{"product_id":"a-companion-to-digital-literary-studies-isbn-9781405148641","title":"A Companion to Digital Literary Studies","description":"\u003cp\u003e\u003cb\u003eThis \u003ci\u003eCompanion\u003c\/i\u003e offers an extensive examination of how new technologies are changing the nature of literary studies, from scholarly editing and literary criticism, to interactive fiction and immersive environments.\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA complete overview exploring the application of computing in literary studies\u003c\/li\u003e \u003cli\u003eIncludes the seminal writings from the field\u003c\/li\u003e \u003cli\u003eFocuses on methods and perspectives, new genres, formatting issues, and best practices for digital preservation\u003c\/li\u003e \u003cli\u003eExplores the new genres of hypertext literature, installations, gaming, and web blogs\u003c\/li\u003e \u003cli\u003eThe Appendix serves as an annotated bibliography\u003c\/li\u003e \u003c\/ul\u003e  Notes on Contributors viii  \u003cp\u003eEditors’ Introduction xviii\u003cbr\u003e \u003ci\u003eRay Siemens and Susan Schreibman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I Introduction 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Imagining the New Media Encounter 3\u003cbr\u003e \u003ci\u003eAlan Liu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Traditions 27\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e2 ePhilology: When the Books Talk to Their Readers 29\u003cbr\u003e \u003ci\u003eGregory Crane, David Bamman, and Alison Jones\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Disciplinary Impact and Technological Obsolescence in Digital Medieval Studies 65\u003cbr\u003e \u003ci\u003eDaniel Paul O’Donnell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 ‘‘Knowledge will be multiplied’’: Digital Literary Studies and Early Modern Literature 82\u003cbr\u003e \u003ci\u003eMatthew Steggle\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 Eighteenth-Century Literature in English and Other Languages: Image, Text, and Hypertext 106\u003cbr\u003e \u003ci\u003ePeter Damian-Grint\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 Multimedia and Multitasking: A Survey of Digital Resources for Nineteenth-Century Literary Studies 121\u003cbr\u003e \u003ci\u003eJohn A. Walsh\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7 Hypertext and Avant-texte in Twentieth-Century and Contemporary Literature 139\u003cbr\u003e \u003ci\u003eDirk Van Hulle\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Textualities 161\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e8 Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing 163\u003cbr\u003e \u003ci\u003eNoah Wardrip-Fruin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 Is There a Text on This Screen? Reading in an Era of Hypertextuality 183\u003cbr\u003e \u003ci\u003eBertrand Gervais\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 Reading on Screen: The New Media Sphere 203\u003cbr\u003e \u003ci\u003eChristian Vandendorpe\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 The Virtual Codex from Page Space to E-space 216\u003cbr\u003e \u003ci\u003eJohanna Drucker\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative World 233\u003cbr\u003e \u003ci\u003eCarolyn Guertin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 Fictional Worlds in the Digital Age 250\u003cbr\u003e \u003ci\u003eMarie-Laure Ryan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14 Riddle Machines: The History and Nature of Interactive Fiction 267\u003cbr\u003e \u003ci\u003eNick Montfort\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 Too Dimensional: Literary and Technical Images of Potentiality in the History of Hypertext 283\u003cbr\u003e \u003ci\u003eBelinda Barnet and Darren Tofts\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 Private Public Reading: Readers in Digital Literature Installation 301\u003cbr\u003e \u003ci\u003eMark Leahy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades 318\u003cbr\u003e \u003ci\u003eChristopher Funkhouser\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Digital Literary Studies: Performance and Interaction 336\u003cbr\u003e \u003ci\u003eDavid Z. Saltz\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19 Licensed to Play: Digital Games, Player Modifications, and Authorized Production 349\u003cbr\u003e \u003ci\u003eAndrew Mactavish\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Blogs and Blogging: Text and Practice 369\u003cbr\u003e \u003ci\u003eAime´e Morrison\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV Methodologies 389\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e21 Knowing . . . : Modeling in Literary Studies 391\u003cbr\u003e \u003ci\u003eWillard McCarty\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 Digital and Analog Texts 402\u003cbr\u003e \u003ci\u003eJohn Lavagnino\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 Cybertextuality and Philology 415\u003cbr\u003e \u003ci\u003eIan Lancashire\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 Electronic Scholarly Editions 434\u003cbr\u003e \u003ci\u003eKenneth M. Price\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 The Text Encoding Initiative and the Study of Literature 451\u003cbr\u003e \u003ci\u003eJames Cummings\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 Algorithmic Criticism 477\u003cbr\u003e \u003ci\u003eStephen Ramsay\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 Writing Machines 492\u003cbr\u003e \u003ci\u003eWilliam Winder\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 Quantitative Analysis and Literary Studies 517\u003cbr\u003e \u003ci\u003eDavid L. Hoover\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 The Virtual Library 534\u003cbr\u003e \u003ci\u003eG. Sayeed Choudhury and David Seaman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 Practice and Preservation – Format Issues 547\u003cbr\u003e \u003ci\u003eMarc Bragdon, Alan Burk, Lisa Charlong, and Jason Nugent\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31 Character Encoding 564\u003cbr\u003e \u003ci\u003eChristian Wittern\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eAnnotated Overview of Selected Electronic Resources 577\u003cbr\u003e \u003ci\u003eTanya Clement and Gretchen Gueguen\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 597\u003c\/p\u003e \"Once again Ray Siemens and Susan Schreibman have produced a remarkable collection of writing about scholarship and resource creation in the area of digital humanities .... The companion provides a very thorough survey of research and resource development in numerous area of digital literary studies, written by an impressive collection of leading scholars.\" (\u003ci\u003eThe Review of English Studies\u003c\/i\u003e)  \u003cb\u003eRay Siemens\u003c\/b\u003e is Canada Research Chair in Humanities Computing and Professor of English at the University of Victoria; President of the Society for Digital Humanities; and Visiting Senior Research Fellow at the Centre for Computing in the Humanities at King's College London, and Visiting Research Professor at Sheffield Hallam University. Director of the Digital Humanities Summer Institute and founding editor of the electronic scholarly journal \u003ci\u003eEarly Modern Literary Studies\u003c\/i\u003e, Siemens has authored numerous articles on the interconnection between literary studies and computational methods.  \u003cp\u003e\u003cb\u003eSusan Schreibman\u003c\/b\u003e is Assistant Dean and Head of Digital Collections and Research, University of Maryland Libraries, University of Maryland College Park, and Affiliate Faculty in the Department of English. She is the founding editor of \u003ci\u003eThe Thomas MacGreevy Archive\u003c\/i\u003e and \u003ci\u003eIrish Resources in the Humanities\u003c\/i\u003e; has served on the Council of the TEI Consortium; and is currently on the Executive of the Association for Computers in the Humanities. In 1991, Schreibman authored the \u003ci\u003eCollected Poems of Thomas MacGreevy: An Annotated Edition\u003c\/i\u003e and has published in the areas of Irish poetic modernism, digital editing and textual studies. She co-edited Blackwell’s \u003ci\u003eA Companion to Digital Humanities\u003c\/i\u003e with Ray Siemens and John Unsworth in 2004.\u003c\/p\u003e  \u003ci\u003eA Companion to Digital Literary Studies\u003c\/i\u003e offers an extensive examination of how new technologies are changing the nature of literary studies. Through a series of specially commissioned articles by leading scholars, theorists, and writers creating born-digital literature, the text provides a thorough overview of the intersections between computing, literary studies, and new media. It takes a highly interdisciplinary perspective in its examination of scholarly editing and literary criticism, interactive fiction and gaming, multimedia and immersive environments, and born digital literature.  \u003cp\u003e\u003ci\u003eThis Companion\u003c\/i\u003e is the only comprehensive collection of seminal works available to meet the needs of this growing area of inquiry. It is a must-read for anyone wishing to understand, use, or create digital literature.\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47988605386981,"sku":"NP9781405148641","price":280.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781405148641.jpg?v=1761780943","url":"https:\/\/k12savings.com\/products\/a-companion-to-digital-literary-studies-isbn-9781405148641","provider":"K12savings","version":"1.0","type":"link"}