{"product_id":"the-ruling-clawss-isbn-9781681377414","title":"The Ruling Clawss","description":"\u003cb\u003ePublished under the pseudonym A. Redfield by prominent \u003ci\u003eNew Yorker \u003c\/i\u003econtributor Syd Hoff in the 1930s, these mordant and marvellously drawn gag comics skewer the rich and powerful with a pointed pen.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eDuring his career as a \u003ci\u003eNew Yorker\u003c\/i\u003e cartoonist, and before he wrote \u003ci\u003eDanny and the Dinosaur\u003c\/i\u003e, Syd Hoff wrote under a different name. He was A. Redfield, a cartoonist for the communist newspaper the \u003ci\u003eDaily Worker\u003c\/i\u003e, and a scourge of the rich and powerful.\u003cbr\u003e\u003cbr\u003eScorning  what he saw as the complicity and stale jokes of cartooning peers, Hoff  set his sights on the ruling class and revealed them for what they  were: hilariously inept, deeply selfish, and incredibly dangerous. Hoff  spared nothing from his pen, lampooning police brutality, thin-skinned  industrialists, racists, and the looming threat of fascism at home and  abroad.\u003cbr\u003e\u003cbr\u003eThis new edition of \u003ci\u003eThe Ruling Clawss\u003c\/i\u003e includes a  new introduction by the historian Philip Nel, who reveals\u2028 the story  behind the rise and disappearance of Hoffʼs Redfield. \u003ci\u003eThe Ruling Clawss\u003c\/i\u003e cements Hoff as a master of the gag comic, whose work remains powerfully funny and troublingly resonant.\"The work he produced hardly feels its ninety years. If it weren’t for the attire in which Hoff’s oafish representatives of the ruling class are outfitted — tuxedos aplenty, modest gowns for the women — and his propensity for drawing the rich as almost uniformly overweight, the illustrations could be of the modern-day United States. After all, our era has much in common with that of 'A. Redfield’s': eye-popping inequality, rampant homelessness and police brutality, racism, and the many pompous, moronic captains of industry.\" —Alex N. Press, \u003ci\u003eJacobin\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"[\u003ci\u003eThe Ruling Clawss \u003c\/i\u003eis] the sort of book you wish weren’t still so relevant nearly a century after its first publication. A must for Syd Hoff fans and collectors of political cartoons alike.\" —Tom Bowden, \u003ci\u003eThe Book Beat\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"[\u003ci\u003eThe Ruling Clawss\u003c\/i\u003e] is a fascinating look into the issues of the 1930s through the lens of a communist cartoonist. And they certainly resonate in today's political and economic environment.\" —Ruben Bolling, \u003ci\u003eBoing Boing \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “The physical dissonance between capital and labor is visualized at every turn: couples whispering about the laziness of the unemployed as they pass beggars; mansion-dwellers bemoaning the meager grandeur of the vaults of opulence they inhabit. . . . The sheer idleness of this class in relation to the workers on whom their wealth relies is one of Hoff ‘s signature moves.” —Steve Smith, \u003ci\u003ePanels and Prose \u003c\/i\u003e  \u003cbr\u003e\u003cbr\u003e“Hoff skillfully captures the Depression-era moguls in artfully nuanced slapstick comedy. His images are a history of those times.” —Steven Heller, \u003ci\u003ePRINT Magazine\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“[A]round 150 pages of commentary on privilege, capitalist exploitation, racism and social inequality, all perfectly encapsulated in single illustrations so cutting that they deliver their message through easy wit rather than anger. . . Hoff’s plea for a more equitable world remains as relevant now as it was in 1935.” —Andy Oliver,\u003ci\u003e Broken Frontier \u003c\/i\u003eBorn in the Bronx, New York, \u003cb\u003eSyd Hoff\u003c\/b\u003e (1912–2004) sold his first cartoon to \u003ci\u003eThe New Yorker\u003c\/i\u003e at age 18 and went on to publish more than 500 cartoons in the magazine, becoming known for his depictions of lower-middle-class life in New York City. Beginning in 1933 and ending in the 1940s, Hoff contributed cartoons to leftist magazines such as \u003ci\u003eNew Masses \u003c\/i\u003eand \u003ci\u003eThe Daily Worker\u003c\/i\u003e under the pen name “A. Redfield” in order to conceal his political sympathies.\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePhilip Nel\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003eis a scholar of children’s literature and comics. He has authored or co-edited thirteen books, most recently the second edition of \u003ci\u003eKeywords for Children’s Literature\u003c\/i\u003e and the fourth volume of Crockett Johnson’s comic strip \u003ci\u003eBarnaby\u003c\/i\u003e.","brand":"New York Review Comics","offers":[{"title":"Default Title","offer_id":46302238146789,"sku":"NP9781681377414","price":24.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781681377414.jpg?v=1767741296","url":"https:\/\/k12savings.com\/es\/products\/the-ruling-clawss-isbn-9781681377414","provider":"K12savings","version":"1.0","type":"link"}