{"product_id":"a-companion-to-federico-fellini-isbn-9781119431534","title":"A Companion to Federico Fellini","description":"\u003cp\u003e\u003cb\u003eA groundbreaking academic treatment of Fellini, provides new, expansive, and diverse perspectives on his films and influence\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe\u003ci\u003e Wiley Blackwell Companion to Federico Fellini \u003c\/i\u003epresents new methodologies and fresh insights for encountering, appreciating, and contextualizing the director’s films in the 21st century. A milestone in Fellini scholarship, this volume provides contributions by leading scholars, intellectuals, and filmmakers, as well as insights from collaborators and associates of the Italian director. Scholarly yet readable essays explore the fundamental aspects of Fellini’s works while addressing their contemporary relevance in contexts ranging from politics and the environment to gender, race, and sexual orientation.\u003c\/p\u003e \u003cp\u003eAs the centennial of Federico Fellini’s birth in approaches in 2020, this timely work provides new readings of Fellini’s films and illustrates Fellini’s importance as a filmmaker, artist,and major cultural figure. The text explores topics such as Fellini’s early cinematic experience, recurring themes and patterns in his films, his collaborations and influences, and his unique forms of cinematic expression. In a series of “Short Takes” sections, contributors look at specific films that have particular significance or personal relevance. Destined to become the standard research tool for Fellini studies, this volume:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOffers new theoretical frameworks, encounters, critiques, and interpretations of Fellini’s work\u003c\/li\u003e \u003cli\u003eDiscusses Fellini’s creativity outside of filmmaking, such as his graphic art and his \u003ci\u003eBook of Dreams\u003c\/i\u003e published after his death.\u003c\/li\u003e \u003cli\u003eExamines Fellini’s influence on artists not only in the English-speaking world but in places such as Turkey, Japan, South Asia, Russia, Cuba, North Africa.  \u003c\/li\u003e \u003cli\u003eDemonstrates the interrelationship between Fellini’s work and visual art, literature, fashion, marketing, and many other dimensions of both popular and high culture.\u003c\/li\u003e \u003cli\u003eFeatures personal testimonies from family, friends and associates of Fellini such as Francesca Fabbri Fellini, Gianfranco Angelucci, Valeria Ciangottini, and Lina Wertmüller\u003c\/li\u003e \u003cli\u003eIncludes an extensive appendix of freely accessible archival resources on Fellini’s work\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eThe\u003ci\u003e Wiley Blackwell Companion to Federico Fellini\u003c\/i\u003e is an indispensable resource for students, instructors, and scholars of Fellini, Italian cinema, cinema and art history, and all areas of film and media studies.\u003c\/p\u003e \u003cp\u003eNotes on Contributors xi\u003c\/p\u003e \u003cp\u003eEditors’ Notes xxi\u003c\/p\u003e \u003cp\u003eForeword xxiii\u003c\/p\u003e \u003cp\u003ePreface xxix\u003c\/p\u003e \u003cp\u003eAcknowledgments xxxv\u003c\/p\u003e \u003cp\u003eGlossary xxxvii\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I Fellini and Friends 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Introduction 3\u003cbr\u003e\u003ci\u003eMarguerite Waller and Frank Burke\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 Fellini, the Artist and the Man: An Interview with Vincenzo Mollica 13\u003cbr\u003e\u003ci\u003eFrank Burke (with Marita Gubareva)\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Fellini: Backstory and a Dream 27\u003cbr\u003e\u003ci\u003eGoffredo Fofi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 A Certain Freedom in Filmmaking 31\u003cbr\u003e\u003ci\u003eLina Wertmüller\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 A Bit of Everything Happened: My Experience of \u003ci\u003eLa dolce vita \u003c\/i\u003e35\u003cbr\u003e\u003ci\u003eValeria Ciangottini\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 Fellini a Casa Nostra 37\u003cbr\u003e\u003ci\u003eCarlo and Luca Verdone\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Beginnings, Inspirations, Intertexts 41\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e7 Neorealism Masked: Fellini’s Films of the 1950s 43\u003cbr\u003e\u003ci\u003eStefania Parigi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 Fellini’s Graphic Heritage: Drawings, Comics, Animation, and Beyond 59\u003cbr\u003e\u003ci\u003eMarco Bellano\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 In Bed with Fellini: Jung, Ernst Bernhard, Night Work, and \u003ci\u003eIl libro dei sogni \u003c\/i\u003e79\u003cbr\u003e\u003ci\u003eErika Suderburg\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 Fellini and Esotericism: An Ambiguous Adherence 95\u003cbr\u003e\u003ci\u003eFederico Pacchioni\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 Circo Fellini 109\u003cbr\u003e\u003ci\u003eAdriano Aprà\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 Fellini’s Sense of Place 117\u003cbr\u003e\u003ci\u003eJohn Agnew\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 “Il viaggio di G. Mastorna”: Fellini \u003ci\u003eEntre Deux Morts \u003c\/i\u003e129\u003cbr\u003e\u003ci\u003eAlessandro Carrera\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14 An “Incapacity to Affirm”: Fellini’s Aesthetics and the Decadent Movement 141\u003cbr\u003e\u003ci\u003eMarita Gubareva\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 Fellini and Fashion, a Two‐way Street: An Interview with Gianluca Lo Vetro 153\u003cbr\u003e\u003ci\u003eThe Editors\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Collaborations 163\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e16 Ennio, Tullio, and the Others: Fellini and His Screenwriters 165\u003cbr\u003e\u003ci\u003eGiaime Alonge\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 Fellini and His Producers: Strange Bedfellows 177\u003cbr\u003e\u003ci\u003eBarbara Corsi and Marina Nicoli\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Masina and Mastroianni: Reconfiguring C. G. Jung’s \u003ci\u003eAnimus \u003c\/i\u003eand \u003ci\u003eAnima \u003c\/i\u003e191\u003cbr\u003e\u003ci\u003eVictoria Surliuga\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV Aesthetics and Film Language 205\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e19 “Io non me ne intendo”: Fellini’s Relationship to Film Language 207\u003cbr\u003e\u003ci\u003eMarco Vanelli\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Fellini’s Visual Style(s): A Phenomenological Account 223\u003cbr\u003e\u003ci\u003eHava Aldouby\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 The Liquid Hyperfilm: Fellini, Deleuze, and the Sea as Forza Generatrice 237\u003cbr\u003e\u003ci\u003eAmy Hough‐Dugdale\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 Sounding Out Fellini: An Aural Continuum of Voices, Musics, Noises 251\u003cbr\u003e\u003ci\u003eAntonella Sisto\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 Fellini and the Aesthetics of Intensity 267\u003cbr\u003e\u003ci\u003ePaolo Bertetto\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 \u003ci\u003eEgli Danza\u003c\/i\u003e: Fellini’s Contexts and Influence from Before Rossellini to Sorrentino and Beyond 279\u003cbr\u003e\u003ci\u003eVito Zagarrio\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V Contemporary Dialogues 293\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e25 Remote Control Politics: Federico Fellini and the Politics of Parody 295\u003cbr\u003e\u003ci\u003eKriss Ravetto‐Biagioli\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 “\u003ci\u003eIl Maestro\u003c\/i\u003e” Dismantles the Master’s House: Fellini’s Undoing of Gender and Sexuality 311\u003cbr\u003e\u003ci\u003eMarguerite Waller\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 Racial Difference and the Postcolonial Imaginary in the Films of Federico Fellini 331\u003cbr\u003e\u003ci\u003eShelleen Greene\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 Environmental Fellini: Petroculture, the Anthropocene, and the Cinematic Road 347\u003cbr\u003e\u003ci\u003eElena M. Past\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI Receptions, Appropriations, Dispersions 361\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e29 Fellini’s Critical Reception in Italy 363\u003cbr\u003e\u003ci\u003eNicola Bassano\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 Fellini’s Reception in France 377\u003cbr\u003e\u003ci\u003eAlbert Sbragia\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31 The Fellini Brand: Marketing Appropriations of the Fellini Name 391\u003cbr\u003e\u003ci\u003eRebecca Bauman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e32 Fellini Remixed: Anglo‐American Film and Television Appropriations 403\u003cbr\u003e\u003ci\u003eFrank Burke\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e33 \u003ci\u003eIl ritorno in patria\u003c\/i\u003e: From Rimini to Winnipeg by Way of the Alps 419\u003cbr\u003e\u003ci\u003eRussell J. A. Kilbourn\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e34 Fellini and South Asian Cinemas 425\u003cbr\u003e\u003ci\u003eEsha Niyogi De\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35 Interview with Tanvir Mokammel 429\u003cbr\u003e\u003ci\u003eEsha Niyogi De\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36 Roma, Fellini, and Me 433\u003cbr\u003e\u003ci\u003eAmara Lakhous\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e37 Fellini and Turkey: Influence and Image 435\u003cbr\u003e\u003ci\u003eCihan Gündoğdu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e38 Fellini in Japan 439\u003cbr\u003e\u003ci\u003eEarl Jackson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e39 Fellini in Russia 445\u003cbr\u003e\u003ci\u003eNaum Kleiman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e40 Fellini in the Cuban Context 451\u003cbr\u003e\u003ci\u003eLuciano Castillo, Jennifer Ruth Hosek, Mario Naito López, Mario Masvidal, and Rebeca Chávez\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VII Short Takes on Individual Films 455\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e41 \u003ci\u003eLo sceicco bianco \u003c\/i\u003e(\u003ci\u003eThe White Sheik \u003c\/i\u003e1952) 457\u003cbr\u003e\u003ci\u003eDom Holdaway\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e42 \u003ci\u003eLa strada \u003c\/i\u003e(1954) 461\u003cbr\u003e\u003ci\u003eGiuseppe Natale\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e43 \u003ci\u003eLe notti di Cabiria \u003c\/i\u003e(\u003ci\u003eNights of Cabiria\u003c\/i\u003e)—Cabiria in the Classroom: Teaching Fellini in the Twenty‐first Century 465\u003cbr\u003e\u003ci\u003eÁine O’Healy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e44 \u003ci\u003eLa dolce vita \u003c\/i\u003e(1960) 471\u003cbr\u003e\u003ci\u003eMark Nicholls\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e45 Oh, My \u003ci\u003e8½ \u003c\/i\u003e475\u003cbr\u003e\u003ci\u003eCaroline Thompson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e46 \u003ci\u003eGiulietta degli spiriti \u003c\/i\u003e( \u003ci\u003eJuliet of the Spirits\u003c\/i\u003e): A Twenty‐First Century Users’ Guide 479\u003cbr\u003e\u003ci\u003eErika Suderburg\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e47 \u003ci\u003eFellini \u003c\/i\u003e‐ \u003ci\u003eSatyricon \u003c\/i\u003e483\u003cbr\u003e\u003ci\u003eCristina Villa\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e48 \u003ci\u003eRoma\u003c\/i\u003e: Amor Through the Looking‐Glass 487\u003cbr\u003e\u003ci\u003eRebecca West\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e49 \u003ci\u003eIl Casanova di Federico Fellini \u003c\/i\u003e(\u003ci\u003eFellini’s Casanova\u003c\/i\u003e) in the Age of #MeToo 491\u003cbr\u003e\u003ci\u003eAlberto Zambenedetti\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e50 \u003ci\u003eProva d’orchestra \u003c\/i\u003e(\u003ci\u003eOrchestra Rehearsal\u003c\/i\u003e) and \u003ci\u003eE la nave va \u003c\/i\u003e(\u003ci\u003eAnd the Ship Sails On\u003c\/i\u003e) 495\u003cbr\u003e\u003ci\u003eJohn Paul Russo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e51 \u003ci\u003eIntervista\u003c\/i\u003e: There are No Rules 499\u003cbr\u003e\u003ci\u003eElan Mastai\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAppendices Foundations and Archives for Fellini Research 503\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAppendix A Rimini and Fellini: The Fondazione Fellini, the Cineteca di Rimini, the Museo Fellini, and CircAmarcord 505\u003cbr\u003e\u003ci\u003eMarco Andreucci\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eAppendix B Additional Archival Sources 507\u003cbr\u003e\u003ci\u003eThe Editors\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex, Terms and Issues 511\u003c\/p\u003e \u003cp\u003eIndex, Names and Titles 521\u003c\/p\u003e \u003cp\u003e“This creatively conceptualized, broadly encyclopaedic and handsomely published new compendium to Federico Fellini should surpass the expectations of anyone interested in the Italian director and his legacy.” - \u003ci\u003eJournal of Italian Cinema \u0026amp; Media Studies\u003c\/i\u003e, Volume 9 Number 1, pp. 149–154 Intellect Limited 2021\u003c\/p\u003e  \u003cp\u003e\u003cb\u003eFrank Burke\u003c\/b\u003e is Professor Emeritus at Queen's University, Canada. He is editor of the \u003ci\u003eWiley Blackwell Companion to Italian Cinema\u003c\/i\u003e and author of several books on Federico Fellini. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eMarguerite Waller\u003c\/b\u003e is Professor Emerita of Comparative Literature and Gender and Sexuality Studies at the University of California, Riverside. She has co-edited volumes in both feminist studies and cinema studies, including \u003ci\u003eFederico Fellini: Contemporary Perspectives\u003c\/i\u003e and\u003ci\u003e Postcolonial Cinema Studies.\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e\u003cb\u003eMarita Gubareva\u003c\/b\u003e is a freelance researcher and journalist based in Rome. Her research interests include seventeenth-century and late nineteenth-century aesthetics and Italian cinema.   \u003c\/p\u003e\u003cp\u003e\u003cb\u003eA Companion to Federico Fellini \u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003cb\u003eA groundbreaking academic study of Fellini, providing new, expansive, and diverse perspectives on his films and influence.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003ci\u003eA Companion to Federico Fellini\u003c\/i\u003e presents new methodologies and fresh insights for encountering, appreciating, and contextualizing the director's films in the twenty-first century. A milestone in Fellini scholarship, this volume provides contributions by leading scholars, intellectuals, and filmmakers, as well as insights from collaborators and associates of the Italian director. Scholarly yet accessible essays explore the fundamental aspects of Fellini's works while addressing their contemporary relevance in contexts ranging from politics and the environment to gender, race, and sexual orientation. \u003c\/p\u003e\u003cp\u003eThis timely work provides new readings of Fellini's films and illustrates his importance as a filmmaker, artist, and major cultural figure. The text explores topics such as Fellini's early cinematic experience, recurring themes and patterns in his films, his collaborations and influences, and his unique forms of cinematic expression. In a series of \"Short Takes\" sections, contributors look at specific films that have particular significance or personal relevance. Destined to become the standard research tool for Fellini studies, this volume: \u003c\/p\u003e\u003cul\u003e \u003cli\u003eOffers new theoretical frameworks, encounters, critiques, and interpretations of Fellini's work.\u003c\/li\u003e \u003cli\u003eDiscusses Fellini's creativity outside of filmmaking, such as his graphic art and his \u003ci\u003eThe\u003c\/i\u003e \u003ci\u003eBook of Dreams\u003c\/i\u003e published after his death.\u003c\/li\u003e \u003cli\u003eExamines Fellini's influence on artists not only in the English-speaking world but in places such as Turkey, Japan, South Asia, Russia, Cuba, and North Africa.\u003c\/li\u003e \u003cli\u003eDemonstrates the interrelationship between Fellini's work and visual art, literature, fashion, marketing, and many other dimensions of both popular and high culture.\u003c\/li\u003e \u003cli\u003eFeatures personal testimonies from family, friends and associates of Fellini such as Francesca Fabbri Fellini, Gianfranco Angelucci, Valeria Ciangottini, and Lina Wertmüller.\u003c\/li\u003e \u003cli\u003eIncludes an extensive appendix of freely accessible archival resources on Fellini's work.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003ci\u003eA Companion to Federico Fellini\u003c\/i\u003e is an indispensable resource for students, instructors, and scholars of Fellini, Italian cinema, cinema and art history, and all areas of film and media studies.\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47988606861541,"sku":"NP9781119431534","price":103.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781119431534.jpg?v=1761780949","url":"https:\/\/k12savings.com\/products\/a-companion-to-federico-fellini-isbn-9781119431534","provider":"K12savings","version":"1.0","type":"link"}