{"product_id":"a-companion-to-modernist-literature-and-culture-isbn-9781405188227","title":"A Companion to Modernist Literature and Culture","description":"The \u003ci\u003eCompanion\u003c\/i\u003e combines a broad grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of modernism.  \u003cul\u003e \u003cli\u003eAn essential resource for students and teachers of modernist literature and culture\u003c\/li\u003e \u003cli\u003eBroad in scope and comprehensive in coverage\u003c\/li\u003e \u003cli\u003eIncludes more than 60 contributions from some of the most distinguished modernist scholars on both sides of the Atlantic\u003c\/li\u003e \u003cli\u003eBrings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art\u003c\/li\u003e \u003cli\u003eFeatures 25 essays on the signal texts of modernist literature, from James Joyce’s \u003ci\u003eUlysses\u003c\/i\u003e to Zora Neal Hurston’s \u003ci\u003eTheir Eyes Were Watching God\u003c\/i\u003e\n\u003c\/li\u003e \u003cli\u003ePays close attention to both British and American modernism\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eNotes on Contributors xi\u003c\/p\u003e \u003cp\u003eIntroduction 1\u003cbr\u003e \u003ci\u003eKevin J. H. Dettmar\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I \u003c\/b\u003e\u003cb\u003eOrigins, Beginnings, and the New 7\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Philosophy 9\u003cbr\u003e \u003ci\u003eJean-Michel Rabaté\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 Religion 19\u003cbr\u003e \u003ci\u003ePericles Lewis\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Politics 29\u003cbr\u003e \u003ci\u003eTyrus Miller\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 The Physical Sciences 39\u003cbr\u003e \u003ci\u003eMichael H. Whitworth\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 The Biological Sciences 50\u003cbr\u003e \u003ci\u003eAngelique Richardson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 Technology 66\u003cbr\u003e \u003ci\u003eSara Danius\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7 Psychology 79\u003cbr\u003e \u003ci\u003ePerry Meisel\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 Anthropology 92\u003cbr\u003e \u003ci\u003ePatricia Rae\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 Obscenity and Censorship 103\u003cbr\u003e \u003ci\u003eDavid Bradshaw\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 Language 113\u003cbr\u003e \u003ci\u003eR. M. Berry\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 Geography 123\u003cbr\u003e \u003ci\u003eNico Israel\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 Publishing 133\u003cbr\u003e \u003ci\u003eMark S. Morrisson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 Sex and Sexuality 143\u003cbr\u003e \u003ci\u003eLiesl Olson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II \u003c\/b\u003e\u003cb\u003eMovements 153\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e14 Literary Symbolism 155\u003cbr\u003e \u003ci\u003eMarshall C. Olds\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 Dada 163\u003cbr\u003e \u003ci\u003eRobert Short\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 Futurism 169\u003cbr\u003e \u003ci\u003eTyrus Miller\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 Vorticism 176\u003cbr\u003e \u003ci\u003eAlan Munton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Imagism 183\u003cbr\u003e \u003ci\u003ePatrick McGuinness\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19 Surrealism 189\u003cbr\u003e \u003ci\u003eMary Ann Caws\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Expressionism 198\u003cbr\u003e \u003ci\u003eRichard Murphy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 Literary Impressionism 204\u003cbr\u003e \u003ci\u003eMax Saunders\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III \u003c\/b\u003e\u003cb\u003eModernist Genres and Modern Media 213\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e22 The Novel 215\u003cbr\u003e \u003ci\u003eJesse Matz\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 Poetry 227\u003cbr\u003e \u003ci\u003eAdam Parkes\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 Drama 237\u003cbr\u003e \u003ci\u003eStephen Watt\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 The Visual Arts 244\u003cbr\u003e \u003ci\u003eRichard Weston\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 Film 250\u003cbr\u003e \u003ci\u003eLaura Marcus\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 Music 258\u003cbr\u003e \u003ci\u003eBernard Gendron\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 Dance 265\u003cbr\u003e \u003ci\u003eSusan Jones\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 Architecture 272\u003cbr\u003e \u003ci\u003eLee Morrissey\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 Photography 278\u003cbr\u003e \u003ci\u003eMaggie Humm\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV \u003c\/b\u003e\u003cb\u003eReadings 285\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e31 W. H. Auden: Look, Stranger! 287\u003cbr\u003e \u003ci\u003eSteven Matthews\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e32 Djuna Barnes: Nightwood 297\u003cbr\u003e \u003ci\u003eRebecca Loncraine\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e33 Samuel Beckett: Murphy 306\u003cbr\u003e \u003ci\u003eH. Porter Abbott\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e34 Joseph Conrad: Heart of Darkness 314\u003cbr\u003e \u003ci\u003eBrian W. Shaffer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35 T. S. Eliot: The Waste Land 324\u003cbr\u003e \u003ci\u003eDavid Chinitz\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36 William Faulkner: The Sound and the Fury 333\u003cbr\u003e \u003ci\u003eKarl F. Zender\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e37 F. Scott Fitzgerald: The Great Gatsby 342\u003cbr\u003e \u003ci\u003eRuth Prigozy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e38 Ford Madox Ford: The Good Soldier 350\u003cbr\u003e \u003ci\u003eSara Haslam\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e39 The Poetry of H. D. 358\u003cbr\u003e \u003ci\u003eDiana Collecott\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e40 Langston Hughes: Fine Clothes to the Jew 367\u003cbr\u003e \u003ci\u003eEdward Brunner\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e41 Zora Neale Hurston: Their Eyes Were Watching God 376\u003cbr\u003e \u003ci\u003eCheryl A. Wall\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e42 James Joyce: Ulysses 384\u003cbr\u003e \u003ci\u003eMichael Patrick Gillespie\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e43 D. H. Lawrence: Women in Love 393\u003cbr\u003e \u003ci\u003eJoyce Piell Wexler\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e44 Wyndham Lewis: Tarr 402\u003cbr\u003e \u003ci\u003eAndrzej Gasiorek\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e45 Mina Loy: Lunar Baedecker 411\u003cbr\u003e \u003ci\u003eMichael Thurston\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e46 Marianne Moore: Observations 422\u003cbr\u003e \u003ci\u003eCatherine Paul\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e47 Ezra Pound: Hugh Selwyn Mauberley 431\u003cbr\u003e \u003ci\u003eMichael Coyle\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e48 Dorothy Richardson: Pilgrimage 440\u003cbr\u003e \u003ci\u003eLaura Marcus\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e49 Gertrude Stein: Three Lives 450\u003cbr\u003e \u003ci\u003eJaime Hovey\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e50 Wallace Stevens: Harmonium 459\u003cbr\u003e \u003ci\u003eJonathan Levin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e51 Nathanael West: Miss Lonelyhearts 469\u003cbr\u003e \u003ci\u003eJay Martin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e52 William Carlos Williams: Paterson 478\u003cbr\u003e \u003ci\u003eDaniel Morris\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e53 Virginia Woolf: To the Lighthouse 486\u003cbr\u003e \u003ci\u003ePamela L. Caughie\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e54 Richard Wright: Native Son 499\u003cbr\u003e \u003ci\u003eBill V. Mullen\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e55 W. B. Yeats: The Tower (1928) 507\u003cbr\u003e \u003ci\u003eEdward Larrissy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e56 Modernist Critical Prose 516\u003cbr\u003e \u003ci\u003eGary S. Wihl\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V \u003c\/b\u003e\u003cb\u003eOther Modernisms 525\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e57 Modernism and Race 527\u003cbr\u003e \u003ci\u003eMartha Jane Nadell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e58 Modernism and Gender 535\u003cbr\u003e \u003ci\u003eBonnie Kime Scott\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e59 Modernism Queered 542\u003cbr\u003e \u003ci\u003eLaura Doan and Jane Garrity\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e60 Postcolonial Modernism 551\u003cbr\u003e \u003ci\u003eBart Moore-Gilbert\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e61 Global Modernisms 558\u003cbr\u003e \u003ci\u003eMelba Cuddy-Keane\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e62 Postmodernism 565\u003cbr\u003e \u003ci\u003eBran Nicol\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eEpilogue: Modernism Now 571\u003cbr\u003e \u003ci\u003eMarjorie Perloff\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 579 \u003c\/p\u003e  \u003cb\u003eDavid Bradshaw\u003c\/b\u003e is Reader in English Literature at Oxford University and Hawthornden Fellow and Tutor in English Literature at Worcester College, Oxford. He has edited many works of modernist literature, including the Oxford World’s Classics editions of Lawrence’s \u003ci\u003eWomen in Love\u003c\/i\u003e (1998), Woolf’s \u003ci\u003eMrs Dalloway\u003c\/i\u003e (2000) and \u003ci\u003eTo The Lighthouse\u003c\/i\u003e (2006), and the Penguin Classics editions of Waugh’s \u003ci\u003eDecline and Fall\u003c\/i\u003e (2001) and \u003ci\u003eThe Good Soldier\u003c\/i\u003e (2002). He is also the editor of \u003ci\u003eA Concise Companion to Modernism\u003c\/i\u003e (Blackwell, 2003) and is Victorian and Modern Literature Editor of the \u003ci\u003eReview of English Studies\u003c\/i\u003e. \u003cbr\u003e \u003cp\u003e\u003cb\u003eKevin J. H. Dettmar\u003c\/b\u003e is W. M. Keck Distinguished Service Professor and Chair of English at Pomona College, California. He has written and edited a number of books, on James Joyce, modernist literature and culture, and rock \u0026amp; roll, edited the Barnes \u0026amp; Noble Classics edition of Joyce’s \u003ci\u003ePortrait of the Artist as a Young Man\u003c\/i\u003e and \u003ci\u003eDubliners\u003c\/i\u003e, and has served as President of the Modernist Studies Association. He is series editor, with Mark Wollaeger, of the Modernist Literature \u0026amp; Culture series published by Oxford University Press.\u003c\/p\u003e  \u003ci\u003eA Companion to Modernist Literature and Culture\u003c\/i\u003e is an essential resource for students and teachers of modernism. The volume brings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art. At its heart are 25 essays on the signal texts of modernist literature, from James Joyce’s \u003ci\u003eUlysses\u003c\/i\u003e to Zora Neale Hurston’s \u003ci\u003eTheir Eyes Were Watching God\u003c\/i\u003e. The more than 60 contributors include some of the most distinguished modernist scholars from both sides of the Atlantic. \u003cbr\u003e   \u003cp\u003eBroad in scope and comprehensive in coverage, this \u003ci\u003eCompanion\u003c\/i\u003e combines a thorough grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of these literary monuments. For this reason, both readers new to the subject and those who are already familiar with it will find the \u003ci\u003eCompanion\u003c\/i\u003e a valuable reference to which they will return time and again.\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47988612235493,"sku":"NP9781405188227","price":70.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781405188227.jpg?v=1761780970","url":"https:\/\/k12savings.com\/products\/a-companion-to-modernist-literature-and-culture-isbn-9781405188227","provider":"K12savings","version":"1.0","type":"link"}