{"product_id":"a-companion-to-arthur-c-danto-isbn-9781119154211","title":"A Companion to Arthur C. Danto","description":"\u003cp\u003e\u003ci\u003eA Companion to Arthur C. Danto\u003c\/i\u003e paints a detailed portrait of one the most significant figures in twentieth-century philosophy and art criticism, offering unparalleled coverage of all aspects of Danto’s writings, artworks, and thought. Edited by two long-time colleagues of Arthur Danto, this interdisciplinary resource presents more than 40 original essays from both prominent Danto scholars and leading practitioners from various sub-fields of philosophy. \u003c\/p\u003e\u003cp\u003eThe \u003ci\u003eCompanion \u003c\/i\u003eilluminates Danto’s many contributions to the artworld, aesthetics, criticism, and philosophy of knowledge, action, science, history, and politics. The essays explore central concepts and intersecting themes in Danto’s writings while providing new interventions into the areas of philosophy in which Danto engaged. Topics include Danto’s mode of writing and art production, his critical engagement with artists and philosophers, conflicts in Danto’s views and in interpretations of his works, and much more. \u003c\/p\u003e\u003cp\u003eAn important addition to Danto studies, \u003ci\u003eA Companion to Arthur C. Danto\u003c\/i\u003e is essential reading for practitioners, scholars, and advanced students looking for a critical, provocative, and insightful treatment of Danto’s philosophy, art, and criticism. \u003c\/p\u003e\u003cp\u003ePreface viii\u003cbr\u003e\u003ci\u003eJonathan Gilmore and Lydia Goehr\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eNotes on Contributors x\u003c\/p\u003e \u003cp\u003eIntroduction: Five Pieces for Arthur Danto (1924–2013) In memoriam 1\u003cbr\u003e \u003ci\u003eLydia Goehr, Daniel Herwitz, Fred Rush, Michael Kelly, and Jonathan Gilmore\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e1 Roquebrune, 1962 15\u003cbr\u003e \u003ci\u003eGinger Danto\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 Boundaries Crossed 18\u003cbr\u003e \u003ci\u003eAndrás Szántó\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Writing with Style 26\u003cbr\u003e \u003ci\u003eArturo Fontaine\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 Sartre, Transparency, and Style 33\u003cbr\u003e \u003ci\u003eTaylor Carman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 Nietzsche and Historical Understanding 42\u003cbr\u003e \u003ci\u003eRobert Gooding-Williams\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 Pragmatism between Art and Life 51\u003cbr\u003e \u003ci\u003eRichard Shusterman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7 Danto on Dewey (and Dewey on Danto) 59\u003cbr\u003e \u003ci\u003eCasey Haskins\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 Thought Experiments: Art and Ethics 68\u003cbr\u003e \u003ci\u003eF. M. Kamm\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 A Normative Perspective on Basic Actions 76\u003cbr\u003e \u003ci\u003eCarol Rovane\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 Cognitive Science and Art Criticism 85\u003cbr\u003e \u003ci\u003eMark Rollins\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 Perception 93\u003cbr\u003e \u003ci\u003eSam Rose and Bence Nanay\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 The Anthropology of Art 103\u003cbr\u003e \u003ci\u003eDavid Davies\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 The Birth of Art 112\u003cbr\u003e \u003ci\u003eWhitney Davis\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14 The End of Art 124\u003cbr\u003e \u003ci\u003eGeorg W. Bertram\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 Representation, Truth, and Historical Reality 132\u003cbr\u003e \u003ci\u003eFrank Ankersmit\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 History and Retrospection 143\u003cbr\u003e \u003ci\u003eNoël Carroll\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 Action in the Shadow of Time 152\u003cbr\u003e \u003ci\u003eAdrian Haddock\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 The Sixties 162\u003cbr\u003e \u003ci\u003eEspen Hammer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19 Criticism and the Pale of History 170\u003cbr\u003e \u003ci\u003eGregg M. Horowitz\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Postmodernism and Its Discontents 180\u003cbr\u003e \u003ci\u003eDavid Carrier\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 Shakespeare and the Repetition of the Commonplace 190\u003cbr\u003e \u003ci\u003eRachel Eisendrath\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 Engaging Henry James: The Metaphorical Perspective 199\u003cbr\u003e \u003ci\u003eGarry L. Hagberg\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 Literature, Philosophy, Persona, Politics 207\u003cbr\u003e \u003ci\u003eRichard Eldridge\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 Moving Pictures 216\u003cbr\u003e \u003ci\u003eFred Rush\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 Photography and Danto’s Craft of the Mind 223\u003cbr\u003e \u003ci\u003eScott Walden\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 Transfiguration\/Transubstantiation 233\u003cbr\u003e \u003ci\u003eSixto J. Castro\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 Embodiment and Medium 240\u003cbr\u003e \u003ci\u003eTiziana Andina\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 The Style Matrix 248\u003cbr\u003e \u003ci\u003eSondra Bacharach\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 Disenfranchisement 256\u003cbr\u003e \u003ci\u003eJane Forsey\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 Definition 263\u003cbr\u003e \u003ci\u003eKarlheinz Lüdeking\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31 Danto and Dickie: Artworld and Institution 273\u003cbr\u003e \u003ci\u003eMichalle Gal\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e32 Danto and Wittgenstein: History and Essence 281\u003cbr\u003e \u003ci\u003eSonia Sedivy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e33 Censorship and Subsidy 292\u003cbr\u003e \u003ci\u003eBrian Soucek\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e34 Amnesty International and Human Rights 301\u003cbr\u003e \u003ci\u003eEmma Stone Mackinnon\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35 Random Noise, Radical Silence 309\u003cbr\u003e \u003ci\u003eMarlies De Munck\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36 Mad Men and Pop Art 317\u003cbr\u003e \u003ci\u003eSue Spaid\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e37 Vija Celmins: Nature at Art’s End 326\u003cbr\u003e \u003ci\u003eSandra Shapshay\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e38 The Meaning of Ugliness, The Authority of Beauty 336\u003cbr\u003e \u003ci\u003eJ. M. Bernstein\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e39 Feminist Criticism: On Disturbatory Art and Beauty 345\u003cbr\u003e \u003ci\u003ePeg Brand Weiser\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e40 Beauty and Politics 355\u003cbr\u003e \u003ci\u003eMatilde Carrasco Barranco\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e41 Public Art: Monuments, Memorials, and Earthworks 363\u003cbr\u003e \u003ci\u003eGary Shapiro\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e42 On Architecture 373\u003cbr\u003e \u003ci\u003eRemei Capdevila-Werning\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e43 Aliveness and Aboutness: Yvonne Rainer’s Dance Indiscernibles 381\u003cbr\u003e \u003ci\u003eKyle Bukhari\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e44 Arthur and Andy 389\u003cbr\u003e \u003ci\u003eDaniel Herwitz\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e45 Letter to Posterity 397\u003cbr\u003e \u003ci\u003eArthur C. Danto\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 404\u003c\/p\u003e  \u003cp\u003e\u003cb\u003eJonathan Gilmore\u003c\/b\u003e is an Associate Professor of Philosophy at the City University of New York (CUNY) Graduate Center and Baruch College, New York, USA. A philosopher of art and an art critic, he is the recipient of NEH, Whiting, Mellon, and other national fellowships and awards. His most recent book, \u003ci\u003eApt Imaginings: Feelings for Fictions and Other Creatures of the Mind\u003c\/i\u003e, was awarded the 2021 Outstanding Monograph Prize by the American Society for Aesthetics. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eLydia Goehr\u003c\/b\u003e is a Professor of Philosophy at Columbia University, New York, USA. She is a recipient of Mellon, Getty, and Guggenheim Fellowships. Her works include \u003ci\u003eThe Imaginary Museum of Musical Works: An Essay in the Philosophy of Music\u003c\/i\u003e, \u003ci\u003eThe Quest for Voice: Music, Politics, and the Limits of Philosophy\u003c\/i\u003e, \u003ci\u003eElective Affinities: Musical Essays on the History of Aesthetic Theory\u003c\/i\u003e, and \u003ci\u003eRed Sea, Red Square, Red Thread. A Philosophical Detective Story\u003c\/i\u003e.  \u003c\/p\u003e\u003cp\u003e\u003ci\u003eA Companion to Arthur C. Danto\u003c\/i\u003e paints a detailed portrait of one the most significant figures in twentieth-century philosophy and art criticism, offering coverage of Danto’s writings, artworks, and thought. Edited by two long-time colleagues of Arthur Danto, this interdisciplinary resource presents more than 40 original essays from prominent scholars and new voices from various sub-fields of philosophy and the arts.\u003c\/p\u003e \u003cp\u003eThe \u003ci\u003eCompanion\u003c\/i\u003e illuminates Danto’s many contributions to the artworld, aesthetics, criticism, and philosophy of action, history, and politics. The essays explore central concepts and intersecting themes in Danto’s writings while providing interventions into the areas of philosophy in which Danto engaged. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eA Companion to Arthur C. Danto\u003c\/i\u003e is essential reading for practitioners, scholars, and advanced students looking for a critical, provocative, and insightful treatment of Danto’s philosophy and art criticism.\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47988602274021,"sku":"NP9781119154211","price":199.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781119154211.jpg?v=1761780929","url":"https:\/\/k12savings.com\/products\/a-companion-to-arthur-c-danto-isbn-9781119154211","provider":"K12savings","version":"1.0","type":"link"}