p\u003e \u003cp\u003eAdjusting your curves without dieting 90\u003c\/p\u003e \u003cp\u003eGrabbing Even More Control 92\u003c\/p\u003e \u003cp\u003eUsing Shadows\/Highlights 93\u003c\/p\u003e \u003cp\u003eChanging exposure after the fact 96\u003c\/p\u003e \u003cp\u003eUsing Photoshop’s toning tools 96\u003c\/p\u003e \u003cp\u003eWhat is Color in Photoshop? 97\u003c\/p\u003e \u003cp\u003eWhich color mode should you choose? 98\u003c\/p\u003e \u003cp\u003eDoes a color model make a difference? 101\u003c\/p\u003e \u003cp\u003eWhy should you worry about color depth? 102\u003c\/p\u003e \u003cp\u003eMaking Color Adjustments in Photoshop 104\u003c\/p\u003e \u003cp\u003eChoosing color adjustment commands 106\u003c\/p\u003e \u003cp\u003eManual corrections in individual channels 117\u003c\/p\u003e \u003cp\u003eThe People Factor: Flesh Tone Formulas 118\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 6: The Adobe Camera Raw Plug-In\u003c\/b\u003e\u003cb\u003e 121\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUnderstanding the Raw Facts 121\u003c\/p\u003e \u003cp\u003eWhat’s the big deal about Raw? 123\u003c\/p\u003e \u003cp\u003eWorking in Raw 124\u003c\/p\u003e \u003cp\u003eThe Camera Raw Interface 126\u003c\/p\u003e \u003cp\u003eCamera Raw’s Tools and buttons 126\u003c\/p\u003e \u003cp\u003eThe histogram 132\u003c\/p\u003e \u003cp\u003eThe preview area 132\u003c\/p\u003e \u003cp\u003eWorkflow Options and presets 133\u003c\/p\u003e \u003cp\u003eMaking Adjustments in Camera Raw’s Edit Panel 134\u003c\/p\u003e \u003cp\u003eThe Basic section 134\u003c\/p\u003e \u003cp\u003eThe Curve section 137\u003c\/p\u003e \u003cp\u003eThe Detail section 137\u003c\/p\u003e \u003cp\u003eThe Color Mixer section 138\u003c\/p\u003e \u003cp\u003eThe Color Grading section 138\u003c\/p\u003e \u003cp\u003eThe Optics and Geometry sections 140\u003c\/p\u003e \u003cp\u003eThe Effects section 141\u003c\/p\u003e \u003cp\u003eThe Calibration section 141\u003c\/p\u003e \u003cp\u003eThe Camera Raw Cancel, Done, and Open buttons 142\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 7: Fine-Tuning Your Fixes\u003c\/b\u003e\u003cb\u003e 143\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWhat is a Selection? 144\u003c\/p\u003e \u003cp\u003eFeathering and Anti-aliasing 146\u003c\/p\u003e \u003cp\u003eMaking Your Selections with Tools 148\u003c\/p\u003e \u003cp\u003eMarquee selection tools 148\u003c\/p\u003e \u003cp\u003eLasso selection tools 152\u003c\/p\u003e \u003cp\u003eThe Object Selection tool 153\u003c\/p\u003e \u003cp\u003eThe Quick Selection tool 153\u003c\/p\u003e \u003cp\u003eThe Magic Wand tool 154\u003c\/p\u003e \u003cp\u003eSelect and Mask 155\u003c\/p\u003e \u003cp\u003eYour Selection Commands 156\u003c\/p\u003e \u003cp\u003eThe primary selection commands 157\u003c\/p\u003e \u003cp\u003eThe Color Range command 158\u003c\/p\u003e \u003cp\u003eThe Focus Area command 159\u003c\/p\u003e \u003cp\u003eThe Select ➪ Subject command 160\u003c\/p\u003e \u003cp\u003eThe Select ➪ Sky command 161\u003c\/p\u003e \u003cp\u003eSelection modification commands 161\u003c\/p\u003e \u003cp\u003eTransforming the shape of selections 161\u003c\/p\u003e \u003cp\u003eEdit in Quick Mask mode 163\u003c\/p\u003e \u003cp\u003eThe mask-related selection commands 164\u003c\/p\u003e \u003cp\u003eMasks: Not Just for Halloween Anymore 164\u003c\/p\u003e \u003cp\u003eSaving and loading selections 165\u003c\/p\u003e \u003cp\u003eEditing an alpha channel 165\u003c\/p\u003e \u003cp\u003eAdding masks to layers and Smart Objects 167\u003c\/p\u003e \u003cp\u003eMasking with vector paths 167\u003c\/p\u003e \u003cp\u003eAdjustment Layers: Controlling Changes 168\u003c\/p\u003e \u003cp\u003eAdding an adjustment layer 168\u003c\/p\u003e \u003cp\u003eLimiting your adjustments 170\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 8: Common Problems and Their Cures \u003c\/b\u003e\u003cb\u003e173\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMaking People Prettier 174\u003c\/p\u003e \u003cp\u003eGetting the red out digitally 174\u003c\/p\u003e \u003cp\u003eThe digital fountain of youth 175\u003c\/p\u003e \u003cp\u003eDieting digitally 176\u003c\/p\u003e \u003cp\u003eDe-glaring glasses 179\u003c\/p\u003e \u003cp\u003eWhitening teeth 179\u003c\/p\u003e \u003cp\u003eReducing Noise in Your Images 179\u003c\/p\u003e \u003cp\u003eDecreasing digital noise 180\u003c\/p\u003e \u003cp\u003eEliminating luminance noise 181\u003c\/p\u003e \u003cp\u003eFooling Around with Mother Nature 181\u003c\/p\u003e \u003cp\u003eRemoving the unwanted from photos 181\u003c\/p\u003e \u003cp\u003eEliminating the lean: Fixing perspective 185\u003c\/p\u003e \u003cp\u003eRotating images precisely 187\u003c\/p\u003e \u003cp\u003eAdding a beautiful sky 188\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 3: Creating “Art” in Photoshop 189\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 9: Combining Images\u003c\/b\u003e\u003cb\u003e 191\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCompositing Images: 1 + 1 = 1 192\u003c\/p\u003e \u003cp\u003eUnderstanding layers 192\u003c\/p\u003e \u003cp\u003eWhy you should use Smart Objects 194\u003c\/p\u003e \u003cp\u003eUsing the basic blending modes 195\u003c\/p\u003e \u003cp\u003eOpacity, transparency, and layer masks 198\u003c\/p\u003e \u003cp\u003eCreating clipping groups 199\u003c\/p\u003e \u003cp\u003eMaking composited elements look natural 200\u003c\/p\u003e \u003cp\u003eMaking Complex Selections 201\u003c\/p\u003e \u003cp\u003eVanishing Point 204\u003c\/p\u003e \u003cp\u003eCreating Panoramas with Photomerge 208\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 10: Precision Edges with Vector Paths\u003c\/b\u003e\u003cb\u003e 211\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003ePixels, Paths, and You 212\u003c\/p\u003e \u003cp\u003eEasy Vectors: Using Shapes 213\u003c\/p\u003e \u003cp\u003eYour basic shape tools 214\u003c\/p\u003e \u003cp\u003eThe Custom Shape tool 216\u003c\/p\u003e \u003cp\u003eMore custom shapes — free! 217\u003c\/p\u003e \u003cp\u003eChanging the appearance of the shape layer 219\u003c\/p\u003e \u003cp\u003eSimulating a multicolor shape layer 220\u003c\/p\u003e \u003cp\u003eUsing Your Pen Tool to Create Paths 221\u003c\/p\u003e \u003cp\u003eUnderstanding paths 222\u003c\/p\u003e \u003cp\u003eClicking and dragging your way down the path of knowledge 222\u003c\/p\u003e \u003cp\u003eA closer look at the Paths panel 226\u003c\/p\u003e \u003cp\u003eCustomizing Any Path 229\u003c\/p\u003e \u003cp\u003eAdding, deleting, and moving anchor points 230\u003c\/p\u003e \u003cp\u003eCombining paths 232\u003c\/p\u003e \u003cp\u003eTweaking type for a custom font 233\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 11: Dressing Up Images with Layer Styles\u003c\/b\u003e\u003cb\u003e 235\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWhat Are Layer Styles? 235\u003c\/p\u003e \u003cp\u003eUsing the Styles Panel 237\u003c\/p\u003e \u003cp\u003eCreating Custom Layer Styles 239\u003c\/p\u003e \u003cp\u003eExploring the Layer Style menu 239\u003c\/p\u003e \u003cp\u003eExploring the Layer Style dialog box 241\u003c\/p\u003e \u003cp\u003eLayer effects basics 242\u003c\/p\u003e \u003cp\u003eOpacity, fill, and advanced blending 251\u003c\/p\u003e \u003cp\u003eSaving Your Layer Styles 254\u003c\/p\u003e \u003cp\u003eAdding styles to the Styles panel 254\u003c\/p\u003e \u003cp\u003ePreserving your layer styles 255\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 12: Giving Your Images a Text Message\u003c\/b\u003e\u003cb\u003e 257\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMaking a Word Worth a Thousand Pixels 258\u003c\/p\u003e \u003cp\u003eA type tool for every season, or reason 260\u003c\/p\u003e \u003cp\u003eWhat are all those options? 262\u003c\/p\u003e \u003cp\u003eTaking control of your text with panels 266\u003c\/p\u003e \u003cp\u003eThe panel menus — even more options 269\u003c\/p\u003e \u003cp\u003eWorking with Styles 271\u003c\/p\u003e \u003cp\u003ePutting a picture in your text 272\u003c\/p\u003e \u003cp\u003eCreating Paragraphs with Type Containers 274\u003c\/p\u003e \u003cp\u003eSelecting alignment or justification 276\u003c\/p\u003e \u003cp\u003eReady, BREAK! Hyphenating your text 277\u003c\/p\u003e \u003cp\u003eShaping Up Your Language with Warp Text and Type on a Path 278\u003c\/p\u003e \u003cp\u003eApplying the predefined warps 278\u003c\/p\u003e \u003cp\u003eCustomizing the course with paths 279\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 13: Painting in Photoshop\u003c\/b\u003e\u003cb\u003e 283\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDiscovering Photoshop’s Painting Tools 284\u003c\/p\u003e \u003cp\u003ePainting with the Brush tool 286\u003c\/p\u003e \u003cp\u003eAdding color with the Pencil tool 289\u003c\/p\u003e \u003cp\u003eRemoving color with the Eraser tool 289\u003c\/p\u003e \u003cp\u003eWorking with Panels and Selecting Colors 290\u003c\/p\u003e \u003cp\u003eAn overview of options 290\u003c\/p\u003e \u003cp\u003eCreating and saving custom brush tips 293\u003c\/p\u003e \u003cp\u003ePicking a color 294\u003c\/p\u003e \u003cp\u003eFine Art Painting with Specialty Brush Tips and the Mixer Brush 297\u003c\/p\u003e \u003cp\u003eExploring erodible brush tips 297\u003c\/p\u003e \u003cp\u003eIntroducing airbrush and watercolor tips 297\u003c\/p\u003e \u003cp\u003eMixing things up with the Mixer Brush 298\u003c\/p\u003e \u003cp\u003eFilling, Stroking, Dumping, and Blending Colors 300\u003c\/p\u003e \u003cp\u003eDeleting and dumping to add color 300\u003c\/p\u003e \u003cp\u003eUsing gradients 301\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 14: Filters: The Fun Side of Photoshop \u003c\/b\u003e\u003cb\u003e305\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSmart Filters: Your Creative Insurance Policy 306\u003c\/p\u003e \u003cp\u003eThe Filters You Really Need 307\u003c\/p\u003e \u003cp\u003eSharpening to focus the eye 308\u003c\/p\u003e \u003cp\u003eUnsharp Mask 308\u003c\/p\u003e \u003cp\u003eSmart Sharpen 310\u003c\/p\u003e \u003cp\u003eShake Reduction 311\u003c\/p\u003e \u003cp\u003eBlurring images and selections 312\u003c\/p\u003e \u003cp\u003eThe other Blur filters 315\u003c\/p\u003e \u003cp\u003eCorrecting for the vagaries of lenses 316\u003c\/p\u003e \u003cp\u003eCleaning up with Reduce Noise 320\u003c\/p\u003e \u003cp\u003eGetting Creative and Artistic 321\u003c\/p\u003e \u003cp\u003ePhoto to painting with the Oil Paint filter 321\u003c\/p\u003e \u003cp\u003eWorking with the Filter Gallery 322\u003c\/p\u003e \u003cp\u003ePush, Pull, and Twist with Liquify 325\u003c\/p\u003e \u003cp\u003eWhat Are Neural Filters? 327\u003c\/p\u003e \u003cp\u003eThe original Neural Filters 328\u003c\/p\u003e \u003cp\u003eNeural Filters in public beta testing 329\u003c\/p\u003e \u003cp\u003eProposed Neural Filters 330\u003c\/p\u003e \u003cp\u003eDo I Need Those Other Filters? 330\u003c\/p\u003e \u003cp\u003eAdding drama with Lighting Effects 331\u003c\/p\u003e \u003cp\u003eMaximum and Minimum 331\u003c\/p\u003e \u003cp\u003eBending and bubbling 332\u003c\/p\u003e \u003cp\u003eCreating clouds 332\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 4: Power Photoshop 333\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 15: Streamlining Your Work in Photoshop\u003c\/b\u003e\u003cb\u003e 335\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eReady, Set, Action! 336\u003c\/p\u003e \u003cp\u003eRecording your own Actions 337\u003c\/p\u003e \u003cp\u003eWorking with the Batch command 342\u003c\/p\u003e \u003cp\u003eFind It Fast with Discover 344\u003c\/p\u003e \u003cp\u003eCreating Contact Sheets and Presentations 344\u003c\/p\u003e \u003cp\u003eCreating a PDF presentation 345\u003c\/p\u003e \u003cp\u003eCollecting thumbnails in a contact sheet 347\u003c\/p\u003e \u003cp\u003eScanning Multiple Photos in One Pass 349\u003c\/p\u003e \u003cp\u003eSticking to the Script 350\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 16: Working with Video and Animation\u003c\/b\u003e\u003cb\u003e 353\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eImporting and Enhancing Video Clips 353\u003c\/p\u003e \u003cp\u003eGetting video into Photoshop 354\u003c\/p\u003e \u003cp\u003eAdjusting the length of video and audio clips 356\u003c\/p\u003e \u003cp\u003eAdding adjustment layers and painting on video layers 357\u003c\/p\u003e \u003cp\u003eTransitioning, titling, and adding special effects 358\u003c\/p\u003e \u003cp\u003eTransforming video layers 361\u003c\/p\u003e \u003cp\u003eRendering and exporting video 361\u003c\/p\u003e \u003cp\u003eCreating Animations in Photoshop 362\u003c\/p\u003e \u003cp\u003eBuilding frame-based animations 362\u003c\/p\u003e \u003cp\u003eCreating frame content 363\u003c\/p\u003e \u003cp\u003eTweening to create intermediary frames 365\u003c\/p\u003e \u003cp\u003eSpecifying frame rate 366\u003c\/p\u003e \u003cp\u003eOptimizing and saving your animation 366\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 5: The Part of Tens 367\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 17: Ten Specialized Features of Photoshop CC\u003c\/b\u003e\u003cb\u003e 369\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUsing Smart Object Stack Modes 370\u003c\/p\u003e \u003cp\u003eThe Mean Stack Mode 372\u003c\/p\u003e \u003cp\u003eWorking with 3D Artwork 372\u003c\/p\u003e \u003cp\u003eCreating 3D objects 373\u003c\/p\u003e \u003cp\u003eAdding 3D objects 373\u003c\/p\u003e \u003cp\u003eRendering and saving 3D scenes 374\u003c\/p\u003e \u003cp\u003eMeasuring, Counting, and Analyzing Pixels 374\u003c\/p\u003e \u003cp\u003eMeasuring length, area, and more 374\u003c\/p\u003e \u003cp\u003eCalculating with Vanishing Point 376\u003c\/p\u003e \u003cp\u003eCounting crows or maybe avian flu 376\u003c\/p\u003e \u003cp\u003eViewing Your DICOM Medical Records 377\u003c\/p\u003e \u003cp\u003eIgnoring MATLAB 378\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 18: Ten Ways to Integrate Your iPad\u003c\/b\u003e\u003cb\u003e 379\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUsing Sidecar to Add an iPad to Your Screen 379\u003c\/p\u003e \u003cp\u003eSidecar System Requirements 380\u003c\/p\u003e \u003cp\u003eArranging Your iPad’s Screen 380\u003c\/p\u003e \u003cp\u003eMirroring the Screens 381\u003c\/p\u003e \u003cp\u003eMaximizing the Screen Space 381\u003c\/p\u003e \u003cp\u003eMaking Use of Photoshop on the iPad 382\u003c\/p\u003e \u003cp\u003eUsing the Cloud with Photoshop on the iPad and Desktop 383\u003c\/p\u003e \u003cp\u003eUsing Other Adobe iPad Apps 384\u003c\/p\u003e \u003cp\u003eDoes the iPad Replace My Wacom Tablet? 384\u003c\/p\u003e \u003cp\u003eSetting Wacom Tablet Preferences for Touch Keys and Touch Ring 385\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 19: Ten Things to Know about HDR\u003c\/b\u003e\u003cb\u003e 387\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUnderstanding HDR 387\u003c\/p\u003e \u003cp\u003eCapturing for Merge to HDR Pro 389\u003c\/p\u003e \u003cp\u003ePreparing Raw “Exposures” in Camera Raw 390\u003c\/p\u003e \u003cp\u003eWorking with Merge to HDR Pro 391\u003c\/p\u003e \u003cp\u003eSaving 32-Bit HDR Images 394\u003c\/p\u003e \u003cp\u003eHDR Toning 394\u003c\/p\u003e \u003cp\u003ePainting and the Color Picker in 32-Bit 395\u003c\/p\u003e \u003cp\u003eFilters and Adjustments in 32-Bit 396\u003c\/p\u003e \u003cp\u003eSelections and Editing in 32-Bit 397\u003c\/p\u003e \u003cp\u003ePrinting HDR Images 397\u003c\/p\u003e \u003cp\u003eAppendix: Photoshop CC’S Blending Modes 399\u003c\/p\u003e \u003cp\u003eIndex 403\u003c\/p\u003e  \u003cp\u003e\u003cb\u003ePeter Bauer\u003c\/b\u003e is a member of the Photoshop Hall of Fame and an award-winning fine-art photographer. The author of more than a dozen books on Adobe Photoshop, Adobe Illustrator, computer graphics, and photography, he is also the host of video-training titles at Lynda.com and a contributing writer for \u003ci\u003ePhotoshop User\u003c\/i\u003e magazine.   \u003c\/p\u003e\u003cul\u003e \u003cli\u003eDiagnose common image problems and fix them\u003c\/li\u003e \u003cli\u003eLearn to optimize color and tonality in photos\u003c\/li\u003e \u003cli\u003eAdd text and design elements for stunning layouts\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eBegin building your Photoshop sklls here\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003ePhotoshop CC isn't just for professional photographers and designers. Amateur photographers and non-designers also turn to this powerful tool to boost their hobbies or careers. Because Photoshop CC helps so many people do so many things, it can be a complex tool. You need a handbook to guide you through some of those complexities. This book helps you gain an understanding of Photoshop CC and take charge of the tools, menu commands, and shortcuts that will help you perfect your photos and designs. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eInside...\u003c\/b\u003e \u003c\/p\u003e\u003cul\u003e \u003cli\u003eConquering Photoshop basics\u003c\/li\u003e \u003cli\u003eUnderstanding digital image concepts\u003c\/li\u003e \u003cli\u003eGetting to know the tools\u003c\/li\u003e \u003cli\u003eCuring common problems\u003c\/li\u003e \u003cli\u003eEnhancing color and tonality\u003c\/li\u003e \u003cli\u003eCombining images\u003c\/li\u003e \u003cli\u003eStreamlining your work with automation\u003c\/li\u003e \u003cli\u003eApplying Neural Filters\u003c\/li\u003e \u003c\/ul\u003e","brand":"For Dummies","offers":[{"title":"Default Title","offer_id":47988662239461,"sku":"NP9781119711773","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781119711773.jpg?v=1761781166","url":"https:\/\/k12savings.com\/products\/adobe-photoshop-cc-for-dummies-isbn-9781119711773","provider":"K12savings","version":"1.0","type":"link"}