{"product_id":"the-reproduction-of-colour-isbn-9780470024256","title":"The Reproduction of Colour","description":"Increasing use of digital signals for transmitting data in television, photography and printing means the reproduction of pictorial colour in the 21st century continues to drive innovation in its development. \u003cp\u003eHunt’s classic text \u003ci\u003eThe Reproduction of Colour\u003c\/i\u003e has been fully revised and updated for the sixth edition to provide a comprehensive introduction to colour imaging and colour reproduction. New illustrations, diagrams and photographs ensure that both students and practising engineers using colour images can gain a full understanding of the theory and practical applications behind the phenomena they encounter.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eKey features:\u003c\/i\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eDescribes the fundamental principles of colour reproduction for photography, television, printing and electronic imaging.\u003c\/li\u003e \u003cli\u003eProvides detailed coverage of the physics of light and the property of colorants.\u003c\/li\u003e \u003cli\u003eIncludes new chapters on digital printing and digital imaging, which discuss colour reproduction on HDTV and desktop publishing.\u003c\/li\u003e \u003cli\u003ePresents expanded coverage of the evaluation of colour appearance.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003ci\u003eThe Reproduction of Colour\u003c\/i\u003e is already used as a basis for lectures in universities and specialist institutions and continues to be an essential resource for scientists, engineers and developers needing to appreciate the technologies of colour perception.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eReviews of the Fifth Edition:\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\"The book is beautifully written and superbly presented. It is a credit to both author and publisher, and deserves to be on the shelves of anyone who has any concern with the reproduction of colour.\"\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Journal of Photographic Science, Vol. 43 1995\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\"Using his ability as a teacher, Dr Hunt has made potentially very difficult topics quite readable…he brings the insight that leads the reader to a greater depth of understanding.\"\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eColor Research and Application, Vol. 23 1998\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eThe Society for Imaging Science and Technology is an international society that aims to advance the science and practices of image assessment. A major objective of the Wiley-IS\u0026amp;T series will be to explain the latest scientific and technological developments in the field of imaging at a professional level. The broad scope of the series will focus on imaging in all its aspects, with particular emphasis on digital printing, electronic imaging, photofinishing, image preservation, image assessment, image archiving, pre-press technologies and hybrid imaging systems.\u003c\/p\u003e \u003cp\u003eSeries Preface xviii\u003c\/p\u003e \u003cp\u003ePreface to the Sixth Edition xx\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART ONE FUNDAMENTALS\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Spectral Colour Reproduction 3\u003c\/p\u003e \u003cp\u003e2 Trichromatic Colour Reproduction and the Additive Principle 9\u003c\/p\u003e \u003cp\u003e3 Additive Methods 18\u003c\/p\u003e \u003cp\u003e4 The Subtractive Principle 25\u003c\/p\u003e \u003cp\u003e5 Visual Appreciation 31\u003c\/p\u003e \u003cp\u003e6 Tone Reproduction 47\u003c\/p\u003e \u003cp\u003e7 The Colour Triangle 68\u003c\/p\u003e \u003cp\u003e8 Colour Standards and Calculations 92\u003c\/p\u003e \u003cp\u003e9 The Colorimetry of Subtractive Systems 126\u003c\/p\u003e \u003cp\u003e10 Light Sources 139\u003c\/p\u003e \u003cp\u003e11 Objectives in Colour Reproduction 163\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART TWO COLOUR PHOTOGRAPHY\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e12 Subtractive Methods in Colour Photography 183\u003c\/p\u003e \u003cp\u003e13 Reflection Prints in Colour 199\u003c\/p\u003e \u003cp\u003e14 Quantitative Colour Photography 212\u003c\/p\u003e \u003cp\u003e15 Masking and Coloured Couplers 244\u003c\/p\u003e \u003cp\u003e16 Printing Colour Negatives 262\u003c\/p\u003e \u003cp\u003e17 The Chemistry of Colour Photography 277\u003c\/p\u003e \u003cp\u003e18 Image Structure in Colour Photography 300\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART THREE COLOUR TELEVISION\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e19 The Transmission of Colour Television Signals 335\u003c\/p\u003e \u003cp\u003e20 Electronic Cameras 360\u003c\/p\u003e \u003cp\u003e21 Display Devices for Colour Television 376\u003c\/p\u003e \u003cp\u003e22 The N.T.S.C. and Similar Systems of Colour Television 393\u003c\/p\u003e \u003cp\u003e23 The Use of Colour Film in Colour Television 427\u003c\/p\u003e \u003cp\u003e24 Video Cassettes 443\u003c\/p\u003e \u003cp\u003e25 Pictures from Computers 455\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART FOUR COLOUR PRINTING\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e26 Photomechanical Principles 475\u003c\/p\u003e \u003cp\u003e27 Preparing the Copy and Checking the Results 492\u003c\/p\u003e \u003cp\u003e28 Practical Masking in Making Separations 504\u003c\/p\u003e \u003cp\u003e29 Colour Scanners 519\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART FIVE DIGITAL IMAGING\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e30 Bit Requirements 545\u003c\/p\u003e \u003cp\u003e31 Camcorders and Digital Still Cameras 555\u003c\/p\u003e \u003cp\u003e32 Digital Scanners 564\u003c\/p\u003e \u003cp\u003e33 Digital Printing 569\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART SIX EVALUATING COLOUR APPEARANCE\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e34 Chromatic Adaptation Transforms and a Colour Inconstancy Index 589\u003c\/p\u003e \u003cp\u003e35 CIECAM97s Model of Colour Appearance 596\u003c\/p\u003e \u003cp\u003e36 Models of Colour Vision for Comprehensive Purposes and for Unrelated Colours 627\u003c\/p\u003e \u003cp\u003e37 Colour Reproduction Indices 637\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAPPENDICES\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAppendix 1 Matrix Algebra 645\u003c\/p\u003e \u003cp\u003eAppendix 2 Colorimetric Tables 650\u003c\/p\u003e \u003cp\u003eAppendix 3 Photometric Units 663\u003c\/p\u003e \u003cp\u003eAppendix 4 Photographic Parameters 666\u003c\/p\u003e \u003cp\u003eAppendix 5 Advanced Colour Difference Formulae 670\u003c\/p\u003e \u003cp\u003eAppendix 6 A Replacement for CIECAM97s 672\u003c\/p\u003e \u003cp\u003eAppendix 7 Spectral Luminous Efficiency Functions 678\u003c\/p\u003e \u003cp\u003eIndex 681\u003c\/p\u003e  \"Hunt's ability to transmit complex technical information in a communicable, easy reading manner is to be applauded…will make a difference n the careers of scientists, engineers, color developers, and color technologists, who undertake to study and learn from it.\" (\u003ci\u003eCOLOR research and application\u003c\/i\u003e, December 2005)  \u003cp\u003e\"…a standard…[that] is widely used in research, teaching, and lecturing.\" (\u003ci\u003eCHOICE\u003c\/i\u003e, July 2005)\u003c\/p\u003e  \u003cb\u003eRobert Hunt\u003c\/b\u003e, formerly Assistant Director of Research, Kodak Research Laboratories in Harrow, England, is an independent colour consultant and visiting Professor of Colour Science at the University of Derby.\u003cbr\u003e He has been Chairman of the Colour Group of Great Britain (1961-63); Chairman of the Colorimetry Committee of the CIE (1975-83); and President of the International Colour Association (1981-85). He has written over a hundred papers on colour, vision, colour reproduction, and colour measurement. He is an Honorary Fellow of the Royal Photographic Society and a member of the Royal Institution where he served as Vice-President (1985-87). He has been awarded the Progress Medal of the Royal Photographic Society, the Judd-AIC Medal of the International Colour Association, and the Gold Medal of the Institute of Printing. Increasing use of digital signals for transmitting data in television, photography and printing means the reproduction of pictorial colour in the 21st century continues to drive innovation in its development. \u003cp\u003eHunt’s classic text \u003ci\u003eThe Reproduction of Colour\u003c\/i\u003e has been fully revised and updated for the sixth edition to provide a comprehensive introduction to colour imaging and colour reproduction. New illustrations, diagrams and photographs ensure that both students and practising engineers using colour images can gain a full understanding of the theory and practical applications behind the phenomena they encounter.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eKey features:\u003c\/i\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eDescribes the fundamental principles of colour reproduction for photography, television, printing and electronic imaging.\u003c\/li\u003e \u003cli\u003eProvides detailed coverage of the physics of light and the property of colorants.\u003c\/li\u003e \u003cli\u003eIncludes new chapters on digital printing and digital imaging, which discuss colour reproduction on HDTV and desktop publishing.\u003c\/li\u003e \u003cli\u003ePresents expanded coverage of the evaluation of colour appearance.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003ci\u003eThe Reproduction of Colour\u003c\/i\u003e is already used as a basis for lectures in universities and specialist institutions and continues to be an essential resource for scientists, engineers and developers needing to appreciate the technologies of colour perception.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eReviews of the Fifth Edition:\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\"The book is beautifully written and superbly presented. It is a credit to both author and publisher, and deserves to be on the shelves of anyone who has any concern with the reproduction of colour.\"\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Journal of Photographic Science, Vol. 43 1995\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\"Using his ability as a teacher, Dr Hunt has made potentially very difficult topics quite readable…he brings the insight that leads the reader to a greater depth of understanding.\"\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eColor Research and Application, Vol. 23 1998\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eThe Society for Imaging Science and Technology is an international society that aims to advance the science and practices of image assessment. A major objective of the Wiley-IS\u0026amp;T series will be to explain the latest scientific and technological developments in the field of imaging at a professional level. The broad scope of the series will focus on imaging in all its aspects, with particular emphasis on digital printing, electronic imaging, photofinishing, image preservation, image assessment, image archiving, pre-press technologies and hybrid imaging systems.\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47990328951013,"sku":"NP9780470024256","price":198.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780470024256.jpg?v=1761787378","url":"https:\/\/k12savings.com\/es\/products\/the-reproduction-of-colour-isbn-9780470024256","provider":"K12savings","version":"1.0","type":"link"}