{"product_id":"too-great-a-sky-isbn-9781644214176","title":"Too Great a Sky","description":"\u003cb\u003eThe story of the deportation of Romanians from Bucovina to the steppes of Siberia, an exercise in historical memory and a powerful story of maintaining humanity in impossible conditions. \u003cbr\u003e\u003cbr\u003e A new novel from Liliana Corobca and her translator Monica Cure, winner of the Oxford-Weidenfeld translation prize.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAna is eleven when the Soviet soldiers send her from Bucovina, Romania, to Kazakhstan. She is just one of many forced to leave behind her home and make the three week long journey via train. The trip is a harsh, humiliating one, but in spite of the cold and the closeness of death, life persists in the boxcar in the form of storytelling, riddles, and ritual. Years later, Ana recalls her childhood for her great granddaughter, who is considering moving her to a nursing home. Her story, told with unflinching candor, is a chronicle of a life lived during a time of great political and national change, a story of an existence defined and curtailed by lines drawn on a map.\u003cbr\u003e\u003cbr\u003eThe narration is interspersed with songs that transform into poems, and prayers spoken in the past that become prayers in the present. What links the narration is not so much a plot as it is the reader’s astonishment. How could Ana survive such a series of experiences, and do so with her mind and heart intact? A history of cruelty and trauma lies behind the banal markers of contemporary life. These realizations combine in the central theme of the book, one which the narrator describes as, “stories bring you youth.”“One of the [book's] remarkable accomplishments is the complex fictional universe that Corobca creates.\" —Costica Bradatan, \u003ci\u003eTLS\/Times Literary Supplement\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"[The translator's] work—in passages of soaring beauty and breathtaking sorrow, haunting tragedy and delirious joy—captures the individual tones of the novel’s two generations in Ana and Eugenia; the rhythm and rhyme of both folk songs and aphorisms; and the agony and ecstasy of Ana’s devout prayers.\" —Cory Oldweiler, \u003ci\u003eWords Without Borders\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\"Corobca is masterful at revealing the horrors of a dictatorship that remains out of sight while infiltrating every part of its subjects’ lives. . . . A historian herself from Moldova, Corobca showcases her thorough research in the rich details of \u003ci\u003eToo Great a Sky\u003c\/i\u003e. But despite Ana’s epic journey, the novel is not so much driven by plot. Rather, Corobca’s unembellished prose suggests a well-kept journal recounting one event after another as if to preserve a historical record. . . . \u003ci\u003eToo Great a Sky\u003c\/i\u003e serves as a testament to geography as destiny, the seepage of the past into the present, and the resilience of human lives shattered by the machinations of distant centers of power—then as now.\" -—Eamon McGrath,\u003ci\u003e Chicago Review of Books \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"As a Ukrainian, \u003ci\u003eToo Great a Sky\u003c\/i\u003e’s depiction of the Soviet deportations in Bukovina in the 20th century remind me of those now occurring in Mariupol and other occupied cities in Ukraine. Corobca’s moving story lets the reader into this experience, in which locals are driven out and the new ‘masters’ declare the land as ‘always theirs.’ We should all hear stories like this one.\" —Artem Chapeye, author of \u003ci\u003eThe Ukraine\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e\"There's a mythic, fairy-tale aesthetic that comes into play when survivors depict Stalin's resettlement policies (fans of Platonov and even Pasternak will know what I mean), the sense of being orphaned by the universe, of complete and utter deprivation, free of resentment, because what would be the point? Liliana Corobca's \u003ci\u003eToo Great a Sky \u003c\/i\u003eopens with its primal scene: after weeks of crossing endless steppes in cattle cars, you are released with nothing but the summer clothes on your back and assigned to a labor crew. But do you despair? Why would you? God still loves you, and there's plenty to eat: grass, mice, once every three years a very small potato . . . I admit I cried a lot while reading this book, in part because my best friend's father came from the same part of Romania as the people in the book and ended up deserting from the Red Army and walking to Israel. His mother, having been driven (literally, in the sidecar of a motorcycle) from Poland at age four, watched her own mother starve to death in Uzbekistan and did slave labor in an asbestos plant. I'd known these stories for 25 years in the form of jokes—for instance, it started snowing in Haifa, and my friend's mother refused to go to the window, saying the snow in Siberia had been enough for one lifetime. It took a novel to flesh out those jokes with the emotions that even my friend has repressed. So I would give this book eleven points out of ten as one of the most moving I've ever read.\" — Nell Zink\u003cbr\u003e\u003cbr\u003e“This prose epic not only tells an astonishing, but largely forgotten, story of suffering and endurance amid the terrors of total war; Liliana Corobca also turns her historical research into the experience of Romanians deported by Soviet authorities from Bucovina to Kazakhstan into captivating fiction. In Monica Cure’s immersive translation, the narrator’s voice seasons horror and upheaval with humour, resilience and folkloric charm as she recounts the ordeal of the deportees and the ways they survived it. This mighty, moving novel transforms fact into art, and brings ancient storytelling skills to bear on modern tragedies.” —\u003ci\u003eWarwick Prize for Women in Translation\u003c\/i\u003e\u003cb\u003eLILIANA COROBCA\u003c\/b\u003e is a writer and researcher of communist censorship in Romania. She was born in the Republic of Moldova and is the author of the novel \u003ci\u003eNegrissimo\u003c\/i\u003e (2003), winner of the ‘Prometheus’ Prize for debut fiction. She is also the author of the novels \u003ci\u003eThe Censor's Notebook \u003c\/i\u003e(Seven Stories Press, 2022), which won the 2023 Oxford Weidenfeld Translation Prize, \u003ci\u003eA Year in Paradise\u003c\/i\u003e (2005), \u003ci\u003eKinderland\u003c\/i\u003e (2013), and \u003ci\u003eThe Old Maids’ Empire\u003c\/i\u003e (2015). She has received grants and artists’ residencies in Germany, Austria, France, and Poland.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMONICA CURE\u003c\/b\u003e is a Romanian-American writer, translator, and dialogue specialist, as well as a two-time Fulbright grant award winner. Her poetry and translations have been published in journals internationally, and she’s the author of the book \u003ci\u003ePicturing the Postcard: A New Media Crisis at the Turn of the Century\u003c\/i\u003e (University of Minnesota Press). Her translation of The Censor's Notebook by Liliana Corobca won the 2023 Oxford Weidenfeld Translation Prize. She is currently based in Bucharest.","brand":"Seven Stories Press","offers":[{"title":"Default Title","offer_id":46303335842021,"sku":"NP9781644214176","price":23.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781644214176.jpg?v=1767742808","url":"https:\/\/k12savings.com\/es\/products\/too-great-a-sky-isbn-9781644214176","provider":"K12savings","version":"1.0","type":"link"}