{"product_id":"the-romantic-poetry-handbook-isbn-9781118308721","title":"The Romantic Poetry Handbook","description":"\u003cp\u003e\u003cb\u003eAn absorbing survey of poetry written in one of the most revolutionary eras in the history of British literature\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThis comprehensive survey of British Romantic poetry explores the work of six poets whose names are most closely associated with the Romantic era—Wordsworth, Coleridge, Blake, Keats, Byron, and Shelley—as well as works by other significant but less widely studied poets such as Leigh Hunt, Charlotte Smith, Felicia Hemans, and Letitia Elizabeth Landon. Along with its exceptional coverage, the volume is alert to relevant contexts, and opens up ways of understanding Romantic poetry.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Romantic Poetry Handbook\u003c\/i\u003e encompasses the entire breadth of the Romantic Movement, beginning with Anna Laetitia Barbauld and running through to Thomas Lovell Beddoes and John Clare. In its central section ‘Readings’ it explores tensions, change, and continuity within the Romantic Movement, and examines a wide range of individual poems and poets through sensitive, attentive and accessible analyses. In addition, the authors provide a full introduction, a detailed historical and cultural timeline, biographies of the poets whose works are featured in the “Readings” section, and a helpful guide to further reading.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Romantic Poetry\u003c\/i\u003e \u003ci\u003eHandbook\u003c\/i\u003e is an ideal text for undergraduate and postgraduate study of British Romantic poetry. It also will appeal to every reader with an interest in the Romantics and in poetry generally. \u003c\/p\u003e \u003cp\u003eContents\u003c\/p\u003e \u003cp\u003eAcknowledgements viii\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 1 Introduction 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 2 Timeline of the Late Eighteenth Century and Romantic Period 21\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 3 Biographies 47\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAnna Laetitia Barbauld (1743–1825) 49\u003c\/p\u003e \u003cp\u003eThomas Lovell Beddoes (1803–1849) 51\u003c\/p\u003e \u003cp\u003eWilliam Blake (1757–1827) 54\u003c\/p\u003e \u003cp\u003eRobert Burns (1759–1796) 57\u003c\/p\u003e \u003cp\u003eLord George Gordon Byron (1788–1824) 59\u003c\/p\u003e \u003cp\u003eJohn Clare (1793–1864) 61\u003c\/p\u003e \u003cp\u003eSamuel Taylor Coleridge (1772–1834) 63\u003c\/p\u003e \u003cp\u003eFelicia Hemans (1793–1835) 66\u003c\/p\u003e \u003cp\u003e(James Henry) Leigh Hunt (1784–1859) 69\u003c\/p\u003e \u003cp\u003eJohn Keats (1795–1821) 72\u003c\/p\u003e \u003cp\u003eLetitia Elizabeth Landon (1802–1838) 74\u003c\/p\u003e \u003cp\u003eThomas Moore (1779–1852) 77\u003c\/p\u003e \u003cp\u003eMary Robinson (1758–1800) 80\u003c\/p\u003e \u003cp\u003ePercy Bysshe Shelley (1792–1822) 82\u003c\/p\u003e \u003cp\u003eCharlotte Smith (1749–1806) 85\u003c\/p\u003e \u003cp\u003eRobert Southey (1774–1843) 87\u003c\/p\u003e \u003cp\u003eWilliam Wordsworth (1770–1850) 90\u003c\/p\u003e \u003cp\u003eAnn Yearsley (1753–1806) 93\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 4 Readings 95\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFirst]Generation Romantic Poets 95\u003c\/p\u003e \u003cp\u003eAnna Laetitia Barbauld, ‘Epistle to William Wilberforce,  Esq., on the Rejection of the Bill for ­Abolishing the Slave Trade’; ‘The Rights of Woman’; Eighteen Hundred and Eleven, A Poem 97\u003c\/p\u003e \u003cp\u003eCharlotte Smith, Elegiac Sonnets 101\u003c\/p\u003e \u003cp\u003eCharlotte Smith, Beachy Head 107\u003c\/p\u003e \u003cp\u003eAnn Yearsley, ‘Poem on the Inhumanity of the Slave]trade’; ‘Bristol Elegy’ 110\u003c\/p\u003e \u003cp\u003eWilliam Blake, Songs of Innocence and of Experience 115\u003c\/p\u003e \u003cp\u003eWilliam Blake, The Marriage of Heaven and Hell ; The Book of Urizen ; ‘The Mental Traveller’ 124\u003c\/p\u003e \u003cp\u003eMary Robinson, Sappho and Phaon 132\u003c\/p\u003e \u003cp\u003eRobert Burns, Lyrics 137\u003c\/p\u003e \u003cp\u003eWilliam Wordsworth and S. T. Coleridge, Lyrical Ballads 144\u003c\/p\u003e \u003cp\u003eWilliam Wordsworth, ‘Resolution and Independence’;  ‘Ode: Intimations of Immortality’; ‘Elegiac Stanzas, Suggested  by a Picture of Peele Castle in a Storm, Painted by Sir George Beaumont’; ‘Surprized by Joy’ 152\u003c\/p\u003e \u003cp\u003eWilliam Wordsworth, The Prelude 163\u003c\/p\u003e \u003cp\u003eWilliam Wordsworth, The Excursion 174\u003c\/p\u003e \u003cp\u003eSamuel Taylor Coleridge, Conversation Poems: ‘The Eolian Harp’,  ‘This Lime]Tree Bower My Prison’, ‘Frost at ­Midnight’,  and ‘Dejection: An Ode’ 179\u003c\/p\u003e \u003cp\u003eSamuel Taylor Coleridge, The Rime of the Ancient Mariner ;  Kubla Khan; ‘The Pains of Sleep’; Christabel 187\u003c\/p\u003e \u003cp\u003eRobert Southey, Thalaba the Destroyer and The Curse of Kehama 196\u003c\/p\u003e \u003cp\u003eSecond]Generation Romantic Poets 203\u003c\/p\u003e \u003cp\u003eThomas Moore, Irish Melodies 205\u003c\/p\u003e \u003cp\u003eLeigh Hunt, The Story of Rimini 211\u003c\/p\u003e \u003cp\u003eLord Byron, Lara ; ‘When We Two Parted’; ‘Stanzas to Augusta’; Manfred 215\u003c\/p\u003e \u003cp\u003eLord Byron, Childe Harold’s Pilgrimage 223\u003c\/p\u003e \u003cp\u003eLord Byron, Don Juan, Cantos 1–4 232\u003c\/p\u003e \u003cp\u003ePercy Bysshe Shelley, Queen Mab ; Alastor;  Laon and Cythna [The Revolt of Islam] 242\u003c\/p\u003e \u003cp\u003ePercy Bysshe Shelley, ‘Hymn to Intellectual Beauty’;  ‘Mont Blanc’; ‘Ozymandias’; ‘Ode to the West Wind’;  the late poems to Jane Williams 251\u003c\/p\u003e \u003cp\u003ePercy Bysshe Shelley, ­Prometheus Unbound; Adonais;  The Triumph of Life 260\u003c\/p\u003e \u003cp\u003eJohn Keats, Endymion ; ‘Sleep and Poetry’; The Sonnets 268\u003c\/p\u003e \u003cp\u003eJohn Keats, Hyperion and The Fall of Hyperion 277\u003c\/p\u003e \u003cp\u003eJohn Keats, The 1820 Volume 284\u003c\/p\u003e \u003cp\u003eThird]Generation Romantic Poets 295\u003c\/p\u003e \u003cp\u003eJohn Clare: Lyrics 297\u003c\/p\u003e \u003cp\u003eFelicia Hemans, Records of Woman: With Other Poems 304\u003c\/p\u003e \u003cp\u003eLetitia Elizabeth Landon, ‘Love’s Last Lesson’; ‘Lines of Life’;  ‘Lines Written under a Picture of a Girl Burning a Love]Letter’; ‘Sappho’s Song’; ‘A Child Screening a Dove from a Hawk.  By Stewardson’ 311\u003c\/p\u003e \u003cp\u003eThomas Lovell Beddoes, Death’s Jest]Book and Lyrics 318\u003c\/p\u003e \u003cp\u003ePart 5 Further Reading 325\u003c\/p\u003e \u003cp\u003eGeneral Critical Reading 327\u003c\/p\u003e \u003cp\u003eAnna Laetitia Barbauld (1743–1825) 328\u003c\/p\u003e \u003cp\u003eThomas Lovell Beddoes (1803–1849) 328\u003c\/p\u003e \u003cp\u003eWilliam Blake (1757–1827) 329\u003c\/p\u003e \u003cp\u003eRobert Burns (1759–1796) 329\u003c\/p\u003e \u003cp\u003eLord George Gordon Byron (1788–1824) 329\u003c\/p\u003e \u003cp\u003eJohn Clare (1793–1864) 330\u003c\/p\u003e \u003cp\u003eSamuel Taylor Coleridge (1772–1834) 330\u003c\/p\u003e \u003cp\u003eFelicia Hemans (1793–1835) 331\u003c\/p\u003e \u003cp\u003e(James Henry) Leigh Hunt (1784–1859) 331\u003c\/p\u003e \u003cp\u003eJohn Keats (1795–1821) 331\u003c\/p\u003e \u003cp\u003eLetitia Elizabeth Landon (1802–1838) 331\u003c\/p\u003e \u003cp\u003eThomas Moore (1779–1852) 332\u003c\/p\u003e \u003cp\u003eMary Robinson (1758–1800) 332\u003c\/p\u003e \u003cp\u003ePercy Bysshe Shelley (1792–1822) 332\u003c\/p\u003e \u003cp\u003eCharlotte Smith (1749–1806) 333\u003c\/p\u003e \u003cp\u003eRobert Southey (1774–1843) 333\u003c\/p\u003e \u003cp\u003eWilliam Wordsworth (1770–1850) 333\u003c\/p\u003e \u003cp\u003eAnn Yearsley (1753–1806) 334\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e \u003cp\u003e“It is a beautifully written and well-organized textbook, which will be of great value to undergraduates in English departments around the world…O’Neill and Callaghan are to be commended for the deft way they combine close reading and scholarship in these delightful essays” -- The Year’s Work in English Studies, Volume 98 (2019)\u003c\/p\u003e Michael O'Neill (born 1953 in Aldershot, Hampshire) is an English poet, and academic, specialising in the Romantic period and post-war poetry. A graduate of Exeter College, Oxford, O'Neill lectured at Durham University. \u003cp\u003eDid You Know?\u003c\/p\u003e \u003cp\u003eThis book is available as a\u003cbr\u003e\u003cb\u003eWiley E-Text.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Wiley E-Text is a complete digital version of the text that makes time spent studying more efficient.\u003c\/p\u003e \u003cp\u003eCourse materials can be accessed on a desktop, laptop, or mobile device—so that learning can take place anytime, anywhere.\u003c\/p\u003e \u003cp\u003eA more affordable alternative to traditional print, the \u003cb\u003eWiley E-Text\u003c\/b\u003e creates a flexible user experience:\u003c\/p\u003e \u003cp\u003e\u003cb\u003e✓ Access on-the-go\u003cbr\u003e✓ Search across content\u003cbr\u003e✓ Highlight and take notes\u003cbr\u003e✓ Save money! \u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Wiley E-Text can be purchased in the following ways:\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCheck with your bookstore for available e-textbook options\u003cbr\u003eWiley E-Text: Powered by VitalSource® ISBN 978-1-118-30871-4\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDirectly from:\u003cbr\u003e\u003cb\u003ewww.wiley.com\/wiley-blackwell\u003c\/b\u003e\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47990333243621,"sku":"NP9781118308721","price":26.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781118308721.jpg?v=1761787396","url":"https:\/\/k12savings.com\/es\/products\/the-romantic-poetry-handbook-isbn-9781118308721","provider":"K12savings","version":"1.0","type":"link"}