{"product_id":"the-locust-and-the-bird-isbn-9780307472311","title":"The Locust and the Bird","description":"In a masterly act of literary transformation, celebrated novelist Hanan al-Shaykh re-creates the dramatic life and times of her mother, Kamila.\u003cbr\u003e \u003cbr\u003eMarried at a young age against her will, Kamila soon fell head-over-heels in love with another man—and was thus forced to choose between her children and her lover. As the narrative unfolds through the years—from the bazaars, cinemas and apartments of 1930s Beirut to its war-torn streets decades later—we follow this passionate woman as she survives the tragedies and celebrates the triumphs of a life lived to the very fullest.“A tale of female independence. . . . Deeply reflective and moving.”\u003cbr\u003e—\u003ci\u003eSan Francisco Chronicle\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“\u003ci\u003eThe Locust and the Bird\u003c\/i\u003e conquers the distance between mother and daughter, revealing the tragedies that can ensue when cultural machismo forces brave women into impossible choices.”\u003cbr\u003e—Jayne Anne Phillips, \u003ci\u003eMore\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e“A vital [work] about the lives of Arabic families. . . . [It]\u003ci\u003e \u003c\/i\u003ehas a warmth that crosses cultures and feels like a pure, shining blast of sun. . . . Al-Shaykh’s fictionalized account of her mother’s life burns with truth. . . . Forgiveness—not anger—saturates this book like a perfume; every character is desperately, vulnerably human. Al-Shaykh’s triumph is that she retrieves her mother’s wisdom—a wondrous lesson for grown daughters everywhere.”\u003cbr\u003e—\u003ci\u003eLos Angeles Times\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e“[A] poignant family history. . . . Through telling her mother’s story, [Al-Shaykh] learns to appreciate the sacrifices demanded of so many Arab women in their bid for freedom.”\u003cbr\u003e—\u003ci\u003eThe New Yorker\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“It is an extraordinarily brave act for a writer to undertake to inhabit, fully and sympathetically, the life her mother lived.”\u003cbr\u003e—J.M. Coetzee, Nobel Prize-winning author of \u003ci\u003eDisgrace\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e“What a Woman!!! What a storyteller!!! . . . I felt extremely lucky to spend time with someone so intelligent, full of humor and love.”\u003cbr\u003e—Marjane Satrapi, author of \u003ci\u003ePersepolis\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e“A richly tragic and rivetingly original tale. . . . Al-Shaykh's suspenseful, intimate biography throbs with the sense of wonder an Old World survivor experiences when colliding with the new. This voluptuous, deft dissection of a love that transcends borders, class and generations is a delight.”\u003cbr\u003e—\u003ci\u003eNewark Star-Ledger\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e“Courageously addresses both the themes of geographical separation and the jagged motifs of mother-daughter conflict. . . . I have never read a memoir which so clearly demonstrates art’s power to help us survive.”\u003cbr\u003e—\u003ci\u003eThe Independent\u003c\/i\u003e (London)\u003cbr\u003e \u003cbr\u003e“Al-Shaykh is one of the most courageous writers of the Arab world. The story of her irrepressible mother, might help explain the origins of Hanan Al-Shaykh’s singular ability to trailblaze.”\u003cbr\u003e—Rabih Alameddine, author of \u003ci\u003eThe Hakawati\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e“Extraordinary. . . . Hanan adeptly and generously captures the thoughts and concerns of a young woman growing up, the hard way, in Lebanon half a century ago.”\u003cbr\u003e—\u003ci\u003eTime Out \u003c\/i\u003e(London)\u003cbr\u003e \u003cbr\u003e“Frank and uncompromising. . . . Kamila’s trials are the trials of all women who have sought to be free; her choices some of the toughest yet made in the name of independence.”\u003cbr\u003e—\u003ci\u003eThe Times \u003c\/i\u003e(London)\u003cbr\u003e \u003cbr\u003e“A riveting, deeply compelling character study that combines real dramatic tension with historical and political relevance. Charming, egotistical, funny, vain, spell-binding, al-Shaykh’s mother defies religion, family, and tradition to create a life on her own terms. A fabulously addictive read.”\u003cbr\u003e—Diana Abu-Jaber, author of \u003ci\u003eCrescent\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e“A powerful book on the dangers of romantic love in mid-20th century Arab society.”\u003cbr\u003e—\u003ci\u003eThe Guardian \u003c\/i\u003e(London)\u003cbr\u003e \u003cbr\u003e“Astonishing. . . . Spectacular. . . . [\u003ci\u003eThe Locust and the Bird\u003c\/i\u003e] is Hanan al-Shaykh’s masterpiece. Kamila is Hanan’s most extraordinary character.”\u003cbr\u003e—Charles R. Larson, \u003ci\u003eThe Jakarta Post\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e“An adventure tale, a confession, a tragic romance. . . . The book is that rarity—a memoir told in the round but through one set of eyes, so that we understand, increasingly, everyone’s motives, their saving graces, while ever more deeply seeing the flawed yet magical world through the sensibility of its subject.”\u003cbr\u003e—\u003ci\u003eThe Scotsman\u003c\/i\u003e\u003cb\u003eHanan al-Shaykh \u003c\/b\u003eis one of the contemporary Arab world’s most acclaimed writers. She was born in Lebanon and brought up in Beirut, before going to Cairo to receive her education. She was a successful journalist in Beirut, then later lived in the Arabian Gulf, before moving to London. A novelist and a playwright, al-Shaykh is the author of the collection \u003ci\u003eI Sweep the Sun off Rooftops\u003c\/i\u003e,\u003ci\u003e \u003c\/i\u003eand the novels \u003ci\u003eThe Story of Zahra\u003c\/i\u003e, \u003ci\u003eWomen of Sand and Myrrh\u003c\/i\u003e, \u003ci\u003eBeirut Blues, \u003c\/i\u003eand, most recently, \u003ci\u003eOnly in London\u003c\/i\u003e, which was shortlisted for the \u003ci\u003eIndependent \u003c\/i\u003eForeign Fiction Prize. She lives in London.1932: Ever Since I Can Remember\u003cbr\u003e\u003cbr\u003eIt all began on the day that my brother Kamil and I chased after  Father, with Mother's curses ringing in our ears. I hoped and prayed  God would take vengeance on him. He'd fallen in love with another  woman, deserted us, and married her.\u003cbr\u003e\u003cbr\u003eMother had been to court in Nabatiyeh to seek child-support  payments, but it did no good. Kamil and I were hunting for him so  that he would buy us food. We ran over the rocky ground to the next  village where he lived. We searched in the market at Nabatiyeh,  asking people where we might find him. The sound of his voice and his  loud laugh finally led us to him; he was too short to spot in a  crowd, much shorter than Mother. Following her instructions, we asked  him to buy us sugar and meat. He agreed immediately, telling us to  follow him. We tagged along, our eyes glued to his back, terrified of  losing him among the piled-up sacks of burghul and lentils, camels,  donkeys, sheep and chickens, hawkers and vendors peddling their  wares. At times he disappeared and we'd panic, thinking we had lost  him for ever; then he'd reappear and our spirits would soar. Finally  he gave up trying to lose us. He told us that he had no money and  could buy us nothing. He described how to find our uncle's cobbler's  stall near by and then he vanished.\u003cbr\u003e\u003cbr\u003eKamil yelled Father's name as loudly as he could above the vendors'  cries and the bleating of the animals.\u003cbr\u003e\u003cbr\u003e'Listen, boy,' said a man selling sheepskins. 'That voice of yours is  about as much use as a fart in a workshop full of metal beaters!'\u003cbr\u003e\u003cbr\u003eWe made our way back to Mother. She was waiting with her brother at  his cobbler's stall. When she saw we were empty-handed, she frowned  and swore she'd go back to court. We arrived home with no meat, no  rice, no sugar. Mother made us tomato\u003ci\u003e Kibbeh \u003c\/i\u003ewithout meat. She  squeezed the tomatoes and the red juice oozed between her fingers.  Did the tomato pips feel pain and try to escape, I wondered? Didn't  Mother say that Father had crushed her heart?\u003cbr\u003e\u003cbr\u003eMother kneaded the \u003ci\u003eKibbeh.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e'Look how red it is, and there's burghul in it, just like real  Kibbeh,' she said brightly.\u003cbr\u003e\u003cbr\u003eLike real \u003ci\u003eKibbeh?\u003c\/i\u003e Who was she fooling? Where was the raw meat to be  tenderised? Where was our wooden mortar and pestle, which I would  recognise out of a thousand? Real Kibbeh? Then why wasn't Mother  extracting those white, sinew-like bits of thread and making a pile  of them, leaving the meat looking like peeled figs?\u003cbr\u003e\u003cbr\u003eThe next day Mother took us to court and talked to a man called a  sheikh, who wore a turban shaped like a melon.\u003cbr\u003e\u003cbr\u003e'My husband's refusing to support them,' she told him, pushing us  forward. 'How am I supposed to feed my children? By cutting off a  piece of my own hand? How am I supposed to clothe them? By flaying my  own skin?'\u003cbr\u003e\u003cbr\u003eWe listened as the man in the turban talked to Mother. He used one  phrase that stuck in my mind: 'The payment due to you will be sitting  right there, in the middle of your home.' I thought he meant it would  happen literally; I didn't realise it was a figure of speech. The  moment we got home I started pacing the floor, the way I'd seen older  people measure things, even graves. When I'd calculated the exact  middle of our home, I sat by the spot and waited for the lira to appear.\u003cbr\u003e\u003cbr\u003eA neighbour came in to offer Mother advice.\u003cbr\u003e\u003cbr\u003e'Let him have the children,' she said. 'Stop torturing yourself!'\u003cbr\u003e\u003cbr\u003e'Get out of my sight!' Mother yelled, and chased her to the door.  'Before I throw you into the prickly pear bush!'\u003cbr\u003e\u003cbr\u003eNeedless to say, the money never appeared, not in the middle of the  house or anywhere else. One day, Kamil and I were playing with some  children at the front of the house. Mother was busy in the vegetable  plot picking some of the beans she'd planted and hunting for wild  endive and chard. Father arrived and asked us to go with him to the  market so he could buy us clothes, meat, sugar, molasses and  sweetmeats. We were so hungry and excited that we forgot to tell  Mother. Without even putting on our shoes, we rushed to Father and  ran along behind him.\u003cbr\u003e\u003cbr\u003eAs we walked he kept adding to his promises.\u003cbr\u003e\u003cbr\u003e'I want to buy you some new shoes as well. They'll be so shiny you'll  see your faces in them!' he said.\u003cbr\u003e\u003cbr\u003eHe took us along a path between rocks, thorns and a few trees. But we  knew this wasn't the way to the market; the path led to the  neighbouring village, where he and his new wife lived.\u003cbr\u003e\u003cbr\u003e'So she thinks she's smarter than me?' he told his new wife when we  arrived at their house. 'They can live here. Then there'll be no  expense and no headaches either.'\u003cbr\u003e\u003cbr\u003eIt was a long night. We tossed and turned, yearning for Mother. I  worried that she must be imagining a hyena had pissed on our legs,  enchanting us and stealing us away to its lair, where it would tear  the flesh from our bones. Or perhaps she thought that the earth had  opened up and swallowed us. But my brother assured me that the  children we'd been playing with would tell her that we'd gone with  Father. We fell asleep clutching each other, listening to each  other's heartbeats, missing the sound of our cows in the night.\u003cbr\u003e\u003cbr\u003eIn the morning, I found I could not read Father's wife's expression.  But at home, I had no trouble understanding Mother. I knew that I  loved her. I also knew that, because Mother didn't like Father's  wife, I wasn't obliged to like her either. I stared at her eyes,  trying to discover the secret of their green colour - they were the  first eyes I'd seen that weren't black. Did she put green kohl around  them? Mother had black eyes - she ground black stones and used the  grinds to line her eyes. We missed Mother so much that we couldn't  swallow our breakfast of molasses and sugar. We had to sip tea with  each mouthful.\u003cbr\u003e\u003cbr\u003eMy brother and I sat close to each other, staring and yawning,  waiting for evening. Time passed slowly. It was the summer holidays  and Father wasn't teaching in the second room of his house, so we  didn't even sit and watch the lessons. We had never asked if Mother  could send us to a teacher in Nabatiyeh; we knew that she couldn't  afford it.\u003cbr\u003e\u003cbr\u003eWe made up our minds to run away just before sunset. There was no  forethought; it was just the idea of another night in bed without  Mother sleeping between us, a hand stretched out to touch each child,  that made us leave. We waited on the porch until Father's wife put  down a dish of lentils by the stone bread-oven. As soon as she  disappeared inside to knead her dough, my brother grabbed the dish of  lentils and poured the contents into his djellabah, gasping at the  heat. Then we ran barefoot, back the way we'd come, over the brown  and red stones, over the sparse vegetation, never stopping to worry  about thorns or the scalding lentils. We kept running - not hand in  hand as my mother used to instruct us. 'Promise me, you won't let  anybody separate your hands, even angels,' she would say. I didn't  even stop when I spotted, amid the rocks, a bush bearing a tomato the  colour of anemones. Only when the fig trees and the big pond came  into view did we slow down and begin to relax. When we spotted a grey  rock called the camel (because it looked like one) we were certain we  were on the way home. Thorns got inside my dress; they pricked my  skin and hurt like hornet stings, but I wanted to see Mother and eat  some of those lentils so badly that I ran even faster, as though I  was swallowing the ground itself.\u003cbr\u003e\u003cbr\u003eDarkness fell suddenly, as if the camel had blocked out the sun. We  were terrified that Ali Atrash was going to jump out at us. Ali  Atrash was the local madman; he walked with a wooden box tied so  tightly against his chest that it seemed almost a part of him. When  he breathed or cried out, the box jerked up and down. People said  he'd once had a stash of gold coins, but awoke one morning to find  them gone from the wooden box in which he hid them. When suspicion  fell on his own brother, Ali Atrash went out of his mind. From that  day on, he was scared of young children throwing stones at him. But  they did it because they feared his madness. He would yell at them,  nonsensical things like, 'Gold from the earth, gold from the earth!'\u003cbr\u003e\u003cbr\u003eI tried to reassure my brother, telling him that Ali Atrash wouldn't  harm us because he knew we were the children of a woman the locals  called Little Miss Bashful. She had always treated him kindly, taken  his hand when she met him, brought him to her house, sat him down on  the threshold, bent over his shoeless feet and pulled out the thorns  with her eyebrow tweezers, and given him food and drink.\u003cbr\u003e\u003cbr\u003eCould he see us in the dark, we wondered? We each held our breath  until we saw our house in the distance and knew for sure we were  home. But before our joy could be fulfilled, we spied a figure  wandering back and forth. I was sure it was Ali Atrash, but instead  it was Mother waiting for us. When she saw us, she cried out and  burst into tears. We whooped with pleasure.\u003cbr\u003e\u003cbr\u003e'We've come home, Mother!' yelled Kamil. 'We've brought some lentils.  I want you to have them.'\u003cbr\u003e\u003cbr\u003eMother began to sing, as if she was keening, and wrung her hands. She  ran towards us, and we to her, until she wrapped us in her arms,  weeping, kissing us and inhaling our scent.\u003cbr\u003e\u003cbr\u003e'The bastard kidnapped you,' she kept saying. 'May God snatch him  away too!'\u003cbr\u003e\u003cbr\u003eShe took us inside, and my brother scooped the lentils on to a plate.  Mother had prepared some green beans and we ate with gusto. Then the  three of us settled on the mattress. Mother sat, blowing on my  brother's scalded thighs and my bleeding feet.\u003cbr\u003e\u003cbr\u003e'Mother,' I asked, 'how did you know we would run away and come home?'\u003cbr\u003e\u003cbr\u003e'I'm your mother, aren't I?'\u003cbr\u003e\u003cbr\u003eI lay there, listening to the cows mooing in the back yard. I  reminded myself that they snorted whether or not I was home, without  knowing what was going on. Their huge eyes stared into the darkness  as they lay down for the night. I stared hard through the darkness  too, anxious to reassure myself that I was with Mother in the house  and not with Father and his wife. This house would always stay where  it was; I could see the bureau, the mirror, the living room, and the  window.\u003cbr\u003e\u003cbr\u003eI only felt sleepy when Mother finally lay down between me and my  brother. The wind whistled and brushed the trees. The mooing soothed  me to sleep, as if the cows were singing me a lullaby.","brand":"Anchor","offers":[{"title":"Default Title","offer_id":46304702464229,"sku":"NP9780307472311","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780307472311.jpg?v=1767740291","url":"https:\/\/k12savings.com\/es\/products\/the-locust-and-the-bird-isbn-9780307472311","provider":"K12savings","version":"1.0","type":"link"}